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So here is the challenge for our Fill Flash Portrait Photo Assignment. How do we work outdoors in the bright sunlight when we don't have very much control over the lighting and still come away with good portraits? Now you know the setting, a wedding reception in the afternoon, the kid's birthday party. We've all been in these situations where we have to come away with good pictures, but we don't really have much control over the lighting or the setup or anything else and we have to work quickly to boot. Now what am I talking about exactly? Well, let's take a look at a portrait taken outside.
This is a quick shot. No supplemental lighting was added. It's the middle of the day. This is the scenario that we all dread as photographers. So we have very strong light coming down and then it hits the face in odd ways. We've got a very hot spectral spot right here on the nose and we've got another hot spot here on the cheek, yet the eyes are pretty much shaded. And then the other problem is because the light is coming from this harsh angle, it accentuates skin texture. So we are seeing more pores and more lines than we would like to see and certainly more than the subject of the photograph would like to see.
So what can we do about that? Well, a lot of folks know that if you turn on the flash on your camera and this is a compact camera or a digital SLR, that we can fill in some of that light, and the camera does a fantastic job of balancing the ambient light with the fill light. So suddenly, we are not seeing as much skin texture here, the hot spots aren't as hot as they were before, we have light on the eyes. All around, it is an improvement over the previous shot. Let's put them up side by side so we can get a really good look.
I am just going to change gears here. I am working in aperture, by the way, which is just great for this kind of stuff. So here we are. Here is our original shot with no fill-flash and here's the fill-flash shot, and you can see that there's less texture here, the lines are softened, the eyes are brighter, just all the way around, it's an improvement. The problem, of course, is that this looks like a fill-flash shot and it looks a little artificial. It doesn't look natural. So then part of the challenge is is there a way that we can create natural looking portraits in terrible light, using this fill-flash technique? And I think we can.
So let me grab my camera. Let's go out in the field and let's take some pictures.
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