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De-emphasizing wrinkles

From: Photoshop CS5 Essential Training

Video: De-emphasizing wrinkles

One of the biggest mistakes I see people making when they are retouching portraits is they get rid of the wrinkles to a really extreme degree, to the point where they make someone not look age-appropriate anymore. So, what I going to do is teach how to get rid of wrinkles really easily, but then teach you to back off a little bit on the retouch you are going to make to make it more realistic. Your goal isn't to change the character or personality or even, necessarily, the age of the person that you're retouching, unless you're working for some high-end fashion magazine or something like that where you are distorting reality. But you want to just remove the distraction, to put focus where you want the viewer to look at in the particular image.

De-emphasizing wrinkles

One of the biggest mistakes I see people making when they are retouching portraits is they get rid of the wrinkles to a really extreme degree, to the point where they make someone not look age-appropriate anymore. So, what I going to do is teach how to get rid of wrinkles really easily, but then teach you to back off a little bit on the retouch you are going to make to make it more realistic. Your goal isn't to change the character or personality or even, necessarily, the age of the person that you're retouching, unless you're working for some high-end fashion magazine or something like that where you are distorting reality. But you want to just remove the distraction, to put focus where you want the viewer to look at in the particular image.

So, here is a lovely portrait of an older couple capturing a very nice moment. They are looking at each other. Let's zoom up at 100%: Command+1, Ctrl+1. And I will just hold down the Spacebar and drag this over to the right a little bit to pan that image. And all we really want to do is just deemphasize the contrast of the wrinkles around her eye here and maybe the shading on the under side of her eye here. The goal is not to make this woman look like she is 19, but just to be able to draw focus back into the eye area instead of your eyes seeing these bright and dark stripes on the image itself.

So, to do that, we are going to use our trusty friend, the Spot Healing Brush. We will go ahead and click on that Band-Aid tool there. Press the letter J. And again, like any other retouch, you typically want to do that on a separate layer, so you can go back and fine-tune to make adjustments to your retouching. We will use our little secret trick. Hold down the Option or Alt key and click on the New layer icon at the bottom of the Layers panel so we can give this a name. I am going to call it Wrinkles and go ahead and press the Enter key or click OK. And so our retouching will end up on this separate New layer, as long as Sample All layers is turned on.

We also want to make sure Content-Aware is turned on for that Spot Healing Brush. Now, at this point, we are going to go ahead and overdo things. We are going to go ahead and just start painting over these wrinkles always starting from the end of the wrinkle. As people get older, their wrinkles get longer and wider. So, you typically don't want to start retouching from the start of the wrinkles. You want to start at the end of the wrinkle, in case you are not going to get rid of it all the way. All right. So let's just go through very quickly and not having to be too precise here. We are just going to smooth and remove all the wrinkles at once.

Once we are there, it's just a few paint strokes, being careful not to go too far into the actual eye detail itself. Now again, this is going to look absolutely ridiculous if you know this person. You will know that she is not this young, and the retouch we are doing is kind of silly. But you get the idea. We would just kind of try to go and get rid of all the wrinkles to start out with. We go through the nose a little bit, come in through the center of the eye below the eyelid there. I am just really trying to smooth this out in general. All right. So, it doesn't have to be all that complicated. I am just going through very quick paint strokes here.

And there you have it. All right. Let's go through a little bit on the cheek as well and around the mouth. And again, we're just going to smooth these out to begin with. Then you'll see where this is going in just a moment, in just a few paint strokes. Now if this was your goal, I guess you could be done. But again, like I said, this is not a very realistic retouch. This person now looks a lot younger than she actually is. And so, let's figure out how to make this more realistic. I am going to just pan this over a little bit by holding down the Spacebar.

Okay, so here is before, and there is after. I am just his toggling the visibility of the Wrinkles layer here by turning that eye on and off. What we want to do is change the intensity of the retouch. So, right now, this is going from say 65 to 19 just by turning the layer on and off. What you want to be able to do is dial back some reality. And we will do that with the Opacity setting of that particular layer. The quick way to change the Opacity of a layer is just simply switch to the Move tool. So, I am going to press the letter V on my keyboard. And now I can just start experimenting by typing numbers.

I always start out by typing 5 for 50%. And you'll see her character and personality and her age comes back but just not as intense. You can see the wrinkles are still there, but what I have done is effectively lower the contrast by blending the completely retouched version back with the original version to bring some of that detail back. So, here is before, here is after. And you can see she looks much more like her age in reality. But what we've done is just lowered the intensity of those wrinkles and put focus back on the eyes and the mouth.

So, that's a much more tasteful way to retouch wrinkles. Basically, in summary, retouch them all away using the Spot Healing Brush on a separate layer. Go ahead and overdo it, but then what you'll do is just lower the Opacity of that Wrinkles layer so you bring back some of that original character of whoever it is that you're retouching.

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This video is part of

Image for Photoshop CS5 Essential Training
Photoshop CS5 Essential Training

154 video lessons · 95528 viewers

Michael Ninness
Author

 
Expand all | Collapse all
  1. 6m 10s
    1. Welcome
      1m 47s
    2. What is Photoshop?
      2m 49s
    3. Using the exercise files
      1m 34s
  2. 28m 29s
    1. What is Adobe Bridge?
      1m 54s
    2. Getting photos from a camera
      3m 39s
    3. A tour of the different workspaces in Adobe Bridge
      4m 58s
    4. Customizing how thumbnails are displayed
      3m 35s
    5. Changing obscure camera file names with the Batch Rename command
      2m 36s
    6. Adding basic metadata to every image with metadata templates
      3m 36s
    7. Creating and applying keywords to images
      4m 6s
    8. Viewing images in Full Screen Preview mode
      4m 5s
  3. 23m 4s
    1. Using Review mode to filter out rejects
      5m 27s
    2. Protecting the keepers by saving them in collections
      3m 18s
    3. Rating images
      3m 15s
    4. Using the Filter panel to view different subsets
      4m 43s
    5. Viewing final choices in a slideshow
      2m 12s
    6. Organizing groups of images into stacks
      4m 9s
  4. 30m 50s
    1. Raw vs. JPEG files
      5m 13s
    2. Why you should start in Camera Raw instead of Photoshop
      5m 9s
    3. A tour of the Camera Raw user interface
      6m 44s
    4. Previewing before and after adjustments
      4m 2s
    5. Toggling onscreen Shadow/Highlight clipping warnings
      2m 37s
    6. Choosing output settings
      2m 45s
    7. Saving a copy without going to Photoshop
      4m 20s
  5. 41m 34s
    1. Eliminating red-eye with the Red Eye Removal tool
      1m 13s
    2. Improving composition with the non-destructive Crop tool
      3m 33s
    3. Correcting a rotated horizon line with the Straighten tool
      3m 5s
    4. Fixing color casts with the White Balance tool
      2m 13s
    5. Fixing blown-out highlights with Recovery
      2m 36s
    6. Revealing hidden shadow detail with Fill Light
      1m 47s
    7. Reducing distracting color noise with Noise Reduction
      5m 37s
    8. Removing color fringes with Chromatic Aberration
      2m 36s
    9. Sharpening the details
      8m 59s
    10. End to end: Taking a so-so photo and making it great
      9m 55s
  6. 39m 5s
    1. Fixing blown-out skies with the Graduated Filter tool
      4m 34s
    2. Retouching blemishes with the Spot Removal tool
      5m 41s
    3. Making local adjustments with the Adjustments Brush
      4m 28s
    4. Quick portrait retouching technique using Clarity
      4m 33s
    5. Converting to black and white
      3m 36s
    6. Editing images directly with the Targeted Adjustments tool
      4m 18s
    7. Easy sepia and split tone effects
      2m 35s
    8. Adding digital film grain texture effects
      2m 46s
    9. Adding vignettes and border effects
      2m 13s
    10. Saving variations within a single file with Snapshots
      4m 21s
  7. 15m 48s
    1. Copying settings from one file and pasting across another in Adobe Bridge
      3m 7s
    2. Processing multiple files in Camera Raw
      2m 28s
    3. Saving and using a library of Camera Raw presets
      5m 33s
    4. Using Image Processor to batch process multiple files
      4m 40s
  8. 30m 39s
    1. Opening files from Adobe Bridge
      3m 1s
    2. Opening files from Mini Bridge
      3m 28s
    3. Customizing the Mini Bridge panel
      2m 57s
    4. Changing Mini Bridge so it auto-collapses
      1m 20s
    5. The Application frame
      2m 16s
    6. The Application bar
      1m 16s
    7. Switching and saving workspaces
      4m 23s
    8. Panel management
      5m 31s
    9. Switching tools using the keyboard
      3m 18s
    10. Customizing the keyboard shortcuts
      3m 9s
  9. 16m 12s
    1. Tabbed documents
      2m 1s
    2. The Arrange Documents widget
      1m 38s
    3. How to stop Photoshop from tabbing documents
      3m 34s
    4. Pan and zoom
      5m 21s
    5. Cycling through the different screen modes
      3m 38s
  10. 36m 59s
    1. File formats
      13m 6s
    2. What resolution does your image need to be?
      10m 15s
    3. Resize vs. Resample
      9m 40s
    4. How big a print can you make with your image?
      3m 58s
  11. 42m 17s
    1. Crop options
      4m 12s
    2. Hide vs. Delete for the Crop tool
      3m 30s
    3. Bringing back hidden pixels with Reveal All
      1m 34s
    4. Making the canvas bigger with the Crop tool
      6m 1s
    5. Making the canvas bigger by a specific amount with Relative Canvas Size
      1m 39s
    6. Correcting perspective with the Crop tool
      3m 5s
    7. Straightening a crooked image
      50s
    8. Scaling, skewing, and rotating with Free Transform
      4m 12s
    9. Nondestructive transformations with Smart Objects
      4m 2s
    10. Warping images
      3m 40s
    11. Preserving the important elements with Content-Aware Scaling
      9m 32s
  12. 54m 42s
    1. The Background layer
      5m 14s
    2. Using a layer mask instead of deleting pixels
      4m 12s
    3. Loading multiple images into a single Photoshop document as layers
      1m 30s
    4. Naming, hiding, creating, and deleting layers
      4m 18s
    5. Changing the stacking order of layers
      2m 51s
    6. Selecting layers without using the Layers panel
      6m 28s
    7. Transforming layers
      7m 16s
    8. Aligning and distributing layers
      3m 51s
    9. Changing the opacity of layers
      2m 57s
    10. Organizing layers into groups
      2m 55s
    11. Saving variations with layer comps
      5m 3s
    12. When to merge and rasterize layers
      5m 0s
    13. Flatten vs. Save As (a Copy)
      3m 7s
  13. 1h 4m
    1. Using the Marquee and Lasso tools
      7m 23s
    2. Transform selections
      2m 40s
    3. Quick Mask is your friend
      4m 31s
    4. Converting a selection into a layer mask
      6m 33s
    5. Using the Quick Selection tool
      3m 1s
    6. Re-selecting a previous selection
      1m 35s
    7. Improving a selection with Refine Edge
      4m 21s
    8. Touching up a layer mask with the Brush tool
      12m 7s
    9. Changing the opacity, size, and hardness of the painting tools
      2m 59s
    10. Blending images with a gradient layer mask
      4m 53s
    11. Swapping heads in a family portrait
      3m 53s
    12. Combining multiple exposures with the Blend If sliders
      6m 26s
    13. Replacing the sky in an image
      4m 19s
  14. 1h 1m
    1. Introducing adjustment layers
      7m 57s
    2. Starting with a preset
      4m 25s
    3. Improving tonal quality with Levels
      10m 28s
    4. Increasing midtone contrast with Curves
      5m 4s
    5. Removing a color cast with Auto Color
      5m 56s
    6. Changing the color temperature with Photo Filter
      2m 55s
    7. Shifting colors with Hue/Saturation
      9m 0s
    8. Making washed out colors pop with Vibrance
      2m 46s
    9. Converting color to black and white
      5m 49s
    10. Controlling which layers are affected by an Adjustment Layer
      7m 28s
  15. 11m 32s
    1. Shadow/Highlight
      9m 3s
    2. Matching color across multiple images
      2m 29s
  16. 34m 12s
    1. Removing blemishes with the Spot Healing brush
      6m 21s
    2. Quick technique for smoothing skin and pores
      8m 23s
    3. Taming flyaway hair
      4m 47s
    4. Making teeth bright and white
      1m 43s
    5. De-emphasizing wrinkles
      4m 41s
    6. Removing unwanted details with Content Aware Fill
      4m 26s
    7. Body sculpting with Liquify
      3m 51s
  17. 21m 6s
    1. Creating panoramas with Photomerge and Auto-Blend
      7m 20s
    2. Combining multiple frames of an action sequence
      8m 30s
    3. Combining group shots with Auto-Align
      5m 16s
  18. 25m 36s
    1. Overview of filters
      4m 6s
    2. Applying filters nondestructively with Smart Filters
      4m 45s
    3. Giving an image a soft glow with the Gaussian Blur filter
      4m 41s
    4. Adding noise to an image with the Add Noise filter
      3m 34s
    5. Sharpening an image with Unsharp Mask
      4m 12s
    6. Giving an image more texture with the Texturizer
      1m 17s
    7. Applying a filter to multiple layers
      3m 1s
  19. 30m 44s
    1. Cycling through the blending modes
      4m 43s
    2. Three blending modes you must know
      6m 41s
    3. Adding a lens flare effect with Screen
      3m 33s
    4. Making a cast shadow more realistic with Multiply
      4m 33s
    5. Creating a diffused contrast glow effect with Overlay
      6m 2s
    6. Sharpening an image with High Pass and Overlay
      5m 12s
  20. 21m 39s
    1. Character (point) type
      8m 19s
    2. Paragraph (area) type
      4m 42s
    3. Type on a path
      2m 54s
    4. Clipping an image inside type
      2m 24s
    5. Warping type
      3m 20s
  21. 20m 35s
    1. Adding a drop shadow effect
      4m 43s
    2. Adding an outer glow effect
      3m 13s
    3. Adding a border around an image
      2m 53s
    4. Copying layer effects and applying them to other layers
      2m 3s
    5. Saving layer styles and applying them in other documents
      2m 42s
    6. How (and when) to scale layer effects
      5m 1s
  22. 16m 6s
    1. Creating PDF contact sheets
      6m 41s
    2. Exporting web photo galleries
      6m 8s
    3. Saving for the web
      3m 17s
  23. 1m 19s
    1. Goodbye
      1m 19s

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