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Photoshop CS3 Sharpening Images
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Edge mask and emphasize


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Photoshop CS3 Sharpening Images

with Deke McClelland

Video: Edge mask and emphasize

Alright, I am still working inside of the Eyes and hair.jpeg file that I opened in the previous exercise and I have got ahead and converted the image to a Smart Object and I loaded the green channels, the selection outline and then I applied the High Pass filter with a Radius of 3.5 pixels and I changed the Blend Mode of Overlay, and this is effect that we achieve as a result. Now lets go ahead and convert that Filter Mask to an Edge Mask and I am going to do by Alt+Clicking or Option+Clicking on the Filter Mask like so, so that I can see the Filter Mask inside of the image window.
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  1. 50m 30s
    1. Why every image needs sharpening
      2m 38s
    2. Understanding the effects of sharpening
      5m 26s
    3. Understanding the mechanics of sharpening
      4m 19s
    4. Understanding sharpening and gradual transitions
      3m 21s
    5. Understanding sharpening and noise reduction
      4m 0s
    6. Understanding amount and radius
      7m 50s
    7. Measuring your screen resolution
      6m 19s
    8. Using reliable zoom ratios
      5m 30s
    9. Calculating the actual print size
      4m 54s
    10. Gauging the ideal sharpening settings
      6m 13s
  2. 59m 31s
    1. Everyone knows you sharpen last (and everyone is wrong)
      1m 8s
    2. Understanding the conventional sharpening workflow
      5m 4s
    3. Flattening and saving to TIFF
      6m 39s
    4. Downsampling (and why you shouldn't upsample)
      6m 8s
    5. Understanding last-step sharpening
      6m 44s
    6. Recognizing problems with the conventional workflow
      9m 38s
    7. Erasing sharpening with the history brush
      4m 30s
    8. Using alternative sharpening workflows
      2m 37s
    9. Sharpening a scanned photograph shot on film
      2m 45s
    10. Sharpening a digital photograph
      3m 6s
    11. Sharpening specific details
      3m 43s
    12. Finding broad workflow conclusions
      2m 49s
    13. Learning that technique trumps timing
      4m 40s
  3. 1h 27m
    1. Comparing and contrasting neighboring pixels
      1m 6s
    2. Using the Gaussian Blur filter
      4m 25s
    3. Using Gaussian luminance distribution
      4m 47s
    4. Using the Unsharp Mask filter
      4m 54s
    5. Understanding the history of Unsharp Mask
      3m 51s
    6. Building your own USM with Gaussian Blur
      7m 35s
    7. Using the Smart Sharpen filter
      7m 35s
    8. Compensating for camera shake
      8m 50s
    9. Building your own Smart Sharpen with Lens Blur
      6m 59s
    10. Using directional sharpening with Emboss
      9m 13s
    11. Using Smart Sharpen extras
      8m 56s
    12. Using Convolution Kernels for more accuracy
      7m 8s
    13. Using the High Pass filter
      7m 32s
    14. Using Luminance Sharpening
      5m 5s
  4. 2h 14m
    1. Smoothing filters, smart objects, and masks
      1m 25s
    2. Using the Median filter and Dust and Scratches
      7m 7s
    3. Using Smart Blur and Surface Blur
      6m 12s
    4. Using the Despeckle filter
      8m 17s
    5. Softening flesh tones selectively
      10m 15s
    6. Using the Reduce Noise filter
      7m 27s
    7. Combining smoothing and sharpening
      8m 24s
    8. Making an image into a smart object
      9m 24s
    9. Applying editable smart filters
      6m 8s
    10. Combining two smart filters
      8m 5s
    11. Assigning a filter mask
      5m 59s
    12. Nesting one smart object inside another
      10m 32s
    13. Employing a static High Pass layer
      8m 59s
    14. Matching static pixel-level edits
      4m 37s
    15. Avoiding clipping with luminance blending
      9m 7s
    16. Sharpening and smoothing
      6m 36s
    17. Making an edge mask
      8m 14s
    18. Making a non-edge mask
      7m 17s
  5. 1h 33m
    1. Sharpening with Adobe Camera Raw
      1m 29s
    2. Introducing Camera Raw (4.1 or later)
      8m 13s
    3. Understanding why to sharpen for source
      5m 14s
    4. Using Camera Raw’s sharpening control
      5m 52s
    5. Previewing limitations and tricks
      6m 45s
    6. Why downsampling doesn’t work
      3m 12s
    7. Reducing chromatic aberration
      7m 30s
    8. Using the Defringe option
      3m 32s
    9. Understanding high frequency, low radius
      5m 21s
    10. Raising the Detail value
      3m 6s
    11. Using on-the-fly edge masking
      5m 41s
    12. Sharpening a low-frequency portrait
      6m 36s
    13. Eliminating color noise
      4m 47s
    14. Reducing luminance noise
      4m 42s
    15. Correcting “false sharpening”
      7m 15s
    16. Reducing shadow noise
      5m 22s
    17. Approximating ACR sharpening in Photoshop
      8m 35s
  6. 59m 8s
    1. Gauging and exploiting luminance frequency
      1m 27s
    2. Using low-frequency source sharpening
      5m 53s
    3. Using High Pass for portraits
      4m 19s
    4. Actioning a low-frequency edge mask
      7m 42s
    5. Modifying the source sharpening
      5m 21s
    6. Using high-frequency source sharpening
      5m 26s
    7. Using Smart Sharpen for cityscapes
      3m 2s
    8. Actioning a high-frequency edge mask
      5m 4s
    9. Downplaying color artifacts and clipping
      4m 4s
    10. Sharpening a medium-frequency image
      5m 24s
    11. Sharpening a layered composition
      7m 16s
    12. Sharpening for multiple frequencies
      4m 10s
  7. 1h 8m
    1. Who needs dull when you have sharp?
      56s
    2. Focusing in on a person’s eyes
      4m 22s
    3. Blurring the area outside the eyes
      4m 22s
    4. Sharpening eyes and other details
      5m 38s
    5. Darkening the lashes and eyebrows
      7m 13s
    6. Sharpening dark-haired people
      5m 2s
    7. Edge mask and emphasize
      3m 39s
    8. Nesting a Smart Sharpen effect
      4m 48s
    9. Density mask sharpening
      5m 35s
    10. Adding depth of field
      4m 39s
    11. Sharpening a background
      4m 23s
    12. Masking background from foreground
      8m 51s
    13. Eliminating halos around a person
      5m 38s
    14. Deepening and warming a background
      3m 28s
  8. 1h 18m
    1. Reverting back to convention
      1m 37s
    2. Understanding the use-neutral composition
      4m 15s
    3. Restoring much-needed antialiasing
      4m 2s
    4. Reducing noise in a high-frequency image
      7m 24s
    5. Making a third-level smart object
      3m 55s
    6. Preparing an image for print
      5m 18s
    7. Using ideal settings for commercial reproduction
      5m 37s
    8. Calculating very large-format settings
      5m 11s
    9. Using ideal settings for inkjet output
      4m 26s
    10. Sharpening for commercial reproduction
      5m 45s
    11. Sharpening for inkjet output
      4m 58s
    12. Revealing high-frequency multipass sharpening
      5m 21s
    13. Using Gaussian Blur to sharpen hair
      5m 41s
    14. Flatten, Save As, Resample, and Sharpen
      5m 9s
    15. Revealing low-frequency multipass sharpening
      3m 30s
    16. Sharpening an image for web or screen
      6m 22s
  9. 1m 50s
    1. Goodbye
      1m 50s

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Photoshop CS3 Sharpening Images
10h 33m Intermediate Feb 15, 2008

Viewers: in countries Watching now:

Real focus happens inside the camera's lens element. The sharpening features in Photoshop CS3 exaggerate the contrast along edges in a photograph to transform a well-focused image into an outstanding image. In Photoshop CS3 Sharpening Images, Deke McClelland teaches a host of sharpening and noise reduction techniques, including using filters such as Unsharp Mask, Smart Sharpen, High Pass, and Reduce Noise. The training teaches the essentials of sharpening, including what it does, why it's important, and how the filters function. Plus, the training covers Deke's recommended best practices, including the four distinct varieties of sharpening, which can be used independently or in combination with each other. Photoshop CS3 Sharpening Images is about how to transform images from looking good to looking their absolute best. Exercise files accompany the course.

Topics include:
  • Understanding the effects of sharpening
  • In-depth examinations of Unsharp Mask, Smart Sharpen, Emboss, and High Pass
  • Smoothing an image with the Surface Blur, Despeckle, and Reduce Noise features
  • Working with smart objects and smart filters
  • Creating edge masks and non-edge masks
  • Sharpening for digital-image capture using Camera Raw
  • Gauging and exploiting luminance frequency
  • Exploring creative applications of sharpening
  • Sharpening a multilayer composition
  • Sharpening eyes, hair, and out-of-focus backgrounds
  • Reducing noise in a high-frequency image
  • Determining ideal settings for commercial and inkjet output
  • Sharpening very large-format images
  • Sharpening an image for the web or screen output
Subjects:
Photography Sharpening
Software:
Photoshop
Author:
Deke McClelland

Edge mask and emphasize

Alright, I am still working inside of the Eyes and hair.jpeg file that I opened in the previous exercise and I have got ahead and converted the image to a Smart Object and I loaded the green channels, the selection outline and then I applied the High Pass filter with a Radius of 3.5 pixels and I changed the Blend Mode of Overlay, and this is effect that we achieve as a result. Now lets go ahead and convert that Filter Mask to an Edge Mask and I am going to do by Alt+Clicking or Option+Clicking on the Filter Mask like so, so that I can see the Filter Mask inside of the image window.

I am going to bring up the Actions palette. Now in the previous chapter you learned how to go ahead and record your own frequency edge mask and high frequency edge mask actions. Just in case you werent with me and this is like the very first chapter you've even looked at inside the series, I've gone ahead and saved this action set out for you, and you can load it up by going over to the Actions palette menu choosing Load Actions and then go into the 07 for_effect folder and you'll find this group of actions called Edge_masks.atn. Go ahead and click the Load button to load it on up and if you twirl open that folder, you'll see a low-frequency edge mask and high-frequency edge mask, all ready to go.

Alright, but I am going to go ahead and get rid of these guys because I already have them loaded, I don't need duplicates here inside the Actions palette. This is a low-frequency image, so click on low-frequency image edge mask and then click on the Play button in order to convert what was formally the green channel into a very nice edge mask actually that will very well for this image. Alright, then I am going to Alt+Click or Option+Click on the Filter Mask in order to switch back to the full color version of the image and I am going to zoom-in a little bit so that we can see these details a little more clearly.

Now I am not actually very happy with this sharpening effect at this point. I feel like it sharpens too little and too much. The hair detail inside of the image isn't nearly is sharp as I wanted to be. I want those highlights to really pop and I want these hairs to really stand out as well from the flesh and the eyebrow I want stand out, I want the eye to really, really pop inside the image, and I don't want this glitter coming out on her skin. We're seeing these highlights sort of pop here and that's not something that I am looking forward to.

I want the skin tones to stay the way that they are. So I am faced with proposition of increasing the intensity of the High Pass effect, but I know that's going to affect both the good details like the hair and the eyes and so on and the bad details like the glitter. I don't have a problem with glitter make-up, it's just that I don't want to over-emphasize it at this point, nor do I want to bring out the moles and sort of other surface details here, but anyway, here's what I do. Normally I would go over to the High Pass Effect, I would double-click on the Blend icon and I would change the mode from Overlay to something stronger like Linear Light and that's going to increase the intensity of the High Pass effect. Then I'd click OK, and I would notice now at this point that that does help the hair detail.

It doesn't go quite as far as I wanted to go, but its almost there. The eyes look pretty dark and good, but we are bringing out a lot of sparkles and sort of all over her flesh here and we are making her look a little bit shiny as if she is kind of perspiring or something along those lines, and then we have these kind of weird little highlights over her upper lip. She's got kind of that Richard Nixon sort of sweat going on. I don't think that's becoming on any one. It wasn't good looking on Nixon, and it doesn't look good on her. So what were going to do is we are going to add another sharpening effect using a Density Mask and I'll show you how to pull that off in the next exercise.

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