WelcomeIntro to wedding photography| 00:03 | Hi, my name is Chris Orwig.
I am photographer, and I am teacher.
| | 00:07 | I am really excited about this course, which is the first
course in our series, Wedding Photography for Everyone.
| | 00:13 | Here we are going to
focus in on the fundamentals.
| | 00:15 | And I think that you'll find this course
helpful if you're interested in capturing better wedding
| | 00:20 | photographs, whether you're new to wedding
photography or you captured some in the past.
| | 00:25 | Photographing a wedding is a real honor
and privilege, it's also a lot of hard work.
| | 00:30 | So, we'll start off by thinking about how
we can approach wedding photography, and then
| | 00:35 | we are going to get to
some images, some slideshows.
| | 00:37 | Here we are going to look at some wedding
photographs that worked, and others that didn't
| | 00:41 | in order to illustrate important points about what we
want to think about when capturing wedding photographs.
| | 00:46 | Next, we are going to divide a wedding up
into different phases or segments, and here we
| | 00:51 | are going to look at how we can work
within these different stages of the day.
| | 00:54 | For example, we'll start off by looking at
how we can capture images before the ceremony,
| | 00:59 | How can we work with the bride and all of her
bridesmaids, or the groom, and his groomsmen?
| | 01:04 | We'll also look at how we can document the
ceremony and capture that from different perspectives.
| | 01:10 | Then we'll capture images just after the ceremony,
you know, that special moment when it's official.
| | 01:15 | How can we capture fun and meaningful
photographs of the bride and groom at that moment?
| | 01:20 | Next, we'll make our way to the reception,
and there will photograph the groups of people
| | 01:24 | who are there, the details, and all of
the fun that happens during a reception.
| | 01:29 | Finally, once the wedding is over, we'll ask
ourselves what we do with all of these images,
| | 01:34 | how do we work on them?
| | 01:36 | There I'll give you a few strategies for
working on your photographs in postproduction and
| | 01:40 | also I will give you some examples of before
and after images it we'll give you some ideas,
| | 01:46 | on how you might process your images.
Well, in closing, my hope is this:
| | 01:51 | I hope that this course provides you with
some insight and some inspiration and some
| | 01:56 | practical ideas of how you can
capture better wedding photographs.
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1. Planning and PreparationWhy shoot weddings?| 00:01 | So here I want to bring up the
question why photograph weddings?
| | 00:05 | It's an important question to answer.
| | 00:07 | I want to answer it myself by telling you
a little bit of my story because I think
| | 00:10 | it might give you insight into how you can
formulate your own answer to that question.
| | 00:15 | Well, for me, I'm a photographer and a teacher,
and I photograph a lot of different things.
| | 00:20 | If I had a chance of photographs say a world-
class surfer like this, were world champions are for,
| | 00:25 | or maybe I photograph the family
down at a beach or a world-famous musician.
| | 00:30 | I also like taking family pictures like taking
pictures of my daughter Annika here, so I photograph
| | 00:36 | many different things. Well, how
do weddings fit into all of this?
| | 00:40 | Well, in a sense, I'm a bit of the
accidental wedding photographer.
| | 00:44 | I didn't set out to shoot 30 or 50 weddings a
year and to be a wedding photographer; rather
| | 00:50 | situations like this came out.
| | 00:51 | I had a camera and my brother said,
"Chris, will you photograph my wedding?"
| | 00:56 | Now he's one of the most important people in
the world to me, so of course I said yes.
| | 01:00 | Then a few years passed, another friend--a really close
friends--said, "Chris will you photograph mine?" Of course.
| | 01:06 | One of the reasons why I photograph weddings
is because, you know, for me it's family that
| | 01:11 | defines me most, and in a sense,
weddings are a celebration of family.
| | 01:18 | And also because weddings are meaningful,
and I just sketched out a few of my ideas here.
| | 01:22 | What I mean by meaningful.
| | 01:25 | Sometimes it's like photographing your brother's wedding,
other times perhaps a story is even deeper and more profound.
| | 01:32 | Later we'll look at some photographs in
this course of an amazing wedding and a little
| | 01:36 | bit of the back story is this.
| | 01:39 | There was a young couple husband and wife
with the young daughter and tragically the
| | 01:44 | dad or the husband was struck with terminal
illness and died, he was a close friend they
| | 01:49 | were, they were both close friends,
and it was really sad, devastating.
| | 01:54 | And around that same time there is another
couple, young couple, husband and wife,
| | 01:59 | the wife was struck with a
terminal illness and died.
| | 02:02 | And a few years later these people became
friends, and the friendship blossomed into romance
| | 02:07 | and eventually they wanted to get married. They came
to me and said, "Chris, will you photograph our wedding?"
| | 02:13 | Of course, how could I not photograph that? Weddings are
incredibly meaningful, and that's one of the reasons why I do them.
| | 02:22 | Another reason is because there is this
trade secret that all wedding photographers know,
| | 02:27 | and what they know is this.
| | 02:28 | That one of the best ways to be a good photographer,
to be better at photography is the photograph weddings,
| | 02:33 | because weddings are so hard to
photograph, the light is always changing,
| | 02:38 | the people are always moving in different
scenarios, and what else is really interesting
| | 02:42 | is that at these occasions everyone wants
to have their picture made. People want you
| | 02:47 | to take pictures. It's a great place to grow
and to learn as a person and as a photographer.
| | 02:53 | Another reason is because weddings are incredibly
unique, even in the past there were traditional
| | 02:58 | weddings they were almost all kind of the
same, when how weddings really reflect the
| | 03:03 | personality of the families and
of the bride and of the groom.
| | 03:06 | That's what we brought all of
these unique objects into this space.
| | 03:10 | You know sometimes a wedding will be themed,
like vintage, nautical, or maybe it will be
| | 03:14 | at old rustic barn, or the wedding theme
will be elegant and pristine.
| | 03:20 | Each wedding is different, and that
is so much fun to photograph.
| | 03:24 | Another reason why I photograph
weddings is because they are incredibly fun.
| | 03:29 | Weddings are a celebration, a celebration
of two people, a really important celebration,
| | 03:34 | and at weddings you never know what will happen.
| | 03:37 | Like one of my friends recently went to
this wedding that was elegant and just perfect
| | 03:42 | and at the ceremony that the
flower girl came down the aisle.
| | 03:46 | And after her it was time for the ring bearer,
this little guy, he was 4 years old, wearing
| | 03:51 | a suit to come down the aisle, and he was kind
of stuck, he was nervous, he was at the top
| | 03:55 | the aisle, people waved him,
come on, come down, he started to walk.
| | 03:59 | And he took three steps, returned to his left,
"Roar!" and he growled, and everyone kind of laughed,
| | 04:06 | and he took three steps and
turned to his right, growled again.
| | 04:09 | And he did that all the way down the aisle
to the very front, when you eventually he
| | 04:14 | passed off the ring to the groom.
| | 04:16 | It was just this really cute moment, and
afterwards the bride came up to him and said,
| | 04:21 | "Thank you so much for bringing the ring up,
for bringing the ring down the aisle," and he
| | 04:24 | said of course, and he was very proud, and she said,
"I just have to ask you one question:
| | 04:29 | Why was it that you were growling, and he said,
"Well, because I was the ring bear."
| | 04:35 | And I just love that that idea, and I wish I was a
photographer there, capturing the image of him as the bear
| | 04:41 | growling at some grandma in the aisle. And you know,
wedding are just fun, the unexpected happens.
| | 04:48 | Another reason to photograph weddings is
perhaps for income, you know, it's a great source
| | 04:52 | of side income, or maybe it's a great
way to live and thrive as a photographer.
| | 04:56 | And other reason is because the wedding photography
is a gift. You know, so much of the photography
| | 05:02 | say that I do is for myself. I take
pictures because I think something is interesting.
| | 05:07 | Yet, wedding photography is a complete gift,
and out of all of the photographs that we
| | 05:12 | capture, these are the pictures which we
passed on from generation to generation.
| | 05:18 | Another reason perhaps for you is
just that you're interested in weddings.
| | 05:22 | You think they're fascinating and enjoyable,
and you love the beauty in the art of those days,
| | 05:26 | so you want to capture images
because you're interested in weddings.
| | 05:31 | Now, whatever your reasons are, I think one
of the things that we can all agree on is this,
| | 05:35 | weddings are significant, and
wedding photography is significant.
| | 05:39 | So, here in this course, our focus is on how can we capture more
significant and more interesting and better wedding photographs?
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| Identifying the goals of your photographs| 00:00 | One of the things that often happens to us as
photographers is because we have a digital SLR,
| | 00:05 | someone will say, "Hey, can
you photograph my wedding?"
| | 00:08 | In the previous movie we talked about why
we say yes to those requests, why is it that
| | 00:14 | we photograph weddings, what motivates us?
| | 00:16 | Well, here I want to shift our focus to
another question, the question here is what type
| | 00:21 | of wedding photographer do you want to be? You know, who you
are as a wedding photographer, it's incredibly important.
| | 00:28 | If you want to go to a wedding site or to
look at a wedding magazine and to read about
| | 00:32 | how to find, and hire a wedding photographer,
you know what your will your discover is first,
| | 00:36 | they will always say look for someone who has
beautiful photographs, whose imagery you really like.
| | 00:42 | Second, look for someone who you feel like
you could connect with, who has the presence,
| | 00:47 | because this person will be
with you throughout the day.
| | 00:50 | And as a wedding photographer, in a sense
you are an ambassador for the bride and groom
| | 00:55 | as you interact with so many different
guests and bring those guests together.
| | 00:59 | So, for us it's important to reflect upon who are
we, who do we want to be as wedding photographers?
| | 01:05 | In order to do that, I thinks it's helpful to sketch
out some goals and concepts and ideas about this.
| | 01:11 | So here I've done that.
| | 01:12 | And what I want to do is share with you a
few of my own goals or ideas surrounding what
| | 01:16 | type of wedding photographer I want to be,
and I want to do this to give you some ideas
| | 01:20 | so, that you can then articulate and
write out your own goals and your own ideas.
| | 01:25 | All right, well, here it goes.
| | 01:26 | One of my goals is to capture beautiful and
unexpected moments, another one is to document
| | 01:33 | the people, the place,
and the events of that day.
| | 01:36 | One of the reasons why I want to capture
and document is because I just want to let the
| | 01:40 | scene unfold in front of me, yet
there's a flip side to that as well, right?
| | 01:45 | A different goal is to craft unique,
artistic, and breathtaking photographs, and crafting
| | 01:51 | is different than documenting.
| | 01:53 | When you're documenting, you're perhaps
standing a little bit further back and just letting
| | 01:57 | the scene unfold. When you're crafting, you are
really bringing people together in a unique way,
| | 02:02 | you're trying to contribute someone,
you're directing, you are inviting.
| | 02:05 | I want to do that as well.
| | 02:07 | Another thing that I want to do is compose
photographs that are simple, strong, and luminous.
| | 02:12 | I want to compose
pictures that are full of light.
| | 02:16 | I also want to create photographs that stand
the test of time, that allow the generations
| | 02:22 | to savor and celebrate the people and this day.
| | 02:25 | All right, well, what are some
other ideas that I jotted down?
| | 02:29 | Well, I mentioned that I want to create
photographs that are timeless, I am interested in pictures
| | 02:34 | that are luminous, full of light.
I want photographs that are artistic.
| | 02:38 | I like pictures that are authentic, that are
meaningful, that are beautiful, that have sentiment.
| | 02:44 | Now here's an important distinction.
| | 02:45 | I want photographs to have sentiment,
rather than the photographs that are sentimental.
| | 02:49 | I want pictures that have emotion,
rather photographs that are emotional.
| | 02:52 | You catch the difference there? It's a little bit
of a subtle shift, I like the subtlety of sentiment.
| | 02:57 | I want photographs that are engaged
and connected, that capture togetherness.
| | 03:01 | I also like pictures that are simple
and strong, that are filled with hope.
| | 03:05 | I want to capture genuine happiness.
| | 03:08 | I want to create photographs that are calm and
relaxed, that are romantic, vibrant, and full of life.
| | 03:15 | And so what I want you to do is to think
about, well, what are your own goals, who do you
| | 03:18 | want to be as a wedding photographer and
then take some time to jot down your goals.
| | 03:24 | Well, here are some of my goals.
| | 03:25 | Jot down dome of the ideas and concepts that
surround the type of images that you want make.
| | 03:30 | And by being intentional about this, it
can help to separate you from the mediocre.
| | 03:35 | You can become a magnificent photographer,
if you clarify who you want to be and what type
| | 03:40 | of photographs you want to capture.
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| Preplanning the photography of the event| 00:00 | In preparation for this course, I came
across this great quote about planning a wedding
| | 00:06 | which I think is relevant to
us here, and here's the quote.
| | 00:09 | It said that who knew that planning a wedding
would be akin to staging a Broadway musical?
| | 00:14 | And it's really true, isn't it?
Weddings are complicated.
| | 00:17 | There are so many different
stages and phases and people involved.
| | 00:21 | And as a wedding photographer,
we need to be keyed into that.
| | 00:25 | In order to be keyed into that, we really
need to plan ahead to think about who is
| | 00:28 | going to be at this wedding?
How we're going to photograph it?
| | 00:31 | What are the different
stages and phases of the day?
| | 00:34 | You know, wedding photography
is kind of unique in a way.
| | 00:37 | Let me explain why.
In most areas of photography, you practice,
| | 00:41 | you practice and practice, and
then you do the important shoot.
| | 00:45 | In the wedding photography, it's
completely the other way around.
| | 00:48 | Perhaps you're good at
certain type of photography.
| | 00:51 | Perhaps you're good at architectural photography or
food photography or kid photography, whatever it is.
| | 00:55 | And so you say, "Well, now
I'll translate to the wedding.
| | 00:58 | I'll go ahead and shoot a wedding without any
practice, without any pre-planning or preparation."
| | 01:03 | And typically that doesn't work out. Just
because you can play the violin doesn't mean
| | 01:08 | that you can play the guitar.
So, how then can we plan ahead?
| | 01:12 | One of the things you can do is you
can meet with the bride and groom.
| | 01:15 | By meeting with the bride and groom, you
can ask them, well, what are you interested in?
| | 01:19 | What's the style that you want to go for here?
What are the shots that you want me to capture?
| | 01:24 | How do you want me to lead and direct and guide?
| | 01:26 | How do you want me to interact
with all that's going to be happening?
| | 01:29 | Another great thing to do is to
have an engagement photo shoot session.
| | 01:33 | By doing that, the three of you--the bride and
groom and you--you can figure how to work together.
| | 01:38 | And in those moments, when you're doing the
engagement photos, your goals are to connect
| | 01:42 | and also to capture some usable images.
| | 01:45 | What I mean by that is you want to provide
the bride and groom with some images that
| | 01:49 | they can use when they send out that save the
date note to all of their best friends and family.
| | 01:54 | Another way to prepare for a wedding is to
take all of your ideas and kind of bring them
| | 01:59 | together, and that's what I've done here.
| | 02:02 | Remember in the previous movie we talked
about our goals and our ideas, who do want
| | 02:05 | to be as a wedding photographer?
| | 02:07 | Well, I've taken all of these sketches,
and I've brought them into this document.
| | 02:11 | And this document is available to you as
an exercise file, and what it's helpful in doing
| | 02:16 | it is kind of bringing together
some of the important details.
| | 02:19 | And here you could see that some of the
details that you could add to this are
| | 02:23 | the Wedding Date, the Location, the Theme.
| | 02:24 | Is the theme vintage nautical? Well, be cued into that
so you can think about how you can capture those images.
| | 02:30 | What's the sunrise and
sunset for that particular day?
| | 02:33 | You could also write down information
about the different wedding parties.
| | 02:36 | Who will be involved?
| | 02:37 | Here you can see I have my goals and ideas that
I've sketched out, they're now in this document.
| | 02:43 | And then perhaps even more important is
down a little bit further what you'll discover
| | 02:47 | is that I've divided up the
different stages of the day.
| | 02:51 | You really want to think about weddings in
small parts, because in each small part, you
| | 02:56 | are going to play a different role.
| | 02:57 | And if you think about a specific part, perhaps
when you're going to photograph the groomsmen,
| | 03:01 | you can focus in on that.
| | 03:03 | You can say, well, what
time of day will that happen?
| | 03:06 | Where will the light be?
What will the quality of light be?
| | 03:08 | And what's my goal?
| | 03:09 | What I'm going to try to accomplish during that
small slice, during that small segment of the day?
| | 03:16 | You know, one of the things happened to me as I mentioned
is that I started photographing weddings by accident.
| | 03:20 | And at first, I was a bit cavalier.
I made some pretty big mistakes because of that.
| | 03:26 | And as I think back on that, it was
almost like painting a house without a ladder.
| | 03:31 | I was doing it all by myself, and I
was doing it without any pre-planning.
| | 03:34 | Now, I want to photograph a wedding, I
take time to think things out before hand.
| | 03:39 | And I also bring someone along with me.
In a sense, they are my ladder, so I can reach
| | 03:45 | the high spots on the house, so to speak.
| | 03:46 | And if you photograph a wedding by yourself
without an assistant, again, all of that pressure
| | 03:52 | is on you, and if something goes wrong, if
your camera malfunctions, well, you are just stuck.
| | 03:57 | But if you have a friend or someone with you,
that can make all the difference in the world.
| | 04:02 | And again, people photograph weddings in
different ways, but most importantly, what I want
| | 04:06 | to get you to think about is how you can plan
ahead, because pre-planning is so important.
| | 04:12 | And the more that you plan, the higher the
chances that your photographs will turn out well.
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| Reviewing essential gear| 00:00 | In the next few movies, we're going to talk
about gear, and here in this first movie we're
| | 00:04 | going to focus in on some of the essentials, some of the
essential gear that you need when photographing a wedding.
| | 00:10 | And here's the good news.
You don't need a lot of gear.
| | 00:14 | Let's first talk about camera bodies and lenses.
| | 00:16 | Now, if you have a camera body, almost anything
will do, even if it's an entry-level digital SLR.
| | 00:22 | Typically the images that
come off those sensors are good.
| | 00:25 | They're good enough for photographing a wedding.
| | 00:27 | So, you want to have a
camera body that you can rely on.
| | 00:30 | You also perhaps want a couple of lenses.
| | 00:33 | When it comes to thinking about lenses,
you really want to think about your vision.
| | 00:37 | What type of images do you want to capture?
| | 00:40 | Typically what you will want is you want something that
has the ability to capture a wider perspective of a scene.
| | 00:46 | So that you can get those group shots, those
family photographs, photographs of people
| | 00:50 | at a table or just the establishing
images which show the whole scene.
| | 00:54 | So, again, you want something
which allows you to go wide.
| | 00:58 | You also want something
which allows you to get close.
| | 01:01 | Now, this is where it's really helpful to have a
zoom lens, like perhaps this one. It's a 24-70.
| | 01:06 | You could capture the wide-angle shot, and you can
zoom in and capture something a little bit more close.
| | 01:11 | Then I also think it's important to have
a lens that allows you to get really close.
| | 01:17 | Often at weddings, you'll see some action
across the room, across the hall, or across
| | 01:22 | the park or the field or whatever it is.
You need a lens which allows you to get there
| | 01:27 | quickly, to capture those candid moments.
| | 01:30 | So in this case, perhaps a lens
like a 70-200 might work well.
| | 01:35 | Or maybe you have one of those lenses which
covers everything from wide all the way to up close.
| | 01:40 | Again, you want something, though, that allows
you to kind of capture what your vision is.
| | 01:46 | In other words, my vision is to get group
shots and get the energy of that and also
| | 01:50 | to get up close, so perhaps
this combination will work well.
| | 01:55 | Another thing to consider is emotion.
| | 01:57 | You know, I think back to my own wedding day,
and I think of locking eyes with my bride
| | 02:03 | Kelly, and when I did that,
everything else was a blur.
| | 02:08 | All that mattered was her.
| | 02:11 | And so in a sense, for me, the emotion of a
wedding day calls for using a lens which allows
| | 02:16 | you to create Shallow Depth of Field, where
you're focusing in on one thing and everything
| | 02:20 | else just kind of drifts off,
everything else is out of focus.
| | 02:25 | All right, what else besides say camera
body and lenses do we want to consider?
| | 02:29 | Well, a couple of other things.
It's always a good idea to bring batteries.
| | 02:34 | You can see that I have a lot of batteries,
and I have a lot of batteries because there have
| | 02:38 | been a few times when I've been
shooting and my battery has died.
| | 02:41 | And so, I want to make sure that I have
twice as many batteries as I know that I need.
| | 02:46 | Of course, you want charge those up before hand.
| | 02:49 | What I do is once a battery is
charged up, I put this little back on it.
| | 02:54 | That tells me that this
battery is fired up and ready to go.
| | 02:57 | If this backing, the little piece here is off
that tells me that that's dead. It's no good.
| | 03:02 | So, you want some way to sort of
organize your batteries as well.
| | 03:06 | Next, you also want to bring battery chargers.
I typically bring two.
| | 03:11 | Again, if your batteries
go, you are out of luck.
| | 03:14 | So, I don't want that to happen.
| | 03:16 | And then you need your CF Cards, and
you want some way to organize those cards.
| | 03:21 | Again, here, I recommend that you bring
twice as many CF Cards as you think you'll need.
| | 03:26 | You always want to be the doubly
prepared when you're photographing a wedding.
| | 03:29 | And in this case, this
little wallet is really helpful.
| | 03:32 | The cards which are good and unused on
this side, once they've been used, I move them
| | 03:36 | over to the side which is orange.
And that way they're organized.
| | 03:40 | That way I know that I'm always--
I can always reach for a good card.
| | 03:44 | Then if you're photographing a wedding where
it's going to be dark eventually, where it's
| | 03:48 | going to be night, you may want to
bring a flash like this one here.
| | 03:52 | Because once the light goes down, there isn't going
to be many options, unless perhaps you have a flash.
| | 03:58 | And of course, if you have a flash, you want to
bring batteries, bring twice as many as you need.
| | 04:03 | Now, another thought in regards to gear is this.
| | 04:06 | Perhaps you don't have two lenses, or maybe you don't
have extra batteries or enough CF cards, what do you do?
| | 04:13 | Well, you can always borrow or rent or buy, and
sometimes for a wedding, you may need to do that.
| | 04:19 | I think it's essential to have at least this
gear here so that you have your bases covered
| | 04:25 | so that you can capture the images so that
you don't miss any of those important moments.
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| Looking at specialty gear| 00:00 | Now that we've covered some of the
essential gear that you might want to consider when
| | 00:04 | photographing a wedding, you
want to take it to the next level.
| | 00:07 | I'm going to talk about some specialty lenses
and cameras that you might want to use when
| | 00:12 | you get a little bit more advanced.
| | 00:14 | When you're starting out photographing a
wedding, you want to start with the basics, but then
| | 00:18 | you may want to add in some other lenses in
order to capture some creative or interesting shots.
| | 00:24 | So let's talk about some different lenses
just to begin to think about what are some
| | 00:29 | of those specialized lenses that we might
use, what are the looks that we would create
| | 00:33 | or capture with those types of
lenses or those types of cameras?
| | 00:37 | Let's start off over here.
| | 00:38 | Perhaps you want to bring 100 millimeter macro
lens, this will be great for capturing close-up
| | 00:43 | detail shots in a wedding, or maybe you want
to try out an E5 millimeter lens f/1.2, it's
| | 00:49 | a great portrait lens, and it allows you get
this really interesting shallow depth of field
| | 00:55 | or you could try perhaps a
35-millimeter focal length lens.
| | 00:58 | This one is really popular with journalists,
it's an f/1.4, it allows you to capture a
| | 01:04 | wider angle shot, but you still have this unique shallow
depth of field, and then there is the 50, 50 f/1.2.
| | 01:11 | You know, I know a lot of wedding photographers
that shoot with this lens and this lens alone.
| | 01:17 | This one really defines their style. There are other
lenses of course as well, perhaps like a fisheye lens.
| | 01:23 | That's fun for those group shots
where everyone is kind of packed into the scene.
| | 01:28 | Other wedding photographers
really like using tilt-shift lenses.
| | 01:31 | Now I don't own one of those, but I think
they're fascinating, they allow you to tilt
| | 01:35 | and shift and focus in really unique ways.
| | 01:38 | So again, as you get better photographing
weddings, you may want to consider borrowing
| | 01:43 | or renting one of these types of specialty
lenses in order to create some distinct looks.
| | 01:49 | Another thing to consider, perhaps, is using film.
| | 01:53 | You know, film is incredibly popular in wedding
photography, and here I have a couple of different
| | 01:57 | film cameras, I have a Hasselbland which is
a square format film camera, and I also have
| | 02:02 | this Contax 645 which is more of a rectangle.
| | 02:05 | And with these cameras what you could do is use
different types of film, perhaps you can use Fuji Pro 408.
| | 02:13 | This film has a really unique color palette, or
you could use a high-speed black and white film.
| | 02:18 | This one is Ilford Delta 3200, has a lot of grain
in it, and it allows you to create distinct looks.
| | 02:24 | You know, I know some wedding photographers
who are literally at the top of the game, literally
| | 02:29 | the best wedding photographers in the world.
And you know what they do?
| | 02:32 | They shoot all film and they
use perhaps this camera here.
| | 02:36 | So it's not that you need to use any of this
specialty equipment, but it might be fun to experiment with.
| | 02:42 | It might be fun to try to grow and
experiment once you've gotten beyond the basics.
| | 02:47 | And as you do that, keep this in mind, it's
always about your vision, it's not about the
| | 02:51 | gear, it's not about the excitement of a new
lens, rather it's about, well, how can I use
| | 02:56 | this lens to communicate and convey my vision, to capture
beautiful and stunning and interesting wedding photographs?
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| Exploring other gear tips| 00:00 | Before we wrap up our conversation about gear,
here I want to share with you a few tips,
| | 00:05 | a few things that you might consider when
you're thinking about what gear to bring when
| | 00:09 | you're photographing a wedding.
Let's start off over here on the right.
| | 00:13 | I have two cameras set here on the table, and I
have those two set here for a really important reason.
| | 00:19 | Whenever you're capturing pictures of
something important, you almost always want to bring
| | 00:24 | with you a backup camera, because you
never know when your camera might not function,
| | 00:29 | and at a wedding, that would be catastrophic.
Now if you don't own two cameras, no big deal.
| | 00:35 | See if there's one that you might be able
to borrow, well, of course you could always
| | 00:38 | rent another camera, and even if you
don't use it, it'll give you a peace of mind.
| | 00:43 | It'll help you capture better images, because
you're not worried about your camera, because
| | 00:48 | you know that you have a backup.
| | 00:50 | Another thing that you might want to consider
is having a gear bag. You know, some of us
| | 00:54 | don't have gear bags, and that's fine except at weddings
I find having a gear bag is essential. Here's why.
| | 01:00 | You're going to be shooting with one camera
and lens, you want to put your backup camera
| | 01:05 | and other lenses somewhere, and you want to be
able to tuck those away so that they're safe.
| | 01:09 | The camera bags that I tend to use are
Lowepro bags, because they're simple they're strong,
| | 01:13 | they discrete, and it gives me the ability
to kind of tuck my gear out of the way, so
| | 01:17 | I don't have to worry about it.
| | 01:18 | But either way, whatever you decide
regards to your own camera bags, choose something
| | 01:23 | that you think will work and fit in the size of
your gear so that you can protect and transport
| | 01:27 | your gear in an effective way.
| | 01:29 | Another thing you might want to consider is
bringing some water and perhaps some snacks.
| | 01:34 | You know, when you photograph a wedding, you
are on your feet, and you are going and going
| | 01:38 | and going, and that might help you out, it
might give you a little extra boost of energy
| | 01:42 | so that you're a bit more self-reliant
and focused on capturing good images.
| | 01:47 | Now in regards to capturing the images, you
may need something which allows you to perhaps
| | 01:51 | offload or store your images, perhaps if
you have a compact flash card in your digital camera,
| | 01:57 | and you don't have a lot of those, you could
have a compact flash card reader and a laptop
| | 02:01 | and hard drive so that you could
offload and back up those images on location.
| | 02:06 | Last but not least, you want to bring something to be
able to clean your gear, like these items over here.
| | 02:11 | I was photographing one wedding, and I was
taking a picture of this little kid and he
| | 02:16 | was so cute, he was eating wedding cake,
and I was getting really close to him to get a
| | 02:20 | nice close-up portrait and he reached out with
cake on his hands and he smudged the front of my lens.
| | 02:26 | Now at that point I needed to clean
that off. I couldn't keep shooting.
| | 02:30 | So just know that that's going to happen. At
weddings, expect the unexpected, bring some
| | 02:33 | supplies so that you can clean your gear.
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|
|
2. Before the CeremonyShowing up early and starting right away| 00:01 | As a wedding photographer, one of the things
that you want to keep in mind is that your
| | 00:05 | job begins before your official start time.
| | 00:09 | In other words, you want to show up
early, and you want to start right away.
| | 00:12 | Now all you can do here is talk a little bit
about that. You know, on your way to the location,
| | 00:18 | really want to review your vision, your goal for
the wedding, what is that that you want to capture?
| | 00:22 | Do you want to capture
timeless or luminous images?
| | 00:25 | Do you want to create authentic photographs,
do you want to capture genuine happiness?
| | 00:30 | And then if so, you want to give yourself a
little bit of pep talk, if you want to capture
| | 00:34 | something that's genuine,
well, you need to be genuine.
| | 00:37 | If you want to capture authenticity, well,
you need to be authentic and relaxed.
| | 00:41 | So take a deep breath and then show up
early so that you're prepared to capture some of
| | 00:45 | those key moments before all the action begins.
| | 00:49 | In order to illustrate the importance of
showing up early and starting right away, I want
| | 00:53 | to show you a few photographs which I
think kind of illustrate this point.
| | 00:57 | The first picture that I
want to show you is this one.
| | 01:00 | I showed up early, and I parked my car, and
right after I'd parked my car, the groom pulled
| | 01:05 | up in this amazing vintage vehicle.
| | 01:08 | Now I didn't know that he had that car,
so I quickly snapped the photograph.
| | 01:13 | This isn't a great photograph, but it was my
way to get towards a picture that might be good.
| | 01:18 | I quickly jumped out of my car with my camera
in hand and then captured this portrait, and
| | 01:24 | again, you want to start before all of the
action begins, because there are moments like
| | 01:28 | this which are so
important, it's a fun portrait.
| | 01:31 | And then I walked inside to the
house where everyone was getting ready.
| | 01:34 | In this case I captured a few photographs
of the bride's friends, and here they're just
| | 01:39 | having fun, and while these pictures aren't
photographically amazing, it's all about using
| | 01:44 | the camera to make those connections and to
document the day, and then I came across the
| | 01:49 | bride's daughter, she was
so excited about this day.
| | 01:53 | And when you're photographing a wedding,
many times you have some sort of connection with
| | 01:57 | the bride or the groom or the family, and
in this case I knew the family really well,
| | 02:02 | and I knew Sydney, the daughter here, and I
wanted to capture some of her excitement of this day.
| | 02:06 | And so here, I'm just
creating a few portraits of her.
| | 02:09 | Well, next it was her time to get ready,
and she was wearing makeup like she had never
| | 02:14 | worn before, and she asked if I
would snap a few photos of that.
| | 02:18 | She's so proud I think and kind of
beaming, and then I asked her to walk outside.
| | 02:23 | We walked outside and she wanted pictures
of her shoes, and also of here fingernails,
| | 02:27 | and while I knew that those photographs
wouldn't be stunning or portfolio images, they were
| | 02:31 | important, because you want to take the
pictures that other people want you to take so that
| | 02:36 | you can ask for some of your own.
| | 02:38 | Well, here were a few of my pictures of her,
and what I like about this is you can really
| | 02:43 | see her excitement, her excitement about
the wedding, about her new family that's going
| | 02:48 | to be formed as result of this day.
| | 02:51 | And again, here are a few other pictures of
where we are just walking around in the backyard
| | 02:55 | and trying to capture a bit of who she
is on this day and also her excitement.
| | 03:01 | We are downstairs and while we were in this
lower area of the backyard, we looked up and
| | 03:06 | her mom, the bride, came out on this balcony, and we
captured, or I captured a few photographs of her,
| | 03:11 | and then we went back inside.
| | 03:14 | When we went back inside, and all of a sudden
she heard that her new dad, the groom was
| | 03:19 | coming, and so she quickly hid behind this
curtains, and I love kind of the excitement
| | 03:24 | of her hiding behind the curtains there,
looking out and waiting for her dad to show up.
| | 03:28 | And then, of course, he arrived.
| | 03:31 | And you know, as you seek to create
interesting wedding photographs, you're always
| | 03:35 | looking for those little moments.
| | 03:37 | Now this photograph and the others, they were
all captured before the official start time,
| | 03:42 | that's why you want to get there early.
| | 03:44 | You want to get there early, and you want
to make those connections with the key people
| | 03:48 | in the wedding, you want to
start documenting those moments.
| | 03:50 | Again, you want to get there early,
and you want to start right away.
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| Creating the shots of the first family group| 00:01 | In the next couple of movies, we are going
to be talking about how we can photograph
| | 00:05 | the family and how we can
photograph groups of people together.
| | 00:09 | Sometimes you will have the chance to photograph the bride
and the groom and the relatives before the ceremony.
| | 00:15 | Other times it will be after.
| | 00:17 | Regardless of when you capture these pictures,
an important thing to keep in mind is that
| | 00:21 | what you're trying to do here is
to capture family togetherness.
| | 00:25 | This is a really significant moment.
| | 00:28 | Sometimes this is one of those moments
where these family members are together for
| | 00:32 | the first time in their lives, that may
be the only time that you're together.
| | 00:36 | Your goal is to try to capture this.
| | 00:38 | So first we are going to talk about capturing
the family, the bride and the groom together,
| | 00:42 | and then we will look at adding
in some of the other relatives.
| | 00:46 | Let's take a look at a few photographs
that I think will help us start to think about
| | 00:50 | how we can capture good family pictures.
| | 00:53 | Well, this first image that I am going to
show you is going to make you very impressed
| | 00:57 | with me, you are going to think
that I'm a great photographer.
| | 00:59 | Well, actually that isn't the case.
| | 01:01 | This isn't a good photograph, but
it's a really important photograph.
| | 01:05 | In my mind it's a transitional picture.
| | 01:08 | Whenever you're photographing more than
one person, what I like to do is to capture
| | 01:13 | a picture that doesn't count so that I can
look at the back of my camera and double-check
| | 01:17 | my exposure and my composition and just get familiar
with how the scene looks when it's photographed.
| | 01:24 | So this picture is one of those.
| | 01:25 | Well, after the door was closed, after the
transitional image, I then moved in a little
| | 01:30 | bit closer and captured a
bit more of a formal portrait.
| | 01:34 | Whenever you're capturing family pictures, you
always want to be thinking about the family's story.
| | 01:40 | In this particular case, the family, well,
they are really good friends, and the bride
| | 01:45 | and the groom, they had gone through some
really significant loss, and it was my privilege
| | 01:50 | to now photograph the
forming of this new family.
| | 01:53 | I wanted to capture that togetherness.
| | 01:56 | Next the groom showed up, and he showed up
and all of a sudden his cell phone started
| | 02:00 | ringing like mad, because one of his relatives
was lost, and things like this happen in weddings,
| | 02:06 | and you want to keep
shooting, document those moments.
| | 02:09 | I love the way that the bride is
looking at her future husband here.
| | 02:13 | Well, after the cell phone was put away, I
then directed the couple and the family to
| | 02:18 | stand together and captured this picture.
| | 02:21 | Whenever you are capturing photographs of
people or groups of people, typically they
| | 02:26 | stand in natural ways, so what that means
is they stand a little bit separate or apart.
| | 02:32 | You always want to bring them
together and capture that togetherness.
| | 02:36 | Next, what happened was the daughter
Sydney started to kind of have some fun.
| | 02:41 | You want to shoot through those pictures,
and here she is just goofing around.
| | 02:45 | Rather than asking her not to do that, to
stand still, I said, "Oh, Sydney, that's great."
| | 02:50 | She had some photographs, I said come forward
here a little bit, and I captured this image.
| | 02:54 | I said, I want to capture a photograph
that's all about you, and she loved that.
| | 02:58 | And there are her parents in the background, kind of proud
and smiling, and they loved this photograph as well.
| | 03:04 | It was a fun picture which was an
important part of this particular family story.
| | 03:10 | And I captured some variations of it.
| | 03:12 | Here you can see the bride and the
groom are a little bit more out of focus.
| | 03:17 | Next what I wanted to do is I wanted to get
them to move, so I asked them to walk over
| | 03:21 | to the other side of the yard, and here
you can see they are standing on these steps.
| | 03:25 | I'm a little bit lower, and I love this candid
moment, and in this case the bride and groom,
| | 03:31 | they wanted pictures which were formal. They
also wanted some of those candid photographs
| | 03:35 | as well, and I wanted to capture those.
| | 03:37 | And you always want to get people moving
because it helps you capture more natural expressions.
| | 03:43 | Next, I moved. Rather than being at the
bottom of the steps, I changed my position.
| | 03:48 | Here I'm at the top of the steps.
| | 03:49 | I had them turn around, and again, I
am just capturing a different perspective.
| | 03:54 | Well, after you capture a few photographs,
say of some of the key family members, next,
| | 03:59 | you start to integrate in more
family members, the relatives.
| | 04:03 | Let's take a look at some of the things that we can think
about when photographing relatives in the next movie.
| | Collapse this transcript |
| Documenting the extended family| 00:01 | Next, we are going to take a look at a few
photographs that will help us think about
| | 00:05 | some issues to consider whenever we are photographing
groups of people together, when we are photographing family.
| | 00:11 | In weddings, family is so important.
| | 00:14 | In many situations, this may be the only time
that these family members are together, and
| | 00:19 | as time passes, these family together
photographs become more and more valuable.
| | 00:25 | So let's first start off with this picture here.
| | 00:27 | This is another transitional photograph, it's out of focus,
it's not well composed, but again, it's important.
| | 00:34 | The bride all of a sudden noticed that some of
her family members arrived, and I love her smile.
| | 00:39 | I knew that there was a picture there, so
you take a transitional image in order
| | 00:44 | to get to the next photograph
just recompose a little bit.
| | 00:47 | Again, a great candid expression.
| | 00:50 | And then of course, you capture the family members
that are arriving, like these little guys, the kids.
| | 00:56 | You know, kids at weddings are so much fun.
| | 00:58 | They are dressed up, they feel the excitement
of the day. You want to capture those pictures.
| | 01:03 | Here, more family members arrived, a hug with a
little girl and the bride, I love these little moments.
| | 01:10 | They're nothing, let's say, incredibly artistic
and perfectly composed, yet they're so important.
| | 01:18 | You also want to look for kind of the side
pictures, when one of the family members steps
| | 01:23 | to the side, capture those images as well.
| | 01:26 | Eventually, of course, you
need to bring everyone together.
| | 01:29 | Now this is a really complicated.
| | 01:32 | In this case, you really need to
direct and start to sort of position people.
| | 01:36 | Say hey, let's capture an image here, and
in this case everyone said we only have
| | 01:41 | 5 minutes, we need to go, and I said
before we go, let's just capture a few frames.
| | 01:46 | The first image, it's not a success, and the
reason is because the gentleman on the right,
| | 01:51 | his face is blocked, and sometimes rather than asking
someone to move as a photographer, you move yourself.
| | 01:58 | Here you can see the next frame, I got closer, and I
just changed my position so that I can see everyone.
| | 02:03 | And really as you're capturing these
images, you are almost sort of multitasking.
| | 02:07 | You are trying to look at everyone, pay
attention and capture a few frames, and you're always
| | 02:12 | capturing more pictures than you need,
because inevitably, someone's eyes will be closed
| | 02:18 | or head will be turned in the wrong way.
Let's take a look at a few more photographs.
| | 02:22 | This one I think is important, and this one
is important because we had the complexity
| | 02:26 | of all of the family together, and then I
asked a few people to step aside, and I just
| | 02:31 | got a smaller, quieter, more
simple photograph, those are important.
| | 02:36 | Then from here I brought in different
family members, and in this case it's the bride's
| | 02:41 | parents, that's a really important photograph,
yet I didn't quite like how they were standing.
| | 02:46 | The bride and groom were separated.
| | 02:47 | So I just said, "Hey,
let's mix it up a little bit."
| | 02:50 | I took this picture and then the next.
| | 02:53 | And you always want to be thinking about
mixing it up, shooting more than you need to shoot,
| | 02:58 | directing people, giving them advice, why
don't you stand there, let's come together,
| | 03:01 | let's capture these photographs.
| | 03:03 | Here is another family picture. In this case, I am down
low and just capturing these family members and relatives.
| | 03:10 | Next, it was the grandparents and their
granddaughter, and they are goofing around and being silly,
| | 03:16 | and in this case, you want to be okay with
that, you want to even take pictures of that.
| | 03:21 | It is because of course after you capture
fun and happy photographs like this, you
| | 03:26 | can always get those, more well-
composed kind of formal pictures.
| | 03:31 | You want to capture both sides of that. With
this particular family, the bride and groom,
| | 03:35 | they wanted those different types of
photographs, and I wanted to capture them myself.
| | 03:40 | Here's another picture of a
family in a different place.
| | 03:43 | Again, getting family to
walk around is so important.
| | 03:47 | Next, from there, I decided to
photograph this mom and daughter,
| | 03:52 | and I just thought it was a fun picture.
| | 03:53 | So again, sometimes it's a group,
sometimes it's those sideline photographs.
| | 03:58 | From here we then went to this little
cushion and captured another photograph of them,
| | 04:03 | the bride and the groom were off doing something
else, getting ready to head to the ceremony.
| | 04:07 | And then I captured her by herself on this
little cushion and she just looked so cute.
| | 04:12 | And when I was taking that picture, I noticed
over my shoulder that the bride was watching,
| | 04:17 | everyone was watching, and I saw the lights on the bride,
it just was beautiful, and I captured that photograph.
| | 04:24 | And so, my point here showing you these pictures
is to help you begin to think about photographing
| | 04:29 | groups, photographing families and how sometimes
you need to direct, you need to give advice,
| | 04:35 | stand there, let's do this here.
| | 04:36 | And other times you want to capture those
candid in-between moments, because both types
| | 04:41 | of photographs are equally as valuable.
| | Collapse this transcript |
| Shooting the bridal party| 00:01 | Often before the ceremony you have the
opportunity to photograph the bride and the bridesmaids,
| | 00:06 | and the groom and the groomsmen.
| | 00:08 | Well, here what I want to do is talk about how
we can photograph the bride and her bridesmaids,
| | 00:13 | and why these pictures are important.
| | 00:15 | At a wedding, typically you invite and bring
together those people who are most important
| | 00:20 | to you, and when it comes to bridesmaids,
these are the bride's best and closest friends,
| | 00:25 | often it includes family members.
| | 00:27 | So, how can we start to capture images which
somehow capture the energy and excitement
| | 00:33 | and closeness of this group?
| | 00:36 | Let's look at a few photographs that I think
will help raise a few points which will help
| | 00:40 | us create and capture better
bride and bridesmaids photographs.
| | 00:44 | The first picture that I want to show you
here is of a bride and her maid of honor,
| | 00:49 | they were having a lot of fun
and they love being photographed.
| | 00:53 | At one point I handed them one of my cameras, and
they started capturing a few photographs of themselves.
| | 01:00 | The reason why I want them to include these
pictures is because I think it illustrates
| | 01:03 | this idea that when you're working with
this group, you can have a lot of fun.
| | 01:09 | I mean, this group has already been together
a little bit, they've gotten ready together,
| | 01:13 | and you wanted to start to have fun with them
and try to capture unique and interesting pictures.
| | 01:18 | Let's move to another wedding.
| | 01:19 | In this case the bride and her sister were
getting ready and the light wasn't good at all.
| | 01:25 | It was florescent lighting indoor, but
I captured a few frames just trying to get
| | 01:30 | familiar with the scene, but
quickly I knew I needed to get outside.
| | 01:34 | Especially, because I'm using natural and available
light, I needed more space, I need a better light.
| | 01:40 | So, we walked outside, and outside they
started to get her ready even more, fix her hair,
| | 01:46 | and her veil, and here you can see
just documenting a few of those moments.
| | 01:50 | And I like these moments because they're
tender, there is this closeness, and also
| | 01:55 | there is this kind of calm excitement.
| | 01:59 | Next, after having captured a few of these
images, another little girl, one of the flower
| | 02:04 | girls came up and was examining and taking a
look at the dress, and I was capturing that.
| | 02:10 | The bridesmaids were all
behind him watching the scene.
| | 02:13 | And eventually, one of them said, "Well, what
if we lift up the veil and hold it over her head?"
| | 02:18 | And we did that and captured this frame,
just kind of experimenting.
| | 02:21 | And a lot of times bridesmaids, or groomsmen
for that matter, they are up for trying things out,
| | 02:27 | and that's exactly what we did here.
| | 02:29 | Well, eventually I knew that I needed to
capture the whole group, here was my first attempt,
| | 02:34 | it was a complete and utter
flop, it didn't work at all.
| | 02:38 | I thought, well, if I positioned them on
the steps, maybe I'll be able to capture them
| | 02:42 | all, but it just didn't work.
| | 02:44 | So, I started to think on the fly. That's what
you have to do when you're shooting weddings
| | 02:48 | is you are thinking quickly, where is the light,
what's the background, who are the people,
| | 02:52 | how can I capture this togetherness?
| | 02:56 | So, this next frame I asked them to get a
little bit closer, it was working a bit better,
| | 03:00 | and here you can see I'm getting even closer,
this one, I think is really fun, all of their
| | 03:05 | faces, smiling, their eyes, the colors, the
flowers, it's much more simple, and it has
| | 03:11 | a better feeling to it.
| | 03:13 | And again, I'm just trying out
different ideas, recomposing a little bit.
| | 03:17 | Well, then after this, after having captured
a few of these pictures, I asked them to go
| | 03:22 | for a walk, and this is
something that almost always works.
| | 03:26 | Get people moving. This particular wedding
was photographed in Carmel, California, and
| | 03:31 | the bride was a good friend, she was from Carmel
and so I said, "Well, let's walk across the street."
| | 03:35 | She said of course, and they just
naturally created this really fun procession,
| | 03:41 | and I liked that idea of just kind of
bringing them out to a new location.
| | 03:45 | After we walked one way across the street,
I directed them, I said, "Why don't you guys
| | 03:49 | link arms and walk back towards me?"
| | 03:52 | And I'm walking backwards, hoping there are
any cars passing by and just capturing the frames
| | 03:57 | as we were walking across the street.
| | 03:59 | And again just some fun moments, and I think you can
see that in their smiles, in their posture, in their faces.
| | 04:06 | Well, then, this is kind of interesting.
I ran ahead, and I climbed up the street.
| | 04:11 | One of the things that good photographers
will always tell you is change your perspective.
| | 04:15 | I had a photograph where I was a little
bit lower, and I had one where we're crossing
| | 04:19 | the street, and then I saw this tree that
could easily scramble up, and I climbed up
| | 04:23 | and they didn't notice me, and I captured
this frame, and then I called their attention.
| | 04:28 | And I called their attention, because I knew
there was an image here, these first two attempts
| | 04:33 | weren't very good, but I kept working at it.
| | 04:36 | If you look closely, you can see my other
camera down there on the ground, and I said,
| | 04:41 | well, okay, what can I do with this
particular lens, it's sort of a normal focal length,
| | 04:46 | I need to get a little bit closer, and so
I've zoomed in a little bit, and I said,
| | 04:49 | "Why don't you guys stand around and
hold your flowers all around her face?
| | 04:54 | It was a fun photograph, but it was a
little bit too much about the bride.
| | 04:58 | I'd cropped out the bridesmaids, so I tried
some other versions of this, it didn't really work.
| | 05:03 | So, then I said, "Well, why don't
you just crowd around the bride?"
| | 05:07 | And this is where I thought the pictures
became kind of fun, and you can see them altogether.
| | 05:13 | This was the image as it was out of the
camera after cropping and rotating it.
| | 05:18 | I think it's a really fun frame.
| | 05:20 | The bride there, surrounded by all of
her close friends, all of her bridesmaids.
| | 05:25 | And so, as you start to seek to create
interesting bride and bridal party photographs,
| | 05:31 | think about how sometimes it's just a matter of
changing a location, like just stepping outside
| | 05:36 | of the door and photographing the scene
out there, getting ready outside in this case
| | 05:40 | it was so much better than inside, or other
times it's taking advantage of the location,
| | 05:45 | of the gardens, and getting them close
and creating a little bit of variety.
| | 05:49 | Or maybe it's about taking a walk, and getting people
moving, or perhaps it's just changing your perspective.
| | 05:55 | And a slight change in perspective in
photography can help you capture so many different things.
| | 06:00 | So, as you work on your own bridal party portraits,
especially with the bridesmaids, really add
| | 06:07 | some variety to what you're doing,
because these pictures, they're so important.
| | 06:11 | These are the closest people
in the world to this bride.
| | 06:15 | Explore different ideas and test some of these tips out,
because I think they will help you capture better pictures.
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| Documenting the groomsmen| 00:01 | Photographing the bride and
the bridesmaid is one thing,
| | 00:04 | photographing the groom and the
groomsmen is something completely different.
| | 00:09 | This group of guys, well, they've somehow come
together, and there will be a different dynamic or energy.
| | 00:13 | Often what you have to do in these
situations is you have to really lead and direct.
| | 00:19 | You have to kind of become one of the gang, get
them on your side in order to create some
| | 00:24 | sort of an interesting photograph.
| | 00:26 | So, let's take a look at a few pictures
which will help illustrate some ways that we can
| | 00:30 | work with grooms and their groomsmen.
| | 00:34 | The first photograph that I
want to show is this one here.
| | 00:36 | It's kind of setting the scene.
The guys are sitting in this room.
| | 00:40 | They are kind of fidgeting, they are almost
a little bit bored, they are just waiting,
| | 00:45 | they want something to happen.
| | 00:47 | So, I stood up on piano bench
and just captured this shot.
| | 00:50 | You know, it's these waiting
moments which are kind of interesting.
| | 00:54 | Well, after having captured this, I just
started to chat and hang out with the guys,
| | 00:59 | because I knew I wasn't going to make any
great pictures until I got them on my side.
| | 01:04 | So, I was shooting the
breeze, I was having some fun.
| | 01:07 | One guy said he played the piano, I said,
"Well, can you play the piano for us?"
| | 01:11 | And so he got up and went over to the piano
and started jamming and playing some fun music,
| | 01:16 | and I captured a few pictures of him doing that.
That instantly changed the overall mood and tone.
| | 01:23 | And then I said, "Hey guys, we got to take some
pictures. Let's go outside and get this over with."
| | 01:27 | They were like, yeah, let's do it.
| | 01:29 | One of them said, "What if
we take our jackets off?"
| | 01:31 | I said of course, and so they took their
jackets off, and they all kind of stood together.
| | 01:37 | And then I climbed up on this little bench
thing, and stood above them and just started
| | 01:41 | to capture some images of these guys together.
| | 01:44 | And again, all that you're trying to do
in this case is just do something unique.
| | 01:47 | You know, guys are interested, they are pretty stiff,
they stand tall, and their shoulders are kind of straight.
| | 01:52 | So somehow you have to position them in
unique ways to try to create some sort of a group
| | 01:58 | shot, and in this case I was doing
that by trying to change perspective.
| | 02:02 | Then after having captured those images, well,
the bridesmaids, they came back, and we needed
| | 02:07 | to photograph with the groom and the bridesmaids.
That's one of the pictures that they wanted.
| | 02:11 | So, I put the groom in about the middle and
captured this image, it's okay, but it wasn't that fun.
| | 02:18 | This was a fun group of people,
and weddings typically are fun.
| | 02:21 | So I said, "What about if you guys hold him?"
They loved that idea, and here is the shot.
| | 02:28 | So again, as you seek to work with these different
types of groups, in a sense you have different roles.
| | 02:34 | Sometimes you need to direct and lead,
other times you need to hang out and just get
| | 02:38 | people on your side, and then you look
for creating different types of photographs.
| | 02:42 | Some photographs will be fun and curious, others
will be a little bit more formal and well composed.
| | 02:48 | And by trying to capture different types of
pictures, many times it will give the bride
| | 02:52 | and groom and their families different options,
different pictures to choose from, and also,
| | 02:57 | it'll help you capture and even create
moments that would have otherwise been missed.
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| Making space for the bride and groom| 00:01 | Creating good photographs of the bride
and groom is obviously very important.
| | 00:05 | And here in this course we are going to talk
about that in two places. First, we are going
| | 00:10 | to talk about it before the ceremony,
because sometimes the bride and groom will see each
| | 00:13 | other beforehand, and how do we
capture images in situations like that?
| | 00:19 | You know, a lot of times at a wedding, in an event,
the bride and groom, they are like celebrities.
| | 00:24 | They are the main attraction,
people are attracted to them.
| | 00:28 | What you need to do is to somehow pull them
away from all of that attention in order to craft
| | 00:35 | or create some space for them,
to create some good images of just them.
| | 00:39 | And also so they can kind of savor these moments
of that togetherness that happens before the event.
| | 00:45 | So, here let's take a look at a few
photographs which will help us think about
| | 00:50 | photographing the bride and the groom.
| | 00:52 | This first picture obviously is of the
bride and the groom and other people.
| | 00:56 | What happened here is I walked them over to
this location and other people came along.
| | 01:01 | Eventually, I needed to get rid of them,
but you can't just get rid of them right away.
| | 01:05 | You kind of need to work through some pictures.
| | 01:07 | So, I took a few photographs of these different
family members, got it to a little bit more
| | 01:12 | of just the core of the
family, as we can see here.
| | 01:16 | Then I got some great mom and daughter photographs.
This is one of my favorite pictures from this particular day.
| | 01:22 | I loved their smiles, how they are just glowing.
| | 01:25 | But again, keep in mind that I was working towards
getting the photograph of the bride and the groom.
| | 01:30 | I just needed to kind of shoot through
it or take pictures to get to that spot.
| | 01:35 | After we captured these pictures, they
started to goof around and be silly and have fun,
| | 01:40 | again, I'm documenting those fun moments.
| | 01:43 | Well, after we have done that, I've kind of
given them that space, eventually, had the
| | 01:49 | bride and the groom together for an important
kind of significant picture, it's not candid.
| | 01:57 | It's something where they're both present and
they are engaged, and they are together.
| | 02:01 | So as you are working to get to those moments, sometimes
like I said, you almost need to carve that space out.
| | 02:08 | You also need to help the
bride and the groom save face.
| | 02:11 | In other words, what you can do is you can kind of shoo
other people away for them so that they don't have to.
| | 02:19 | And when you're a photographer, a great
way to do that is with camera in hand.
| | 02:23 | Say, well, let me take a few pictures of you.
Now, okay, now you step out, let me get a
| | 02:27 | couple other people and then let me get this.
| | 02:29 | Hey, now let me just get
the bride and the groom.
| | 02:31 | I think we are done with
the rest of the photographs.
| | 02:33 | Everyone else left, and you can kind of see
that in this photograph, it's just them.
| | 02:39 | It's a nice quiet moment of them together.
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|
|
3. Documenting the WeddingLooking for transitional shots| 00:01 | Here we're going to shift our
focus to photographing the ceremony.
| | 00:04 | Yet before we get to the ceremony, you want
to capture those transitional images
| | 00:09 | right before the ceremony happens.
| | 00:11 | Perhaps it's the groomsmen hanging out like
we saw in one of the last chapters, or maybe
| | 00:15 | it's someone getting something ready.
| | 00:17 | One of things that you need to do in order
to differentiate yourself from other people
| | 00:22 | who are photographing at the wedding--
because many people have cameras--is what you want
| | 00:26 | to do is you want to capture those
moments that only you have access to.
| | 00:31 | All of the guests at the
ceremony, they're sitting down.
| | 00:33 | You're not, you're free to roam.
| | 00:35 | And what you want to do is roam around and capture
those small images which lead up to the ceremony.
| | 00:41 | Let's take a look at a few photographs which
will illustrate some of the ways we can think
| | 00:45 | about capturing transitional
shots right before the ceremony.
| | 00:49 | The first image that I have up here is a
photograph of people getting the Church ready.
| | 00:54 | You want to document those people who are
pitching in, helping out with the event.
| | 00:59 | In this next photograph, you can see
a detail of the door of the church.
| | 01:02 | Again, capture any small detail shots, anything that
you can capture which helps tell more of the story.
| | 01:09 | In this next one, you can see that people
are frantically getting bulletins ready and
| | 01:12 | trying to prepare for the
arrival of all the guests.
| | 01:16 | You want to capture the hustle and the
bustle of all of those moments, because there's
| | 01:20 | so much anticipation and excitement.
| | 01:23 | Here is another photograph, once the guests
have arrived, and there's this little girl
| | 01:28 | just standing there, and she was
staring at me while I was taking pictures.
| | 01:31 | So, I knelt down and captured
this frame and also this one.
| | 01:36 | It's always fun to capture these
moments that in a sense are in between.
| | 01:40 | You're not photographing perhaps the key
players or the most significant thing, rather
| | 01:45 | it's what's leading up to the ceremony.
| | 01:47 | Here's another shot of a quiet
moment between the bride and her mom.
| | 01:52 | You know, it is that special moment.
| | 01:54 | I think, there is a certain look
of understanding in their eyes.
| | 01:59 | Their eyes are smiling, and I love that.
| | 02:02 | Other times, some of the photographs are like this,
the groomsmen just waiting, waiting and waiting.
| | 02:08 | They're ready to go, and again it's
leading up to what's about to happen.
| | 02:13 | So, as you work with these different scenarios
in different weddings, you'll find that sometimes
| | 02:18 | you capture different things.
Here, I want transition to another wedding.
| | 02:21 | In this particular wedding, you can see that a car has
pulled up, people are bringing chairs to the location.
| | 02:27 | And this is a photograph
that I've captured from my car.
| | 02:30 | I pulled up and looked out, and this is what I saw,
and then I started to move in a little bit closer.
| | 02:35 | Eventually, I wanted to use this car, I
wasn't quite sure how, but I knew I needed to use
| | 02:40 | it because it had so much character and personality, and
then I kept photographing the events before the wedding.
| | 02:48 | Here all the guests they were sitting down
and the bride and her daughter are having
| | 02:52 | a quiet moment together, and it was really
sweet and really tender, and so you're looking
| | 02:57 | for those moments again that
other people don't have access to.
| | 03:00 | Everyone is on the other side of those rose bushes and those
shrubs, and here we're having this nice quiet moment.
| | 03:06 | So, I'm just capturing that.
| | 03:08 | And then eventually the father of the bride
and the bride herself and her daughter walk
| | 03:12 | up towards the event, and it's
leading up towards what's about to happen.
| | 03:17 | So again, here we're really looking for those
leading images which lead us into the ceremony.
| | 03:22 | All right, well, after you've captured those, you're
of course ready to start focusing on the ceremony.
| | 03:27 | So, let's take a look at how
we can do that in the next movie.
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| Savoring the moments of the ceremony| 00:01 | Once the ceremony begins in most weddings,
it's time for the photographer to disappear,
| | 00:06 | to become invisible, to start
to shoot from the sidelines.
| | 00:09 | In other words, the main focus isn't you.
| | 00:12 | It's not about you crafting or directing
certain shots, rather it's about you drifting to the
| | 00:18 | sidelines and capturing
the events as they unfold.
| | 00:22 | So here what I want to do is take a look at
a few photographs and talk about some things
| | 00:25 | you might want to consider when
you're photographing a ceremony.
| | 00:29 | In this first picture, you can see that we're inside
of a church, and here I'm using a wider angle lens.
| | 00:34 | Sometimes, you want to use those wide
angle lens in order to establish the scene.
| | 00:39 | It's really important, though, that you don't go too wide,
because if you go too wide the church can look empty.
| | 00:46 | You want to make it look full.
| | 00:47 | You want to take this perspective that it
makes the viewer look like they're there.
| | 00:51 | Here's another photograph where I just moved
over to the side, and you can see, again,
| | 00:55 | we're just really capturing the scene.
| | 00:57 | Let's move to another wedding.
What if we're outdoors?
| | 01:01 | Well, for outdoors like in a situation
like this, I have a similar approach.
| | 01:05 | Again, it's a wide-angle lens, I'm getting low to
the ground, I'm trying to sort of establish the scene.
| | 01:10 | I'm also trying not to show too much.
| | 01:14 | As I look at some of my photographs and review,
I think, oh, if only I had just moved a little
| | 01:18 | bit off to the right, it would have
been that much better. Well, I was there.
| | 01:22 | I did take another photograph, and I had
moved a little bit but in this case, I don't think
| | 01:26 | this one is as telling.
| | 01:28 | So as you review your pictures, you obviously want
to be asking yourself, what could I have done better?
| | 01:33 | Here I think I could have done a
little bit better job with that.
| | 01:35 | Nonetheless, I took those photographs,
and then I moved to a different location.
| | 01:39 | Here, now I'm behind everyone,
and I'm capturing the scene.
| | 01:42 | It's just sort of setting the
stage, it's documenting the day.
| | 01:46 | You want to look for different ways to do that.
| | 01:49 | And sometimes you can do that
with different types of lenses.
| | 01:52 | In this case, we obviously have a wider
angle lens, but if we change that to a more
| | 01:56 | of a zoom lens, we can all of
a sudden get really close.
| | 01:59 | Here in this case, I've got close
but the expressions aren't very good.
| | 02:03 | It's not warm and inviting, so
this photograph, it doesn't work.
| | 02:07 | But you don't give up.
| | 02:08 | You keep looking for those moments.
Here I love their expressions.
| | 02:11 | See we have the bride and
groom and the officiant.
| | 02:13 | You know, it's important to document the
people who played an important role in the wedding,
| | 02:18 | whether that's someone who played a song or
read something or who was the officiant, you
| | 02:23 | want to document those things.
| | 02:25 | You of course want to
focus on the guests as well.
| | 02:28 | Here was a little kid who kept
watching me while I was taking pictures.
| | 02:31 | I couldn't help but snap this photograph.
I like how it's full of so much personality.
| | 02:36 | And I had mentioned before the importance of
photographing kids at weddings because it's fun.
| | 02:42 | But it's also worthwhile for another reason.
| | 02:44 | You know, as people look at their wedding photographs
over the years, they look back and they will
| | 02:48 | see this little guy and say,
"I can't believe Johnny was one.
| | 02:52 | Have we really been married for 15 years?"
| | 02:56 | Because you can see the passage of time so
clearly when you look at photographs of kids,
| | 03:00 | so again, it's an important thing to document.
| | 03:02 | Look for those little moments.
| | 03:04 | Of course, though, you want to
focus on the bride and groom.
| | 03:07 | Capture their togetherness, their expressions,
this warm sunset light, and here it's a little
| | 03:13 | bit more of a quiet moment as they
are listening to someone read something.
| | 03:17 | Next, as we move in a little bit closer,
this is a different type of a picture.
| | 03:21 | It's a little bit quirky.
I think it's interesting or intriguing.
| | 03:25 | I like the postures of their hands, and I
like what that communicates and kind of focusing
| | 03:30 | in on the details of the dress and the attire.
| | 03:34 | Here, again, focusing on an important
person of event, in this case the officiant,
| | 03:38 | who was one of their best friends.
| | 03:40 | Next, moving to a couple of other photographs
just documenting these scenes as they unfold.
| | 03:46 | What you want to do is shoot and keep shooting
and capturing these different moments, whether
| | 03:50 | it's the exchanging of the rings or
different things that are happening.
| | 03:53 | Perhaps a quiet moment like this,
or maybe an important family hug.
| | 03:57 | And then of course, it's over, and it's
official, the bride and groom are married.
| | 04:02 | Now the ceremony is a really important time--as I
mentioned--to sort of drift to the sidelines and document.
| | 04:09 | And what you want to do as you document is
think about how you can change things up,
| | 04:13 | whether that's using a wide-angle
lens or a more zoom lens to get in close.
| | 04:18 | You also want to walk around.
| | 04:20 | You really have freedom to change your position.
The rest of the guests, they don't.
| | 04:24 | They may have the same camera as you, but they don't
have the ability to move and change their position.
| | 04:30 | You can work from this sideline and
that one and move back and forward.
| | 04:34 | Yet as you move, you don't want
to draw attention to yourself.
| | 04:37 | You want to make your
movements minimal and slow and slight.
| | 04:41 | And then finally, you want to get
prepared for the end of the ceremony.
| | 04:45 | Like here, I'm behind everyone, knowing
that the bride and the groom are going to come
| | 04:48 | down the aisle this way.
| | 04:50 | Now of course, this is going to lead the capturing
those photographs right after the ceremony is over.
| | 04:55 | Those are really important pictures.
We'll talk about those in the next movie.
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| Capturing the emotion after the ceremony| 00:01 | Here we are going to take a look at
a few important elements to consider
| | 00:04 | when capturing photographs just after the
ceremony. You know, after the ceremony it is
| | 00:09 | such an important and unique time for the
bride and the groom, it's their first chance
| | 00:15 | to breathe, to relax, it's official, we are married, and for
the rest of the guests as well, it's equally as exciting.
| | 00:23 | Everyone has a story, you never know how
long someone traveled to get to this wedding.
| | 00:28 | How they got ready and hurried to make it
to the ceremony on time, how they sat through
| | 00:32 | the ceremony, and now the celebrating begins,
and so here I want to talk a little bit about
| | 00:37 | how we can capture some of
that unique emotion in that time.
| | 00:42 | Let's take a look at a few photographs from a couple of
different weddings to illustrate some ideas to consider.
| | 00:48 | Here with this first wedding, the bride and
the groom and their daughter, they are walking
| | 00:52 | down the aisle, and here I'm just continuing
to document that. I'm continuing to be a fly
| | 00:57 | on the wall and capture
the events as they unfold.
| | 01:00 | They are really happy and excited, and
eventually there was this big hug and big tears.
| | 01:07 | Whenever there is a moment of emotion,
typically you want to try to photograph that quietly.
| | 01:12 | You want to give them their distance in
order to kind of savor and enjoy that moment,
| | 01:17 | but you also want to document it.
| | 01:19 | Other things that you want to document are
the friendships and relationships, those hugs
| | 01:24 | and greetings and all of that that happens,
and of course you want to capture the people
| | 01:28 | who are there, the people who are so
important to the bride and the groom.
| | 01:32 | Here we have the bride's daughter and her
friends or other guests who are at this wedding.
| | 01:38 | And again, all of these photographs help
tell the story of this particular wedding.
| | 01:42 | All right, well, let's jump to another wedding.
| | 01:46 | Here we are going to take a look at a different
scenario, a wedding that was out in a beautiful field.
| | 01:51 | Here is the bride and her dad, her dad who is so proud,
and you want to document that, that tender moment.
| | 01:58 | You also want to get creative with this.
| | 02:00 | Sometimes you are capturing family like I am here
and the light was a little bit too harsh and direct.
| | 02:05 | If you just turn around a little bit, in
this case now shooting into the sun, it takes on
| | 02:10 | a whole new flavor or feeling, and again,
in these situations you are really focusing
| | 02:16 | in on sentiment or emotion or capturing
the unique characteristics of this time.
| | 02:22 | Here we have a bride and the groom and a few
of the bridesmaids, and what's fun about these
| | 02:27 | moments is that people will literally glow.
| | 02:30 | They are so excited at this moment.
They also will have a lot of fun.
| | 02:35 | Here you can see the bride and a couple of her
really good friends just goofing around and having fun.
| | 02:41 | And so as you seek to capture images
during this key time, right after ceremony,
| | 02:47 | keep in mind that really what your goal is is to document
the overall excitement and emotion of that time.
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|
|
4. Photographing after the Ceremony and the ReceptionPhotographing the couple| 00:01 | After the ceremony and before the reception
begins is a great time to capture photographs
| | 00:06 | of the bride and the groom. You really
want to take advantage of this window of time.
| | 00:12 | Often you'll set it up beforehand, you'll
say after the ceremony, let's take 5 minutes
| | 00:17 | or 30 minutes or whatever you can get,
and let's create some interesting portraits.
| | 00:21 | And in weddings, one of the things that's
so unique about them is that people want to
| | 00:25 | have their pictures taken, whether it's
the guest, like we saw in the previous movie,
| | 00:30 | or it's the bride and the groom, and you
want to take advantage of that, and you really
| | 00:33 | want to explore how you can
capture the emotion of this unique time.
| | 00:38 | For the bride and the groom, you also want
to carve out some space for them, because
| | 00:42 | weddings, they can often be a blur.
| | 00:45 | Your job as photographer is to add some clarity to
that event, so they can really savor and remember it.
| | 00:52 | So let's take a look at a few different
weddings and a number of different photographs,
| | 00:56 | that will help us think about
capturing good bridal portraits.
| | 01:00 | We'll start off with this image here.
| | 01:02 | Here I asked the bride and the groom and
their daughter to step away from the guest,
| | 01:06 | and you can do that as a photographer, come over
here for a minute, and let's capture a picture
| | 01:10 | of this new family.
| | 01:12 | And then I captured a picture of just the
bride and the groom, and I love the expression,
| | 01:17 | the connection, the passion, of this picture.
| | 01:19 | It's so fun, I asked her to give him a kiss,
and they're so happy, literally, they're glowing.
| | 01:24 | And as you capture these pictures you want
to keep shooting. You never know what type
| | 01:29 | of slight nuance you'll catch, like this
covering the kiss, I think that's so fun and then
| | 01:34 | this picture of this new happy family.
You also want to try out different locations.
| | 01:40 | Here I said, "Let's take a walk.
Let's go back to that car."
| | 01:43 | So we went back to the car, and I captured
a photograph of it, and we were talking about it.
| | 01:48 | And the groom loves this car. He restored it,
so fascinating, I said, "Well, let's do
| | 01:53 | some photographs in front of it."
| | 01:55 | And they were glad to do that, and again,
it's all about just capturing these little
| | 01:59 | small moments of them together.
| | 02:02 | And when you're in this moment, one of the
things that you can do is you can direct,
| | 02:06 | you can put on that director's cap and say,
why don't you climb into the car, why don't
| | 02:10 | I capture a picture of you driving it?
And she said, "Heck yeah.
| | 02:13 | I am going to be driving this
car now," and she was excited.
| | 02:15 | This car was previously her fiance's,
and now it was hers as well.
| | 02:20 | I also had both of them get into the
car, and again, we were just having fun.
| | 02:25 | Afterwards we stepped outside of it, and
I love this image and this one as well.
| | 02:30 | And so what you're looking to do here
is to really make the most of this time.
| | 02:34 | You're no longer documenting, rather you're
directing, you're crafting, you're inviting,
| | 02:39 | you're trying to create unique handcrafted
photographs that capture the sentiment of these moments.
| | 02:45 | Let's jump to another scenario.
| | 02:47 | In this particular wedding, the reception had
already started, everyone was enjoying themselves.
| | 02:52 | I asked the bride and the
groom to go for a quick walk.
| | 02:55 | I just wanted to give them some
space to breathe and to be together.
| | 03:00 | And as you do that, often you can capture these
little quiet moments, which I think are so important.
| | 03:07 | Here we walked to another area, and again,
I think you really just get the wonder and
| | 03:11 | the connection of this particular moment.
| | 03:15 | Often the light in these situations is great,
because it's near the end of the day, or it's
| | 03:20 | some sort of situation where the light is good,
sometimes it isn't, like with this situation,
| | 03:24 | the light was harsh, you
can still work with that.
| | 03:27 | Go for a walk, have the bride and groom stand
with their back to the sun, and it takes away
| | 03:32 | all of the harsh edge, and you can
still create beautiful pictures like this.
| | 03:36 | All right, well, let's jump to one more wedding.
| | 03:39 | In this wedding, it was out in a field,
and the sun was setting, it was gorgeous.
| | 03:44 | The bride and the groom were so happy.
| | 03:46 | Here the groom has his coat on, and you can
see the warmth of their expression, and as
| | 03:51 | you capture these images you want to mix it
up, I move to the other side of the couple.
| | 03:56 | Now I get something completely different.
Then I change my exposure and recompose.
| | 04:01 | I love this photograph, I love their connection,
how comfortable they are in each other's arms.
| | 04:09 | You really have to work it.
| | 04:10 | You have to work for those photographs and
see if you can experiment and direct and invite
| | 04:15 | in order to get those images.
| | 04:17 | And we tried other things as well, the bride by
herself, the bride and groom together kissing,
| | 04:22 | the bride and groom silent, side by side.
| | 04:25 | And as I'm capturing all of these different images,
I'm just looking for those special moments in between.
| | 04:32 | It's a mixture of directing and looking
for perhaps that decisive that moment.
| | 04:37 | And as you work with this scenario, you also
may want to try something which is a little
| | 04:41 | bit more formal, try the
informal, try the formal.
| | 04:44 | Here you can see they're really present, or
maybe you want to capture some images where
| | 04:48 | they are side by side, apart,
holding hands, ask her to look at him.
| | 04:55 | Perhaps you have a vision to create some compelling
and strong black and white photographs, like this one.
| | 05:00 | I love the intensity of this picture.
And try other things out.
| | 05:05 | In this case they're standing in front of an arch,
other times they're kissing, and again,
| | 05:09 | if you have a vision for certain photographs,
try to make those happen in these moments.
| | 05:15 | Other times what you might try to do is
introduce a prop, whenever you introduce a prop sometimes
| | 05:21 | it puts people at ease, because they can focus
on that rather than on having their picture made.
| | 05:26 | With this first image the prop didn't work.
| | 05:29 | I love the handmade sign, it's beautiful,
but their expression isn't good, and I don't
| | 05:34 | necessarily like the composition, so I
tried to get them to smile and to laugh.
| | 05:39 | That's a much better photograph.
| | 05:41 | And then I got a little bit closer, but I
wasn't quite getting the picture that I had
| | 05:45 | in mind until I changed my camera
orientation, that's what I needed to do.
| | 05:50 | This picture is better, but
still the expressions aren't there.
| | 05:53 | I said, why don't you give each other a
kiss, and voila, there is the photograph.
| | 05:58 | And so as you're working with the bride
and the groom in these moments know that it's
| | 06:02 | a special time, and know that it's your time,
it's your role to direct and invite and try
| | 06:07 | to craft or create photographs, and as you
do that, make the most of the time that you
| | 06:13 | have and shoot a lot of pictures.
| | 06:16 | You want to shoot a lot of pictures, because you never
know when you might capture that special moment.
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| Photographing guests| 00:01 | In the last movie we left off with photographing
the bride and the groom, we talked about
| | 00:05 | how we can pull them aside and
capture some unique photographs of them.
| | 00:09 | Well, eventually you'll want to
bring them back to the reception.
| | 00:13 | As you do that, photograph that process,
create one of those transitional photographs.
| | 00:17 | Here you can see with this image the bride and
the groom standing together and the reception,
| | 00:22 | it's starting in the background, up those steps.
| | 00:25 | In other situations what you'll want to do as you start
to photograph the reception is photograph the guests.
| | 00:31 | Sometimes that means the bride
and the groom and the groom's dad.
| | 00:34 | In other situations it may be photographing
everyone, all those people who have crowded
| | 00:39 | into that downtown restaurant to have a wonderful
dinner, and you want to capture the energy of that,
| | 00:44 | or maybe you get close and you
photograph specific people interacting.
| | 00:49 | Other times, in other weddings, you may follow the
bride and the groom around as they talk with their guests.
| | 00:55 | I love this picture, the bride there visiting
this table and talking with some of her friends.
| | 01:00 | I love her posture and the way that
she's interacting with these friends.
| | 01:05 | As you work to capture the different guests
at the wedding, sometimes you're capturing
| | 01:09 | groups of people, other times just one person.
| | 01:11 | Like my daughter Annie, who
came with me to this wedding.
| | 01:14 | Here she is standing in front of this giant
chocolate cake. You want to capture all the
| | 01:19 | people that are at the weddings, like
these guests here, which are so cute.
| | 01:24 | Other times what you're going to do is
capture those classic table photographs.
| | 01:28 | In these situations you
need to use a wider angle lens.
| | 01:32 | And your goal here isn't art, rather it's
to document who came to the celebration.
| | 01:38 | Often I've talked with couples who have
reviewed these type of photographs and said, you know,
| | 01:42 | I am so glad you photographed that one table,
because I didn't realize that Sarah was at
| | 01:47 | my wedding, I didn't even
get a chance to talk with her.
| | 01:50 | When I saw that picture it made me want to
call her and reach out to her and reconnect,
| | 01:55 | and again, it's just a great
way to document who is there.
| | 01:58 | Other times what you might do is you might
photograph people who are really special,
| | 02:02 | like the bride and her sister.
| | 02:04 | Other times you may photograph one of
their relatives and their relatives' friends.
| | 02:09 | You know, you never know these guest's stories,
you never know how far they have traveled
| | 02:13 | in order to come and celebrate this special day.
| | 02:17 | Your job is to photograph and to document the
guests who are here, enjoying the celebration.
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| Capturing the details| 00:01 | One of the reasons why it's fun attending a
wedding--or photographing a wedding--is because
| | 00:06 | often when you arrive at the wedding,
especially at the reception, you get to see a reflection
| | 00:11 | of the bride and the groom in all of the details,
in all the ways that they planned this event,
| | 00:15 | and as a photographer it's your job
to capture the personality of this event,
| | 00:21 | to capture those little small details.
| | 00:24 | You almost want to approach the event
from the perspective of an anthropologist.
| | 00:29 | You want to look at it and say, well,
what's interesting here, what am I noticing?
| | 00:33 | You may pick up on the fact that perhaps
there is a vintage nautical theme, and there are
| | 00:37 | small hand-painted boats on the
center of each and every table.
| | 00:42 | Well, you want to photograph those details,
because maybe one of the bridesmaids, she
| | 00:49 | stayed up all night painting these,
you want to capture that small detail.
| | 00:53 | Also, perhaps the bride and the groom they love the ocean,
they love sailing, again, photograph those details.
| | 01:00 | So here what I want to do is talk a little
bit about how we can capture details, and
| | 01:04 | I want to do this because one of the things
that I've found as I've reflected on my own
| | 01:08 | photography is I'm not
good at capturing the details.
| | 01:13 | I typically get really caught up in
photographing the people, and I'm working with gear,
| | 01:17 | like a 70-200 millimeter lens so I can capture all of
the people and the energy and excitement of the event.
| | 01:24 | Meanwhile, I'm overlooking something
really important right underneath my camera.
| | 01:29 | Many times what you need to do to capture
these details is just shift your perspective,
| | 01:33 | or maybe even change the gear that you use.
| | 01:36 | All right, well, let's take a look at a few
photographs that I think illustrate how we
| | 01:40 | can start to capture the details at a wedding.
| | 01:44 | This first photograph you
can see is this fountain.
| | 01:46 | It was a huge fountain, and it was pretty
ordinary except that they had this candle
| | 01:51 | floating in the middle of it, and all of
these rose petals, and this confetti, and it was
| | 01:55 | just beautiful to capture this image.
| | 01:58 | I had a wide angle lens, and I just looked
down, I cropped out all of the other people.
| | 02:03 | In other situations, maybe you
notice they have a unique guestbook.
| | 02:07 | Like this bride and groom, they loved surfing,
so they had this surf photography book and
| | 02:12 | everyone was signing it, you want to capture
that small detail, because it's important to them.
| | 02:18 | Other times maybe you're going to notice the
cake, and there are so many different types
| | 02:21 | of wedding cakes or cupcakes or who knows
what, pay attention to that and capture that.
| | 02:26 | Like with this one, the chocolate frosting
and all of these natural flowers, still in
| | 02:31 | other situations, maybe you're just looking at
the table settings, and you want to photograph
| | 02:37 | those in any way, shape, or form that you can.
| | 02:40 | Other times perhaps it's a sign,
a hand-painted sign like this one which says
| | 02:44 | Grow Old with Me
The best is yet to be...
| | 02:48 | Or perhaps there is a sign
which announces the wedding.
| | 02:51 | This was out in front of the
wedding location, Walton Wedding.
| | 02:55 | Still in other situations, maybe they've
kind of set something up in a curious way.
| | 03:00 | Here was a place where people could
leave cards or sign the guestbook.
| | 03:03 | The theme of this wedding, it
was natural and rustic and vintage.
| | 03:07 | Again, these details matter.
| | 03:11 | The place settings also
always tell a certain story.
| | 03:14 | I love this one with the mason jars, with these wildflowers
that the bride and groom had picked that day.
| | 03:20 | Photograph these details before the wedding
or during the ceremony or perhaps as the light
| | 03:25 | changes once it's night. You want to
capture these details in any way that you can.
| | 03:30 | And as I reflect upon my own photographic
journey in regards to photographing weddings,
| | 03:36 | I've realized that one of my weak
points is photographing details.
| | 03:40 | I usually miss the details.
| | 03:42 | And as I've reflected on that, I've started
to study other great wedding photographers.
| | 03:47 | One of the things that I've noticed is that
when they capture details, they use a really
| | 03:52 | shallow depth of field, so
they can focus in on the detail.
| | 03:56 | Often they use a macro lens.
| | 03:59 | So the next time that I photograph a
wedding here's what I'm going to do.
| | 04:02 | I'm going to have my long telephoto lens on,
photograph the people and then for a few moments
| | 04:07 | I'm going to put on my macro lens.
| | 04:09 | In a sense I'm going to change my hat and
say, you know what Chris? Now is the time
| | 04:13 | to focus in on those details.
| | 04:14 | I'm going to then do the rounds and
photograph all of the small little details, because
| | 04:19 | I find that those, they really matter, they
really reflect the bride and the groom, and
| | 04:23 | it's such a special way to kind of capture the unique personality
of that bride and groom and of that wedding celebration.
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| Staying hungry for the magic shots| 00:00 | As your photograph the reception and the guests,
inevitably you'll notice that food is being served.
| | 00:06 | And, you know, at that time it's your job to
figuratively and literally stay hungry.
| | 00:13 | What I mean by that is when everyone else
is eating and enjoying themselves, it's your
| | 00:18 | time to stay hungry and to
look for those photographs.
| | 00:21 | What you want to do as wedding photographers is you
want to bring your own water and snacks and food.
| | 00:25 | You can always eat later.
You don't want to miss those opportunities.
| | 00:28 | Every once in a while a bride or a groom will
say, "Hey, why don't you get a plate of food?
| | 00:34 | You can say, "Sure, I'll do that in a second.
I'm going to grab this shot."
| | 00:36 | Again, you have to stay hungry.
| | 00:39 | What I want to do here is show you an image
which I think illustrates this point perfectly.
| | 00:44 | Here we have a beautiful photograph of the
bride, and I like this profile, the way that
| | 00:49 | she's looking down to the side.
| | 00:51 | In a sense, this looks like a
picture which maybe was set up.
| | 00:55 | But let me show you the
process of how this image was made.
| | 00:59 | Here was the first photograph
that I captured in the sequence.
| | 01:02 | It's not very good.
| | 01:04 | This is the image straight out of the camera,
and I was photographing everyone while they
| | 01:09 | were eating, standing in line, and waiting
for food, and I knew that there was an image here.
| | 01:14 | I captured another picture, and I liked the
profile perspective and then she looked down.
| | 01:20 | And while I couldn't get close enough to her
because there was a table in the way, I could
| | 01:24 | still get that shot, and I
was hungry for that shot.
| | 01:28 | The next moment the scene had passed.
Again, the picture was gone.
| | 01:32 | Yet, when I was reviewing those images I saw
that little image, and I just recomposed this
| | 01:37 | by cropping it in Lightroom and then
modified the overall color and tone.
| | 01:42 | I think it's a beautiful image, and again,
it illustrates that whole idea that your job
| | 01:47 | as a wedding photographer, yes, is to celebrate
and to have fun and to enjoy what's happening,
| | 01:53 | but also to have that edge, to continue working, to stay hungry
for those shots throughout the entirety of the reception.
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| Documenting the events unfolding| 00:01 | When photographing a wedding reception, one
of the things that you want to a plan for
| | 00:05 | ahead of time is what events will
be taking place during the reception.
| | 00:10 | You can easily find this information out beforehand by talking
to the bride or the groom or maybe the wedding planner.
| | 00:16 | What I mean by events is this.
| | 00:18 | Typically, there's a certain
flow to a wedding reception.
| | 00:21 | Perhaps first there are appetizers
and then there's dinner, there's a meal.
| | 00:25 | During the dinner the best man will stand up
and give a toast or maybe the maid of honor
| | 00:30 | will stand up and share a few a few
important words or maybe one of the bride
| | 00:34 | or groom's parents will say something.
| | 00:36 | Then of course there is the cutting of the
cake and the bridal bouquet toss or whatever
| | 00:41 | those events are, you want to make sure that
you're documenting those events, because typically,
| | 00:47 | it's really significant people who are involved.
| | 00:50 | Let's take a look at a few photographs
that I think will help us start to think about
| | 00:53 | capturing the events which
take place during the reception.
| | 00:57 | This first photograph that you can see here is a
picture of the best man, and here he's giving a toast.
| | 01:03 | It's not an image which is incredibly
artistic, but it is an important document.
| | 01:08 | Then we have another picture where I moved to a
different angle in order to capture this again.
| | 01:13 | Again, here I'm just walking
around trying to document this.
| | 01:17 | After he shared his words,
there was of course a toast.
| | 01:20 | You want to capture the response to that.
| | 01:23 | There are other things, too, as I
mentioned, like say the first dance.
| | 01:26 | You want to capture that unique
moment between the bride and the groom.
| | 01:31 | Each wedding reception
will have different events.
| | 01:34 | Yet most of them have some
sort of a cutting of the cake.
| | 01:38 | Here I try to photograph this in a little
bit of a creative way you can see the bride
| | 01:41 | and the groom cutting the cake, and then
you can see in this next shot that she's about
| | 01:46 | to stuff the cake into his face and eventually
the cake went all over his face, and here I'm
| | 01:52 | using an on-camera flash with a little bit of
a slower shutter speed just to try to capture
| | 01:57 | the energy and excitement of this moment.
| | 02:00 | Then at this particular reception another event
that photograph was the toss of the bridal bouquet.
| | 02:05 | Again, here you can see I'm using an on-camera
flash in order to capture the toss of the bouquet.
| | 02:11 | All of the girls jumping up to try to catch it.
| | 02:14 | Then finally, the one lucky
winner who got the bouquet.
| | 02:17 | So as you work to photograph a reception, you have to keep
that in mind that there are these different stages or events.
| | 02:24 | Often, it will just feel like one big party,
yet if you know ahead of time about the different
| | 02:30 | events or stages of the reception, it can really help
you out so that you can capture those key moments.
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| Having fun| 00:01 | You know, sometimes when you're photographing
a wedding, one of the things you're trying
| | 00:04 | to do use create simple and beautiful
photographs, photographs that are quiet.
| | 00:08 | Yet other times what you want to do is
capture the excitement and the fun of that day,
| | 00:14 | and that is definitely true with wedding receptions.
| | 00:17 | After all of the events and all of the food,
eventually there will be some sort of dancing or fun.
| | 00:21 | You are going to ready with camera
in hand to capture those moments.
| | 00:26 | So here let's look at a few photographs
that I think will help us start to think about
| | 00:30 | capturing the excitement and the fun
that often happens at wedding receptions.
| | 00:35 | In this first photograph, I really like it.
I like how the bride and the groom are in
| | 00:39 | the center of the circle. They are dancing.
There surrounded by all of their friends.
| | 00:44 | This picture, I think it's
well composed. It's really fun.
| | 00:47 | It captures the excitement of this moment.
| | 00:49 | Here I want to show you
another photograph of dancing.
| | 00:52 | This one photographically speaking isn't as good.
| | 00:55 | It's a little bit blurry, but it still
captures that excitement and that fun.
| | 01:00 | Sometimes your pictures, they don't have to be perfect,
but what you want to do is capture the fun of the day.
| | 01:06 | Let's look at another photograph, this one here.
| | 01:08 | Near the end of the evening
they got out some sparklers.
| | 01:12 | I noticed that and took this first frame.
It didn't really capture what I was looking for.
| | 01:16 | Then I saw this little guy with these
sparklers running around having a ball.
| | 01:21 | This was the photograph
that I wanted to capture.
| | 01:23 | At a different wedding as you can see here
we have the bride and the groom and their
| | 01:27 | daughter downtown outside of the restaurant where
the reception was, and I like the fun moment here.
| | 01:34 | It's a little bit more subtle,
but I still think it's fun.
| | 01:37 | Often when you are looking to capture fun, what you want to
do is perhaps try a photographic technique like shutter drag.
| | 01:43 | That's what I did with
the kid with the sparklers.
| | 01:46 | Or perhaps like with this photograph you
just want to tilt your camera little bit.
| | 01:50 | It creates a little bit different
perspective and excitement in a picture.
| | 01:54 | Then a few moments later the bride and
groom's daughter joined her friends and they are
| | 01:59 | in front of this theater and
they started goofing around.
| | 02:02 | I was ready with camera in hand to capture the
excitement and the fun that these kids were having.
| | 02:07 | Here I will move to another wedding which
was in the backyard, the reception was in
| | 02:12 | a backyard with a campfire, the
roasted smores, and it was really fun.
| | 02:16 | I'm just capturing the guests there.
| | 02:18 | Then later in the evening they brought out
some sparklers and here I'm just experimenting
| | 02:23 | with different exposures like with this one.
| | 02:25 | It's a long exposure, but it's not too long
so I can focus in on the bride and the groom
| | 02:30 | and some of the guests.
| | 02:30 | In other exposures, well, you can't
really see anything. You just capture.
| | 02:35 | Or the images captures the overall energy
and excitement the fun that they all were
| | 02:39 | having with these different sparklers.
| | 02:42 | So as you're working with photographing
receptions keep in mind that, yes, you want to capture
| | 02:47 | the guests, the details, the different stages,
and events, but you also want to capture the
| | 02:52 | fun and capture the magic of those
moments that often happen at wedding receptions.
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|
|
5. Postproduction and Delivery of ImagesExploring postproduction strategies| 00:01 | After you've captured all of your wedding
photographs, now is when the work really begins.
| | 00:06 | Because with weddings, typically we capture a
really high volume of images, maybe you've
| | 00:11 | captured 500 or 1,000 or 2,000, who knows?
| | 00:15 | How are you going to
process all of those photographs?
| | 00:17 | Well, at this point what you really want to
do is take advantage of a tool like Lightroom.
| | 00:22 | Lightroom is a photo management tool which
allows you to import the images into it, organize them,
| | 00:27 | add keywords, group them together, process
those pictures, and also export and back them up.
| | 00:33 | Using a tool like this is literally essential,
because you have so many photographs to go through.
| | 00:39 | Now if you're new to a tool like Lightroom
you may want to check out one of my other
| | 00:42 | courses, Lightroom Essentials, where I focus
in on how you can start to use something like
| | 00:47 | this in order to process your photographs.
| | 00:49 | Again, as you think about this postproduction
time when you're working on your images,
| | 00:55 | what you really want to do is think about this is
part of the overall artistry of what you're doing.
| | 00:59 | In other words, creating good
photographs, it isn't just about the capture.
| | 01:04 | It's about the capture but also how you
process and develop those images, how you bring those
| | 01:09 | to life in postproduction as well.
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| Reviewing postproduction examples| 00:01 | In the previous movie, I mentioned the
importance of using a tool like Lightroom
| | 00:04 | in order to process your photographs.
| | 00:07 | And here what I want to do is show you some
images, so you can get some ideas about how
| | 00:11 | you might use a tool like this in
order to process wedding photographs.
| | 00:14 | One of the things that you have to keep in
mind is that when you're working with a high
| | 00:17 | volume of pictures, a lot of times the
adjustments that you'll make, they're going to be more
| | 00:23 | global rather than specific because you
don't have the time to get into all of the little
| | 00:28 | details of each and every image.
| | 00:31 | Let's take a look at a few photographs
which I think will illustrate how you might
| | 00:34 | want to post-process your
photographs using a tool like Lightroom.
| | 00:38 | This first photograph is one that we've
seen previously, and here you can see it's this
| | 00:42 | portrait of the groom as he just drove up.
| | 00:45 | Here is the image after it's been processed
and then now here you can see the image as
| | 00:49 | it was captured straight out of the camera.
| | 00:51 | Now, straight out of the camera the composition was
okay, but I didn't really like the colors or the light.
| | 00:56 | So, you can see that basically I used the
adjustment brush to paint in some light on
| | 01:01 | the face, and then I also modified the
contrast and overall color and saturation.
| | 01:06 | Here's another photograph.
| | 01:07 | This one, it's a little bit more subtle.
You can see this is the before.
| | 01:11 | Again, the color temperature was a bit too
cool, so I just made some simple adjustments
| | 01:16 | by brightening and warming this image up.
| | 01:19 | When you're photographing people, often you want
to lean a little bit too to the warm side of things.
| | 01:25 | It's always nice to have something
that's a bit more warm than a bit more cool.
| | 01:29 | Let's look at another photograph.
| | 01:31 | This one here, you can see the daughter of
the bride and she is hiding behind this curtain.
| | 01:37 | I really like this moment,
yet the composition wasn't quite bright.
| | 01:41 | So, here you can see that I recomposed that,
and I did that by simply using the Crop tool.
| | 01:46 | Now, once I recompose to reduce and simplify,
I notice that there was this little bar coming
| | 01:52 | down right in front of her
head that was distracting.
| | 01:54 | So for this particular image, I brought it
in the Photoshop, and there I removed that,
| | 01:59 | and then I also modified
the overall color and tone.
| | 02:02 | So, sometimes you need to get specific.
You need to focus in on those little details.
| | 02:06 | Other times you're making
broader or bigger adjustments.
| | 02:10 | Let's look at a few more photographs.
| | 02:12 | Here's another picture
from that particular wedding.
| | 02:15 | And again, I just love the moment of this.
| | 02:17 | Now, if we look at the before and after, you
can see that the before, the tones are just
| | 02:21 | a little bit more muted and then
here is the after, simple adjustments.
| | 02:26 | Sometimes simple is best.
Here, we will look at one more photograph.
| | 02:30 | I love capturing images at night,
and I love the excitement of this.
| | 02:34 | But the image that was straight
out of the camera, it was too dark.
| | 02:37 | I had made a mistake a
little bit with my exposure.
| | 02:39 | So here, bringing it to Lightroom, boosting the light
up, makes this image much more interesting to look at.
| | 02:47 | Here's another photograph of some wedding guests,
and here's the before and then now the after.
| | 02:53 | These adjustments are pretty simple.
| | 02:56 | Sometimes it's those simple yet significant
adjustments which make all the difference in the world.
| | 03:01 | Let's take a look at another photograph.
| | 03:04 | In this one, the adjustments
were a little bit more dramatic.
| | 03:07 | Sometimes you need to work
on an image a little bit more.
| | 03:10 | And with this photograph, I
love the mood, expression, emotion.
| | 03:14 | Yet, if we look at the original file,
you're not going to be very impressed.
| | 03:19 | The color temperature, it's cool.
| | 03:21 | You can't really see the subjects
very well, the exposure isn't great.
| | 03:25 | But by bringing that into Lightroom and by
using the Basic Panel, and the adjustments
| | 03:29 | that you can perform there, you can see that
you're able to really bring those images to
| | 03:34 | life in a really important way.
| | 03:37 | Another photograph which I think
illustrates that point, you can see this picture.
| | 03:41 | Here is our before.
Again, it was too dark and then now here after.
| | 03:45 | It just feels better.
| | 03:47 | And as you're working on your photographs,
a lot of times you're thinking about how can
| | 03:51 | I change the overall mood or sentiment or
feeling, because I want to have images that
| | 03:55 | are beautiful and compelling?
| | 03:57 | All right, well, let's look at just one more
photograph here straight out of the camera.
| | 04:01 | And you know actually, I like this.
I think it looks good.
| | 04:03 | But when I was capturing it, I wanted to
convert this one to black and white because
| | 04:08 | I had this vision of an image which
was really strong and dramatic.
| | 04:12 | And so in Lightroom, I was able to do that.
| | 04:15 | I removed the color, I added some film grain,
and increased the contrast a little bit.
| | 04:20 | When you're working on your own wedding photographs,
you are always thinking about how can I somehow
| | 04:25 | make these images come to life, because good
photography, it's not just about the capture,
| | 04:31 | but it's about completing those images, and
you can often do that in really compelling
| | 04:35 | and interesting ways when
you use tools like Lightroom.
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| Delivering the wedding images| 00:01 | After you've processed and finished your
photographs, it's time to consider how you're going
| | 00:05 | to deliver these files to the client.
| | 00:07 | How are you going to get them off your
computer and give them to the bride and the groom?
| | 00:12 | There are so many different
methods that you could use.
| | 00:15 | You could burn them to a DVD, you could copy
them to a hard drive and give them the hard drive.
| | 00:20 | There also are many online services where
you can upload digital files so your client
| | 00:25 | could view the digital proofs and order prints.
| | 00:29 | Regardless of whatever method you use, one of the things
that you want to do is you want to make it personal.
| | 00:35 | Whenever you're delivering photographs like
this that really have value, that mean something,
| | 00:40 | what I like to do is I like to print out a
few pictures like this one here, because I
| | 00:45 | think there's something important about that
tangible print, the final artifact,
| | 00:50 | at least give them a few prints.
I also like to write a handwritten note.
| | 00:54 | Again, make it personal, express something
that perhaps was meaningful to you in their
| | 00:59 | wedding, say, "Oh, I really enjoyed this part.
| | 01:01 | It was so fun to see that.
It was a great honor to photograph your wedding, thanks."
| | 01:06 | And when you do that, it will make that
delivery process that much more meaningful.
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ConclusionNext steps| 00:01 | We've covered a lot of great content
in this course. Well, what's next?
| | 00:05 | What are some next steps that we can take
in order to be better wedding photographers?
| | 00:10 | One of the first next steps that I think that
you can take is to revisit some of the content
| | 00:14 | that we've covered in this course because
we've raised some important questions like,
| | 00:19 | why capture wedding photographs at all? I think
you want to articulate an answer to that question.
| | 00:24 | We also talked about the importance of
planning ahead, and I referenced that PDF file
| | 00:29 | where you can write out your goals.
| | 00:30 | What are your goals when
you're photographing a wedding?
| | 00:32 | What type of images do you want to capture?
| | 00:35 | And on that document, we divided the wedding up into
different stages or phases as we did throughout this course.
| | 00:41 | You want to start to think about those,
and by doing that, you can plan ahead
| | 00:46 | so that when it comes time to
photograph a wedding, you're ready.
| | 00:50 | Another way that you can take
another next step is by practicing.
| | 00:55 | Perhaps the next time you go to a wedding,
why don't you bring your camera with you
| | 00:58 | and photograph from the sidelines?
| | 00:59 | Rather than having all of the pressure of
being the main photographer, shoot images
| | 01:04 | from the sidelines at someone else's wedding,
or another way that you can practice is by
| | 01:09 | focusing in on a specific area of wedding
photography, perhaps creating bridal portraits,
| | 01:15 | maybe you have a sister or
a friend with a wedding gown.
| | 01:18 | Why don't you go out with them to a scenic
location and explore how you can capture compelling
| | 01:23 | and beautiful bridal portraits?
| | 01:25 | Well, that's exactly what we're going
to do in the next course in this series.
| | 01:29 | We're going to explore how
we can do that on location.
| | 01:32 | So I hope you join us for that course.
| | 01:34 | Well, in wrapping up this course, I hope that
it's given you some insight and ideas of how
| | 01:40 | you can capture better wedding photographs.
| | 01:42 | I hope that it's built your confidence so that
you've seen that you, too, can create compelling
| | 01:47 | and interesting wedding photographs.
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