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Hyperlapse = time lapse + camera movement. You can get the effect by moving your tripod manually or along a track, but shooting hyperlapse from a moving vehicle is the one guaranteed way to get really dramatic time-lapse footage. And it doesn't take a lot of gear. In this course, Rich Harrington introduces the equipment you need and the techniques you should use to capture great hyperlapse sequences, as he travels around the Nevada desert during the day and captures the bright lights/big city of Vegas at night. When he returns to the studio, he shares his post-processing tips in Adobe Camera Raw, Premiere Pro, and After Effects.
This course was created and produced by RHED Pixel. We're honored to host this content in our library.
I hope you enjoyed this course where we specifically looked at hyperlaps. This is a special projects course. If you're new to Timelaps, I invite you to look up my full-length course here on lynda.com. It'll walk you through all the essential skills and really help you get the core down for shooting as well as additional post-production options. This was just a specific look at a very targeted workflow. And the good news is, is I've got more in the works. I love shooting time-lapse, and as I continue to discover new techniques, I'll be sure to document them and share them with you.
My name's Rich Harrington. Thanks for watching.
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