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The Adaptive Wide Angle filter

The Adaptive Wide Angle filter provides you with in-depth training on Photography. Taught by Tim Gre… Show More

Photoshop CS6 New Features Overview

with Tim Grey and Olaf Giermann

Video: The Adaptive Wide Angle filter

The Adaptive Wide Angle filter provides you with in-depth training on Photography. Taught by Tim Grey and Olaf Giermann as part of the Photoshop CS6 New Features Overview
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  1. 1m 59s
    1. Welcome
      1m 59s
  2. 24m 48s
    1. Interface update
      1m 41s
    2. Panel updates
      4m 0s
    3. File compatibility preferences
      1m 57s
    4. PDF presentation
      4m 2s
    5. Contact sheets
      4m 24s
    6. Tool recording in actions
      3m 34s
    7. Print dialog updates
      5m 10s
  3. 9m 10s
    1. Adobe Camera Raw updates
      5m 27s
    2. Auto Brightness/Contrast adjustments
      1m 36s
    3. The new Auto option for Curves and Levels
      2m 7s
  4. 28m 6s
    1. Crop tool overhaul
      6m 41s
    2. The Perspective Crop tool
      3m 5s
    3. The Adaptive Wide Angle filter
      5m 31s
    4. Patch tool updates
      4m 45s
    5. The Content-Aware Move tool
      5m 45s
    6. The Detect Faces option
      2m 19s
  5. 18m 44s
    1. The Oil Paint filter
      2m 51s
    2. Airbrush tips
      2m 24s
    3. Erodible brush tips
      2m 28s
    4. The Field Blur filter
      3m 51s
    5. The Iris Blur filter
      3m 25s
    6. The Tilt-Shift filter
      3m 45s
  6. 7m 29s
    1. Paragraph and character styles
      4m 50s
    2. Vector layers
      2m 39s
  7. 22m 18s
    1. The Timeline panel
      2m 36s
    2. Video groups and arranging clips
      1m 55s
    3. Trimming and splitting clips and adding transitions
      4m 25s
    4. Creating a transformation with layers
      2m 45s
    5. Adding and animating pictures
      2m 48s
    6. Applying adjustments and filters to frames or whole videos
      4m 25s
    7. Exporting video
      3m 24s
  8. 43m 16s
    1. Goodbye Repoussé: The new 3D workflow
      5m 12s
    2. Improved viewport navigation
      4m 55s
    3. Splitting, rotating, and aligning extrusions
      7m 43s
    4. 3D materials and rendering
      5m 45s
    5. Advanced 3D features
      8m 24s
    6. Live extrusions and shadows and reflections in the viewport
      5m 9s
    7. Painting on target textures
      6m 8s

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The Adaptive Wide Angle filter
Video Duration: 5m 31s 2h 35m Intermediate


The Adaptive Wide Angle filter provides you with in-depth training on Photography. Taught by Tim Grey and Olaf Giermann as part of the Photoshop CS6 New Features Overview

View Course Description

In this course, Adobe Photoshop experts Tim Grey and Olaf Giermann look at the new features available in Photoshop CS6 and show you how to incorporate them into your workflow. They take you on a tour of the interface, which has a new look and different controls in some of the panels, and introduce you to all the new features in areas like adjustments, image cleanup, creative effects, text and graphics, video, and 3D.

Topics include:
  • General and interface updates
  • Adjustment updates
  • Image cleanup updates
  • Creative updates
  • Text and graphics updates
  • Working with video
  • 3D updates
Photography video2brain

The Adaptive Wide Angle filter

Wide angle lenses enable you to capture images with a unique perspective. But they can also lead to some unique distortion issues. The new adaptive Wide Angle filter in Photoshop CS6 enables you to very easily correct for that distortion in wide angle shots. Let's take a look at how it works. I'm going to start off by creating a duplicate of this image, just so that we can get a better sense of the before and after when we're all finished. I'll go ahead and choose Image and then Duplicate from the menu. I'll go ahead and click OK, accepting the new name for this duplicate image, and we're ready to get started.

To access the adaptive wide-angle filter I'll go to the Filter menu and choose Adaptive Wide-Angle. That will bring up the Adaptive Wide-Angle dialog, and we can get started applying some corrections. Note first of all that the filter has recognized, based on the metadata, which camera and lens, and in fact, the specific focal length was used to capture this image. And so it's able to apply some automatic adjustments. I'll go ahead and turn off the preview and then turn it back on. And you can see that it has applied an automatic correction to his page based on that metadata. But I'd like to take things a little bit further.

So I'm going to switch from the Auto Corrective mode to the Perspective Corrective mode. And that will allow me to exercise just a bit more control as you'll see in a moment. The first thing I'd like to do, is straighten out some of the curvature. You'll notice especially over on the left hand side here, there's a bit of curvature from the bottom of the image up towards the top. I'm going to add a constraint line with the Constraint tool. You'll notice it's active by default, so I can simply come into the image and then click and drag across the image. Essentially following the line, of these windows.

But notice that that line is automatically curved and that's curved based on the known behavior of the lens that was used to capture this image. I'll go ahead and move this line around a little bit so you can get a better sense of the curvature. Going diagonally here, you see that we have a straight line, or very close to a straight line. But if we go vertical you'll see quite a bit of curvature based on the lens behavior. I'll go ahead and release the mouse there and you'll see that that line is straightened out, we've applied a correction over on the left side. Of course we still have some curvature over on the left side.

So, I'll go ahead and look for what should be a straight line over here. Not quite as much distortion on this side, but you can see that there is a bit of curvature in that line, and releasing the mouse, we get a correction. Of course, I also have a little bit of an issue with leaning in this image. The vertical line here is not exactly vertical. I could certainly correct that outside of the adaptive wide-angle filter. But as long as I'm here, I might as well correct that as well. I'll go ahead and click and drag, but I'm going to add the Shift key while I'm dragging.

Notice that changes the line color to magenta. And that's telling Photoshop that I would like to use this line in order to set a vertical plane for for the image. So I'll define that edge of the building. And then again, holding the shift key while I'm dragging, I'll release the mouse and that point will become vertical. I'm going to reduce the scale setting here so we can get a sense of just how much distortion has been adjusted in this image. You can see the curvature and the angles around the outer edge of the photo, for example. We can use the scale setting in order to eliminate the area around the outer edge, effectively cropping the image. But we don't have quite as much control here.

So I'm going to save that for later, and in fact I'm going to leave the scale set relatively low so we can see more of the image. So we'll get a better sense of the cropping a little bit later. Notice by the way that we can adjust the individual settings, for example the Focal Length and Crop Factor, in order to fine-tune the distortion correction. But generally speaking, I would allow Photoshop to automatically calculate these values based on the metadata. But you can certainly apply either additional distortion, or additional correction to the image if you'd like. For example, in this case adjusting that focal length gives me a little bit more of a vertical line along the left edge. That looks to be a pretty good correction.

Note by the way that I could also specify a polygon. So for example if I wanted to start with a polygonal shape, I could click and drag around the outer perimeter of the image, for example, in order to apply a correction based on that area. So you can see here for example. That eliminates some of the curvature at the bottom, et cetera. But in this case I just wanted to adjust that vertical curvature and set that centered line to straight, perfectly vertical, so I don't this polygonal adjustment. I'll go ahead and just press Backspace or Delete to remove that polygonal shape for correction.

At this point, I think I'm in pretty good shape. I'm ready to apply the final effect. So I'll click the OK button, and that will process this image, so that the correction is applied. I then choose the Crop tool, and I'll just drag each of the edges inside the actual image area, as a starting point. I want to make sure as much as possible, that I'm not leaving any of that transparency in the background. I think I this case that will work out pretty well, essentially just keeping as much of the image as possible. I'll go ahead and apply that crop, and then I'll adjust the zoom setting here. And I'm going to switch back and forth between the two images so that you can get a better sense of the correction that was applied. The curvature over on the left side for example, has now been removed, and that middle line is now perfectly vertical.

So a very significant correction in this case, and one that I think improves the overall perspective for the photo.

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