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The lighting plan

From: Lighting with Flash: Sports, from Action to Portraits

Video: The lighting plan

All right, so let's talk about our lights for a second. This is the light that sets everything off. This is set on 1 32nd power plus 2 3rds, so roughly what, a 16th power, let's call it. Not a lot of light, but this light has to do two things. Number one, it has to trigger any of these other three lights, because once it triggers one light, the other lights will see it and they'll go off too. And number two, it's going to provide fill that will come from almost right on the camera's axis. So any, any shadows that these other three lights create are going to be filled by this one to exactly the level that I want. So I'm going to be looking for detail, but not full brightness. I mean, shadows make drama, so you want to make the drama, but you also want legibility, where you want to be able to see things. So my key light's going to be over here.

The lighting plan

All right, so let's talk about our lights for a second. This is the light that sets everything off. This is set on 1 32nd power plus 2 3rds, so roughly what, a 16th power, let's call it. Not a lot of light, but this light has to do two things. Number one, it has to trigger any of these other three lights, because once it triggers one light, the other lights will see it and they'll go off too. And number two, it's going to provide fill that will come from almost right on the camera's axis. So any, any shadows that these other three lights create are going to be filled by this one to exactly the level that I want. So I'm going to be looking for detail, but not full brightness. I mean, shadows make drama, so you want to make the drama, but you also want legibility, where you want to be able to see things. So my key light's going to be over here.

Right now that's on a stand. but it's probably going to be being held by a voice activated lise, light stand, AKA, Dave Kyle. And he's going to follow the goalkeeper as they, as they come across. Because I want to take that beam and sort of restrict to the area around their face, and just to highlight their face and reaching for the ball and such. And if you come over to the net on the, one the back sides of the net, we've got another couple of SB800s, and they're set on one-quarter power. Nothing out here is set on more than one-quarter power, which is kind of cool. That gives us it gives us recycle time. I can shoot I can shoot quick if I need to.

But it also gives us a very tight flash pause duration time. So we're not, we're not going to be getting movement as, as things are coming through. You will see me moving the camera as people are moving. If there is any motion blur, I want it to happen on the background and not on the person running. So I'll track them with the camera as they're moving across unless I'm trying to do a specifically framed shot. So that's one way of of controlling motion board that that is induced by flash polls for your sink speed or or just about anything. Tracking thing is important and like the other things were, they're going to bore us a little bit.

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Lighting with Flash: Sports, from Action to Portraits

20 video lessons · 4727 viewers

David Hobby
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