The Practicing Photographer

Switching to Lightroom from another application


The Practicing Photographer

with Ben Long

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Video: Switching to Lightroom from another application

For years, I've been taking a very manual approach to my post-production workflow. And by that, I mean, I've used the Finder on my Mac, that's the Explorer on Windows, to make folders myself and copy images into them, keep them all organized, and then I've used Adobe Bridge to Browse those images and edit metadata and launch things into Photoshop. You could also maybe use PhotoMechanic, which would be a little bit faster but have more difficult integration with Photoshop. I have finally, about six or seven months ago, made the switch to Lightroom.
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  1. 4m 47s
    1. Shooting a slow-shutter zoom-and-spin shot for light effect NEW
      4m 47s
  2. 1m 35s
    1. Introducing The Practicing Photographer
      1m 35s
  3. 11h 46m
    1. Choosing a camera
      5m 27s
    2. Looking at light as a subject
      2m 22s
    3. Using a small reflector to add fill light
      5m 45s
    4. Editing photo metadata with PhotosInfo Pro for iPad
      6m 30s
    5. Let your lens reshape you
      7m 26s
    6. Compositing street photography images with Photoshop
      7m 44s
    7. Expand your filter options with step-up and step-down rings
      3m 56s
    8. Shooting without a memory card
      3m 6s
    9. Give yourself a year-long assignment
      5m 28s
    10. Working with reflections
      1m 26s
    11. Exploring mirrorless cameras
      7m 25s
    12. Batch processing photos with the Adobe Image Processor
      7m 30s
    13. Limiting yourself to a fixed-focal-length lens
      2m 13s
    14. Creating tiny worlds: Shooting technique
      4m 15s
    15. Creating tiny worlds: Post-processing techniques
      11m 41s
    16. Shooting macro shots on an iPhone
      3m 18s
    17. Using a tripod
      3m 33s
    18. Wildlife and staying present
      5m 58s
    19. Batch exposure adjustments on raw files
      6m 52s
    20. Why Shoot Polaroid
      11m 12s
    21. Seizing an opportunity
      4m 4s
    22. Four photographers do a light-as-subject exercise
      12m 24s
    23. Shooting macro bug photos with a reversed lens
      4m 54s
    24. Varnishing a photo for a painterly effect
      13m 36s
    25. Shooting wildlife
      7m 24s
    26. Discussion on how to shoot architecture
      12m 27s
    27. Using a lens hood
      4m 48s
    28. Working with themes
      2m 48s
    29. Setting up an HDR time lapse
      7m 55s
    30. Processing an HDR time lapse
      7m 55s
    31. Two perspectives on travel photography
      12m 28s
    32. Scanning Photos
      5m 37s
    33. Photo assignment: shooting an egg
      3m 13s
    34. Reviewing the egg shot images
      6m 47s
    35. Shooting in your own backyard
      4m 38s
    36. Jpeg iPad import process
      3m 17s
    37. Shooting a product shot in open shade
      9m 34s
    38. Reviewing the product shot images
      4m 5s
    39. Warming up
      3m 26s
    40. Taking a panning action shot
      10m 17s
    41. Scanning polaroid negatives and processing in Photoshop
      8m 17s
    42. Shooting a silhouette
      3m 9s
    43. Going with an ultra-light gear configuration
      5m 29s
    44. Working with masks and calculations in Photoshop
      12m 38s
    45. Working with flash for macro photography
      4m 56s
    46. Colorizing a black and white photo in Photoshop
      5m 10s
    47. Using duct tape and zip ties in the field
      4m 14s
    48. When the on camera flash is casting a shadow
      3m 4s
    49. Using Lightroom on the road
      6m 28s
    50. Listening to your camera to get good exposure
      2m 20s
    51. Shooting a successful self portrait with a phone
      7m 18s
    52. Switching to Lightroom from another application
      9m 48s
    53. Photographing animals in wildlife refuges
      6m 41s
    54. Shooting level
      2m 42s
    55. Photoshop and Automator
      8m 54s
    56. Shooting when the light is flat
      3m 23s
    57. Discussing the business of stock photography
      9m 48s
    58. Shooting tethered to a monitor
      3m 21s
    59. Making a 360 degree panorama on the iPhone
      4m 45s
    60. Understanding the three flash setup
      3m 34s
    61. Shooting a three flash portrait
      4m 6s
    62. Understanding the differences with third party lenses
      4m 43s
    63. Understanding why files look different on depending on device
      5m 25s
    64. Working with a geotagging app on the iPhone
      4m 43s
    65. Using high speed flash sync to dim ambient light
      7m 29s
    66. Using your iPad as a second monitor
      5m 46s
    67. Understanding exposure with a leaf shutter camera
      3m 28s
    68. Photography practice through mimicry
      8m 8s
    69. Canon wireless flash with built in radio control
      5m 59s
    70. Posing and shooting pairs of people
      5m 35s
    71. Shooting with a shape in mind
      3m 15s
    72. Shooting tethered to a laptop
      4m 40s
    73. Softboxes vs. umbrellas
      2m 55s
    74. Getting your project out into the world
      6m 25s
    75. Exploring how to think about shooting a new environment
      3m 56s
    76. Discussing the book "The Passionate Photographer" with Steve Simon
      6m 4s
    77. Highlighting iOS 8 updates on the iPhone5S
      10m 46s
    78. Exploring manual controls with iOS 8 and ProCamera
      5m 30s
    79. Understanding how to compose with an empty sky
      4m 54s
    80. Using an iPhone to make a print in the darkroom
      7m 16s
    81. How to use glycerin as a photography tool
      2m 16s
    82. Understanding micro focus adjustment and Lens Align
      11m 19s
    83. Working with hair in post
      3m 28s
    84. Taking a quick portrait and directing a subject
      5m 50s
    85. Getting inspired through the work of others
      11m 22s
    86. Taking a flattering portrait with flash
      4m 21s
    87. Creating an unaligned HDR image
      3m 3s
    88. Exploring how to use Bokeh
      5m 38s
    89. Shooting stills from a drone
      6m 57s
    90. Using a monitor to get a first person view of the aerial camera
      8m 0s
    91. Understanding lens profile correction
      5m 33s
    92. Working with models
      2m 40s
    93. Understanding the labels on SD cards
      10m 32s
    94. Setting up a macro time lapse of a flower
      6m 18s
    95. Taking a portrait that's tightly cropped or slightly obscured
      3m 24s
    96. Tips for shooting panoramas
      7m 16s
    97. Carrying a point-and-shoot camera
      4m 44s
    98. Adjusting the color of shadows in an image
      5m 35s
    99. Evaluating camera-strap options
      4m 42s
    100. The 100th Practicing Photographer
      3m 31s
    101. Using light-pollution maps for planning night shoots
      3m 26s
    102. Shooting a series of star shots for a stack
      8m 32s
    103. Stitching together stacks of stars
      8m 59s
    104. Understanding how to clean sensor dust
      10m 27s
    105. Dry sensor cleaning
      6m 23s
    106. Cleaning the sensor with moisture
      7m 32s
    107. Composing in the center
      2m 48s
    108. Working with an electronic shutter control
      2m 50s
    109. Understanding how to use the Wi-Fi feature in some cameras
      2m 56s
    110. Exploring the software equivalent to graduated ND (neutral density) filters
      7m 8s
    111. Don't be predictable in your framing
      10m 21s
    112. Shooting with ND filter and flash to balance subject and background exposure
      2m 42s
    113. Understanding when to go low contrast
      3m 15s
    114. Reasons for shooting images alone
      4m 5s
    115. Working with colored lens filters and converting to black and white
      14m 4s
    116. Waiting for a subject when the light is good
      5m 2s
    117. Understanding options for tripod heads
      7m 23s

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Watch the Online Video Course The Practicing Photographer
11h 52m Appropriate for all May 16, 2013 Updated Jul 30, 2015

Viewers: in countries Watching now:

In The Practicing Photographer, photographer and teacher Ben Long shares a weekly serving of photographic instruction and inspiration. Each installment focuses on a photographic shooting scenario, a piece of gear, or a software technique. Each installment concludes with a call to action designed to inspire you to pick up your camera (or your mouse or smartphone) to try the technique for yourself.

Ben Long

Switching to Lightroom from another application

For years, I've been taking a very manual approach to my post-production workflow. And by that, I mean, I've used the Finder on my Mac, that's the Explorer on Windows, to make folders myself and copy images into them, keep them all organized, and then I've used Adobe Bridge to Browse those images and edit metadata and launch things into Photoshop. You could also maybe use PhotoMechanic, which would be a little bit faster but have more difficult integration with Photoshop. I have finally, about six or seven months ago, made the switch to Lightroom.

I put it off for a long time because I, I really liked the system that I had and I'm, I really like editing in Photoshop, I really like editing in Camera RAW, and I liked how it all fit together. Lightroom just really wasn't where I wanted it to be to have the integration with Photoshop that I wanted. I've made the switch because Adobe Bridge is on a deadend. It's not going to be developed anymore. It's just going to be in maintenance mode, which means that maybe they'll update it to ensure that it continues to work with the OS. Maybe they won't. It's certainly not getting any new features. And, there are things about Bridge that have always bothered me. It doesn't have a database behind it.

So, doing searches is always very slow. And, doing the same search more than once just, it always has to redo it from scratch every time. So, I liked the idea of getting into a database driven system. I have mostly been resistant to Lightroom and aperture and iPhoto. All of these database driven things always drove me crazy, because I didn't like the idea of not having control of my files. And, you may think well this software will give you access to those files when you want. Yeah, but I use my photos for a lot of different things. I want to be able to get to them from a page layout program or a video editing program.

I don't want to have to spit out versions just to do that kind of thing. In Lightroom, there's a way of doing that. So, for those of you who have been working a very manual kind of workflow like I have, I want to tell you about a few things that I've learned about Lightroom and about how you can stop worrying and love Lightroom and embrace its system without actually giving up the control that, that you've always had. Lightroom does keep a database of images. In that database, it stores thumbnails and metadata and lots of other stuff. That makes it very speedy for doing searches, for doing metadata searches, for doing edits to IPTC metadata.

All that stuff goes much faster than it ever did for me in bridge. It also means that you your Lightroom catalogue, which is that, that repository, that database is expected to point at a particular folder. Now, you can have multiple Lightroom catalogues. Right now, I just keep one that's my entire image archive. Actually, that's not true. I have a second one that's just snapshots and stuff that I know I don't need for professional work. But, for the real images that I work the most with, I have a single light room catalog that points at a folder called images. And, within that folder are lots of other folders.

This is actually just how it worked for me and bridge. I always had one kind of top level folder on the drive and I'd put everything else inside of that, so that aspect of my work flow has not changed at all. I'm in Lake Tahoe right now. I've only been here a couple of days, just started shooting. This is my first time to dump images into my system here, so I'm going to make a new folder here and call it Lake Tahoe 2014. Normally, I would be copying images from a flash card of some kind to speed things up. I have already put them on another drive.

Now, you can see all I'm doing is copying them into that folder just like I always did in my bridge workflow. Where I'm at here, is still maintaining complete manual control of where my images go. My images are not hidden away in a database somewhere. They're sitting out as files in a folder just somewhere on a drive. I can get to them from any other application that I want. So, so far, my workflow has not changed at all from where it was when I was using Bridge. The difference now is instead of launching Bridge, I'm going to launch Lightroom and now what you see here is a listing over here on the left of the images folder that sits on this drive called Warehouse.

So, I see all of these sub folders here. Some of these have question marks on them, that's because those images are off line right now. because, I'm on the road, and I'm going to explain how all that works in a future Practicing Photographer. Right now, I just want you to see what happens when I go to Import. I'm going to hit the Import button here, and it pulls up a file browser. So, I'm going to go in here to images and I'm going to hit this Lake Tahoe folder. And up here, I can have it do a file operation upon import. I can have it copy files or move files.

I don't need to do that because I've manually put the files where I want them to be. Again, by doing that I am not giving up any of the work flow that I am already use to. I'm just going to use the add button. All that's saying, is leave those files exactly where they are. Don't do anything to them. Just add them to your data base. So, it's going to go through and build the previews that it needs and fill in the data base fields as it needs to. Now, I have some cool things I can do here if I wanted. I could automatically apply editing presets that I have built previously in Lightroom. I can automatically apply a metadata template.

If you're used to using Adobe Photo Downloader to import, you get the same functionality there. I can also add keywords. I'm just going to type in Lake Tahoe here. And, I can select which images I might want to upload. There is just simple check boxes. I'm going to take them all and just hit the Import button. It doesn't have to move any files. So, this is going to go very quickly here. I have a progress bar up here that's showing the first stage. And, as soon as that stage is done, I can actually go ahead and start working with these images. But, two more progress bars have appeared up here.

These are showing its progress in building thumbnails. Lightroom is doing a few different things here. It's building these tiny little thumbnails that are scalable here in the library module. But, it's also building nice big full res previews that I can have online all the time. So, again, right now, I have not done anything differently than when I was working in bridge. But, I now have a nice database driven system that's going to work much faster than bridge. So, what happens if I want to add something to that project, or to that folder? Because, normally, I'm going to be here for a couple of weeks.

I'm going to go out, and I'm going to shoot more. I'm going to want to add more stuff. That's fine. Here's a second batch of images that I shot here. I'm going to go ahead and just copy these into that Lake Tahoe folder. Oops, looks like I've got some duplicates. I'm just going to have to replace them. This is a small batch, it won't take very long. Now, that's copying into the folder, they're not going into my Lightroom database yet. Lightroom does not keep any live link to that folder, it doesn't watch it or anything. It doesn't know what I'm doing to that folder, which is great. It gives me tremendous flexibility over it, but it does mean that I've got to remember to now take the step to do another import.

What's cool though, is if I go back to that same folder for Import as my source, it automatically scans it and says oh, you've already imported these other images. You don't need to import them again. I don't have to check or uncheck anything. I can now just say, add my lake Tahoe keyword here. Make sure that I'm still set on add. Hit import and now it's adding only those new images. So again, my work flow really hasn't changed. In Bridge, I can always just add more images to the folder. I can do the exact same thing in Lightroom, so I haven't really given up anything there.

As I edit images in Literoom, just as I did in Camera Raw, I am actually simply creating little XMP sidecar files. This is the first big difference between Light Room and Bridge. As I create a side car file, for example, if I was to go in here and do any kind of edit to this image, crop it, add metadata, do any image editing to it, it's not actually writing out a side car file. Instead, that edit data is being kept inside the bridge database. So, that crop that I just made does not produce the XMP file the way it would have in camera raw.

If I was to spit out an XMP file, I have to specifically do a save. I can do that simply by hitting command S or control S and it will say, save metadata to file. That will write out a little XMP file, so if I need the XMP available for another application, I can have Literoom spit it out. What I get now from here is great integration with Photoshop. I get basically Camera Raw right here. But there's one other thing about importing that I didn't have before. If I want, I can have Lightroom manage my import process. Instead of copying the files myself over using the finder, like I always have, in Bridge, I could have instead used the import dialogue, picked the folder of images that I wanted to import, and I'm going to go back out here to my desktop where those other folders were.

It's not going to show me anything importable because I've already imported all these images. So, instead, I'm going to come here. And now, if instead of saying add, I say move, or copy. If I had put say a media card in here, and said copy these images from the media card, I could have it organized the for me. So, over here in the destination area, I pick where I wan them to go, and I can have it automatically build sub folders. Automatically, build a sub folder, organize by date, for example. Or by original folder structure of somewhere else.

I've started using this lately, because what I will do now is go out everyday and shoot, come home, and have it automatically import things into folders by date. So, I will have a Lake Tahoe folder with a separate folder for each day of my shoot. I'm liking that organizational scheme, but still they are just folders like I've always been used to. So, if you have been resisting a switch to Lightroom because you've liked the manual control that you had, you've liked having simple files that you can move as you wanted, Light room is smart enough to allow you to continue to do that. The fact that I can go and re-import from the same folder and have it only pick out the new images, really makes the workflow that I've been used to for years possible with a whole bunch of extra power.

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