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Editing B-roll in the timeline


From:

Editing Video in Photoshop CS6

with Richard Harrington

Video: Editing B-roll in the timeline

Now that we've added some B-roll to our timeline, it's time to edit it to better match the words. Editing is a bit of trial and error. So you are going to play with this, making shots longer or shorter, until they feel right. Let's explore how it works. I have got my first shot here. I am just going to press play to listen to the timeline. (video playing) Notice, a little rough and a lot bouncing around. I can go ahead and disable the global audio switch for a moment here to mute playback. And this'll make thing's playback a bit more smoothly. Of course, the shot itself in this case is a little shaky. But it stabilizes out. It's looking pretty good there.
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  1. 6m 5s
    1. Welcome
      52s
    2. Why use video in Photoshop?
      2m 42s
    3. What you should know before taking this course
      1m 51s
    4. Using the exercise files
      40s
  2. 6m 25s
    1. Making sure your system is ready
      2m 55s
    2. Exploring the Motion workspace
      1m 27s
    3. Looking at supported file formats for editing
      2m 3s
  3. 9m 30s
    1. An overview of the Timeline panel
      3m 31s
    2. Controlling playback in the timeline
      1m 12s
    3. Viewing options in the timeline
      2m 50s
    4. Enabling timeline shortcuts
      1m 57s
  4. 31m 23s
    1. Understanding the reality of editing video
      1m 20s
    2. Setting up the timeline
      1m 56s
    3. Building the A-roll
      7m 27s
    4. Organizing B-roll
      3m 55s
    5. Adding B-roll to the timeline
      5m 26s
    6. Editing B-roll in the timeline
      4m 5s
    7. Changing the playback speed
      1m 25s
    8. Adding transitions
      5m 49s
  5. 6m 54s
    1. Adjusting volume in clips
      3m 15s
    2. Adding a music bed to the timeline
      3m 39s
  6. 12m 30s
    1. Fixing underexposed footage
      1m 14s
    2. Fixing overexposed footage
      1m 39s
    3. Adjusting contrast
      1m 15s
    4. Color balancing a video shot
      1m 15s
    5. Adding vibrance to a video clip
      1m 32s
    6. Creating black-and-white effects
      1m 11s
    7. Using photo filters
      1m 47s
    8. Using Smart Filters to soften skin
      2m 37s
  7. 16m 25s
    1. Adding a lower-third graphic
      6m 20s
    2. Animating text
      4m 15s
    3. Inserting a logo bug
      4m 14s
    4. Adding moves to photos
      1m 36s
  8. 24m 33s
    1. What to do before exporting your video
      7m 35s
    2. An overview of the Render Video dialog
      3m 27s
    3. Exploring quality-based presets
      2m 34s
    4. Exporting H.264 files
      3m 18s
    5. Exporting QuickTime files
      5m 30s
    6. Exporting a DPX sequence
      2m 9s
  9. 1m 35s
    1. Goodbye
      1m 35s

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Watch the Online Video Course Editing Video in Photoshop CS6
1h 55m Appropriate for all May 21, 2012

Viewers: in countries Watching now:

With the release of Photoshop CS6, Adobe introduced the ability to edit video footage. Author Rich Harrington guides you through this brand-new workflow, from building a sequence to working with audio and exporting your video in a variety of high-quality formats. The course also covers how Photoshop's strongest feature, its image enhancement toolset, translates to video, from fixing under- or overexposed footage, performing color balancing, and adding vibrance and contrast to special effects, such as converting to black and white and using Smart Filters to soften skin.

Topics include:
  • Understanding the video file formats supported in Photoshop
  • Controlling playback in the Timeline
  • Building a sequence
  • Organizing and editing A-roll and B-roll footage
  • Adding transitions
  • Adjusting volume
  • Adding music
  • Color balancing a shot
  • Adjusting contrast
  • Adding a lower-third graphic
  • Animating text
  • Exporting to H.264 or QuickTime
Subject:
Video
Software:
Photoshop
Author:
Richard Harrington

Editing B-roll in the timeline

Now that we've added some B-roll to our timeline, it's time to edit it to better match the words. Editing is a bit of trial and error. So you are going to play with this, making shots longer or shorter, until they feel right. Let's explore how it works. I have got my first shot here. I am just going to press play to listen to the timeline. (video playing) Notice, a little rough and a lot bouncing around. I can go ahead and disable the global audio switch for a moment here to mute playback. And this'll make thing's playback a bit more smoothly. Of course, the shot itself in this case is a little shaky. But it stabilizes out. It's looking pretty good there.

Let's go ahead and split the clip, select the portion I don't want, and press Backspace or Delete, and it closes the gap nicely. Turn the audio back on. (video playing) In this case, we have some stray background audio. But we'll tackle mixing that or muting it in a future lesson. Let's go to the next clip. (video playing) Narrator: phones, steel structures, concrete-- Richard Harrington: Okay so we're talking about cell phones, and I think I am going to skip traffic and go right to cell phones. Just a quick note about those comments. You can easily navigate between them, using the Previous and Next button. But they're there to help you guide as you start to play shots.

Remember, you don't have to line the shot up exactly with the comment. Just add some comments as you work, to make it easier to have a ballpark target when you're dragging things around. Comments are just there to help you. Nobody else are going to see them, use them as a helper device, not as a restriction. I could rearrange these shots in the timeline. As I drag, notice they could swap places pretty easily. As you just drag there, it'll let you reorder shots from left to right. You just need to drag it far enough over, that it locks in.

(video playing) That looks good, let's zoom in here. We'll make his first shot a little shorter. Notice how it updates? I see the duration for the whole shot. This is a 24P timeline, so I am going to go for 212, which means a two and a half second shot. (video playing) That seems good there. However, I want to get the shots so it's in focus. So grabbing the edge here, I could just trim it back, until the Rack Focus occurs. Now it looks pretty good with the bus coming through. So let's watch that.

(video playing) Narrator: steel structures-- Richard Harrington: Going onto steel structures. Let's just split the clip, select the unwanted portion and press Delete or Backspace. (video playing) I like that. There is the steel structure, the concrete road and the people on the go. (video playing) Narrator: structures, concrete roads, and people on the go. Trees are the exception, not the rule. What is missing from this world? Richard Harrington: That looks good and I think I am just going to end that shot right there. Select the clip, click the split icon and delete away.

So you see that even my best laid plans of putting the shots in the correct order, turned out to not be so correct. And I know this footage. I shot it. I was there when it was created. It's my client. That's part of video editing. Your plans rarely work out. It's all trial and error. You're going to put some clips in, play them back and see how they feel. Now we have got a pretty good sequence here. I am going to make one small change in just a second to the speed of the clip, but we've just about got about got everything in hand.

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