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Watching:

Color-correcting skin by the numbers


From:

Photoshop CS3 Portrait Retouching Essentials

with Chris Orwig

Video: Color-correcting skin by the numbers

Well, I am incredibly excited about the next couple of movies because in the next couple of movies we're going to learn how to color-correct skin tone. Now color-correcting the skin is incredibly important especially with digital capture. And here's why. The red channel is the channel that's most sensitive to light and that's a channel where a lot of the skin information is contained. So we need to figure out a way to color-correct our images so that skin looks good. In the next few movies, we will work on a number of different types of skin tone and it is going to get a little bit complicated. So I provide a few resource files for you. I should also say that I've covered this content in another one of my training titles, Photoshop for Photographers.
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  1. 15m 5s
    1. Welcome
      26s
    2. How to use this training
      1m 30s
    3. The art of retouching
      3m 3s
    4. Training sneak peek
      3m 1s
    5. Resources and inspiration
      4m 3s
    6. Using a Wacom tablet
      2m 10s
    7. Using the exercise files
      52s
  2. 16m 9s
    1. Initial retouching considerations
      6m 37s
    2. Retouching workflow strategies
      4m 19s
    3. Retouching roadmap: Making notes
      5m 13s
  3. 49m 14s
    1. What we'll cover in this chapter
      1m 21s
    2. White balancing in Adobe Camera Raw
      1m 40s
    3. White balancing with Curves
      2m 27s
    4. Brightening dark tones
      3m 8s
    5. Darkening bright tones
      5m 14s
    6. Reducing dramatic red skin tones
      6m 36s
    7. Reducing subtle red skin tones
      4m 5s
    8. Reducing moderate red skin tones
      3m 28s
    9. Color-correcting skin by the numbers
      2m 39s
    10. Color-correcting light skin tones
      7m 9s
    11. Color-correcting medium light skin tones
      3m 37s
    12. Color-correcting medium dark skin tones
      3m 36s
    13. Color-correcting dark skin tones
      4m 14s
  4. 12m 34s
    1. Healing in Camera Raw
      4m 45s
    2. Healing and cloning in Camera Raw
      4m 19s
    3. Removing dust in Camera Raw
      3m 30s
  5. 1h 30m
    1. Creative Tip: Leaving crumbs
      2m 3s
    2. Removing background distractions
      7m 29s
    3. Removing elements with the Patch tool
      3m 15s
    4. Removing distractions near subjects
      8m 14s
    5. Simplifying backgrounds
      7m 2s
    6. Cleaning up faces
      4m 17s
    7. Improving studio backdrops
      7m 45s
    8. Removing wrinkles in garments
      6m 20s
    9. Reducing hot spots
      7m 14s
    10. Removing flyaway hairs
      8m 23s
    11. Cleaning project 1: Face
      10m 45s
    12. Cleaning project 2: Keeping it under control
      6m 43s
    13. Cleaning project 3: Fashion image
      11m 10s
  6. 1h 10m
    1. Improving the jaw line with the Liquify filter
      5m 49s
    2. Improving the jaw line with the Free Transform tool
      9m 28s
    3. Creating visual symmetry
      6m 31s
    4. Improving the shape of eyes, ears, noses, and faces
      10m 30s
    5. Tailor-fitting a wedding dress
      9m 18s
    6. Reducing the stomach size
      6m 55s
    7. Thinning the waist and legs
      4m 20s
    8. Flamenco project pt. 1: Thinning the waist
      5m 48s
    9. Flamenco project pt. 2: Shape and height
      4m 34s
    10. Flamenco project pt. 3: Color, tone, and light
      2m 46s
    11. Combining multiple images
      4m 52s
  7. 27m 4s
    1. Reducing wrinkles with the Healing Brush tool
      2m 27s
    2. Reducing wrinkles by brightening
      6m 22s
    3. Creative Tip: The right tools for the job
      46s
    4. Reducing wrinkles with the Burn and Dodge tools
      4m 29s
    5. Reducing wrinkles with layer burning and dodging
      7m 41s
    6. Removing face and garment wrinkles
      5m 19s
  8. 58m 12s
    1. Changing eye color
      7m 7s
    2. Brightening eyes with Screen Blend mode
      4m 0s
    3. Brightening eyes with Curves
      5m 18s
    4. Advanced eye tone and color enhancements
      9m 8s
    5. Adding a catch light
      2m 55s
    6. Sharpening eyes with Smart Sharpen
      3m 13s
    7. Sharpening eyes with High Pass
      4m 15s
    8. Increasing eye size with Free Transform
      6m 1s
    9. Increasing eye size with Liquify
      1m 36s
    10. Darkening the edge of the eye
      6m 59s
    11. Whitening eyes
      7m 40s
  9. 16m 5s
    1. Cleaning up and darkening eyebrows
      9m 19s
    2. Increasing eyelash density
      2m 57s
    3. Adding eyelashes
      3m 49s
  10. 37m 20s
    1. Patching a gap in hair
      3m 36s
    2. Improving hair tone
      2m 27s
    3. Lightening dark roots
      6m 59s
    4. Covering gaps in hair
      6m 16s
    5. Fixing roots and hair color
      6m 14s
    6. Removing stray hairs
      5m 19s
    7. Removing flyaway hairs over a background
      6m 29s
  11. 1h 3m
    1. Creative Tip: See life as it should be
      58s
    2. Enhancing muscles with Liquify
      5m 2s
    3. Enhancing muscles with Burn and Dodge
      4m 0s
    4. Enhancing muscles with Curves
      5m 0s
    5. Enhancing body shape with shadows
      2m 13s
    6. Enhancing faces with shadows and highlights
      7m 49s
    7. Enhancing lip color and tone
      4m 36s
    8. Adding glossiness to lips
      3m 19s
    9. Enhancing lips
      4m 20s
    10. Changing facial expressions
      5m 31s
    11. Thinning arms
      3m 13s
    12. Thinning legs
      3m 14s
    13. Increasing height
      3m 35s
    14. Enhancing body shape
      3m 50s
    15. Body sculpting
      6m 21s
  12. 11m 3s
    1. Whitening teeth with Dodge
      3m 28s
    2. Whitening teeth with Hue and Saturation
      4m 2s
    3. Removing a gap between teeth
      3m 33s
  13. 35m 30s
    1. Additional makeup resources
      2m 2s
    2. Adding color to cheeks
      5m 40s
    3. Changing the shape of lips
      5m 13s
    4. Modifying makeup color
      7m 34s
    5. Enhancing makeup and adding creative color
      6m 9s
    6. Makeup color enhancement with LAB
      3m 36s
    7. Makeup color enhancement with Adjustment Layers
      5m 16s
  14. 55m 54s
    1. Creative Tip: Reduce and simplify
      1m 6s
    2. Reducing skin variation with the Spot Healing Brush
      5m 35s
    3. Reducing skin variation with the Healing Brush
      2m 45s
    4. Deemphasizing skin variation
      5m 16s
    5. Reducing freckles
      7m 29s
    6. Cleaning up skin and sharpening
      10m 15s
    7. Cleaning up skin and adding texture
      5m 21s
    8. Enhancing skin for high-end fashion
      13m 29s
    9. Evening skin tone
      4m 38s
  15. 59m 35s
    1. Project 1 pt. 1: Cleaning up skin with Heal and Dodge
      9m 7s
    2. Project 1 pt. 2: Softening the skin
      8m 10s
    3. Project 2 pt. 1: Basic retouching
      3m 12s
    4. Project 2 pt. 2: Improving color and tone
      3m 38s
    5. Project 2 pt. 3: Softening skin
      8m 56s
    6. Project 3: Quick skin softening
      6m 9s
    7. Project 4: New skin softening technique
      4m 8s
    8. Project 5 pt. 1: Improving color and tone
      3m 56s
    9. Project 5 pt. 2: High-end skin color, tone, and shine
      5m 8s
    10. Project 5 pt. 3: Adding dimension
      7m 11s
  16. 18s
    1. Goodbye
      18s

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Watch the Online Video Course Photoshop CS3 Portrait Retouching Essentials
10h 19m Intermediate Mar 07, 2008

Viewers: in countries Watching now:

Some of the most compelling photographs are of people--portraits, family snapshots, wedding photos--and Photoshop helps make people look their best in pictures. In Photoshop CS3 Portrait Retouching Essentials, professional photographer and Photoshop expert Chris Orwig gives a hands-on tour of the retouching secrets used by pros. He demonstrates tricks for covering up skin flaws, correcting discrepancies in color and tone, removing backgrounds and other visual distractions, fixing teeth and hair, enhancing facial features, and sculpting body parts. This inspiring step-by-step training course is full of secrets that will help professionals and hobbyists alike create stunning photographs of people. Exercise files accompany the tutorials.

Those wishing to see these skills applied in greater detail may also enjoy Photoshop CS3 Portrait Retouching Techniques.

Topics include:
  • Strategizing a retouching workflow
  • Correcting color and tone
  • Cleaning up images in Camera Raw
  • Removing distractions
  • Enhancing structure and symmetry
  • Reducing and removing wrinkles
  • Sculpting facial features and body parts
  • Whitening and brightening teeth
  • Changing eyes
  • Smoothing skin
Subject:
Photography
Software:
Photoshop
Author:
Chris Orwig

Color-correcting skin by the numbers

Well, I am incredibly excited about the next couple of movies because in the next couple of movies we're going to learn how to color-correct skin tone. Now color-correcting the skin is incredibly important especially with digital capture. And here's why. The red channel is the channel that's most sensitive to light and that's a channel where a lot of the skin information is contained. So we need to figure out a way to color-correct our images so that skin looks good. In the next few movies, we will work on a number of different types of skin tone and it is going to get a little bit complicated. So I provide a few resource files for you. I should also say that I've covered this content in another one of my training titles, Photoshop for Photographers.

So if you've watched those movies, feel free to skip ahead. If you haven't, I definitely recommend that you check these out because this will be incredibly important. Now the first resource file that I want to point out is this one, skin tone by the numbers. This has a step-by-step account of how to color-correct skin by the numbers and I'm hoping that that will act as a guide for you as you begin to work on your own images. The other resource file I have for you is called numbers.psd. I'm going to open that file up so we can begin to think about how color-correction works for skin tones. Well what you do when you're color-correcting for skin tones is you set a sample point and in your Info palette you set it to read the CMYK values and those CMYK values are incredibly important for us. The cyan is going to be about a third to a fifth of the magenta and yellow and if you are like me, you're thinking, Oh no. Math. Well the math is actually really simple. Stick with me for a second.

So cyan is a third to a fifth, magenta and yellow, those guys are pretty close, yellow is always higher. Alright, well practically what does that look like? I'm going to turn on this top group here and you're going to see some sample numbers. Now all images won't have these numbers but they will have this number relationship. So let's take a look at the example. Cyan is 10, magenta and yellow, those two guys are close, yellow is a little bit higher, perfect. Now my cyan, we said, was a third to a fifth of the magenta and yellow. So what that means for me as I multiply cyan by 3, that equals 30, I multiply my cyan by 5, that's 50. So if my magenta and yellow are between 30 and 50, I'm in good shape. I have color-correct skin tone.

Now, these numbers may vary as I mentioned. The cyan can vary between a third to a fifth that can even go as high as a half sometimes. Also the overall numbers will increase or decrease based on the density of the skin. So if I have skin that has much denser tones in it then those numbers are all going to be much higher. Alright, well let's take a look at how that actually works and we will do that in the next movie.

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