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Photoshop CS6 for Photographers
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Changing the view mode and working with panels


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Photoshop CS6 for Photographers

with Chris Orwig

Video: Changing the view mode and working with panels

Next, I want to briefly review our different Screen modes and also talk about how we can change the work area behind the image and then take a look at how we can work with panels. Now as I've mentioned, we've already highlighted how we can work with Screen modes, but I just want to point that out here again. If you go to your View pulldown menu and select Screen mode, you can choose the different Screen modes. You can see those here. You can always just click on one of these options, or you can press the F key in order to move forward through these different Screen modes. Now in each of the different Screen modes, you can hover over the area behind the image, then you can right-click or Ctrl-click. Here, you can change this background color.
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  1. 1m 43s
    1. Welcome
      58s
    2. Using the exercise files
      45s
  2. 11m 49s
    1. Ideas for how to learn Photoshop more effectively
      4m 25s
    2. Isolating what you've learned and taking quality notes
      3m 53s
    3. Getting creative and being ready to be surprised
      3m 31s
  3. 38m 57s
    1. Customizing the Bridge workspace
      4m 46s
    2. Reviewing and evaluating your photos
      4m 22s
    3. Rating, ranking, and filtering photographs
      5m 42s
    4. Organizing photos with stacks
      3m 55s
    5. Grouping pictures together with collections
      3m 56s
    6. Adding metadata and keywords
      4m 47s
    7. Renaming images
      1m 45s
    8. Accessing the Photoshop tools from within Bridge
      2m 28s
    9. Working with Bridge and Photoshop
      2m 40s
    10. Working with Mini Bridge
      4m 36s
  4. 45m 29s
    1. Setting up your color settings
      3m 31s
    2. Choosing preferences for the HUD color picker
      3m 50s
    3. Setting image interpolation preferences
      3m 3s
    4. Modifying zoom preferences
      4m 20s
    5. Changing HUD brush options
      3m 41s
    6. Customizing interface preferences
      3m 30s
    7. Opening up documents in tabs
      4m 11s
    8. Reviewing file-handling preferences
      5m 4s
    9. Setting performance preferences
      4m 23s
    10. Choosing cursor preferences
      5m 14s
    11. Reviewing guides and type preview preferences
      4m 42s
  5. 21m 4s
    1. Exploring two simple steps for more accurate color
      2m 57s
    2. Introducing color profiles
      5m 17s
    3. Opening and saving files with embedded profiles
      7m 33s
    4. Setting up your studio
      1m 59s
    5. A demonstration of monitor calibration
      1m 46s
    6. Finding color management resources
      1m 32s
  6. 28m 34s
    1. Introducing the Tools panel
      4m 53s
    2. Changing the view mode and working with panels
      5m 33s
    3. Opening and arranging multiple documents
      6m 31s
    4. Combining, saving, and closing multiple documents
      5m 17s
    5. Creating custom keyboard shortcuts
      5m 11s
    6. Working with a Wacom tablet
      1m 9s
  7. 18m 24s
    1. The foundation of digital imaging: pixels and bit depth
      6m 12s
    2. Introducing image resizing
      3m 42s
    3. Resizing images effectively
      3m 48s
    4. Resizing and straightening with the Crop tool
      2m 28s
    5. Creative tip: sizing images correctly
      2m 14s
  8. 41m 56s
    1. What is Camera Raw?
      2m 47s
    2. Accessing the Camera Raw preferences
      3m 16s
    3. Improving your images with the basic controls
      7m 0s
    4. Correcting color and white balance
      4m 44s
    5. Processing multiple images at once
      5m 56s
    6. Utilizing the Crop tool to recompose your pictures
      5m 28s
    7. Creating dramatic black-and-white conversions
      5m 34s
    8. Reducing noise and making tack-sharp photos
      7m 11s
  9. 32m 55s
    1. Introducing layers
      2m 22s
    2. Understanding layers and layer transparency
      1m 29s
    3. Working with layer opacity
      3m 29s
    4. Aligning layers
      1m 32s
    5. Creating new layers
      4m 53s
    6. Organizing layers
      2m 31s
    7. Filtering and finding layers
      2m 8s
    8. Adding layer style effects
      5m 28s
    9. Creating a clipping mask
      6m 50s
    10. Targeting and moving layers
      2m 13s
  10. 33m 22s
    1. Making selections with the marquee tools
      4m 50s
    2. Using the three lasso tools
      4m 56s
    3. Selecting with the Magic Wand tool
      5m 43s
    4. Working with the Quick Select tool
      7m 21s
    5. Selecting based on color with the Color Range controls
      7m 13s
    6. Correcting skin tones with Color Range
      3m 19s
  11. 23m 2s
    1. Introducing masking
      1m 14s
    2. Painting away the contents of a layer with a mask
      3m 59s
    3. Using a selection to build a mask
      3m 3s
    4. Removing a subject from the background with a mask
      6m 37s
    5. Using a mask to selectively sharpen an image
      3m 58s
    6. Making selections with Quick Mask
      4m 11s
  12. 13m 42s
    1. Creating a custom border using selections and masks
      5m 4s
    2. Painting custom border effects
      3m 34s
    3. Using prebuilt borders
      4m 13s
    4. Exploring the PhotoFrame plug-in
      51s
  13. 11m 49s
    1. Adding brightness and contrast
      3m 3s
    2. Using hue and saturation and the Target Adjustment tool
      5m 34s
    3. Working with vibrancy and saturation
      3m 12s
  14. 14m 36s
    1. Working with auto levels
      3m 36s
    2. Enhancing color and tone with levels
      4m 12s
    3. Painting in adjustments with levels and masking
      4m 10s
    4. Creative tip: checking in
      2m 38s
  15. 29m 50s
    1. Introducing the Curves dialog box
      3m 12s
    2. Using auto curves and adjustments to enhance an image
      4m 17s
    3. Changing brightness with curves and masks
      3m 59s
    4. Using curves and masks to improve tone and color
      4m 56s
    5. Making advanced selections and masks
      3m 53s
    6. Enhancing a portrait with hand-painted masks
      5m 53s
    7. Using, modifying, and saving curves presets
      3m 40s
  16. 20m 12s
    1. Introducing the magic of blend modes
      6m 33s
    2. Blending multiple images together
      3m 50s
    3. Using blending modes to remove white or black
      2m 8s
    4. Improving exposure, contrast, and color with blending
      5m 37s
    5. Using blending shortcuts
      2m 4s
  17. 10m 26s
    1. Working with color correction in Camera Raw
      1m 21s
    2. Correcting color with the eyedroppers
      3m 11s
    3. Correcting color and tone with the eyedroppers
      5m 54s
  18. 36m 1s
    1. Using a Replace Color adjustment
      4m 14s
    2. Using Replace Color, Hue/Saturation, and masks
      5m 32s
    3. Replacing color with advanced masking
      7m 14s
    4. Selecting and modifying color with the Hue/Saturation eyedroppers
      2m 30s
    5. Using Color Balance to create vivid color
      4m 3s
    6. Modifying color with Selective Color
      5m 3s
    7. Changing color with Photo Filter
      4m 4s
    8. Making creative color changes with Color Lookup
      1m 44s
    9. Creative tip: shoot more
      1m 37s
  19. 35m 13s
    1. The modern equivalent of a traditional technique
      1m 40s
    2. Introducing two burn and dodge techniques
      7m 22s
    3. Burning and dodging with the Brush and Gradient tools
      4m 18s
    4. Dodging and reducing shadows in a portrait
      6m 0s
    5. Using selections, masks, and curves to change tonality
      7m 21s
    6. Improving a black-and-white landscape
      8m 32s
  20. 16m 9s
    1. The power of black and white
      4m 14s
    2. Converting a portrait to black and white
      4m 6s
    3. Converting a landscape to black and white
      4m 23s
    4. Adding grain and tone to a black-and-white image
      3m 26s
  21. 31m 57s
    1. Introducing Smart Filters
      3m 36s
    2. Applying Smart Filters
      6m 20s
    3. Creating a soft contrast effect
      6m 38s
    4. Changing focus with the Blur Gallery
      3m 40s
    5. Working with Tilt-Shift Blur
      3m 52s
    6. Creating a realistic lens flare
      2m 45s
    7. Adding light with the Lighting Effects filter
      5m 6s
  22. 12m 33s
    1. Using the Noise Reduction filter
      3m 46s
    2. Exploring advanced noise reduction using channels
      2m 49s
    3. Masking in noise reduction to a specific area
      2m 1s
    4. Reducing noise with Surface Blur
      3m 57s
  23. 48m 30s
    1. Cleaning before you enhance
      1m 2s
    2. Introducing the healing and cloning tools
      7m 22s
    3. Cleaning up the background of an image
      6m 21s
    4. Basic portrait retouching
      3m 15s
    5. Brightening shadows under the eyes
      4m 53s
    6. Brightening the eyes
      2m 30s
    7. Retouching selected areas
      5m 27s
    8. Using Content-Aware Fill to remove distractions
      5m 34s
    9. Moving a subject with the Content-Aware Move tool
      7m 54s
    10. Changing shape and dimension with Liquify
      4m 12s
  24. 24m 2s
    1. Using the Lens Correction filter
      6m 52s
    2. Reducing exaggerated distortion
      5m 16s
    3. Applying Free Transform to correct perspective
      3m 49s
    4. Correcting distortion with the Perspective Crop tool
      3m 45s
    5. Using Puppet Warp to correct perspective
      4m 20s
  25. 26m 48s
    1. Combining two photos with movement
      4m 12s
    2. Using two frames for a group photo
      4m 57s
    3. Creating a panoramic photo from multiple frames
      3m 37s
    4. Correcting distortion with the Adaptive Wide Angle correction
      7m 34s
    5. Cropping, filling in the gaps, and making final panographic adjustments
      6m 28s
  26. 27m 24s
    1. Working with Smart Sharpen
      6m 17s
    2. Using Unsharpen Mask
      4m 49s
    3. High Pass sharpening an image
      4m 47s
    4. Selectively sharpening the in-focus areas of an image
      3m 35s
    5. Selective sharpening with hand-drawn masks
      7m 56s
  27. 22m 44s
    1. Preparing images for the web and email
      4m 38s
    2. Sharpening for the web
      3m 5s
    3. Using Save for Web to create an optimized JPEG
      4m 26s
    4. Exporting images to Facebook or Flickr
      4m 46s
    5. Creating a web gallery
      5m 49s
  28. 26m 6s
    1. Desktop printing recommendations
      2m 46s
    2. Creating a PDF layout and contact sheets
      5m 56s
    3. Using a soft proof to visualize the print
      8m 0s
    4. Adjusting printer settings
      3m 43s
    5. Customizing the Print dialog box options
      5m 41s
  29. 32m 4s
    1. Opening up a video file in Photoshop
      7m 7s
    2. Editing a video clip and adding text
      5m 15s
    3. Using adjustment layers and adding an audio track
      4m 47s
    4. Creating a project with multiple clips
      4m 55s
    5. Adding a cross-dissolve fade and creating custom shortcuts
      4m 43s
    6. Customizing the workspace to review your project
      3m 2s
    7. Exporting a project
      2m 15s
  30. 3m 4s
    1. Exploring additional resources and ways to keep in touch
      2m 29s
    2. Goodbye
      35s

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Photoshop CS6 for Photographers
12h 20m Beginner Apr 26, 2012

Viewers: in countries Watching now:

In Photoshop CS6 for Photographers, author, photographer, and teacher Chris Orwig explores Photoshop from the perspective of the photographer.

The course details the features and techniques behind enhancing and retouching photos, preparing them for print and online publishing, and much more. Chris demonstrates how to make basic edits in Camera Raw, develop and save color profiles, work with layers and selections, tone and sharpen, and retouch images while retaining their natural character.

Chris also shares some creative tips and project ideas, such as converting a photo to black-and-white and enhancing a portrait with hand-painted masks. The course also covers workflow details, such as organizing images in Bridge and Mini Bridge, optimizing Photoshop preferences, and calibrating your monitor.

Topics include:
  • Getting started with Bridge and Mini Bridge
  • Setting up color and performance preferences
  • Calibrating your monitor
  • Improving images with the basic controls in Camera Raw
  • Creating, aligning, and organizing layers
  • Using masks for removing or blending images and for sharpening
  • Working with vibrancy, hue, and saturation controls
  • Enhancing color and tone with Levels
  • Using Curves and masks to enhance brightness, color, and tone
  • Mastering the art of blending modes
  • Correcting and replacing color
  • Burning and dodging
  • Converting to black and white
Subject:
Photography
Software:
Photoshop
Author:
Chris Orwig

Changing the view mode and working with panels

Next, I want to briefly review our different Screen modes and also talk about how we can change the work area behind the image and then take a look at how we can work with panels. Now as I've mentioned, we've already highlighted how we can work with Screen modes, but I just want to point that out here again. If you go to your View pulldown menu and select Screen mode, you can choose the different Screen modes. You can see those here. You can always just click on one of these options, or you can press the F key in order to move forward through these different Screen modes. Now in each of the different Screen modes, you can hover over the area behind the image, then you can right-click or Ctrl-click. Here, you can change this background color.

You can see it's now really dark or you can make this nice and bright. You want to choose the option which you think will work well with your own workflow and also which kind of matches the work area that you're in. Well, another thing that we need to know how to do is how to work with all of these different panels in our workspaces. We can choose our workspaces by going to Window > Workspace, and we have some options here, or we can choose these from this pulldown menu. As I mentioned previously, we are going to be using this Photography Workspace.

Let's take a look at how we can customize it and also how we can work with the different panels. Some of the panels, like these here, are collapsed to icons. We can open those up by clicking on this double arrow icon so that we can now see all of the details of these panels. Now the advantage of doing this is that we can obviously see the details. The disadvantage is that we lost a lot of screen real estate. So to go back to collapsing these, you can just click on this icon here and then you can just click on one of these panels at a time in order to open it up.

Now if ever you kind of forget what one of these icons are, what you can always do is go to your Window pulldown menu. Let's say you need to change the way the typography appears. You could choose Character. It would then trigger or open up that panel. So you can access these panels either by clicking on their icons or by going to the Window pulldown menu. Okay to close a panel, just click on the icon. Well, what about these panels over here? Let's say we want to collapse those. Well, once again, we have this double-arrow icon, you can click that, and it will then collapse those.

So if you want to work with layers, you just click on the icon for layers. One of the things that people like to do if you use this Icon mode is to change your preference which auto closes or auto collapses these panels so that they're not as distracting or not hovering over our image. To do that, navigate to your Preferences and go to the Interface tab. In the Interface tab, we have an option for Auto-Collapse Iconic Panels. If you click that on and then click OK to apply that, what will happen is that when you open up a panel, you'll see it, you can work with it, but then when you click off of it, it will automatically collapse.

In that way, you don't always have to double-click that icon to open and close, rather it's just really as simple as clicking on something and then clicking off of it so that it auto collapses. Again, you'll want to choose that preference that fits your own workflow. What I find is that Auto-Collapse is kind of handy because it allows you to have one of these panels open. For most of us, we'll have this view where we view all the details in these, and then in the less important panels we'll just go ahead and click to open them, perhaps work with them. And then to close, we can just click off.

So I recommend that you turn that preference on, but of course, make the choice which fits your own workflow. Another thing that I want to highlight is how we can work with these different panel groups. Let me show you what I mean. One of the panels that we have allows us to make adjustments. If we click on one of these adjustment icons, say Brightness/Contrast, it will open up our Properties panel. Well, some people may prefer to have this Properties panel located right next to the Adjustments panel as it was in the previous versions of Photoshop. Well, to change where this shows up, what you can do is click on the panel tab.

You can then drag and drop this into another panel group. Here, you can see it's now part of this panel group. In order to open up Adjustments now, if I click on one of these adjustment layers, it will then create that adjustment and then just jump to this particular panel group. Now here in this situation, I would obviously need to click on this dividing line and in order to open up more space for this Properties panel. We can make a lot of different adjustments as well. One of the things that you can do is you can go ahead and collapse panels. Let's say that you're not really going to use these Type panels here, the Type, Character, or the Paragraph panels.

Well, to close this entire group, you can click on this icon in the far right-hand corner. This will give you access to different controls in the panel, but it also allows you to close this or to close the entire tab group. I'm going to select that. You can see those two icons are now completely gone. Well, after you've customized things a little bit, you may decide that you want to go back to the default settings of this workspace. Maybe you've messed things up a bit too much. Well, to do that, just go to your pulldown menu here.

We'll go ahead and select Reset Photography. That will reset everything back to its default setting so that you can now see that we have when we create our adjustments, this Properties panel located over here. All right! Well, now that we have looked at how we can work with our panels, let's go ahead and dig into how we can start to work with our documents and how we can work with multiple documents at once. And let's do that in the next movie.

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