New Feature: Playlist Center! Pick a topic and let our playlists guide the way.

Start learning with our library of video tutorials taught by experts. Get started

Avid Media Composer 5 Getting Started
Illustration by John Hersey
Watching:

Getting started with editing


From:

Avid Media Composer 5 Getting Started

with Steve Holyhead

Video: Getting started with editing

Now we can finally enter the creative realm and start using Media Composer for what it's made for: editing. The bins are like a paint palette, and the Timeline is similar to your canvas. Before we'll be able to paint properly though, we'll need to take a look at some different techniques for getting the right amount of paint on the brush. Now first let's review loading clips. You've seen me take a clip, drag it, drop it into the Source viewer, and you've also seen me take a clip and double-click on it to load it into the Source viewer.
Expand all | Collapse all
  1. 4m 13s
    1. Welcome
      1m 31s
    2. Using the exercise files
      2m 42s
  2. 21m 40s
    1. Starting Media Composer and creating a new project
      4m 15s
    2. Understanding Media Composer
      5m 47s
    3. Working with clips, bins, folders, and the Project window
      3m 44s
    4. Saving and backing up your work
      4m 16s
    5. Retrieving a project from the Attic
      3m 38s
  3. 27m 58s
    1. Understanding media formats and the Format tab
      8m 25s
    2. Importing media
      6m 11s
    3. Linking to media using AMA
      5m 43s
    4. Accessing media from other projects
      2m 56s
    5. Working with clips in the bin
      4m 43s
  4. 23m 49s
    1. Getting started with editing
      7m 25s
    2. Creating a new sequence
      5m 39s
    3. Removing material from your sequence
      6m 20s
    4. Editing segments in the Timeline
      4m 25s
  5. 30m 44s
    1. Using Splice, Overwrite, and three-point editing
      5m 25s
    2. Understanding trim concepts
      4m 39s
    3. Working with trim techniques
      6m 6s
    4. Using the Timeline
      7m 49s
    5. Building multitrack sequences
      6m 45s
  6. 14m 21s
    1. Adjusting audio levels and pan
      6m 42s
    2. Diving deeper into audio
      7m 39s
  7. 23m 8s
    1. Setting quick transitions
      5m 33s
    2. Working in the Effects palette
      3m 42s
    3. Keyframing effects
      7m 1s
    4. Setting system performance and rendering effects
      6m 52s
  8. 17m 37s
    1. Creating freeze-frames and motion clips
      4m 40s
    2. Understanding timewarp effects
      7m 15s
    3. Understanding Timeline compositing
      5m 42s
  9. 19m 44s
    1. Working with basic color correction
      7m 13s
    2. Stabilizing shaky footage
      1m 44s
    3. Creating a basic title
      5m 0s
    4. Mixing down video and audio
      5m 47s
  10. 6m 33s
    1. Building the final output
      6m 33s
  11. 18s
    1. Goodbye
      18s

Watch this entire course now—plus get access to every course in the library. Each course includes high-quality videos taught by expert instructors.

Become a member
please wait ...
Avid Media Composer 5 Getting Started
3h 10m Beginner Jun 10, 2010

Viewers: in countries Watching now:

In Avid Media Composer 5 Getting Started, author Steve Holyhead explores the tools and techniques in Media Composer for producing great looking video, as well as the basics of high definition media formats. This course walks through the video production workflow from input to editing to output, covers key information such as trim concepts and frame rates, and introduces techniques such as color correction, footage stabilization, and real-time audio effects. Exercise files accompany the course.

Topics include:
  • Working with clips, bins, and folders
  • Importing media
  • Creating sequences
  • Editing in the Timeline
  • Using the Splice, Overwrite, and Three-Point editing techniques
  • Trimming sequences
  • Refining audio
  • Adding and keyframing effects
  • Compositing
  • Mixing down audio and video
Subject:
Video
Software:
Media Composer
Author:
Steve Holyhead

Getting started with editing

Now we can finally enter the creative realm and start using Media Composer for what it's made for: editing. The bins are like a paint palette, and the Timeline is similar to your canvas. Before we'll be able to paint properly though, we'll need to take a look at some different techniques for getting the right amount of paint on the brush. Now first let's review loading clips. You've seen me take a clip, drag it, drop it into the Source viewer, and you've also seen me take a clip and double-click on it to load it into the Source viewer.

I can also take numerous clips and either drag and drop or double-click to load numerous clips at the same time. Once I have a clip in the Source viewer, you can see that now I get data, the name of the clip, and I can also swap between my clips here, like so. And you can also see a timecode display up here, which updates as I move forwards and backwards through my clip. Let's load a different clip here. Now as I move backwards and forwards here with the Scrub bar, below the Source viewer, there are numerous commands for playback.

If I click the Play key... (Video playing.) the clip will play until I hit the Play key again. Likewise, I can also use my Spacebar on my keyboard. Hit the Spacebar to play. (Clip playing.) Hit the Spacebar to stop. What else is underneath here? We've got rewind and fast forward, and when there's nothing else marked on my clip, this will take me between the beginning frame and the end frame of my clip.

I also have these; these are step forward or backwards by one frame or ten frames. On the other side, I have Mark Clip. This marks the entire duration from the very beginning to the very end, and I also have Clear Marks. Then either side of my Play button, I've got Mark In and Mark Out as separate commands. The Mark In button indicates to the system where I'd like to start using this material from.

If I play through, once I've got enough of that clip, I can stop and make a Mark Out. These buttons here go between the In points and the out points, and then finally, this button plays from In to Out. Another way to play back through your media is to use J, K and L keys on your keyboard. The L key will play forwards.

If I hit it again, it'll play faster. Hit it again, it'll play faster again. If I hit the K key, it'll stop. The J key will play us backwards. Hitting it again will speed up the backwards playback and again. I can also use a combination of J, K, or K and L. If I hold down the K key and press the L key, now I'm going to slowly scrub forward through my clip at six frames per second, in this case.

Likewise, if I hold down the K key and press the J key, I'm going to scrub backwards at six frames per second. This is really helpful for rocking backwards and forwards at a transition point when you're trying to find an exact place to make a mark in. The scrubbing technique can also be used with audio. If I load an audio clip, you can hear as, I scrub forwards, holding down K and L. (Video playing.) So you can hear there that I'm able to find audio cue points accurately by using J, K, L.

Another method for marking clips is to mark them on the fly. Let's say, for example, we have this clip loaded, and we want to make an In point and an out point, but we want to do so whilst we watch back the material in real-time. I'm going to hit the Spacebar on my keyboard to start playing back, and then I'm going to use the I and O keys to make in points and out points on the fly. (Video playing.) So now you can see I've been able to make a selection from this clip whilst I was playing back in real-time.

Okay, there's one other method that I want to show you for marking up your clips ready for the editing process, and that's called subclipping. Earlier on, you saw me use this clip, the beachside clip. Now often, this is how material will come in from a camera: a bunch of consecutive shots that need to be broken up into individual clips for editing. So, the way we do this is as follows: We can either do it on the fly or by scrubbing. I'm going to do it on the fly. So I'm going to start playback and then make an in point and an out point to mark just this area of this clip.

in point there, and that's enough for that. I'll make an out point there. So, I have just marked this area here of the ocean. If I want to now save this as a subclip, what I do is I click here, next to the name of the clip. There's a little icon that looks like a Clip icon in the bin. If I press down and then drag this to my bin, you could see that I've now created a subclip, which I can call ocean. Now, let's go to Out and continue playing.

In and out. Again, I can now drag that Subclip into my bin. And so the process for subclipping this material would just be me continuing to go through the clip, marking different sections and then adding them to my bin. Here's a close-up shot. I could scrub through, make a mark out and then subclip this to my bin. There's the close-up.

Finally, I'm going to show you how to create a subclip, which is either just video or just audio. Here, I've got a clip of water. (Video playing.) Now, maybe that image isn't particularly useful to me, but maybe the audio is. I'm going to mark the clip, and then down here in the Timeline area, I'm going to show you that I'm going to switch off the activeness of my video track. Now when I come up to the water clip I can create my subclip, press down hold and drag into this bin, you can see that I've made an audio only clip.

It's represented by this waveform icon, like so. So next time I load that subclip, I will only have audio tracks present in the Timeline and here in the Source viewer. (Audio playing.) Knowing what sound each key on a piano produces is essential to being a good pianist. Likewise, being able to organize, play, and mark your clips quickly and efficiently is an important skill in the art of editing.

Find answers to the most frequently asked questions about Avid Media Composer 5 Getting Started.


Expand all | Collapse all
please wait ...
Q: I'm having a little trouble in the Chapter 2 "Linking to media using AMA" video.

When I follow the procedure shown to link to AMA volume - Humming Birds, instead of the bin with the clips opening as shown in the training video, I'm presented with a Bin Selection dialog box. All options in this dialog result in the same message:

Unable to link to any clips at/ (followed by the directory)

Do I need to have a particular camera codec installed on my system in order to read/import these training files in the AMA folder?
A: With Media Composer 5.5 onwards, the AMA plug-ins must be downloaded and installed after installing the Media Composer application.

If the AMA plug-in for your camera type (in this case P2) has not been installed manually, then the AMA link will fail. This is a change from Media Composer 5.0, when the AMA plug-ins were bundled into the main application installer.

Once the AMA plug-in needed (in this case P2) has been downloaded and installed, this will solve the problem.

All AMA plug-ins can be found at http://www.avid.com/US/products/Avid-Media-Access. Choose the Plug-In sub-tab and download from there.
 
Share a link to this course

What are exercise files?

Exercise files are the same files the author uses in the course. Save time by downloading the author's files instead of setting up your own files, and learn by following along with the instructor.

Can I take this course without the exercise files?

Yes! If you decide you would like the exercise files later, you can upgrade to a premium account any time.

Become a member Download sample files See plans and pricing

Please wait... please wait ...
Upgrade to get access to exercise files.

Exercise files video

How to use exercise files.

Learn by watching, listening, and doing, Exercise files are the same files the author uses in the course, so you can download them and follow along Premium memberships include access to all exercise files in the library.
Upgrade now


Exercise files

Exercise files video

How to use exercise files.

For additional information on downloading and using exercise files, watch our instructional video or read the instructions in the FAQ.

This course includes free exercise files, so you can practice while you watch the course. To access all the exercise files in our library, become a Premium Member.

join now Upgrade now

Are you sure you want to mark all the videos in this course as unwatched?

This will not affect your course history, your reports, or your certificates of completion for this course.


Mark all as unwatched Cancel

Congratulations

You have completed Avid Media Composer 5 Getting Started.

Return to your organization's learning portal to continue training, or close this page.


OK
Become a member to add this course to a playlist

Join today and get unlimited access to the entire library of video courses—and create as many playlists as you like.

Get started

Already a member?

Become a member to like this course.

Join today and get unlimited access to the entire library of video courses.

Get started

Already a member?

Exercise files

Learn by watching, listening, and doing! Exercise files are the same files the author uses in the course, so you can download them and follow along. Exercise files are available with all Premium memberships. Learn more

Get started

Already a Premium member?

Exercise files video

How to use exercise files.

Ask a question

Thanks for contacting us.
You’ll hear from our Customer Service team within 24 hours.

Please enter the text shown below:

The classic layout automatically defaults to the latest Flash Player.

To choose a different player, hold the cursor over your name at the top right of any lynda.com page and choose Site preferencesfrom the dropdown menu.

Continue to classic layout Stay on new layout
Exercise files

Access exercise files from a button right under the course name.

Mark videos as unwatched

Remove icons showing you already watched videos if you want to start over.

Control your viewing experience

Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.

Interactive transcripts

Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.

Are you sure you want to delete this note?

No

Notes cannot be added for locked videos.

Thanks for signing up.

We’ll send you a confirmation email shortly.


Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

Keep up with news, tips, and latest courses with emails from lynda.com.

Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

   
submit Lightbox submit clicked
Terms and conditions of use

We've updated our terms and conditions (now called terms of service).Go
Review and accept our updated terms of service.