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Painter 12 Essential Training
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Painting with Real Wet Oil brushes


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Painter 12 Essential Training

with John Derry

Video: Painting with Real Wet Oil brushes

Another new category in Painter is Real Wet Oil. And this seems to be probably related to the development of the Real Watercolor model, and I'm going to show it to you and you can decide whether or not you would want to use it or not. I don't find it particularly as compelling as Real Watercolor, but it does have some very interesting attributes. And let's just take a look. I've got the Real Wet Oils open here, let's get Liquid Oil. And as I paint with this, you'll see similar to what happens in the Real Wet Watercolor, it expands outward a bit after it's been applied.
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  1. 1m 20s
    1. Introduction
      44s
    2. Using the exercise files
      36s
  2. 5m 4s
    1. Understanding what Painter 12 can do
      1m 45s
    2. Let's paint!
      3m 19s
  3. 11m 52s
    1. Starting Painter 12 for the first time
      4m 4s
    2. Creating, opening, and saving files
      4m 36s
    3. Working with templates
      3m 12s
  4. 30m 37s
    1. Painter's shiny new interface
      6m 43s
    2. Understanding the Tool palette and property bar
      4m 12s
    3. Using media selectors
      3m 43s
    4. Working with the Brush Selector
      7m 17s
    5. Configuring panels and palettes
      3m 41s
    6. Navigating Painter
      5m 1s
  5. 22m 41s
    1. Setting preferences
      6m 59s
    2. Arranging palettes
      1m 28s
    3. Creating custom palettes
      6m 30s
    4. Customizing keyboard shortcuts
      3m 52s
    5. Understanding workspaces
      3m 52s
  6. 28m 37s
    1. Controlling color with the Color palette
      7m 12s
    2. Working with the Temporal Color palette
      3m 0s
    3. Mixing color with the Mixer palette
      11m 3s
    4. Working with color sets
      7m 22s
  7. 56m 31s
    1. Introduction to brushes in Painter 12
      41s
    2. Understanding brush size adjustment
      2m 46s
    3. Exploring brush controls
      17m 44s
    4. Using the Computed Circular palette and stroke attribute brushes
      4m 13s
    5. Painting with Real Watercolor brushes
      7m 34s
    6. Painting with Real Wet Oil brushes
      3m 20s
    7. Working with Impasto
      8m 10s
    8. Working with texture-aware media
      12m 3s
  8. 13m 38s
    1. Understanding Quick Clone
      3m 58s
    2. Working with the Clone Source panel
      7m 22s
    3. Tracing a clone's source using Tracing Paper
      2m 18s
  9. 22m 56s
    1. Understanding the Underpainting palette
      9m 25s
    2. Exploring the Auto-Painting and Smart Stroke palettes
      7m 26s
    3. Working with the Restoration palette
      6m 5s
  10. 22m 15s
    1. Working with the Rectangular Selection tool
      3m 25s
    2. Using the Lasso tool
      3m 26s
    3. Selecting items with the Polygon tool
      2m 39s
    4. Understanding the Magic Wand tool
      7m 55s
    5. The Channels palette
      4m 50s
  11. 29m 1s
    1. Understanding the flexibility of layers
      7m 25s
    2. Preserving transparency in layers
      5m 37s
    3. Picking up underlying color in layers
      5m 13s
    4. Using the Free Transform tool
      2m 52s
    5. Working with layer masks
      7m 54s
  12. 24m 3s
    1. Painting with symmetry
      9m 6s
    2. Understanding Smart Blur
      4m 43s
    3. Working with seamless patterns
      10m 14s
  13. 25m 10s
    1. Introduction to the Image Hose
      2m 13s
    2. Understanding Image Hose controls
      9m 58s
    3. Working with nozzle files
      12m 59s
  14. 14m 32s
    1. Using each application for its strengths
      4m 59s
    2. The PSD format: what's compatible and what's not
      5m 3s
    3. Color management compatibility
      4m 30s
  15. 7m 0s
    1. Your best friend: Undo
      1m 50s
    2. Painting on layers
      1m 55s
    3. Save often, save early
      3m 15s
  16. 9m 48s
    1. The panic button
      2m 13s
    2. Using the Shift key restart
      2m 1s
    3. Re-importing a workspace
      4m 4s
    4. Troubleshooting: My brush won't paint
      1m 30s
  17. 3m 20s
    1. Goodbye
      3m 20s

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Painter 12 Essential Training
5h 28m Beginner Feb 15, 2012

Viewers: in countries Watching now:

Join John Derry, one of the original Corel Painter authors, as he shares the creative techniques that will get beginners up and running, and shows old hands the new features that can get a creative vision out of your head and on to your canvas. The course demonstrates how to create projects, use Painter brushes and painting styles, build templates, and work with layers and channels. John also shares pointers on setting up a Wacom tablet to interface with Painter.

Topics include:
  • Exploring the changes in the Painter 12 interface
  • Customizing brushes and selecting painting styles
  • Laying out the optimal workspace
  • Controlling color with the color palettes
  • Adjusting brush size and stroke attributes
  • Working with texture-aware media
  • Quick cloning with the Clone Source panel
  • Auto-Painting with the Underpainting, Smart Stroke, and Restoration palettes
  • Preserving transparency in layers
  • Creating layer masks
  • Painting with symmetry
  • Working with the Image Hose
  • Integrating Painter projects with Photoshop
  • Troubleshooting brushes and other issues
Subjects:
Design Digital Painting
Software:
Painter
Author:
John Derry

Painting with Real Wet Oil brushes

Another new category in Painter is Real Wet Oil. And this seems to be probably related to the development of the Real Watercolor model, and I'm going to show it to you and you can decide whether or not you would want to use it or not. I don't find it particularly as compelling as Real Watercolor, but it does have some very interesting attributes. And let's just take a look. I've got the Real Wet Oils open here, let's get Liquid Oil. And as I paint with this, you'll see similar to what happens in the Real Wet Watercolor, it expands outward a bit after it's been applied.

The difference is, the watercolor model is translucent and colors interact with one another, whereas here, they tend to be more a cover-type model, where it's covering paint and there's some interaction that happens at the boundary between wherever it finds paint. It's got some interesting models like these Erosion Grainy, I think was one I was looking at. See how it's doing a pretty interesting physical kind of thing that is very much along the lines of kind of interacting a turpentine-like model with existing color.

Now sometimes I do see these artifacts appear, I'm not real sure. It seems like you can normally sort of brush them out if they are intrusive. Another one here is Turpentine. And you can see here this just kind of softens things up. One of the tricks with brushes like this is, no one stroke ever is very convincing. What is convincing is the overlaying and interaction of many strokes. So while I was being a little less than kind maybe at the outset, just even playing with this now, I'm seeing some very interesting textural and color things happening here.

So it is a useful model, but if you strictly want an oil painting look, something like Impasto is probably a little bit more fully realistic. One thing I wanted to show you though, is if we switch over to this image and use the same turpentine model on here, check this out. This does some very interesting things to existing imagery that I don't know how else you'd get some of this. And you can play around with this with this Blend Rate. So as you change this, what happens, it's going to become more dramatic.

I'm noticing right now, trying to draw new strokes, there's a lot of heavy computing going on here. And so, to try to go somewhere else and do some of this somewhere else on the image, you may find that there is a little bit of a performance loss, because it's really trying to start to do these physical modeling tasks in several different places at once. But I would say at the very least, the new Real Wet Oil is a very interesting experimentive medium that you'll definitely want to play with as an oil medium, and even trying some of the things that I've done here, where I'm interacting with something like a photographic existing imagery.

Whoever thought, you could get some very interesting results that would be very difficult, if impossible, to get any other way. So definitely check out Real Wet Oil and perhaps you'll find that it's exactly the medium you've been looking for.

Find answers to the most frequently asked questions about Painter 12 Essential Training.


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Q: When I double-click the John's Smart Brushes.brushcategory file as shown in the Chapter 8 movie "Understanding the Underpainting palette," the brushes do not install. Instead I get the message "There is no application set to open this document."
A: This is because your operating system does not recognize the .brushcategory file type.  This can be circumvented by selecting the file, right-clicking, and choosing "Open With…".

If Painter 12 is not in the list, use "Other…" to locate and select Painter 12.

The file will be read by Painter and the brush category will be installed.
 
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