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As with most things, your printing will improve as you get more practice. Some of that necessary practice is mechanical, getting better at driving your image editor. While some of it stems from improving your print aesthetic and your understanding and recognition good tone, color, and contrast. You'll be well served by practicing and experimenting with those print-specific image adjustments that we worked at learn your histogram. Remember to check your blacks and whites and experiment with expanding your midtones and remember to apply individual edits to each differently lit area of your image.
Practice, though, can also come from looking at other people's prints. When you look at a photo book or any image that you like, see what you learn about how black, white, and gray are used throughout the print. Conversely, when your see a print that you don't think is very good, try to figure out why. Is it because the black isn't black enough? Is it because there's no true white? Is the color slightly warm or cool? Personally, I find printing to be a lot of fun. But I think you might also be surprised to find how printing affects your shooting. As your understanding of tone and color improves, you'll be able to better pre-visualize prints while you're out in the field with your camera, and that might give you a very different view of your subject matter or even help you recognize new subject matter.
So don't think that the end of this course is a stopping point. You're really just getting started. Load up some more images. Practice with some more prints and have fun.
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