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Hyperlapse = time lapse + camera movement. You can get the effect by moving your tripod manually or along a track, but shooting hyperlapse from a moving vehicle is the one guaranteed way to get really dramatic time-lapse footage. And it doesn't take a lot of gear. In this course, Rich Harrington introduces the equipment you need and the techniques you should use to capture great hyperlapse sequences, as he travels around the Nevada desert during the day and captures the bright lights/big city of Vegas at night. When he returns to the studio, he shares his post-processing tips in Adobe Camera Raw, Premiere Pro, and After Effects.
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Once you've been rolling awhile, you want to do a safety check because things start to shake and vibrate, and they can work themselves loose. For example, I can actually tell that this has lost a little bit of tension. So, I'm just going to pump that back up a little. There we go. And I suspect throughout the day, given the porous nature of the surface I attached this one to, it's going to lose pressure. The ones up top, looking pretty good. Everything's tightened down, we're in good shape. We're getting ready to do our first stop here, we're going to get some gas and this is a great time just to look everything over.
But you know, driver, is anything obstructing your view? >> No. >> Alright, good. I want to make sure our producer who's driving the vehicle today, a very patient woman I might add, has got no obstructed views. So we keep things good here, everything's connected. We've used a little bit of Gaffers tape to keep cables from blowing around. We've got a cup holder here, where we could put the phone. It's going to just lock in there, so it's not going to fly off. So everything is connected and relatively bolted down. We're just going to leave that run for a little bit longer, but that's a safety check.
And make sure you do that periodically throughout the day.
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