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Okay. So, a couple of things about this flash. This is going to be the keylight. which is why it's got a quarter CTO on the front to warm it up a little bit. This little gel you see. It's also got tape on it that says quarter CTO, and there's tape here, tape there and tape there. And I want to know that anywhere that I look in this flash in my camera bag, I can tell that it is my CTO flash. And that keeps me from having to put a gel on every time I want to decide what I'm, what flash I'm going to light someone's face with. So, rather than do that, I just have a key light flash that I keep a gel on all the time. So, there's a kind of a neat way that we're hooking these up. this is a Frio Coldshoe, which ca, just came out, and they've got a little like a couple airlock impressionist kind of a connection to them. So, they hold the flash really securely and they're tiny, and I like them a lot. but what we're doing is we're putting this in at a 90 degree angle, because this flash is designed to tilt this way on the stand, but the slave is over here. So, we're going to take it and rotate it this way. So, the slave will be able to see the same way the flash is turning. And like that, and now, because we've got it mounted at a 90 degree angle to where it should be mounted, we can tilt the flash up and down and have the slide pointing toward the other flashes.
So, it doesn't do a whole lotta good to have your slide pointing out into left field, or to take away your ability to move your flash up and down, but this way it gives us the ability to do both. So, the really nice thing about having a backlight is that number one it gives you separation. So, I got one on each side. And we got these backed up pretty far away, but fortunately you don't need allot of you don't need allot of power to kiss the light off of someone from the back. The light is very efficient as it just bounces off. And if you make a mistake with the back light more often than not, it's going to be that the back light is too bright.
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