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Photoshop CC One-on-One: Intermediate
Illustration by John Hersey

Adding copyright and contact info


From:

Photoshop CC One-on-One: Intermediate

with Deke McClelland

Video: Adding copyright and contact info

In this movie, I'll show you how to associate copyright and contact information along with an image. And then save that information along with your web file. I'm working inside a file called Downsampled-panorama.jpg. And it's that file that I went ahead and reduced to a width of 1585 pixels and a height of 598 pixels. Now this is a large enough file that you might want to protect it a little bit. In other words, add your name as the author of the image, add some copyright info, maybe a URL as well.
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  1. 2m 4s
    1. Welcome to One-on-One
      2m 4s
  2. 29m 46s
    1. The best of Photoshop automation
      35s
    2. Introducing the Patch tool
      3m 43s
    3. Using Content-Aware Patch
      5m 42s
    4. Retouching with Content-Aware Patch
      2m 5s
    5. Using the Content-Aware Move tool
      3m 9s
    6. Using Content-Aware Extend
      2m 4s
    7. The Content-Aware Scale command
      6m 35s
    8. Scaling in multiple passes
      2m 22s
    9. Protecting skin tones
      3m 31s
  3. 32m 55s
    1. Editing the histogram
      1m 50s
    2. The new automatic Levels adjustment
      4m 33s
    3. Customizing a Levels adjustment
      4m 53s
    4. Understanding the Gamma value
      2m 7s
    5. Opening up the shadows
      2m 48s
    6. Previewing clipped pixels
      3m 40s
    7. Retouching with Output Levels
      4m 25s
    8. Making channel-by-channel adjustments
      2m 19s
    9. Faking a gray card in post
      2m 51s
    10. Assigning shortcuts to adjustment layers
      3m 29s
  4. 57m 43s
    1. How sharpening works
      1m 38s
    2. Introducing the Smart Sharpen filter
      6m 56s
    3. Understanding the Radius value
      5m 20s
    4. Gauging the best sharpening settings
      5m 45s
    5. Addressing color artifacts and clipping
      5m 49s
    6. The Remove and Reduce Noise options
      4m 22s
    7. The Shadows/Highlights options
      7m 36s
    8. Correcting for camera shake
      6m 47s
    9. Sharpening with the Emboss filter
      5m 45s
    10. Sharpening with the High Pass filter
      4m 44s
    11. Painting in sharpness
      3m 1s
  5. 1h 9m
    1. Vector-based type
      1m 35s
    2. Creating and editing point text
      5m 58s
    3. Font and type style tricks
      7m 10s
    4. Type size and color tricks
      6m 42s
    5. Kerning and tracking characters
      8m 7s
    6. Creating and editing area text
      3m 50s
    7. Selecting and formatting paragraphs
      6m 36s
    8. Setting text inside a custom path
      5m 32s
    9. Creating text along a path
      6m 12s
    10. Adjusting baseline shift
      4m 45s
    11. Creating and stylizing a logo
      6m 49s
    12. Masking text into image elements
      6m 14s
  6. 57m 13s
    1. The other vector-based layer
      1m 39s
    2. Dotted borders and corner roundness
      8m 14s
    3. Drawing and aligning custom shapes
      3m 55s
    4. Creating your own repeatable custom shape
      5m 43s
    5. Selecting paths and isolating layers
      4m 11s
    6. Combining simple shapes to make complex ones
      5m 59s
    7. Cropping, adjusting, and merging shapes
      5m 50s
    8. Creating a soft, synthetic sparkle
      6m 22s
    9. Saving a resolution-independent PDF file
      6m 42s
    10. Turning a small image into a huge one
      8m 38s
  7. 1h 14m
    1. Depth, contour, and texture
      1m 28s
    2. Imparting depth with a layer effect
      9m 9s
    3. The power of the drop shadow
      7m 37s
    4. Modifying a layer and its effects
      6m 21s
    5. Saving custom default settings
      4m 12s
    6. Creating a custom contour
      8m 5s
    7. Introducing Bevel and Emboss
      8m 8s
    8. Multiple effects and multiple layers
      7m 45s
    9. Global Light and rasterizing effects
      8m 5s
    10. Gloss and surface contour
      6m 4s
    11. Adding texture to Bevel and Emboss
      7m 21s
  8. 34m 48s
    1. Styles store settings
      1m 38s
    2. Creating and applying a paragraph style
      3m 41s
    3. Redefining a style and styling a word
      5m 38s
    4. Creating and styling a placeholder style
      5m 43s
    5. Applying and creating layer styles
      5m 45s
    6. Loading and customizing layer styles
      5m 42s
    7. Merging and saving layer styles
      6m 41s
  9. 56m 48s
    1. Meet the transformations
      1m 55s
    2. Transformations and Smart Objects
      5m 46s
    3. Adjusting the interpolation setting
      5m 10s
    4. Rotating a layer with Free Transform
      5m 22s
    5. Scale, duplicate, and repeat
      4m 30s
    6. Creating a synthetic star field
      5m 20s
    7. Warping a logo with Arc and Flag
      5m 34s
    8. Distort, perspective, and skew
      4m 15s
    9. Using transformations to draw and correct
      7m 0s
    10. Bolstering text with layer effects
      5m 43s
    11. Adding highlights with Lens Flare
      6m 13s
  10. 43m 36s
    1. Removing the weight that the camera adds
      1m 7s
    2. The Warp and Reconstruct tools
      6m 44s
    3. Brush size, hardness, and opacity
      4m 29s
    4. The Pucker, Bloat, Push, and Twirl tools
      7m 12s
    5. Saving and reapplying Liquify settings
      4m 9s
    6. Lifting and slimming details
      9m 42s
    7. Warping legs, arms, and fabric
      5m 33s
    8. Improving a model's posture
      4m 40s
  11. 58m 46s
    1. Shoot in color, convert to black and white
      1m 55s
    2. Three ways to grayscale
      5m 36s
    3. Mixing a custom black-and-white image
      7m 31s
    4. Simulating an infrared photograph
      6m 39s
    5. Creating a sienna-infused sepia tone
      5m 38s
    6. Creating a hyper-saturated image
      5m 26s
    7. Introducing the Black & White command
      3m 16s
    8. Customizing the Black & White settings
      4m 50s
    9. Black & White meets the Channel Mixer
      7m 29s
    10. Infusing an image with tint and color
      5m 9s
    11. Grayscale and Split Tone in Camera Raw
      5m 17s
  12. 41m 34s
    1. The many ways to print
      1m 41s
    2. Using the test document
      3m 18s
    3. Print, position, and size
      5m 57s
    4. Description and printing marks
      3m 3s
    5. Establishing a bleed
      3m 44s
    6. Getting reliable color
      5m 54s
    7. Special printing options
      5m 1s
    8. Previewing an image at print size
      4m 16s
    9. Creating contact sheets
      4m 49s
    10. Creating a multipage PDF
      3m 51s
  13. 31m 9s
    1. Making Internet imagery
      1m 6s
    2. Introducing Save for Web
      4m 39s
    3. Creating the perfect JPEG image
      5m 14s
    4. Creating a high-contrast GIF image
      6m 23s
    5. The two varieties of PNG
      3m 57s
    6. Downsampling for the web
      5m 59s
    7. Adding copyright and contact info
      3m 51s
  14. 1m 3s
    1. Until next time
      1m 3s

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Photoshop CC One-on-One: Intermediate
9h 51m Intermediate Aug 19, 2013

Viewers: in countries Watching now:

Photoshop CC One-on-One is back, and this installment teaches you how to build on your basic knowledge and achieve next-level effects with this premiere image-editing program. Industry pro Deke McClelland shows you how to seamlessly move and patch areas of a photo with the Content-Aware toolset; stretch the brightness of a scene with automatic and custom Levels adjustments; create intricate designs with text and shapes; and morph an image with layer effects and transformations. Deke also shares his techniques for sharpening details, whether addressing noise and highlight/shadow clipping or camera shake, and converting a full-color image to black and white. The final chapters show you how to best print and save images for the web, making sure all your hard work pays off in the final output.

Topics include:
  • Performing automatic retouch, scaling, and more with the Content-Aware tools
  • Editing the histogram
  • Customizing a Levels adjustment
  • Making channel-by-channel Levels adjustments
  • Sharpening with the Smart Sharpen, Emboss, and High Pass filters
  • Working with vector-based type
  • Kerning and tracking characters
  • Creating text on a path
  • Drawing and customizing shapes
  • Creating depth, contour, and texture with layer effects
  • Liquifying an image
  • Simulating an infrared photo
  • Adjusting print position, size, and color
  • Creating the perfect JPEG image
  • Downsampling for the web
Subjects:
Design Photography
Software:
Photoshop
Author:
Deke McClelland

Adding copyright and contact info

In this movie, I'll show you how to associate copyright and contact information along with an image. And then save that information along with your web file. I'm working inside a file called Downsampled-panorama.jpg. And it's that file that I went ahead and reduced to a width of 1585 pixels and a height of 598 pixels. Now this is a large enough file that you might want to protect it a little bit. In other words, add your name as the author of the image, add some copyright info, maybe a URL as well.

That doesn't prevent people from duplicating your image. However, it does give people of good faith a chance to give you credit. So here's what you do. You go up to the file menu and choose the File Info command. And I start by adding my name as the author. And because I've done this before, as soon as I type in my name, I see the entire thing. And I'll go ahead and get rid of that semicolon. Next, I'll go ahead and give this image a title, the Grand Canal. Again, it's autotyping for me and I'll drop down to the URL field, and enter my website, which is deep.com.

Now if you want to mark this image as copyrighted, you want to change the copyright status from unknown to copyrighted. And then you want to go ahead and enter in a copyright statement. Now to get to the copyright symbol on the Mac, you just press Option G, as in golf. On a PC it's a little more difficult, you have to press and hold the alt key. And then dial in four sequential numbers on the numerical keypad, which are 0, 1, 6, 9. And then, you release the Alt key. So again, just to show you that once more, it's press and hold Alt, then dial in 0, 1, 6, 9, then release the Alt key.

Anyway, I don't need two copyrights, so I'll just go ahead and grab this one. 2012 Type and Graphics Inc. That's the name of my company. And finally I'll paste in a description that I created in advance. And I'm doing that because I want to show you that the description is the one item that disappears. Anyway, I'll go ahead and click Okay in order to accept that modification. And I don't mean to imply that it disappeared where this image is concerned. I'm saying it'll disappear when we save the image for the Web. So now I'll go up to the file menu and choose the Save for Web command.

I've already set the file format to JPEG. Quality setting is very high. That's exactly what I'm looking for. The only thing I'm going to change is I'm going to switch metadata from Strictly Copyright to Copyright and Contact info. And then I'll go ahead and click on the Save button. And then when the Save Optimized As Dialog Box appears, I'll confirm the file name and then click Save once more. Now in preparation for this movie, I had saved this file in advance. And this is an interesting thing that might happen to you as well. You'll get a dialogue box asking you if you want to replace the original file, in my case I do.

So I'll just go ahead and click the Replace button. That's something I do a lot inside of Photoshop because you may find yourself updating a file several times before you get it just right. All right, now let's go ahead and open that file. I'll press Control O, or Command O on a Mac, in order to invoke the open command. And I'll find that Downsampled-panorama.jpg file I just created. And I'll go ahead and click on the open button. Let's zoom in on that file just a little bit here. And then I'll go up to the file menu. And I'll choose the File Info command to confirm that I saved that metadata.

And then inside the file info dialogue box, I can see my copyright notice, I can see the copyright status, I can see the URL, the author, and the document title. So again, the only thing I lost was the contents of that description field, and frankly, I can live without that. So I'll go ahead and cancel out. And so now you know how to assign copyright data to an image file. Along with an author name and a website, with your final web optimized file.

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