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Watching:

Content-Aware Fill


From:

Photoshop CC One-on-One: Fundamentals

with Deke McClelland

Video: Content-Aware Fill

Over the course of this chapter, we're going to take this photograph of this attractive young person, as captured by photographer Matthew Dallow. And we'll heal away her blemishes. We'll paint away some of the stray hairs across her face. We'll recolor the makeup under her eyes so it's a better match for her natural skin tones. We'll get rid of some of the shine across her forehead, and over here on her left hand cheek. We'll also whiten her teeth. And then finally, we'll add some saturation to her eyes. And we'll ultimately come up with this final retouched image.
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  1. 38m 23s
    1. Welcome to One-on-One
      1m 51s
    2. Opening from the Windows desktop on Windows 8 (CC 2014)
      6m 16s
    3. Opening from the Windows desktop on Windows 7 or earlier (CC)
      5m 48s
    4. Opening from the Macintosh Finder
      7m 10s
    5. Opening from Photoshop or Bridge
      3m 52s
    6. Opening an image from Mini Bridge (CC)
      2m 39s
    7. Opening through Camera Raw
      5m 11s
    8. Closing one image and closing all
      5m 36s
  2. 52m 47s
    1. Navigating your image
      40s
    2. The dark vs. the light interface
      6m 2s
    3. Navigating tabs and windows
      4m 32s
    4. Panels and workspaces
      6m 20s
    5. Zooming incrementally
      6m 22s
    6. Zooming continuously
      2m 43s
    7. Entering a custom zoom value
      2m 25s
    8. Scrolling and panning images
      2m 31s
    9. Rotating and resetting the view
      2m 11s
    10. Cycling between screen modes
      3m 10s
    11. Using the Navigator panel
      3m 38s
    12. Using Retina and HiDPI displays
      4m 3s
    13. Adjusting a few screen preferences
      8m 10s
  3. 1h 2m
    1. Digital imaging fundamentals
      1m 45s
    2. Image size and resolution
      6m 34s
    3. The Image Size command
      6m 9s
    4. Common resolution standards
      4m 7s
    5. Upsampling vs. real pixels
      7m 59s
    6. Changing the print size
      8m 15s
    7. Downsampling for print
      5m 14s
    8. Downsampling for email
      6m 22s
    9. The interpolation settings
      6m 40s
    10. Downsampling advice
      5m 5s
    11. Upsampling advice
      4m 15s
  4. 53m 21s
    1. The layered composition
      1m 40s
    2. Introducing the Layers panel
      4m 13s
    3. Adding, scaling, and aligning layers
      5m 27s
    4. Dragging and dropping layers
      4m 36s
    5. Stack, reveal, and rename
      3m 1s
    6. Opacity, history, and blend mode
      6m 5s
    7. Duplicating a selected portion of a layer
      5m 32s
    8. Applying a clipping mask
      3m 58s
    9. Blending inside a clipping mask
      4m 10s
    10. Finishing off your artwork
      3m 13s
    11. Creating a new layer and background
      4m 24s
    12. Layering tips and tricks
      7m 2s
  5. 26m 13s
    1. The art of the save
      54s
    2. Four things to know about saving
      5m 59s
    3. Saving layers to PSD
      6m 34s
    4. Saving print images to TIFF
      4m 48s
    5. Saving an interactive image to PNG
      3m 40s
    6. Saving a flat photo to JPEG
      4m 18s
  6. 32m 16s
    1. Honing in on your image
      1m 43s
    2. The new and improved Crop tool
      4m 35s
    3. Editing your last crop
      6m 29s
    4. Cropping to a specific ratio or size
      5m 57s
    5. Straightening a crooked image
      4m 44s
    6. Filling in missing details
      6m 44s
    7. Using the Perspective Crop tool
      2m 4s
  7. 44m 51s
    1. First, there is brightness
      2m 12s
    2. How luminance works
      4m 18s
    3. The three Auto commands
      3m 27s
    4. Automatic brightness and contrast
      6m 5s
    5. The Brightness/Contrast command
      2m 47s
    6. The dynamic adjustment layer
      4m 4s
    7. Editing adjustment layers
      3m 52s
    8. Isolating an adjustment with a layer mask
      3m 31s
    9. Introducing the histogram
      4m 58s
    10. Measuring an adjustment
      3m 34s
    11. Using the Shadows/Highlights command
      6m 3s
  8. 44m 34s
    1. And second, there is color
      1m 31s
    2. Identifying a color cast
      3m 34s
    3. Correcting a color cast automatically
      3m 57s
    4. Changing the color balance
      6m 10s
    5. Compensating with Photo Filter
      3m 11s
    6. Adjusting color intensity with Vibrance
      3m 29s
    7. Correcting color casts in Camera Raw
      5m 46s
    8. The Hue/Saturation command
      5m 26s
    9. Summoning colors where none exist
      4m 9s
    10. Making more color with Vibrance
      4m 27s
    11. Making a quick-and-dirty sepia tone
      2m 54s
  9. 55m 47s
    1. Making selective modifications
      1m 11s
    2. The geometric Marquee tools
      6m 1s
    3. Aligning one image element to another
      4m 59s
    4. The freeform Lasso tools
      3m 59s
    5. The Polygonal Lasso tool and Quick Mask
      5m 19s
    6. Cropping one selection inside another
      6m 15s
    7. Creating rays of light
      4m 44s
    8. Quick Selection and Similar
      4m 11s
    9. Making it better with Refine Edge
      4m 56s
    10. Integrating image elements
      2m 39s
    11. Magic Wand and Grow
      5m 17s
    12. Refine, integrate, and complete
      6m 16s
  10. 53m 48s
    1. Your best face forward
      1m 0s
    2. Content-Aware Fill
      6m 11s
    3. Using the Spot Healing Brush
      5m 36s
    4. The more capable "standard" Healing Brush
      5m 55s
    5. Meet the Clone Source panel
      3m 53s
    6. Caps Lock and Fade
      4m 57s
    7. The Dodge and Burn tools
      5m 1s
    8. Adjusting color with the Brush tool
      6m 35s
    9. Smoothing skin textures
      5m 57s
    10. Brightening teeth
      4m 0s
    11. Intensifying eyes
      4m 43s
  11. 49s
    1. Until next time
      49s

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Watch the Online Video Course Photoshop CC One-on-One: Fundamentals
7h 45m Beginner Jun 28, 2013 Updated Sep 17, 2014

Viewers: in countries Watching now:

Get the ultimate foundation in Adobe Photoshop CC, in this update to the flagship series Photoshop One-on-One. Deke takes you on a personalized tour of the basic tools and techniques that lie behind great images and graphic design, while keeping you up to speed with the newest features offered with Creative Cloud. Learn to open images from multiple sources, get around the panels and menus, and work with layers—the feature that allows you to perform masking, combine effects, and perform other edits nondestructively. Then Deke shows how to perform important editing tasks, such as cropping and straightening images, adjusting the luminance of your image, correcting color imbalances and enhancing color creatively, and finally, retouching and healing.

Topics include:
  • What is color correction?
  • Comparing RGB and CMYK color modes
  • Using grayscales and neutrals for color correction
  • Understanding pixels and bit depth
  • Evaluating and correcting images with histograms
  • Using nondestructive editing tools
  • Removing a color cast
  • Performing curve corrections in Camera Raw
  • Affecting creative adjustments
  • Retouching an image
  • Sharpening images
  • Preparing for print and web use
Subjects:
Design Photography
Software:
Photoshop
Author:
Deke McClelland

Content-Aware Fill

Over the course of this chapter, we're going to take this photograph of this attractive young person, as captured by photographer Matthew Dallow. And we'll heal away her blemishes. We'll paint away some of the stray hairs across her face. We'll recolor the makeup under her eyes so it's a better match for her natural skin tones. We'll get rid of some of the shine across her forehead, and over here on her left hand cheek. We'll also whiten her teeth. And then finally, we'll add some saturation to her eyes. And we'll ultimately come up with this final retouched image.

Now notice that she's the same person she ever was. I haven't healed away any of the creases or smile wrinkles, or any of the details that make us interesting to look at. This is not Botox, and that's very important. Rather, it's about achieving a smoother more evenly rendered portrait. And that really is the key to successful retouching. I'm going to switch back to my original photograph. In this movie, I'll show you how to work with one of Photoshop's best automated retouching tools which is Content Aware Fill.

Before I set about working on this image, because virtually all of Photoshop's retouching tools are static, meaning that they permanently modify the pixels, I'm going to go ahead and create a copy of this image so I can come back to the original later on if I need it. So I'll press Ctrl+Alt+J or Cmd+Opt+J on a Mac to jump the background. And I'll go ahead and call it Retouch, and then click OK. Now I'll start off by demonstrating how Content Aware Fill works, and then I'll show you a practical application. Using my rectangular marquee tool, I'm going to select a rough area in the middle of the face.

So, I'm selecting around her nose, as you can see. I want the selection outline to match the angle of her face. So, I'm going to rotate it, independently of the image by going up to Select > Transform Selection. Now notice if you drag one of the handles, you can scale the selection after the fact. And if you drag outside the selection outline, then you can rotate it. And I'm going to rotate the selection to about 12 degrees works out nicely. And I can see 12 degrees in that heads up display right next to my cursor.

And then I'll release my mouse button and press the Enter key or the Return key on the Mac in order to complete the rotation. And I'm also going to nudge this selection to the right a little bit by pressing the right arrow key a few times. Now let's heal away the nose. Now I know this is not a practical retouching technique. However, it does demonstrate how Content Aware Fill works. To access the function, you go up to Edit > Fill. And that brings up the Fill dialog box. You can also access this dialog box by pressing Shift+Backspace on the PC or Shift+Delete on the Mac.

Go ahead and set Used Content Aware, and then make sure the blending options are set to their defaults, by which I mean a mode of normal and opacity of 100%. Preserved Transparency should be turned off. Then go ahead and click OK in order to fill in that selection outline. What Photoshop is doing, is it's looking outside the selection for details that should be cloned into the selection. And it's basing its decisions, on the luminous levels and details that it finds along the perimeter of the selection outline.

And everything that it puts into the selection is something that was formerly outside the selection. So all those details associated with the nose are completely and entirely replaced. If I press Ctrl+H or Cmd+H on a Mac to hide the selection outline, you can see then in this region right here, where we're seeing the shading next to the nose. Right at that location Photoshop sees that there are darker details and repeats darker details inside the selection. You'll see a variety of details, by the way, from all over the image, and you may see some details repeat here and there as well.

So there's a lot of random detail juggling going on. Now I'm going to press Ctrl+Z or Cmd+Z on the Mac to bring back the nose. Because after all, that's a very positive detail inside this photograph. Then I'm going to zoom in on what is perhaps the biggest blemish, which is this item over here on the cheek, just to the right of the nose. Let's start by selecting it using the lasso tool. Now bear in mind, the perimeter of the selection outline makes a big difference in the terms of how Content Aware Fill behaves, so we want to select well outside the blemish in order to tell Photoshop that this unblemished region of the skin is the area that we want to match.

Then, I'll press Ctrl+H or Cmd+H on the Mac to hide the selection outline. And I'll press Shift+Backspace or Shift+Delete on the Mac to bring up the Fill dialogue box. Everything's set the way it should be because Photoshop remembers the last application of this command. So in others words Use is already set to Content Aware, so all I have to do is click on the OK button and Photoshop goes ahead and replaces that detail. It may or may not do exactly the job that you're looking for. One way to alter the results is to press Ctrl+Z or Cmd+Z on the Mac.

Press Ctrl+H or Cmd+H to bring back the selection outline, then press the Shift key, for example, and drag with the lasso tool to include just a little more detail like that. And then try again. Press Shift+Backspace or Shift+Delete on the Mac, click OK and evaluate the Results. And at this point, things are looking okay, but not perfect. And they never are. Each and every one of the retouching tools is going to deliver a different result, not always a good result, but that's okay, as long as you're moving in the right direction.

Because for example, let's say I'm not very happy with this region right there, that sort of scrappy detail. I'll just go ahead and reselect this area like so, and then press Shift+Backspace, or Shift+Delete on the Mac, in order to bring up the Fill dialogue box. Click OK, and that's starting to look better. So, just to give you sense of what we've been able to achieve so far, I'm going to zoom out from the image, and then go ahead and pan down. This is the original version of that blemished detail, and this is healed version so far.

Not perfect, but a lot better thanks to the automation of Photoshop's Content Aware Fill.

Find answers to the most frequently asked questions about Photoshop CC One-on-One: Fundamentals .


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Q: This course was updated on 09/17/2014. What changed?
A: Deke updated the course to reflect changes in the 2014 version of Photoshop CC. This includes everything from opening the program to retouching your photographs with the Healing and Content-Aware tools.
 
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