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Creating huge pixels with Pointilize

From: Photoshop Creative Effects and Filters

Video: Creating huge pixels with Pointilize

Many of the filters in Photoshop, are creating an interpretation of the pixel values within your photo to produce a creative result. But some of those filters actually essentially create new pixels. In many cases just larger pixels sometimes with an interesting shape, to produce some sort of mosaic type of effect. And the pointillize filter, is one that does exactly that. It creates an interesting mosaic type of pattern. Let's take a look at this relatively simple filter, that can produce a rather wild and interesting effect. I'll go ahead and start by creating a copy of my background image layer, just by dragging that layer down to the Create New Layer button at the bottom of the layers panel.

Creating huge pixels with Pointilize

Many of the filters in Photoshop, are creating an interpretation of the pixel values within your photo to produce a creative result. But some of those filters actually essentially create new pixels. In many cases just larger pixels sometimes with an interesting shape, to produce some sort of mosaic type of effect. And the pointillize filter, is one that does exactly that. It creates an interesting mosaic type of pattern. Let's take a look at this relatively simple filter, that can produce a rather wild and interesting effect. I'll go ahead and start by creating a copy of my background image layer, just by dragging that layer down to the Create New Layer button at the bottom of the layers panel.

And then I'll go to the Filter menu, and under Pixelate, I'm going to choose Pointilize. that will bring up the Pointilize dialog, where I can adjust only one setting. The cell size. I'll go ahead and zoom out on the image so that we can see the full preview. And in this case, you'll see that because of the large cell size, essentially I just have a few blocks within the image. Not something that even remotely resembles the original. I'll go ahead and reduce the value for cell size down to a very small value. And you can see that we get a little bit more of a pixelated appearance within the photo, essentially using relatively large pixels to represent our original pixels.

Now of course if I zoom out, you'll see that you can roughly make out the subject here. It sort of looks a little grainy or noisy, but we still can see the overall subject. In most cases I prefer to take the value up just enough that it becomes a little more abstract. If you know what the photo looked like, you certainly would recognize it. But if you weren't familiar with the image, then you might not be able to tell what the subject in the image actually was. And of course, if we go even larger, then things get even more abstract. So generally speaking, I'll use a reasonably small setting.

But that's not to say you can't get an interesting result with a very large setting. Certainly more abstract, but an interesting result nevertheless. For this image, I think I'll use a moderately low setting, perhaps somewhere. Right around in there where the image is still somewhat visible, somewhat identifiable but not exactly obvious in terms of that effect. I'll go ahead and click OK with that setting established and you can see a very abstract sort of mosaic effect using relatively large pixels with a little bit of an, abstract shape in order to produce a very interesting image.

And of course, as always, I can reduce the opacity if I want to allow the original image to show through just a little bit. But with this filter, in my mind that tends to create a little bit of a messy appearance in the photo. So I tend to leave it just as it's abstract version. But of course, that's just me. You can certainly play with this filter and any of the filters in Photoshop in any way you like. The key is to embrace these interesting and unique filters, play around with them a little bit, and find out which images they're going to work with best. And of course which filters and other effects you like most for your images.

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This video is part of

Image for Photoshop Creative Effects and Filters
Photoshop Creative Effects and Filters

40 video lessons · 3260 viewers

Tim Grey
Author

 
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  1. 1m 24s
    1. Welcome
      1m 24s
  2. 16m 23s
    1. Adding a single filter
      3m 21s
    2. Using the Filter Gallery
      4m 51s
    3. Using Smart Filters
      4m 2s
    4. A flexible filter workflow
      4m 9s
  3. 36m 0s
    1. Creating an ethereal effect with Clarity
      2m 13s
    2. Creating a black-and-white interpretation of an image
      3m 12s
    3. Adding a monochromatic tint effect
      2m 27s
    4. Using a gradient map preset
      2m 42s
    5. Creating a gradient map preset
      7m 48s
    6. Adding a vignette
      3m 17s
    7. Adding film grain
      5m 25s
    8. Oversharpening
      3m 17s
    9. HDR tone mapping
      5m 39s
  4. 37m 47s
    1. Creating a filtered edge effect
      4m 6s
    2. Producing a dreamy look with Surface Blur
      3m 4s
    3. Iris Blur with a twist
      4m 32s
    4. The Tilt-Shift blur effect
      3m 52s
    5. Creating an oil paint effect
      4m 36s
    6. Adding selective motion blur
      4m 36s
    7. Adding lens flare
      5m 21s
    8. Adding a lighting effect
      5m 6s
    9. Adding an ethereal glow
      2m 34s
  5. 24m 21s
    1. Applying a wild curve
      3m 1s
    2. Playing with blend modes
      4m 0s
    3. Creating a painterly effect with Find Edges
      2m 41s
    4. Creating a sketch effect
      5m 26s
    5. Crystallizing pixels
      3m 6s
    6. Getting extreme with Mezzotint
      3m 42s
    7. The Solarize filter
      2m 25s
  6. 38m 38s
    1. Smearing with Liquify
      7m 0s
    2. Going fish-eye with Polar Coordinates
      3m 38s
    3. Using the Spherize and Pinch filters
      3m 18s
    4. Using the Ripple, Twirl, Wave, and ZigZag filters
      5m 45s
    5. Getting blocky with Mosaic
      2m 44s
    6. Creating huge pixels with Pointilize
      3m 0s
    7. Creating tiles
      3m 42s
    8. Creating blocks with Extrude
      4m 29s
    9. Mapping the image with Trace Contour
      2m 44s
    10. Creating a stylized wind-blown effect
      2m 18s

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