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Making normal maps


From:

Mudbox 2013 Essential Training

with Ryan Kittleson

Video: Making normal maps

When working in Mudbox, it's not uncommon to have models with millions of polygons, and that's not such a big deal when working on just one model. However, when a whole scene is put together in Maya, for example, or in a video game, all those polygons would be too much for one computer to handle. The solution is often to use Normal Maps. They are like Bump Maps but higher quality. They contain detailed information about the surface detail of a high-poly model, and it can be mapped onto a low-poly model.
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  1. 7m 49s
    1. Introduction
      58s
    2. What you should know before watching this course
      1m 28s
    3. Using the exercise files
      1m 1s
    4. Understanding where to store user-made tools
      4m 22s
  2. 49m 31s
    1. Optimizing a Wacom tablet for Mudbox
      1m 54s
    2. Getting a first look at Mudbox
      2m 47s
    3. Understanding the limitations of Mudbox
      4m 2s
    4. Loading a model
      3m 18s
    5. Moving the camera
      3m 43s
    6. Focusing and framing
      1m 33s
    7. Customizing hotkeys
      4m 42s
    8. Importing a reference image plane
      4m 9s
    9. Working with subdivision levels
      3m 40s
    10. Subdivision level tips and tricks
      3m 17s
    11. Editing materials
      5m 46s
    12. Using the selection tools
      4m 37s
    13. Hiding and unhiding parts of a model
      2m 50s
    14. Selection tips and tricks
      3m 13s
  3. 1h 0m
    1. Sculpting in Mudbox
      5m 49s
    2. Using the standard sculpting tools
      6m 21s
    3. Using the special sculpting tools
      3m 54s
    4. Customizing the sculpt tools
      4m 28s
    5. Making a custom crease tool
      4m 7s
    6. Using stamps
      4m 12s
    7. Using stencils
      5m 50s
    8. Freezing parts of a sculpt
      3m 8s
    9. Sculpting custom stamps and stencils
      6m 24s
    10. Sculpting with layers
      3m 16s
    11. Editing sculpt layers
      3m 3s
    12. Working with multiple sculpt layers
      3m 8s
    13. Sculpting symmetrical details on an asymmetrical model
      2m 45s
    14. Bringing it together: Sculpting demo
      4m 16s
  4. 22m 52s
    1. Using the Object List
      4m 1s
    2. Translating objects
      3m 12s
    3. Duplicating and flipping an object
      2m 57s
    4. Transferring detail between two models
      4m 38s
    5. Cleaning up problems with transfer details
      4m 19s
    6. Using materials with multiple objects
      3m 45s
  5. 37m 8s
    1. Using UV maps
      3m 58s
    2. Creating and importing UVs
      3m 39s
    3. Creating paint layers
      2m 35s
    4. Using basic painting tools
      4m 34s
    5. Using adjustment painting tools
      2m 31s
    6. Painting with the advanced tools
      5m 22s
    7. Editing stencils
      4m 54s
    8. Working with paint layers
      4m 15s
    9. Texturing with Ptex
      5m 20s
  6. 38m 40s
    1. Understanding texture channels
      4m 53s
    2. Painting bump maps
      6m 21s
    3. Making the most of texture channels
      5m 59s
    4. Transfering paint layers between models
      3m 55s
    5. Making normal maps
      4m 44s
    6. Creating ambient occlusion maps
      4m 53s
    7. Generating displacement maps
      3m 48s
    8. Preparing texture files for use in other applications
      4m 7s
  7. 16m 6s
    1. Introduction to joints and posing
      5m 12s
    2. Creating joint skeletons
      3m 23s
    3. Painting weights
      4m 50s
    4. Posing a character
      2m 41s
  8. 19m 59s
    1. Lighting the scene
      5m 17s
    2. Using point and image-based lights
      3m 23s
    3. Setting up viewport effects
      6m 5s
    4. Rendering still images and movies
      5m 14s
  9. 1m 45s
    1. Next steps
      1m 45s

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Watch the Online Video Course Mudbox 2013 Essential Training
4h 14m Beginner Jul 26, 2012

Viewers: in countries Watching now:

This course introduces Mudbox, the Autodesk digital sculpting suite, and teaches digital artists how to create realistic assets in Mudbox, including 3D characters, immersive game environments, and product designs. Author Ryan Kittleson focuses on modeling, sculpting, and texturing, as well as topics such as extracting normal maps and exporting assets to Maya and 3ds Max for further rendering and animation. The final chapter covers techniques for showcasing your work in Mudbox.

Topics include:
  • Optimizing a Wacom tablet for Mudbox
  • Navigating the 3D space
  • Editing materials
  • Sculpting with stamps, stencils, and layers
  • Creating and importing UV maps
  • Texturing with Ptex
  • Painting bump maps
  • Creating ambient occlusion and displacement maps
  • Posing characters with jointed skeletons
  • Lighting a scene
  • Rendering still images and movies from Mudbox
Subject:
3D + Animation
Software:
Mudbox
Author:
Ryan Kittleson

Making normal maps

When working in Mudbox, it's not uncommon to have models with millions of polygons, and that's not such a big deal when working on just one model. However, when a whole scene is put together in Maya, for example, or in a video game, all those polygons would be too much for one computer to handle. The solution is often to use Normal Maps. They are like Bump Maps but higher quality. They contain detailed information about the surface detail of a high-poly model, and it can be mapped onto a low-poly model.

The result is a low-poly model that looks like it has a lot more detail than it really does. This saves on memory and processing power. Let's see how to make one. So we have got our keg from the last movie, and this is the low-poly version. If we go into the ObjectList, here we can see we've got a lowpolykeg here. I can hide it, turn it back on. I'm going to hit Shift+F, turn on wireframe. It's kind of faint, but you might be able to see the low-poly wireframe there. Let's hide this, and it will show we do have still the high-poly wood here.

It's going to take just a second for the textures to load. That's why the model is currently blue. Sometimes Mudbox unloads textures from memory, and then it can take a little while to load them back in, and while it's loading those in, it can turn the model blue, and then there is also the bands, turn those on. Okay, there go the textures. Okay, so here is the high-poly version, and we turn the lowpolykeg back on. Now let's get all the little shape details of the high-poly keg into a normal map for the low-poly version.

I am just going to hide the lowpolykeg again really quick. You can see like there's lots of little details like cracks in the wood, and the way that the bands overlap is creating an interesting shape change here. Mudbox can calculate the shape differences between the two versions of the keg and put all that information into a normal app. So let's go up to Maps > ExtractTextureMaps and do a New Operation, and let's save this as a Normal Map, and we will do it pretty much like we just did before.

I want to turn off Smooth Target models, and let's do something slightly different this time. Let's do Add All and then just remove the ones I don't want. Add All, and let's see, I only want the bands and the wood for this one, Remove. Let's see these should be fine just by default. Image Size, let's raise this up a little bit higher so we get some more detail.

It's really up to your preference and from project to project, the image size could be different depending on the needs you have. I am just going to set it to a 2k map for this one, and then Map Type. If this were a PTEX image, if the model we are using PTEX, we would set this to PTEX, otherwise Texture. The low-poly keg has UVs, so we are going to use Texture. We just need to define a place to save the normal map to. So we will just open this up. I am just going to make a New Folder under Documents and call it keg, and we will just give the File name. You can really save it anywhere you want.

I usually save it somewhere in the same place where I'm saving the Mudbox scene file. Let's Extract it. Looks like it finished. Go ahead and hit Ok. We can close this, and now I just need to hide the bands and the wood, and let's bring in the lowpolykeg now. So it should just take a few seconds, and we will be able to see the textures applied. Let's zoom in here. Now this is the low-poly version. Let's go to the layers and the Paint tab in here, and let's expand the NormalMap.

So this is where it just placed the normal map that we created. So let's turn this on and off. So you can see with the normal map on, we have a lot more detail here, and it's still just a low-poly model. This is not a high-detailed model. It's a low-poly model with a normal map applied. So let's solo this layer as diffuse. Right-click on it and go to Solo As Diffuse. So now we can see what the normal map looks like before it gets interpreted as surface detail. The map is simply using red, green, and blue data in the image, to store information about the high-poly model surface detail.

Normal maps are very commonly used in video games, where they have to conserve polygons. So instead of loading a model with 5 million polygons into a game, you can send the low-poly version with 5,000 polygons and a normal map that simulates all the high-resolution detail.

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