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Matting, Framing, and Hanging Your Photographs

Mounting art in a mat


From:

Matting, Framing, and Hanging Your Photographs

with Konrad Eek

Video: Mounting art in a mat

Okay, now that we have assembled the mat package, the next step is to mount the photograph within the mat. So, I'm going to open up where I have hinged it and notice too the hinge is at the top of the mat. So, if you were doing a vertical work, the hinge would be on the other end. So I'm going to open up the hinge, and I'm going to slide the work in and then I'm going to let the hinge kind of fall down to where I can see accurately and position the work very carefully, so that all the edges are even. I'm going to take a little piece of matboard and set that on the work to protect it and then set a brick on top of that, and I have taped this brick up with gaff tape.
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  1. 5m 59s
    1. Welcome
      1m 46s
    2. Using this course
      1m 19s
    3. Understanding why we frame
      2m 54s
  2. 25m 31s
    1. Visiting a professional framing studio
      6m 22s
    2. Working with a framer's vocabulary
      4m 16s
    3. Conversing with a framer
      14m 53s
  3. 50m 36s
    1. Selecting a mat
      5m 13s
    2. Deciding on the window size
      9m 27s
    3. Understanding standard vs. custom mats
      1m 46s
    4. Using a handheld mat cutter
      4m 11s
    5. Using a production mat cutter
      8m 37s
    6. Assembling the mat
      2m 5s
    7. Mounting art in a mat
      3m 25s
    8. Mounting the art with photo corners
      4m 51s
    9. Mounting the art with repositionable mounting adhesive (RPMA)
      6m 52s
    10. Exploring troubleshooting techniques
      4m 9s
  4. 32m 11s
    1. Selecting a frame
      5m 15s
    2. Understanding the kinds of glazing
      4m 14s
    3. Cutting glass
      7m 15s
    4. Scoring acrylic
      3m 52s
    5. Sawing acrylic
      4m 42s
    6. Keeping the glass clean
      6m 53s
  5. 46m 10s
    1. Assembling an easel back frame
      6m 21s
    2. Assembling a metal frame
      8m 33s
    3. Using a V-nailer to assemble a chopped frame
      7m 49s
    4. Putting the frame, glazing, mat, and art together
      12m 4s
    5. Using a band clamp for assembly
      6m 10s
    6. Reviewing alternative hanging devices
      5m 13s
  6. 13m 21s
    1. Prepping the show
      2m 26s
    2. Using a wall as a canvas
      6m 46s
    3. Hanging the show
      4m 9s
  7. 36m 2s
    1. Introduction to hanging tools
      8m 2s
    2. Using lasers for precision
      3m 18s
    3. Hanging on plaster and lath
      6m 42s
    4. Hanging on either drywall or panelling
      6m 56s
    5. Hanging on brick, stone, or steel
      7m 35s
    6. Lighting your work
      3m 29s
  8. 54s
    1. Goodbye
      54s

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Matting, Framing, and Hanging Your Photographs
3h 30m Beginner Sep 20, 2012

Viewers: in countries Watching now:

Matting and framing is relatively simple, and doing it yourself costs less and is more rewarding than using a framing service. In this course, photographer and professional framer Konrad Eek describes the tools, techniques, and creative decisions involved in matting, framing, and hanging photographs.

The course begins with an overview of framing concepts, terms, and tools and then shows how to choose and work with the various components of a framed print: matboard, frame, glazing, wire hangers, and more. The course also examines the issues and creative options behind hanging an exhibit, whether in a gallery or in a home.

Topics include:
  • Conversing with a framer
  • Selecting a mat and a frame
  • Deciding on window size
  • Using a handheld or production mat cutter
  • Mounting art
  • Cutting glass
  • Assembling frames
  • Hanging photographs in groups
  • Hanging photographs on different surfaces
Subjects:
Photography Printing Photos
Author:
Konrad Eek

Mounting art in a mat

Okay, now that we have assembled the mat package, the next step is to mount the photograph within the mat. So, I'm going to open up where I have hinged it and notice too the hinge is at the top of the mat. So, if you were doing a vertical work, the hinge would be on the other end. So I'm going to open up the hinge, and I'm going to slide the work in and then I'm going to let the hinge kind of fall down to where I can see accurately and position the work very carefully, so that all the edges are even. I'm going to take a little piece of matboard and set that on the work to protect it and then set a brick on top of that, and I have taped this brick up with gaff tape.

So, we don't want any little crumbly bits getting on the art. Then I am going to open the mat back up and for these small works on paper like this, I typically mount them with a linen hinge, or in this case, I'm using a Filmoplast hinge. This particular tape does not work well for heavier works, but for a work of this size, works very well. So, I'm going to tear off two pieces of this, one fairly long and one a little bit shorter. So the long is about 2 inches and the short one is just about an inch and a half, and I'm going to put those adhesive side with the adhesive side and then with the shorter piece going down, I'm going to lift the edge of the work, and this is where the brick comes in, and I can get my hand under there and lift it without moving it.

And then I'm going to come back, and I'm going to apply pressure to hold this piece of tape down and then I use the back of my fingernail, to rub on the other, the back of your fingernail works like a burnishing bone essentially, if you don't have a burnishing bone like I demonstrated in the previous movie, you can just use your fingernail, assuming of course your hands are clean. So, once again a piece of tape of about 2 inches long, and then a piece of tape about an inch and a half long, face-to-face. And one of the things that I like about this tape, and I really insist on in any tape that I use for this is that it be reversible.

One of the tenets I always hold on to when I'm doing matting and framing is I like everything I do to be a reversible process. That way, you can undo it, without damaging the work of art. This comes in handy if you redecorate and want to change the way things appear, if some damage occurs to the mat, you can always undo what you have done without any damage to the work of art that you have been dealing with. So now I have got it affixed in place. I'm going to move my brick and the little bit of matboard and here we have the work assembled in the mat.

At this point, I would stop if I was going to put this immediately in a frame, but since this work is going to hang on the wall just in the mat as part of the "Tour de Quartz" exhibition, I am going to do one more step. I'm going to open this back up, and I'm going to get an ATG gun. This essentially is a cool little machine that spits out a strip of rubber cement. And so I'm going to place this along the bottom and pull the trigger and draw across, and you can see I have got a little strip of adhesive here, that's a double-sided adhesive. Then I'm going to come down both sides.

The reason I'm doing this is when we mounted on the wall, all the sides will be securely attached. And so, we won't have it opening up. And so now, you can see it's become a solid unit. It's not loose any more. And it's ready to hang.

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