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Photoshop CS6 New Features Overview

The Field Blur filter


From:

Photoshop CS6 New Features Overview

with Tim Grey and Olaf Giermann

Video: The Field Blur filter

As photographers we're generally focused on trying to make sure that all of our images are sharp. And yet in some cases, you may want to apply a bit of a blur to certain images or just certain areas of an image. The new field blur filter in Photoshop CS6 makes it very easy to apply a realistic blur effect with a bit more control than you might realize at first. Let's take a look at how it works. I'm going to start off by creating a copy of my background image layer. So, I'll drag the Background Image layer thumbnail, down to the Create New Layer button, the blank sheet of paper icon at the bottom of the Layers panel. That will create a background copy so that I can blur that layer without worrying about the original Background Image layer. I'll then choose Filter > Blur > Field Blur.
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  1. 1m 59s
    1. Welcome
      1m 59s
  2. 24m 48s
    1. Interface update
      1m 41s
    2. Panel updates
      4m 0s
    3. File compatibility preferences
      1m 57s
    4. PDF presentation
      4m 2s
    5. Contact sheets
      4m 24s
    6. Tool recording in actions
      3m 34s
    7. Print dialog updates
      5m 10s
  3. 9m 10s
    1. Adobe Camera Raw updates
      5m 27s
    2. Auto Brightness/Contrast adjustments
      1m 36s
    3. The new Auto option for Curves and Levels
      2m 7s
  4. 28m 6s
    1. Crop tool overhaul
      6m 41s
    2. The Perspective Crop tool
      3m 5s
    3. The Adaptive Wide Angle filter
      5m 31s
    4. Patch tool updates
      4m 45s
    5. The Content-Aware Move tool
      5m 45s
    6. The Detect Faces option
      2m 19s
  5. 18m 44s
    1. The Oil Paint filter
      2m 51s
    2. Airbrush tips
      2m 24s
    3. Erodible brush tips
      2m 28s
    4. The Field Blur filter
      3m 51s
    5. The Iris Blur filter
      3m 25s
    6. The Tilt-Shift filter
      3m 45s
  6. 7m 29s
    1. Paragraph and character styles
      4m 50s
    2. Vector layers
      2m 39s
  7. 22m 16s
    1. The Timeline panel
      2m 35s
    2. Video groups and arranging clips
      1m 55s
    3. Trimming and splitting clips and adding transitions
      4m 25s
    4. Creating a transformation with layers
      2m 45s
    5. Adding and animating pictures
      2m 48s
    6. Applying adjustments and filters to frames or whole videos
      4m 24s
    7. Exporting video
      3m 24s
  8. 43m 16s
    1. Goodbye Repoussé: The new 3D workflow
      5m 12s
    2. Improved viewport navigation
      4m 55s
    3. Splitting, rotating, and aligning extrusions
      7m 43s
    4. 3D materials and rendering
      5m 45s
    5. Advanced 3D features
      8m 24s
    6. Live extrusions and shadows and reflections in the viewport
      5m 9s
    7. Painting on target textures
      6m 8s

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Photoshop CS6 New Features Overview
2h 35m Intermediate May 21, 2012

Viewers: in countries Watching now:

In this course, Adobe Photoshop experts Tim Grey and Olaf Giermann look at the new features available in Photoshop CS6 and show you how to incorporate them into your workflow. They take you on a tour of the interface, which has a new look and different controls in some of the panels, and introduce you to all the new features in areas like adjustments, image cleanup, creative effects, text and graphics, video, and 3D.

Topics include:
  • General and interface updates
  • Adjustment updates
  • Image cleanup updates
  • Creative updates
  • Text and graphics updates
  • Working with video
  • 3D updates
Subjects:
Photography video2brain
Software:
Photoshop
Authors:
Tim Grey Olaf Giermann

The Field Blur filter

As photographers we're generally focused on trying to make sure that all of our images are sharp. And yet in some cases, you may want to apply a bit of a blur to certain images or just certain areas of an image. The new field blur filter in Photoshop CS6 makes it very easy to apply a realistic blur effect with a bit more control than you might realize at first. Let's take a look at how it works. I'm going to start off by creating a copy of my background image layer. So, I'll drag the Background Image layer thumbnail, down to the Create New Layer button, the blank sheet of paper icon at the bottom of the Layers panel. That will create a background copy so that I can blur that layer without worrying about the original Background Image layer. I'll then choose Filter > Blur > Field Blur.

This will bring up the Blur tools panel as well as the Blur Effects panel, and you'll notice that the field blur adjustment is quite simple. We can simply adjust the degree of blur. Whether it's a strong blur or a relatively subtle blur. We can also adjust the Boca effects if we want to include that in our blur. But for the time being, we'll just focus on the field blur itself. I'll increase the amount of blur being applied to the image. In this case, my thought is that I'd like to use this American flag as the backdrop for another project.

And so, I want to fade it back just a little bit I want it to not be quite so prominent in the foreground. And of course, that's a relatively straightforward adjustment. I'll go ahead and apply a little bit more blur. But what if we decide that we'd like to have the blur effect in certain areas of the photo more than others? For example, I like the blur effect in the stripes but maybe I want the stars to not be quite so blurred so that they have a little bit more of a sense of being actual stars. We're able to actually adjust the blur effect, Forefield Blur, using this control that appears at the center of the image.

For example, the circle around the outside allows me to adjust the degree of blur. So, this is in lieu of the slider on the Blur tools panel. But I can also change the position of the blur. I'll go ahead and point to the button in the center, and then drag this down to toward the bottom right. Now initially, nothing changes in the image because I'm using a single point to define the blur for the image. However, I can also click on another portion of the image in order to add an additional control point. I'll go ahead and reduce the blur for that area and increase the blur for the original area so that we can get a better sense of exactly what's going on here. By adjusting the degree of blur as well as the position for each of the control points, we can fine tune the final effect.

I'll go ahead and adjust the position here for example, and move this control point so that we're getting most of the stars to be relatively sharp. I'll then fine tune the actual blur effect. I do want a little bit of a blur for the stars, but not too much. I want to give them a bit of an ethereal glow without getting distorted too much. Right about there looks to be pretty good. And then, I'll click on the other control button. I don't want quite as much blur here. Perhaps, right around there looks to be pretty good. So now, I've adjusted the image with two control points in this case. I could certainly add additional control points.

But the point being is that we're able to fine tune our blurring effect by controlling where in the image the blur is going to focus its effect. And to what extent it will affect that area of the photo I'm pretty happy with the result here. I'll go ahead and click OK in order to apply that blur, and then turning off my Background Copy layer and turning it back on. You can get a sense of the effect we've applied with a stronger blur for the stripes at the bottom-right corner of the image. For example, and less of a blur effect for the stars at the top-left.

So, a very realistic blur effect that we were able to exercise quite a bit of control over.

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