Viewers: in countries Watching now:
Harsh, unflattering lighting can ruin a photo—and with flash, it's easy to get harsh, unflattering lighting. But flash is a necessary part of a photographer's toolset—after all, the world doesn't always provide you with the best natural light.
Fortunately, it isn't difficult to get great results from flash, and in this course, photographer, author, and teacher Ben Long details the concepts and techniques behind effective lighting with flash. Ben starts with fundamentals that build on exposure principles taught in other installments of Foundations of Photography—simple techniques that improve the results from a camera's built-in flash. He then focuses on fill flash techniques and on using flash as a key light. The course also explores topics ranging from bouncing and syncing flash to shooting with one or more off-camera flash units.
In auto mode your camera will automatically decide if you need to use the flash or not. If it thinks you do it will activate the flash power it up and calculate how much flash to add to your scene. On a lot of cameras though if you don't want flash and you're shooting in auto mode then you're simply out of luck. On those cameras the only way to not have flash In that situation is to switch out of auto mode, other cameras offer a special flash off setting when they're in auto mode. On most cameras program mode works just like auto mode, but you have to activate the flash yourself.
In other words, program mode gives you the option of whether or not you want to use the flash. If you do want it You have to activate it on your own. When you have TTL mode activated on your flash, and your camera is in Auto or Program mode, the camera and flash make decisions in a very particular way. If the camera meters and finds that your scene has a lot of light in it, a bright outdoor scene for example. Then the camera will assume that you want film flash. And so we'll calculate ambient and flash exposures that will give you a nice fill. In most situations it should do a pretty good job of this.
Though, as with any automatic system there will be times where you'll find something that can confuse it. When shooting flash in program and auto modes, your camera will not be allowed to use a shutter speed below a certain amount. For example with flash attached in programmer auto mode Your camera may limit itself to shutter speeds of 1/60th of a second or faster. Now, the idea here is that, if you're shooting a portrait. Your flash will illuminate your subject nicely. And keeping the shutter speed to at least 1/60th of a second will guarantee that you won't have a problem with camera shake.
Now, as you saw in the last chapter, ambient light is controlled by your shutter speed. So if the camera is limiting your shutter speed choices, you may not be able to get a long enough shutter speed. To get good ambien light. In other words, if you are shooting in a dark environment. A shutter speed of a 160th of a second will likely mean that you have no ambien exposure at all. So your subject will appear on a dark, limbo background. Your flash will be serving as a key light only. Now different cameras have different minimums. Some might go as slow as a 30th of a second and some cameras might provide a custom function that lets you change that minimum shutter speed.
Still those may not let you go slow enough to get your ambient light back if you are in a very dark background. So, in auto and program mode, you should automatically get good fill flash results most of the time. If you don't It's because you're shooting in a situation that's confusing the flash's metering system. If you're finding that your background is completely underexposed, then you most likely encountered the shutter speed limitation that is imposed by auto or program mode. At that point your only choice, if you want more ambient background, is to change modes and take more control.
There are currently no FAQs about Foundations of Photography: Flash.
Access exercise files from a button right under the course name.
Search within course videos and transcripts, and jump right to the results.
Remove icons showing you already watched videos if you want to start over.
Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.
Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.