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Shooting a Hyperlapse Time-Lapse Video
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Shooting a Hyperlapse Time-Lapse Video

with Richard Harrington

Video: Welcome

Hi, ny name's Rich Harrington, and welcome.

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Shooting a Hyperlapse Time-Lapse Video
1h 33m Intermediate Mar 28, 2014

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Hyperlapse = time lapse + camera movement. You can get the effect by moving your tripod manually or along a track, but shooting hyperlapse from a moving vehicle is the one guaranteed way to get really dramatic time-lapse footage. And it doesn't take a lot of gear. In this course, Rich Harrington introduces the equipment you need and the techniques you should use to capture great hyperlapse sequences, as he travels around the Nevada desert during the day and captures the bright lights/big city of Vegas at night. When he returns to the studio, he shares his post-processing tips in Adobe Camera Raw, Premiere Pro, and After Effects.

This course was created and produced by RHED Pixel. We're honored to host this content in our library.

Topics include:
  • Choosing the right camera for hyperlapse video
  • Mounting your camera
  • Stabilizing shots
  • Programming the camera
  • Capturing shots
  • Post-processing, assembling, and color grading footage
Subjects:
Photography Cameras + Gear Video Shooting Video
Author:
Richard Harrington

Welcome

Hi, ny name's Rich Harrington, and welcome. We're going to be exploring shooting a hyperlapse from a moving vehicle. And, I've got my trusty van, and I've got the car rigged up. But before we head out on the road, I want to walk you through this process. Hyperlapse is essentially time lapse with movement, not just movement of the subject or movement of the clouds, but movement of the camera. Some people do this by physically picking up the tripod and moving it, or sliding it along a track, but this is really lots of movement, well beyond a slider.

Now, in this case, I've got a vehicle, and we've stabilized two cameras inside the vehicle. We're going to use different types of control methods today, experiment with different exposures, shutter speeds, all sorts of options, to show you how things turn out, both for daytime and nighttime photography. It's a really cool concept. We got a lot a things to look at, so let's begin.

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