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Foundations of Photography: Black and White

Goodbye


From:

Foundations of Photography: Black and White

with Ben Long

Video: Goodbye

You know, most of the time, seeing things in black and white is considered a bad thing, a sign of narrow- mindedness or oversimplification, but I am here to encourage you to go out and see things in black and white, at least photographically. Your next steps after watching this course are to go out and look at black-and- white images, get your camera our and practice black and white, and even when you don't have your camera with you, pay attention to lighting. As with any photographic endeavor, practice is going to be the thing that does more than anything else to improve your pictures, but I'm hoping that your newfound understanding of black and white is going to open up an entirely new realm of photography for you.
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  1. 8m 25s
    1. Welcome
      1m 24s
    2. Why black and white?
      5m 12s
    3. Suggested prerequisites
      53s
    4. Using the exercise files
      56s
  2. 19m 43s
    1. Is it really black and white?
      1m 9s
    2. How gray corresponds to color
      4m 38s
    3. The medium of black and white
      3m 5s
    4. The vocabulary of black and white
      4m 46s
    5. The physiology of black and white
      2m 22s
    6. How a camera's image sensor captures an image
      3m 43s
  3. 32m 46s
    1. Preparing the camera
      3m 34s
    2. Light revisited
      6m 3s
    3. Seeing in black and white
      2m 21s
    4. Taking a black-and-white expedition
      1m 17s
    5. Finding and shooting a black-and-white image
      11m 14s
    6. Shooting a tone-based subject
      2m 0s
    7. Exposing for black and white
      6m 17s
  4. 1h 38m
    1. The nature of grayscale images
      3m 33s
    2. Converting to black and white using Photoshop CS4 or CS5
      6m 17s
    3. More about the Black & White dialog box
      3m 19s
    4. Converting to black and white using Black & White adjustment layers
      3m 55s
    5. Converting to black and white in Camera Raw
      4m 5s
    6. Making an advanced tonal correction
      17m 33s
    7. Doing more tonal corrections
      14m 6s
    8. Calming down highlights
      10m 4s
    9. Vignetting
      8m 58s
    10. The trestle images
      2m 39s
    11. Handling tricky skies
      2m 43s
    12. Doing a selective black-and-white conversion
      2m 23s
    13. Toning
      1m 19s
    14. Split-toning
      2m 19s
    15. High-key and low-key images
      2m 32s
    16. Diffusion
      4m 40s
    17. Using Nik Software's Silver Efex Pro 2 plug-in
      7m 46s
  5. 24m 14s
    1. Selecting a printer
      5m 17s
    2. Preparing the image for print
      8m 30s
    3. Configuring the Print dialog
      5m 9s
    4. Evaluating a print
      5m 18s
  6. 43s
    1. Goodbye
      43s

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Foundations of Photography: Black and White
3h 4m Intermediate Jun 29, 2011

Viewers: in countries Watching now:

In this Foundations of Photography, Ben Long shows photographers how to develop a black and white vocabulary and explains the considerations to take into account when shooting for this medium. The course follows Ben as he goes on location and explains what makes good black and white subject matter and how to visualize the scene in terms of tonal values and contrast rather than color. Along the way, he demonstrates some exposure strategies for getting the best images. Back at the computer, Ben demonstrates techniques for converting the resulting photos into black and white using Photoshop and other imaging tools, and offers tips on printing and output.

Topics include:
  • Why shoot in black and white
  • How to recognize good black-and-white subject matter
  • Preparing the camera
  • Shooting a tone-based subject
  • Exposing for black and white
  • Understanding grayscale
  • Converting from color to black and white using Photoshop CS4 or CS5
  • Converting to black and white in Camera Raw
  • Vignetting
  • Toning and split-toning
  • Comparing high key versus low key images
  • Preparing a black and white image for print
Subjects:
Photography Photography Foundations Black and White
Software:
Photoshop
Author:
Ben Long

Goodbye

You know, most of the time, seeing things in black and white is considered a bad thing, a sign of narrow- mindedness or oversimplification, but I am here to encourage you to go out and see things in black and white, at least photographically. Your next steps after watching this course are to go out and look at black-and- white images, get your camera our and practice black and white, and even when you don't have your camera with you, pay attention to lighting. As with any photographic endeavor, practice is going to be the thing that does more than anything else to improve your pictures, but I'm hoping that your newfound understanding of black and white is going to open up an entirely new realm of photography for you.

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