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In Photoshop CS4 for Photographers: Creative Effects, Chris Orwig flexes the muscles of this powerful program to create unique and eye-catching photographic effects. A passionate photographer, Chris demonstrates how to enhance images through adding light for emphasis, adding drop and directional shadows, and using motion blur and film grain creatively. He also covers how to add a distressed look to create a vintage-style photograph, use infrared and solarization, apply creative layer blending, and much more. The course culminates with a step-by-step look at some real-world projects that utilize the techniques. Exercise files accompany the course.
Hey, good morning. My name is Chris Orwig and I'm a professional photographer and I'm also on the faculty of the Brooks Institute in Santa Barbara, California where we are right now and it is a beautiful morning. The sun has just risen, the ocean air is crisp, it is a wonderful winter morning. I'm going to be your host and guide on this training adventure and I'm really excited about this one and here is why. What we are going to do is take a look is how we can use Photoshop from a photographic perspective. What that means is we are going to take a look at how we can use Photoshop in order to create more compelling photographs. So what are we actually covering in this training title? We are going to cover a wide range of creative effects but some of the creative effects that we will be covering are how can we add light to our photographs or work with shadows. How can we add bit of film grain in order to create a nostalgic or a vintage effect. We are going to also look at some other traditional photographic effects, like infrared or soft focus. Now one of my favorite things to do in Photoshop is to blend layers together or blend multiple exposures together and at one point in this training title I'm going to provide you with some realistic composite inspiration. That's just going to be really fine.
We are kind of look at how someone can put together a realistic composite in Photoshop and then we are going to build our own realistic composite. We will also spend sometime adding borders or edges around our photographs and then near the end of the training title, we are going to spend some time working on these little mini projects that will illustrate a concept or a theme like simplicity, or speed, or strength. Now throughout the entire training title my hope is this: I hope that it provides you with quite a bit of information, some really good techniques. But even more, I hope that this training title provides you with a ton of inspiration and that's something that I can get passionate about. So for me it is a huge privilege to partner with you in this training venture. So I hope that you enjoy this one and I look forward to working with you. Let the adventure begin!
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