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Avid Media Composer 5 Essential Training

Understanding media delivery types


From:

Avid Media Composer 5 Essential Training

with Ashley Kennedy

Video: Understanding media delivery types

So all of the work you have done in creating your beautiful sequence is really no good unless you can get it out of Media Composer. So in this movie we'll talk about several of the most popular ways to output your sequence both to tape and by file. Until relatively recently most finished programs created in a nonlinear editing system were printed to tape. Tapes are still a very common method of delivery for broadcast but are less common for general distribution. Tapes come in all manner of quality, size and format. And if you need to lay off the tape you should ask what type of tape deliverable is required for your purpose.
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  1. 3m 43s
    1. Welcome
      1m 16s
    2. Using the exercise files
      2m 27s
  2. 22m 59s
    1. Understanding clips and media files
      2m 34s
    2. Understanding the Select Project window
      5m 40s
    3. Working in the Project window
      5m 35s
    4. Setting up and organizing a project
      5m 13s
    5. Saving and backing up
      3m 57s
  3. 50m 15s
    1. Using the Composer Monitor and the timeline
      6m 32s
    2. Adding shots using Splice
      5m 57s
    3. Adding shots using Overwrite
      7m 2s
    4. Removing shots using Extract and Lift
      4m 31s
    5. Using Extract/Splice Segment Mode to switch shots in the timeline
      5m 1s
    6. Using Lift/Overwrite Segment Mode to move shots in the timeline
      5m 59s
    7. Using direct timeline manipulation
      4m 6s
    8. Using subclips and subsequences
      3m 48s
    9. Adding and patching video tracks
      7m 19s
  4. 26m 39s
    1. Understanding trimming
      3m 42s
    2. Using A-side Single-Roller Trim to improve audio timing
      7m 59s
    3. Using B-side Single-Roller Trim to improve audio timing
      5m 41s
    4. Using Dual-Roller Trim to refine video
      6m 5s
    5. Using Ripple Trim and Overwrite Trim
      3m 12s
  5. 24m 8s
    1. Using the J-K-L keys for navigation
      4m 15s
    2. Using navigation shortcuts
      6m 26s
    3. Using the Command palette
      6m 4s
    4. Sorting and sifting clips
      7m 23s
  6. 20m 38s
    1. J-K-L trimming
      4m 11s
    2. On-the-fly trimming
      7m 18s
    3. Advanced trim methods: Slip mode
      5m 18s
    4. Advanced trim methods: Slide mode
      3m 51s
  7. 21m 33s
    1. Using the Audio tool to read audio levels
      6m 18s
    2. Using the Audio Mixer to adjust audio level and pan
      8m 27s
    3. Keyframing audio for intra-segment audio adjustments
      6m 48s
  8. 55m 23s
    1. Using Quick Transition effects
      5m 19s
    2. Using the Effects palette and the Effects Editor
      5m 21s
    3. Keyframing segment effects
      6m 0s
    4. Using nesting and auto-nesting
      5m 49s
    5. Saving effects templates
      5m 34s
    6. Building basic composites using vertical effects
      4m 53s
    7. Using the Picture-in-Picture effect
      6m 41s
    8. Creating basic motion effects
      5m 55s
    9. Using Timewarp
      5m 56s
    10. Using the Color effect
      3m 55s
  9. 9m 48s
    1. Understanding system performance
      5m 58s
    2. Rendering tracks
      3m 50s
  10. 20m 30s
    1. Analyzing footage for problems
      3m 8s
    2. Using the Y-Waveform monitor to set whites and blacks
      5m 34s
    3. Using the RGB Parade to correct color casts
      4m 42s
    4. Using the Vectorscope to improve skin tones
      3m 27s
    5. Correcting color automatically
      3m 39s
  11. 29m 16s
    1. Formatting and enhancing text using Avid Marquee
      6m 52s
    2. Using Marquee to apply shapes and gradients
      4m 23s
    3. Using title templates
      2m 40s
    4. Bringing a title into Media Composer
      3m 42s
    5. Revising the title
      2m 49s
    6. Creating rolling and crawling titles
      4m 40s
    7. Using Auto-Titler
      4m 10s
  12. 22m 3s
    1. Using the Capture tool
      5m 7s
    2. Capturing footage
      4m 26s
    3. Batch-capturing
      4m 46s
    4. Adjusting settings for import
      5m 7s
    5. Using AMA (Avid Media Access) for QuickTime imports
      2m 37s
  13. 16m 54s
    1. Understanding deletion types and cases
      3m 51s
    2. Performing bin deletion
      3m 17s
    3. Understanding the Media tool
      6m 17s
    4. Identifying and deleting media relatives and non-relatives
      3m 29s
  14. 15m 31s
    1. Understanding media delivery types
      2m 28s
    2. Preparing a sequence for digital cut to print to tape
      2m 48s
    3. Performing a digital cut
      5m 8s
    4. Exporting a QuickTime movie or QuickTime reference
      5m 7s
  15. 14m 39s
    1. Solving the offline media problem
      3m 58s
    2. Re-linking media
      2m 19s
    3. Solving Avid settings corruption
      4m 35s
    4. Using the Avid Attic to find and retrieve bins
      3m 47s
  16. 19s
    1. Goodbye
      19s

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Avid Media Composer 5 Essential Training
5h 54m Beginner Jul 07, 2010

Viewers: in countries Watching now:

In Avid Media Composer 5 Essential Training, author Ashley Kennedy demonstrates basic and intermediate editing techniques in Media Composer, one of the most widely used nonlinear, video editing systems. This course covers how to build sequences, mix audio, color correct footage, apply effects, and troubleshoot common post-production issues in Media Composer. Exercise files accompany the course.

Topics include:
  • Adding and removing shots to build multi-track sequences
  • Trimming shots to improve audio timing and refine video
  • Learning navigation shortcuts
  • Customizing the workspace for an individualized editing experience
  • Using advanced trim methods
  • Adjusting audio levels and panning
  • Applying effects, such as Picture-in-Picture and Timewarp
  • Color correcting footage using a variety of built-in video scopes
  • Understanding the rendering and system performance relationship
  • Titling footage with Avid Marquee
  • Capturing and importing footage
  • Performing intelligent media management strategies
  • Exporting and printing to tape
Subjects:
Video Video Editing
Software:
Media Composer
Author:
Ashley Kennedy

Understanding media delivery types

So all of the work you have done in creating your beautiful sequence is really no good unless you can get it out of Media Composer. So in this movie we'll talk about several of the most popular ways to output your sequence both to tape and by file. Until relatively recently most finished programs created in a nonlinear editing system were printed to tape. Tapes are still a very common method of delivery for broadcast but are less common for general distribution. Tapes come in all manner of quality, size and format. And if you need to lay off the tape you should ask what type of tape deliverable is required for your purpose.

Here are some of the most popular tape formats. HD Cam, Digi-Beta, Beta-Cam SP, DV Cam, MiniDV. Probably the most common method of general distribution is DVD for standard definition material or Blu-ray for high-definition material. To send a program to DVD or Blu-ray you first need to export a file for Media Composer, usually a QuickTime or a QuickTime reference. Then you need to import this file into a DVD authoring application like DVD Studio Pro, Toast or Sonic.

Since the advent of YouTube, Vimeo and other video hosting sites, the fastest-growing version of show distribution these days is via the web. The method of preparing content for the Web for Media Composer is virtually identical to that of preparing content for DVD or Blu-ray. Although because of bandwidth reasons the resolution for web-ready video is usually less than the resolution for DVD or Blu-ray video. One last available method of export is to create an edit decision list or EDL, which is for editors who are planning to give the sequence to someone who will make an actual film print to be projected in movie theaters.

So instead of exporting a file or tape you export a list of edits, which is basically a set of instructions for a negative cutter to re-cut the sequence exactly how you did, except that he or she is actually cutting physical film rather than manipulating digital files. It's good that you know this option exists but we won't be going into it any further. As you can see there are quite a few ways to get your sequence out of Media Composer and into the hands of whoever wants to view it. We'll discuss several of these methods beginning with printing to tape.

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