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Photoshop CS6 One-on-One: Fundamentals is a concise and focused introduction to the key features in Photoshop, presented by long-time lynda.com author and Adobe veteran Deke McClelland. This course covers the image editing process from the very beginning and progresses through the concepts and techniques that every photographer or graphic designer should know. Deke explains digital imaging fundamentals, such as resolution vs. size and the effects of downsampling. He explains how to use layers to edit an image nondestructively and organize those edits in an easy-to-read way, and introduces techniques such as cropping, adjusting brightness and contrast, correcting and changing color, and retouching and healing images. These lessons distill the vast assortment of tools and options to a refined set of skills that will get you working inside Photoshop with confidence.
Luminance, also known as tone is the brightness of a pixel. Luminance is measured in steps known as levels. In an everyday average RGB image, which is far in a way the most common kind of image you'll encounter, a level of 0 is black and a level of 255 is white. The other levels 1 through 224 are shades of gray in between. So where does color come in? Again, assuming an RGB image, you have three luminance-only versions of the image called channels.
The three channels are respectively colorized red, green and blue, hence RBG, and then blended together to produce the full color composite. In other words, color is a function of luminance. Meanwhile, luminance and color sometimes react with each other in surprising ways. Look at a strip of gray values and you see a steady progression of neutral levels just as you would expect. Throw in a cool color like blue, and the blues go from light to dark again as expected.
But add a warm color like red and we go from these pinks at the top to a surprisingly intense scarlet near the bottom. Then as we progress into the oranges, notice how the most vivid colors move up the list. We eventually arrive at yellow, which darkens into a muddy, somewhat unappetizing green. In other words, changing the brightness of a photo can be tricky. The purpose of this chapter is to show you how to adjust luminance in ways that make your images look always better and never worse.
I'll start by explaining channels so you can see how luminance and color work together. Next, I'll show you Photoshop's Automatic Luminance Correction functions, and then we'll take a look at two commands that put you in control, Brightness Contrast and Shadows Highlights. In the end, I think you'll be amazed at the degree to which you can rescue even the most washed-out or gloomy looking image.
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