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Creating a mask with the Quick Selection tool

From: Photoshop CS4 for Photographers

Video: Creating a mask with the Quick Selection tool

Welcome to the chapter on selections. In the Photoshop community, there is this saying. "You have to select before you can correct." And the better that you can get at selections the better you will be at corrections. So we are going to learn some valuable things in this chapter and we are going to start off by talking about the Quick Select tool. Now this Quick Select tool was first introduced in Photoshop CS3. It is now part of CS4, it is a phenomenal tool, you will be using it all the time. All right, well, let's go ahead and select the file that we are going to work on annika.psd, double-click that one to open it up in Photoshop, F to go Full Screen View mode, Spacebar reposition the image.

Creating a mask with the Quick Selection tool

Welcome to the chapter on selections. In the Photoshop community, there is this saying. "You have to select before you can correct." And the better that you can get at selections the better you will be at corrections. So we are going to learn some valuable things in this chapter and we are going to start off by talking about the Quick Select tool. Now this Quick Select tool was first introduced in Photoshop CS3. It is now part of CS4, it is a phenomenal tool, you will be using it all the time. All right, well, let's go ahead and select the file that we are going to work on annika.psd, double-click that one to open it up in Photoshop, F to go Full Screen View mode, Spacebar reposition the image.

Now you can select the Quick Select tool by way of shortcut. It is the W key or you can click on it in the Tools panel here. All right, well now that we have Quick Select here's what we are going to do. We are going to make our brush size a little bit bigger because I'm interested in selecting the background, making this back ground a solid color. Now because I'm going to select a large area I want to use a pretty big brush. So I'm going to press the right bracket key and that's going to increase my brush size. Then I'm going to go ahead and click and paint or click and drag around the edges of background. Now up here my brush is a little bit too big so I'm going to decrease the size, press the left bracket the key and I go ahead to continue to click and drag.

You will notice as I'm clicking and dragging it's finding the edge for me; it's finding the area of contrast. This little white corner down here, zoom in on that Command+Plus on a Mac/Ctrl+Plus on a PC, press the Spacebar and reposition, and let's move it over there, okay. And then left bracket key, I'm just going to get a nice small brush. And all I'm trying to do here is illustrate this idea that your brush size will help you get in the different detail areas. Now let's say that we are working around our image, in this case I'm holding down the Spacebar key to move around the image and I noticed that there was a problem, I'll create one. It went in too far. So I selected part of the fleece jacket, I don't want that, here's the way you can fix it. On a Mac press Option, on a PC press Alt. It changes the plus icon in the middle of your brush there to a minus icon we will now minus that or subtract that away, perfect. Double-click the Zoom tool; take it back to 100%.

Right, well the next thing that we need to do is to refine our edge. Now in order to refine the edge we need to choose one of the selection tools like the Quick Select tool or the Lasso tool or the Marquee tool, but I'll just choose Quick Select and then press Refine Edge. Now when I press Refine Edge I can all of a sudden ways see the edge of this particular selection, and I can see that in this case with this red rubellite overlay. Now there are a number of different options here, I can see the whole image, I can see there is a mask, I can see it on a white background or I can invert that and see it the other way. But let's go back to this red rubellite overlay. Now when I do that I notice that -- you know what, my selection has extended too far out, and it's extended too far out because of this particular contract setting that it remembered from when I previously use this menu. So I'm going to go ahead and increase that and then when I bring it up real high you can see that I'm going inside of that edge even a little bit further. Now I don't want to go inside of that, I want to get it right on that edge, that looks good, increase the contrast, radius just a touch, smooth it out, feathering how much transition do I want there, well not too much of a transition because it's going to be on a new color in the background. I think that looks nice. Click OK and now I have a new selection on that background.

Now if that selection isn't good enough I can go in and fix it some more. Again I'm going to do that by way of Refine Edge. Rather than showing you Refine Edge here I'm going to show you at another place. Okay, well now, I want to change the background. So I'm going to go to click on the Add Adjustment Layer icon and I'm going to choose Solid Color. Now when I choose a Solid Color in this case black I can begin to see the edge here, and I say, okay, that looks pretty good and let's make this white so we can see it in this white format. It will help us see little bit of the problem that we have here, click OK to apply that. All right, now that I apply that I notice it looks pretty good except I have a few little areas where I can see the blue and I wish this was just a little bit tighter. How can I modify that? I'll click in the Mask, I'll then navigate to my Masks panel and I'm going to choose Mask Edge, refine what, the Mask Edge, interesting. It's the same exact dialog as we saw before.

Now here what I can do is change the Contract and Expand so I can bring this in or out. I'm going to go ahead and bring that out just a little bit, and then I'll increase the contrast of the edge, I want it to be a little bit more hard, and I can view this a number of different ways, red rubellite overlay, just the image itself that would be really helpful, right, so I can see how far the selection extends into the background or not, so I'm going to bring that edge in, just trying to get some of those small little pieces of blue off which I was able to remove there. Smooth that out just a touch, just a touch of feathering.

Now a lot of times when you are doing this it's kind of tricky because of the marching ants. What you can do is press Command+H on a Mac/Ctrl+H on a PC to hide those. Again, that's a really important shortcut; write that one down, Command+H on a Mac/Ctrl+H on a PC. Bring them back, then I can also click on my Preview Before and after, and here you can see that all I have done these little edges down here I just brought that in a little bit further. Now that I have seen that, I realize it's a little bit too harsh so I'm going to try to smooth things out just a touch here. Make that a little bit more natural and click OK. All right, let's look at our Before and After, here is the Before and then the After, it looks pretty good, I can then double-click on the Color icon there and I can choose a new color for that background. And I want to just check out a couple of different colors to make sure that my background is looking good, that is, I'll go back to white and then click OK to apply that.

So in summary in this movie we looked at how we can use the Quick Select tool in combination with the Refine Edge option and then we create a mask and then we refine the edge of the mask. So one of the things that you can see here is you are going to start to use these different selection tools in combination with some of the other features inside of Photoshop. All right, I want to take one more quick look at the Quick Selection tool and we are going to do that in the next movie. See you then!

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This video is part of

Image for Photoshop CS4 for Photographers
Photoshop CS4 for Photographers

228 video lessons · 36501 viewers

Chris Orwig
Author

 
Expand all | Collapse all
  1. 3m 28s
    1. Introduction
      2m 43s
    2. Using the exercise files
      45s
  2. 19m 32s
    1. Taking visual snapshots
      2m 33s
    2. What's new in the Photoshop CS4 menus
      1m 24s
    3. The importance of the 30-minute blink
      2m 38s
    4. Isolation
      3m 32s
    5. Taking notes
      2m 29s
    6. Creative memorization
      2m 16s
    7. Verbalize, human, fun
      1m 18s
    8. Lessons from a legend: Douglas Kirkland
      2m 10s
    9. Resources and links
      1m 12s
  3. 30m 42s
    1. Is Photoshop CS4 worth it?
      2m 50s
    2. Seeing the new Tools panel
      3m 22s
    3. Working with the Application bar
      2m 51s
    4. Navigating with the Hand and Zoom tools
      4m 27s
    5. Rotating with the new Rotate View tool
      2m 0s
    6. New ways of arranging documents
      5m 41s
    7. Working with the panels
      2m 34s
    8. Customizing your workspace
      2m 11s
    9. Creating custom keyboard shortcuts
      3m 12s
    10. Creating custom menus
      1m 34s
  4. 39m 36s
    1. Choosing your Color settings
      5m 4s
    2. Setting Image Interpolation preferences
      3m 1s
    3. Zoom preferences
      2m 40s
    4. Interface preferences
      7m 46s
    5. File-handling preferences
      2m 33s
    6. Performance preferences: Memory
      5m 40s
    7. Performance preferences: Cursor
      5m 46s
    8. Performance preferences: Transparency and Gamut
      4m 44s
    9. Reviewing the other preferences
      2m 22s
  5. 21m 14s
    1. Bit Depth 101
      4m 34s
    2. Introducing image size
      2m 47s
    3. Image Resize overview
      7m 54s
    4. Resizing by cropping
      3m 33s
    5. Straightening
      2m 26s
  6. 10m 10s
    1. Introducing color management
      2m 3s
    2. Monitor calibration basics
      2m 43s
    3. Advanced monitor calibration
      2m 36s
    4. Creating a neutral work environment
      2m 48s
  7. 11m 17s
    1. Using Photoshop, Bridge, and Lightroom together
      2m 20s
    2. Bridge as a digital light box
      1m 19s
    3. General Bridge preferences
      2m 49s
    4. Thumbnail Bridge preferences
      1m 38s
    5. Advanced and Cache Bridge preferences
      3m 11s
  8. 28m 1s
    1. Creative tip 1: Discarding, the great selection technique
      4m 6s
    2. Introducing the Bridge interface
      3m 27s
    3. Getting photos from your camera
      4m 14s
    4. Choosing a workspace
      4m 16s
    5. Customizing the workspace and the Synchronized window
      4m 10s
    6. Using Bridge to rate and sort
      4m 3s
    7. Sorting with filters
      3m 45s
  9. 33m 53s
    1. Previewing multiple files
      5m 6s
    2. The Bridge Review mode
      7m 4s
    3. The Bridge Full Screen mode
      3m 8s
    4. Bridge slideshows
      4m 25s
    5. Stacking images
      3m 24s
    6. Renaming and batch-renaming
      4m 11s
    7. Adding favorites
      1m 58s
    8. Grouping images with Collections
      4m 37s
  10. 15m 3s
    1. Setting up metadata
      3m 34s
    2. Customizing the workspace for metadata
      2m 20s
    3. Creating a metadata template to add a copyright notice
      3m 55s
    4. Keywording images
      3m 33s
    5. Filtering images based on metadata
      1m 41s
  11. 9m 54s
    1. Recording an action
      2m 16s
    2. Batch-processing an action
      2m 11s
    3. Simplifying repetitive steps using the Image Processor
      2m 21s
    4. Opening multiple images as layers
      3m 6s
  12. 1h 13m
    1. What is Camera Raw?
      2m 47s
    2. Understanding the Camera Raw preferences
      3m 15s
    3. Opening files in Camera Raw
      5m 23s
    4. The Camera Raw interface and essential controls
      5m 13s
    5. White Balance, Straighten, and Tone
      3m 2s
    6. Crop, Rotate, and Vignette
      5m 6s
    7. Improving color and tone
      4m 45s
    8. Saturation vs. Vibrance
      4m 46s
    9. Converting an image to black and white
      4m 7s
    10. Split-toning an image
      3m 32s
    11. Working with tone subjectively
      5m 56s
    12. Adjustment Brush essentials
      3m 19s
    13. Using the Adjustment Brush
      7m 24s
    14. Working with the Graduated filter
      4m 6s
    15. Sharpening and noise reduction
      6m 10s
    16. Working with multiple images
      4m 45s
  13. 38m 42s
    1. Creative tip 2: Worth the risk
      2m 30s
    2. Introducing layers
      2m 53s
    3. Working with layers
      2m 21s
    4. Working with History and the History Brush
      4m 1s
    5. Aligning layers
      1m 56s
    6. Organizing layers
      4m 17s
    7. Layer style effects
      4m 21s
    8. Creating a clipping mask
      4m 27s
    9. Creating a reflection of an image
      2m 37s
    10. Targeting and moving layers
      5m 36s
    11. Reviewing layers shortcuts
      3m 43s
  14. 31m 31s
    1. Introducing masking
      2m 8s
    2. Creating a simple layer mask
      3m 51s
    3. Masking shortcuts
      3m 25s
    4. Using Color Range to create a detailed mask
      3m 48s
    5. Creating a layer mask with Color Range
      5m 5s
    6. Masking and brightening eyes
      3m 35s
    7. Masking and selective sharpening
      2m 58s
    8. The Quick Mask mode
      6m 41s
  15. 24m 15s
    1. Creating a custom border with masking
      5m 41s
    2. Using pre-built borders
      7m 6s
    3. Exploring sample image frames
      4m 59s
    4. Frame plugin highlight: Photoframe
      6m 29s
  16. 51m 47s
    1. Creating a mask with the Quick Selection tool
      5m 39s
    2. Working with the Quick Selection tool
      4m 12s
    3. Creating color range selections
      4m 46s
    4. Advanced selection enhancements
      5m 1s
    5. Using the Magic Wand
      2m 33s
    6. Using the Lasso tool
      5m 37s
    7. Pen and path shortcuts
      5m 20s
    8. Understanding paths
      4m 7s
    9. Creating path selections
      6m 3s
    10. The Magnetic Lasso tool and paths
      8m 29s
  17. 21m 10s
    1. Introducing the Adjustments panel
      2m 26s
    2. Brightness and contrast
      3m 39s
    3. Understanding the difference between Vibrance and Saturation
      2m 55s
    4. Using the Target Adjustment tool
      4m 9s
    5. Hue/Saturation adjustments and masking
      3m 15s
    6. Hue/Saturation blending with Shadow/Highlight
      4m 46s
  18. 17m 45s
    1. Introducing levels
      1m 58s
    2. Enhancing color and tone with levels
      3m 3s
    3. Modifying color with levels
      3m 47s
    4. Levels and masking
      3m 13s
    5. Using levels and masking to get the most out of adjustments
      5m 44s
  19. 40m 58s
    1. Demystifying curves
      6m 52s
    2. Using curves for contrast and tone
      3m 33s
    3. Midtones and advanced blending
      2m 50s
    4. Curves and general Hue/Saturation
      2m 54s
    5. Enhancing color with curves
      6m 18s
    6. Curves, color, masking, and tone
      5m 10s
    7. Curves and masking
      4m 54s
    8. Creative tip 3: Using curves for publication
      5m 14s
    9. Using, modifying, and saving curves presets
      3m 13s
  20. 24m 7s
    1. Creative tip 4: Ordinary ingredients = extraordinary results
      2m 23s
    2. Introducing blend modes
      5m 36s
    3. Blend modes visualized
      6m 48s
    4. Blending multiple images
      6m 9s
    5. Blend modes shortcuts
      3m 11s
  21. 42m 57s
    1. Correcting color with eyedroppers
      4m 37s
    2. Advanced color correction with eyedroppers
      2m 27s
    3. Color correction with Camera Raw
      3m 3s
    4. Performing difficult color correction with Camera Raw
      3m 1s
    5. Performing easier color correction with a color chart
      2m 31s
    6. Color-correcting skin by the numbers
      3m 42s
    7. Color-correcting by the numbers
      4m 10s
    8. Color correction: Studio shot
      3m 6s
    9. Color correction: Light skin tone
      3m 6s
    10. Color correction: Dark skin tone
      3m 44s
    11. Color correction: Multiple skin tones
      6m 40s
    12. Color correction plugin highlight: SkinTune 2
      2m 50s
  22. 44m 44s
    1. Replacing color with Hue/Saturation
      3m 2s
    2. Replacing a color
      5m 6s
    3. Modifying color with Selective Color
      3m 5s
    4. Color focus
      5m 59s
    5. Experimenting with cool and warm colors
      5m 18s
    6. Enhancing a portrait with sunset colors
      5m 16s
    7. Enhancing a landscape with sunrise colors
      5m 19s
    8. Enhancing a color group shot
      3m 17s
    9. Using photo filters with black-and-white photos
      3m 14s
    10. Using photo filters with color photos
      5m 8s
  23. 22m 3s
    1. Introducing the Burn and Dodge tools
      2m 56s
    2. Using the Burn and Dodge tools
      3m 47s
    3. Darkening corners with the Soft Light blend mode
      3m 0s
    4. Adding contrast to the highlights
      2m 30s
    5. Darkening a portion of an image
      2m 45s
    6. Correcting bright and dark tones
      3m 56s
    7. Reducing highlights with the Multiply blend mode
      3m 9s
  24. 19m 30s
    1. Creative tip 5: Seeing beyond the color - your gear is good enough
      4m 58s
    2. Introducing black-and-white conversion
      3m 37s
    3. Portrait black-and-white conversion
      3m 31s
    4. Landscape black-and-white conversion
      2m 40s
    5. Adding grain and tone to a black-and-white image
      4m 44s
  25. 11m 16s
    1. Introducing Smart Filters
      2m 36s
    2. Applying Smart Filters
      3m 21s
    3. Blending and masking Smart Filters
      5m 19s
  26. 19m 38s
    1. Noise reduction with Surface Blur
      4m 36s
    2. The Noise Reduction filter
      2m 54s
    3. Advanced noise reduction with Channels
      5m 32s
    4. Advanced noise reduction with the Dfine plugin
      6m 36s
  27. 33m 29s
    1. The Dust and Scratches Filter
      3m 57s
    2. Using masking to remove dust and scratches
      5m 10s
    3. Introducing the trio of healing tools
      6m 18s
    4. Using the Healing and Clone Stamp tools
      4m 21s
    5. Using the Patch tool
      7m 40s
    6. Cleaning up an image with what's there
      6m 3s
  28. 58m 58s
    1. Creative tip 6: A beautiful mistake
      2m 51s
    2. Cleaning up a background
      3m 21s
    3. Removing blemishes
      4m 19s
    4. Cleaning up backgrounds and blemishes
      3m 46s
    5. Brightening eyes
      3m 12s
    6. Changing eye color
      4m 55s
    7. Darkening the edge of an eye
      1m 32s
    8. Adding makeup
      2m 25s
    9. Correcting distortion
      2m 19s
    10. Reducing eye wrinkles
      4m 4s
    11. Adding height and reducing wrinkles
      7m 55s
    12. Whitening teeth
      4m 6s
    13. Whitening teeth using Quick Mask
      3m 39s
    14. Softening skin
      5m 5s
    15. Removing red-eye
      2m 21s
    16. The next steps in retouching
      3m 8s
  29. 38m 35s
    1. Introducing Smart Sharpen
      3m 23s
    2. Smart Sharpen demystified
      4m 10s
    3. Smart Sharpen and masking
      8m 46s
    4. Using the Unsharpen Mask filter
      5m 19s
    5. Black-and-white High Pass sharpening
      8m 2s
    6. Color High Pass sharpening
      3m 27s
    7. Sharpening and tone
      5m 28s
  30. 28m 38s
    1. Resizing for email and the web
      3m 1s
    2. Image size considerations
      2m 54s
    3. Preparing files for the web
      4m 37s
    4. Sharpening for the web
      2m 12s
    5. Correcting color for the web
      3m 10s
    6. The Save for Web dialog
      3m 51s
    7. Creating a web gallery
      6m 21s
    8. Sharing your photos online
      2m 32s
  31. 23m 33s
    1. Creating contact sheets
      4m 19s
    2. Presenting your photos as a PDF slideshow
      2m 55s
    3. Desktop printing recommendations
      1m 40s
    4. Preparing to print
      5m 53s
    5. Using Soft Proof to pre-visualize printing
      3m 46s
    6. Using the Print dialog
      3m 31s
    7. Print settings
      1m 29s
  32. 23s
    1. Goodbye
      23s

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