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Adding split toning to color photographs

From: Photoshop CS6 for Photographers: Camera Raw 7

Video: Adding split toning to color photographs

Let's take a look at how we can use the Split Toning Controls in order to modify the color of two different color photographs. We'll start off with this image here. Let's go ahead and jump straight to the Split Toning Panels. In the Split Toning Panels, one of the things that we've discovered is that we can have a low saturation amount and than we can select a color. Yet, sometimes when you try to select the color when you have low saturation, it's hard to really pick the color, because you can barely see it. Well, one way to see that more clearly is to hold down the Option key on a Mac, Alt key on Windows and then to click on the slider.

Adding split toning to color photographs

Let's take a look at how we can use the Split Toning Controls in order to modify the color of two different color photographs. We'll start off with this image here. Let's go ahead and jump straight to the Split Toning Panels. In the Split Toning Panels, one of the things that we've discovered is that we can have a low saturation amount and than we can select a color. Yet, sometimes when you try to select the color when you have low saturation, it's hard to really pick the color, because you can barely see it. Well, one way to see that more clearly is to hold down the Option key on a Mac, Alt key on Windows and then to click on the slider.

When you do that, it then takes this value to 100% and here you can see it's completely saturated. In this case, I want to add a little bit of a yellow effect into the highlights. So go ahead and find that yellow, then let go of Option or Alt, that will then take it back to that saturation level of 10. Next, in regards to the shadows, I'll bring this over to my blues here, hold down Option or Alt, so I can find just the right blue, one that isn't very purple, and so I'll try to find a nice blue there and then I'll click-and-drag my Saturation Slider up a little bit.

Well, now that I've made these subtle adjustments, I'll go back to the Basic Panel. In the Basic Panel, I'm going to bring up my clarity just a little bit here. Also, bring up some Vibrance, and a touch of saturation, and then I'll change my color temperature. I'm just going to warm this image up overall. By making these adjustments, you can see that this image now takes on a different kind of a feel, it looks like perhaps a fashion image that you would see in an editorial magazine. If we click on one of our last tabs over here Snapshots or Presets, we can see our overall before and after.

Here's before and then click again, and here's after. If I zoom in a little bit more, so you can see more of the details of the photograph, sorry I was zoomed out so far; here is again that before and after. These adjustments here aren't huge, but they do help create a little bit different of a mood or feeling. Okay, well let's take a look at another example, but this time, let's apply the similar effect, but do so in a way that's stronger. So here, we'll click on this other image. This is a photograph of Jeff Lipsky, a good friend, and an amazing photographer.

Here, what I want to do is start off in the Basic Panel and I'm going to go ahead and remove some of the color here by decreasing my Vibrance and Saturation. So I'm just going to get rid of some of the color that I have in the picture. Next, I'll increase the clarity, I'm also going to work on my overall contrast, modify the blacks, and my shadows, decrease my highlights. I'm just kind of stepping through these different controls to create a different aesthetic here. Here's our before and after. It's really kind of a muted color palette. Well, now that I've muted or subdued the other colors or the image and the contrast a little bit here, I'm going to then go to my Split Toning panels.

Once again, I'll select yellow by holding down Option or Alt, and I'll bring in some of this yellow. Then, I'll go to my blues, holding down Option or Alt, try to find a nice blue and then I'll crank up this blue amount here, and really bring up a lot of this color into the image. Well, now that we've brought in all of this yellow and blue here into the photograph, I'll then go back to the Basic Panel. Here in the Basic Panel, I'm going to modify this even further, bringing my blacks down, also bring in my Exposure up and by working with these different controls, you can see that in this case, we created this different color palette completely.

It's almost like a creative way to process an image. It looks like we used a filter or a special effect in Photoshop. If we press the P key here, you can see, here's the before or after with or without the Basic Panel adjustments, and then if we click on one of our last tabs, we can see that overall before, and then after. And again, I'll zoom in a little bit more, so you can see some of those details; here it is, the before and the after.

Show transcript

This video is part of

Image for Photoshop CS6 for Photographers: Camera Raw 7
Photoshop CS6 for Photographers: Camera Raw 7

117 video lessons · 12102 viewers

Chris Orwig
Author

 
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  1. 9m 3s
    1. Welcome
      1m 2s
    2. Should I use Camera Raw or Photoshop?
      3m 22s
    3. What is Adobe Camera Raw?
      3m 45s
    4. Using the exercise files
      54s
  2. 21m 13s
    1. An overview of Bridge and Bridge preferences
      3m 19s
    2. Setting Camera Raw preferences
      3m 9s
    3. Exploring RAW vs. JPEG or TIFF files
      4m 3s
    4. Choosing a native raw file or a digital negative (DNG)
      4m 25s
    5. Converting or saving to the DNG format
      6m 17s
  3. 29m 36s
    1. Project overview: cover photo shoot
      1m 33s
    2. Auto-toning and correcting white balance
      2m 19s
    3. Cropping and composing
      3m 21s
    4. Enhancing color and tone
      2m 44s
    5. Removing distractions
      3m 58s
    6. Sharpening and noise reduction
      2m 59s
    7. Converting to black and white
      2m 11s
    8. Adding a vignette
      1m 45s
    9. Making a localized correction
      2m 53s
    10. Creating snapshots of memorable looks
      2m 1s
    11. Re-editing camera raw settings
      1m 38s
    12. Working with multiple adjustments
      2m 14s
  4. 15m 2s
    1. Navigating the interface and the toolbar
      2m 15s
    2. Exploring image-adjustment tabs and panels
      1m 32s
    3. Using the histogram
      5m 12s
    4. Previewing the before and after of different adjustments
      2m 43s
    5. Working with multiple files
      3m 20s
  5. 29m 28s
    1. Opening raw files in Bridge
      4m 35s
    2. Opening JPEGs and TIFFs in Bridge
      4m 43s
    3. How to open a photo in Photoshop and skip Camera Raw
      1m 47s
    4. Accessing Camera Raw from Mini Bridge
      3m 9s
    5. Resizing in Camera Raw with workflow options
      6m 35s
    6. Opening an image as a Smart Object
      3m 3s
    7. Saving from Camera Raw
      3m 17s
    8. Creating a duplicate file
      2m 19s
  6. 11m 19s
    1. Recomposing with the Crop tool
      2m 58s
    2. Clarifying your voice by cropping
      3m 20s
    3. Straightening and cropping
      2m 54s
    4. Cropping creatively
      2m 7s
  7. 9m 9s
    1. Improving color balance
      4m 21s
    2. Color correcting with white balance cards
      1m 48s
    3. Using the White Balance tool and controls
      3m 0s
  8. 18m 32s
    1. Deconstructing the basic adjustments
      3m 33s
    2. Correcting overexposure
      2m 52s
    3. Correcting underexposure
      3m 13s
    4. Making exposure enhancements
      2m 52s
    5. Recovering highlight and shadow detail
      3m 38s
    6. A speed tip for making basic adjustments
      2m 24s
  9. 14m 14s
    1. Demystifying Clarity
      2m 36s
    2. Increasing Clarity
      3m 52s
    3. Understanding Vibrance and Saturation
      1m 50s
    4. Improving color with Vibrance
      3m 52s
    5. Making creative color adjustments
      2m 4s
  10. 11m 48s
    1. Learning about the parametric and point-tone curves
      4m 4s
    2. Using the parametric-tone curve
      2m 19s
    3. Using the point-tone curve
      3m 22s
    4. Creating a unique color look with the point-tone curve
      2m 3s
  11. 15m 38s
    1. Introducing the Spot Removal tool
      3m 42s
    2. Removing distracting background elements
      3m 12s
    3. Removing blemishes on a face
      3m 29s
    4. Removing dust on the lens or the camera sensor
      2m 58s
    5. Removing red-eye
      2m 17s
  12. 51m 20s
    1. Introducing the Adjustment Brush
      6m 18s
    2. Correcting exposure
      6m 23s
    3. Working with Auto Mask
      4m 16s
    4. Changing the background color
      4m 30s
    5. Changing the color temperature
      3m 15s
    6. Making multiple color and tone adjustments
      5m 47s
    7. Enhancing the color, tone, and sharpness of the eyes
      5m 11s
    8. Whitening teeth
      3m 20s
    9. Brightening shadows and darkening highlights
      2m 51s
    10. Creating a black-and-white effect
      5m 36s
    11. Removing moiré patterns
      2m 19s
    12. Creating Adjustment Brush presets
      1m 34s
  13. 10m 0s
    1. Enhancing the foreground and background of an image with the Graduated Filter tool
      4m 7s
    2. Reducing exposure with the Graduated Filter tool
      3m 0s
    3. Exploring creative effects with the Graduated Filter tool
      2m 53s
  14. 13m 23s
    1. Exploring noise reduction
      3m 27s
    2. Applying input sharpening
      4m 9s
    3. Using the Basic and Detail panels together
      3m 33s
    4. Edge sharpening an architectural photograph
      2m 14s
  15. 12m 53s
    1. Introducing HSL
      2m 8s
    2. Enhancing color and tone
      2m 7s
    3. Using the Basic and HSL panels together
      2m 24s
    4. Removing colors with HSL
      3m 1s
    5. Making color changes
      3m 13s
  16. 21m 57s
    1. Using the black-and-white controls
      1m 44s
    2. Exploring simple black-and-white conversion
      6m 17s
    3. Using multiple panels to create a black-and-white image
      6m 17s
    4. Creating a dramatic black-and-white landscape
      7m 39s
  17. 11m 1s
    1. Exploring traditional black-and-white toning
      3m 19s
    2. Adding split toning to color photographs
      3m 49s
    3. Creative toning of a color photo
      3m 53s
  18. 16m 49s
    1. Removing extreme distortion with a lens profile
      2m 2s
    2. Working with the manual Lens Correction controls
      2m 33s
    3. Improving a portrait with lens corrections
      3m 26s
    4. Adding a darkening vignette effect
      1m 28s
    5. Combining lens corrections with creative cropping
      3m 35s
    6. Adding distortion for a creative effect
      2m 29s
    7. Correcting chromatic aberration and defringing
      1m 16s
  19. 15m 10s
    1. Understanding the effects controls
      7m 8s
    2. Adding film grain and darkening edges
      3m 56s
    3. Cropping and brightening edges
      2m 32s
    4. Creating a defined edge
      1m 34s
  20. 9m 29s
    1. Introducing the Camera Calibration panel
      3m 41s
    2. Creative color with the Camera Calibration controls
      3m 25s
    3. Exploring camera calibration resources
      2m 23s
  21. 5m 14s
    1. Introducing presets
      3m 19s
    2. Exploring free and fun ACR presets
      1m 55s
  22. 10m 19s
    1. Quick raw processing of multiple files
      2m 21s
    2. Applying raw processing in Bridge
      2m 34s
    3. Recording an action
      3m 37s
    4. Batch processing multiple images
      1m 47s
  23. 7m 52s
    1. A creative color mini-project
      5m 12s
    2. Using Camera Raw controls in a non-traditional way
      2m 40s
  24. 6m 24s
    1. Additional resources
      1m 25s
    2. Camera Raw and Lightroom
      4m 19s
    3. Goodbye
      40s

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