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The Practicing Photographer

Warming up


From:

The Practicing Photographer

with Ben Long

Video: Warming up

I don't know who said it, but there's a
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  1. 7m 18s
    1. Shooting a successful self portrait with a phone
      7m 18s
  2. 1m 35s
    1. Introducing The Practicing Photographer
      1m 35s
  3. 5h 10m
    1. Choosing a camera
      5m 27s
    2. Looking at light as a subject
      2m 22s
    3. Using a small reflector to add fill light
      5m 45s
    4. Editing photo metadata with PhotosInfo Pro for iPad
      6m 30s
    5. Let your lens reshape you
      7m 26s
    6. Compositing street photography images with Photoshop
      7m 44s
    7. Expand your filter options with step-up and step-down rings
      3m 56s
    8. Shooting without a memory card
      3m 6s
    9. Give yourself a year-long assignment
      5m 28s
    10. Working with reflections
      1m 26s
    11. Exploring mirrorless cameras
      7m 25s
    12. Batch processing photos with the Adobe Image Processor
      7m 30s
    13. Limiting yourself to a fixed-focal-length lens
      2m 13s
    14. Creating tiny worlds: Shooting technique
      4m 15s
    15. Creating tiny worlds: Post-processing techniques
      11m 41s
    16. Shooting macro shots on an iPhone
      3m 18s
    17. Using a tripod
      3m 33s
    18. Wildlife and staying present
      5m 58s
    19. Batch exposure adjustments on raw files
      6m 52s
    20. Why Shoot Polaroid
      11m 12s
    21. Seizing an opportunity
      4m 4s
    22. Four photographers do a light-as-subject exercise
      12m 24s
    23. Shooting macro bug photos with a reversed lens
      4m 54s
    24. Varnishing a photo for a painterly effect
      13m 36s
    25. Shooting wildlife
      7m 24s
    26. Discussion on how to shoot architecture
      12m 27s
    27. Using a lens hood
      4m 48s
    28. Working with themes
      2m 48s
    29. Setting up an HDR time lapse
      7m 55s
    30. Processing an HDR time lapse
      7m 55s
    31. Two perspectives on travel photography
      12m 28s
    32. Scanning Photos
      5m 37s
    33. Photo assignment: shooting an egg
      3m 13s
    34. Reviewing the egg shot images
      6m 47s
    35. Shooting in your own backyard
      4m 38s
    36. Jpeg iPad import process
      3m 17s
    37. Shooting a product shot in open shade
      9m 34s
    38. Reviewing the product shot images
      4m 5s
    39. Warming up
      3m 26s
    40. Taking a panning action shot
      10m 17s
    41. Scanning polaroid negatives and processing in Photoshop
      8m 17s
    42. Shooting a silhouette
      3m 9s
    43. Going with an ultra-light gear configuration
      5m 29s
    44. Working with masks and calculations in Photoshop
      12m 38s
    45. Working with flash for macro photography
      4m 55s
    46. Colorizing a black and white photo in Photoshop
      5m 10s
    47. Using duct tape and zip ties in the field
      4m 14s
    48. When the on camera flash is casting a shadow
      3m 4s
    49. Using Lightroom on the road
      6m 28s
    50. Listening to your camera to get good exposure
      2m 20s

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The Practicing Photographer
5h 19m Appropriate for all May 16, 2013 Updated Apr 17, 2014

Viewers: in countries Watching now:

In The Practicing Photographer, photographer and teacher Ben Long shares a weekly serving of photographic instruction and inspiration. Each installment focuses on a photographic shooting scenario, a piece of gear, or a software technique. Each installment concludes with a call to action designed to inspire you to pick up your camera (or your mouse or smartphone) to try the technique for yourself.

Subject:
Photography
Author:
Ben Long

Warming up

I don't know who said it, but there's a line about if you buy a camera, you're a photographer. If you buy a violin, you own a violin. It's a strange thing about photography these days, everybody is a photographer, everyone's got a camera. And that's great. It's been a real, digital has been a real democratizing thing. That said you need to think about what does that mean. I am a photographer. You might need to think about that a lot when you getting ready to go out shooting. Personally, I notice myself, that a lot of times I'll be sitting at home working, maybe even writing a book about photography, and I'll look out the window and see that the light is just turned nice and I'll think, oh I need to go take some pictures.

And I'll grab my camera and I'll run outside. And suddenly think I'm a photographer and, and now I'm taking pictures when I've spent all day long sitting in a chair deep in my head thinking about words. You can't just turn your photographer self on and off like that, it can take some time to get into it, you may have to warm up. Especially if you have been working in an office all day or even if you've been, even if you're actually out on a, on a photo job. Maybe you've been driving to location all day long. You're not in that photo mindset.

So, I've got a couple of ideas that I do just to try to put myself back into that. And mostly it's about that physicality of it. I find a lot of times that. I, I got out and I start thinking well now I'm a photographer I'm suppose to be seeing images but I'm not seeing anything and it's because I'm, I'm not actually thinking about photo's I'm not thinking about that frame, I'm not thinking about tonality, I'm not thinking about. Viewing the world as a, as a flat plain. So one of the first things I do when I step out the door is I just take a picture. Sometimes I take a picture of the telephone pole across the street, or I just take a picture of my foot, or I'll take a picture of my foot or I'll take a picture of my hand.

And it's amazing what it does, just, just in that process going, oh. Oh, right, I'm supposed to be seeing the world in that rectangle and, and my hands are involved. And there's shutter speed, and aperture, and shutter buttons, and oh, right. It just starts to settle me back into that process. Now there are other things you can do after that as you're moving around, just to try to get your visual sense going. One thing that I do that works really well for me. And I live in a, a city where you pretty much walk everywhere. But, when I'm walking down the street, just to begin with, I will pick out an object in the far distance, like the front of a building, the facade of a house or something.

And I will lock my eyes forward and just try to, as I get closer, using only my peripheral vision, try to pick out more and more details on that object, try and see it more and more without. Looking directly out at it and then when I get there I look at it and the weirdest thing happens all sorts of details that just pop out you will notice oh, well the screens have the windows have screens on them and then the front gate is opened and all these things I didn't notice. I thought I was looking at it, I thought I seeing it, my brain was filling in lots of details and then when I actually looked at it, it kind of startles me into seeings things. So, whatever works for you is really all that matters and you may have your own ideas.

The important thing is to realize that you can't just become a photographer when you step out the door. You may have to warm up. You may have to settle back into that photographic space. And part of the process of learning to do that is to recognize what that photographic space is, so. When you feel like you are in the zone, pay attention to how it feels and start to try to maybe look for your own ways of getting back into it. So, I would offer to you that the next time you go out shooting at the very least, try just the suggestion of when you walk out the door just take one picture, just something.

The sad part is, when you go back home and that was the best picture you took all day. Still, it's worth warming up before you go shooting.

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