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Photoshop CS6 New Features

Auto-Power color adjustments


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Photoshop CS6 New Features

with Deke McClelland

Video: Auto-Power color adjustments

We now have a couple of new auto color adjustment features, one of which is associated with the Brightness/Contrast command. You will find the other when using levels and curves. Now we've got this washed out photo here. And Adobe's research suggests that some of the most popular commands in the software, believe it or not, are these right here under the Image menu: Auto Tone, Auto Contrast, and Auto color. And I suppose it's because they are so darn easy to apply. So you just use Auto Tone and you look at the image and you say nope, that's not better.
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  1. 1m 37s
    1. Welcome
      1m 37s
  2. 2h 27m
    1. The secrets of the dark interface
      3m 55s
    2. Background and Auto-Save
      3m 22s
    3. The altogether revamped Crop tool
      4m 0s
    4. The consolidated Properties panel
      3m 58s
    5. The searchable Layers panel
      5m 2s
    6. Modifying multiple layers at a time
      4m 50s
    7. The wide world of layer enhancements
      6m 48s
    8. Content-Aware Move and Extend
      6m 16s
    9. Content-Aware Patch
      3m 14s
    10. Auto-Power color adjustments
      6m 3s
    11. The brave new world of Camera Raw 7
      6m 16s
    12. The new three-part Blur Gallery
      8m 9s
    13. The Adaptive Wide-Angle filter
      7m 7s
    14. Correcting wide-angle panoramas
      7m 14s
    15. Text enhancements & styles
      4m 48s
    16. Filling & stroking shape layers
      4m 37s
    17. Aligning and stacking vector-based shapes
      4m 17s
    18. Working with the Scripted Patterns
      3m 32s
    19. Erodible brush tips & airbrushes
      5m 44s
    20. The enhanced Liquify filter
      4m 20s
    21. The new Oil Paint filter
      4m 10s
    22. Selecting skin tones and faces
      5m 11s
    23. The new Lighting Effects filter
      6m 29s
    24. Editing videos in the Timeline panel
      10m 16s
    25. Making editable 3D type
      8m 8s
    26. 3D shadows and reflections
      6m 35s
    27. Aligning and distributing meshes in 3D
      3m 0s
  3. 50m 34s
    1. Introducing the first Photoshop Creative Cloud update
      1m 36s
    2. Liquify and Blur Gallery support Smart Objects
      8m 42s
    3. Creating conditional actions
      9m 51s
    4. Moving a point with the Pen tool on the fly
      3m 32s
    5. Autonaming merged layers
      4m 42s
    6. Creating global default type styles
      4m 57s
    7. Copying CSS code from specialty layers
      4m 54s
    8. Enhanced 3D lighting with 32-bit bit color
      6m 42s
    9. The new default 3D image-based light
      5m 38s
  4. 29s
    1. Goodbye
      29s

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Photoshop CS6 New Features
3h 20m Appropriate for all Mar 21, 2012 Updated Jan 15, 2013

Viewers: in countries Watching now:

In this course, Deke McClelland offers a sneak peek at the new features in Photoshop CS6. He reveals the secrets behind the new dark interface, searchable layers, the powerful Blur Gallery, Camera Raw 7, video editing, and the Adaptive Wide Angle filter, which removes distortion from extreme wide-angle photographs and panoramas. Deke also covers the new nondestructive Crop tool, dashed strokes, paragraph and character styles, editable 3D type, and the exciting Content-Aware Move tool, which moves selections and automatically heals the backgrounds.

Topics include:
  • Enabling auto recovery and background saving
  • Filtering layers in the Layers panel
  • Modifying multiple layers at once
  • Applying layer effects to groups
  • Working with the Content-Aware tools
  • Redeveloping photos in Camera Raw 7
  • Creating depth of field with the Blur Gallery
  • Correcting wide-angle panoramas
  • Filling and stroking shape layers
  • Editing videos in the Timeline panel
  • Previewing 3D shadows and reflections
Subjects:
Design Photography
Software:
Photoshop
Author:
Deke McClelland

Auto-Power color adjustments

We now have a couple of new auto color adjustment features, one of which is associated with the Brightness/Contrast command. You will find the other when using levels and curves. Now we've got this washed out photo here. And Adobe's research suggests that some of the most popular commands in the software, believe it or not, are these right here under the Image menu: Auto Tone, Auto Contrast, and Auto color. And I suppose it's because they are so darn easy to apply. So you just use Auto Tone and you look at the image and you say nope, that's not better.

Go ahead and press Ctrl+Z or Command+Z on a Mac. Then you go up to the Image menu, choose Auto Contrast and yeah that's actually quite a bit better. Then press Ctrl+Z or Command+Z on a Mac and finally try out Auto Color, which in this case makes the image awfully blue and she looks fairly ghoulish. All right, I'm going to press Ctrl+Z, Command+Z on a Mac, in order to undo that change. The great thing about these new auto functions is they serve as a wonderful jumping off point for your own adjustments.

So for starters, I will apply a Brightness/Contrast Adjustment layer by dropping down to the little black/ white icon at the bottom of Layers panel and I will choose the Brightness/Contrast command. And then rather than manually tweaking the Brightness/Contrast options I will click this new Auto button in order to tell Photoshop to automatically evaluate the image. And it's going to do a different job on every single image you open. And in this case it's chosen to set the Brightness value to -20 and the Contrast value to 67.

I might look at that and say well, you know that's a good place to start I suppose, but I disagree a little bit. I think I want to take that brightness value down to -30 and I'm going to reduce the contrast value as well. We don't need nearly that much contrast because we're losing a little bit of shadow and highlight detail, and then I'd come back up to the Brightness value and take it down a couple of notches as well, and I eventually arrive at an image that I like a lot better. So this is what the image looked like before without that Brightness/Contrast adjustment; this is what it looks like now.

Now Brightness/Contrast is a fantastic command for making very basic edits. It was updated and made much better in Photoshop CS3, but it's still by no means a power command. If you want full control over the luminance levels inside your image, then you want to switch over to either levels or curves, and let me show you what that looks like. I will turn off the Brightness/Contrast layer, drop down to the black/white icon once again, and this time I will choose the Levels command. You can see there we're missing shadow detail like crazy inside this image.

So I will go ahead and click on Auto, and the interesting thing here is the auto adjustment I applied is none of these. It's not Auto Tone, it's not Auto Contrast, it's not Auto Color; it's something new. And to get a sense of what's going on here, go ahead and Alt+Click or Option+Click on the Auto button and you'll see that we have a new option inside this dialog box that's called Enhance Brightness and Contrast. And it's applying the adjustment to the composite image. Which means if you look very carefully here, we have access to all of the values, so the black point value shows up as 25, I have got a gamma value of 0.95 and very slight adjustment to the white point value, it's 254.

Compare that to these other guys here. The first option is the same as Auto Contrast under the Image menu, the second option is the same as Auto Tone, and the third is the same as Auto Color. But notice if I select any of these, for example I will start with Auto Color, I'm not seeing the adjustments. It's 0, 1.0, 255, and with the next option up, same diff, same at that very first option as well. And that's because every single one of these adjustments is applied on a channel by channel basis which makes it very difficult to modify the adjustments after the fact, whereas if you stick with the default setting, which is Enhance Brightness and Contrast, click OK, then you have access to these composite values.

And for example, I could say "You know what? That black point values isn't nearly high enough. I'm going to take that guy up to something like maybe 65 actually." And then I'll tab over to the gamma value and take it down to 0.85, so that we get a much richer or more lustrous image. And I don't want to adjust the white point value, at all, so we'll take it up to 255 and hide the Properties panel for the moment. So this is the original version of the image, quite washed out by comparison. And this is my customized modification, based in part on Photoshop's automatic adjustment.

All right, let's see the same thing done with curves. I'll go ahead and turn off the Levels Adjustment layer, click on the black/white icon and choose the Curves command. That's going to bring up the Properties panel once again. I'll once again click on the Auto button. And again you can see the points on the curve so that you can apply your own custom modification. At the risk of belaboring things here, I'm going to show you the difference between the old way and the new way. If I Alt+Click or Option+Click on Auto, notice in any of these cases if I select any of the first three radio buttons, I do not have access to those points when modifying the composite image. Instead, they're buried.

So I have to access the points on a channel by channel basis instead, which makes for some cumbersome editing indeed. The same goes for the second radio button and the first radio button as well. All right, so, I'm going to stick with Enhanced Brightness and Contrast, click OK. Still not necessarily happy with what Photoshop has come up with, so I will take that black point value over to the right, and then I will go ahead and drop down that point on the curve in order to darken up the image like so, and then I will hide the Properties panel. And so this is what the image look in the first place and this is what the image looks like now.

So the fact of the matter is, even though we don't normally associate those auto adjustments with power features, the new Auto button included with brightness/contrast, levels and curves makes for a great jumping off point for even the most sophisticated color modifications.

Find answers to the most frequently asked questions about Photoshop CS6 New Features.


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Q: This course was updated on 1/15/2013. What changed?
A: The course was revised to address the new Photoshop features and enhancements bundled with the Creative Cloud update released in December 2012. We added a second chapter to the course, detailing the new enhancements. We cover the Liquify and Blur Galleries, which now support Smart Objects; creating conditional actions; auto-naming merged layers; moving a point with the Pen tool on the fly; creating global default type styles; and copying CSS code from specialty layers. We also cover two improvements to the 3D package included with Photoshop Extended: enhanced 3D lighting with 32-bit color and the new default 3D image-based light. We also updated the exercise files with new files for Chapter 2 and added an introductory video to the beginning of Chapter 2 that outlines the improvements.
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