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Creating Textures and Shaders in Maya
Illustration by Richard Downs

Creating Textures and Shaders in Maya

with Eric Keller
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  1. 2m 19s
    1. Welcome
      1m 6s
    2. Using the exercise files
      1m 13s
  2. 17m 49s
    1. Explaining diffuse reflections
      2m 39s
    2. Defining glossy and blurred reflections
      2m 32s
    3. Looking at refraction
      4m 20s
    4. Describing the Fresnel effect
      1m 56s
    5. Understanding anisotropy
      1m 10s
    6. Identifying ambient and reflection occlusion
      1m 49s
    7. Defining sub-surface scattering
      2m 4s
    8. Simulating translucency
      1m 19s
  3. 1h 8m
    1. Using Maya's standard shaders with mental ray
      7m 2s
    2. Comparing mental ray and Maya shader nodes
      9m 12s
    3. Creating mental ray shaders
      2m 32s
    4. Making sense of mental ray shaders
      10m 35s
    5. Introducing the mia_material
      9m 16s
    6. Creating a custom mia_material preset
      9m 17s
    7. Looking at car paint materials
      6m 43s
    8. Using subsurface scattering shaders
      13m 33s
  4. 1h 5m
    1. Understanding UV coordinates
      4m 26s
    2. Comparing NURBS and polygon UVs
      4m 48s
    3. Mapping polygon UV surfaces
      13m 1s
    4. Using texture maps for color and other shader channels
      8m 1s
    5. Applying and projecting 2D procedural texture nodes
      4m 0s
    6. Applying 3D procedural texture nodes
      7m 1s
    7. Using ramp textures
      8m 12s
    8. Setting up utility nodes
      6m 29s
    9. Using file texture nodes
      9m 41s
  5. 22m 36s
    1. Applying the turbulence texture
      9m 37s
    2. Considering the round corners texture
      4m 17s
    3. Improving skin detail with ambient occlusion
      4m 27s
    4. Applying reflection occlusion
      4m 15s
  6. 33m 6s
    1. Painting bump maps
      4m 14s
    2. Creating normal maps
      5m 24s
    3. Applying normal maps
      6m 17s
    4. Creating displacement maps
      9m 14s
    5. Troubleshooting displacement maps
      7m 57s
  7. 33s
    1. Goodbye
      33s

Video: Welcome

Hi! I'm Eric Keller. Welcome to Maya 2011: Creating Textures and Shaders. For professional Maya users, rendering and mental ray has become the de facto standard. Over time, the capabilities of mental ray have evolved, making rendering easier and more powerful. I'll be showing you how to get the best results using the latest features. Now I'm assuming that you have a good understanding of modeling concepts and that you know your way around the Maya interface, how to work in the Hypershade editor, and how to do preview renders. I'll begin this course with the brief discussion of how light interacts with surfaces.

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Creating Textures and Shaders in Maya
3h 30m Intermediate Sep 28, 2010

Viewers: in countries Watching now:

Creating Textures and Shaders in Maya with Eric Keller shows how to create textures and materials, and then apply them to models to render realistic surfaces. The course covers working with the mental ray shading nodes, including the mental images architectural node, subsurface scattering nodes, occlusion, and car paint shaders, as well as how to incorporate these nodes into shading networks using the Hypershade editor. It also explores using textures, Maya software nodes, normal maps, and displacement maps for adding detail to models. Exercise files accompany the course.

Topics include:
  • Understanding shading concepts
  • Simulating the Fresnel effect for realistic reflections
  • Rendering transparent and translucent surfaces
  • Comparing mental ray and Maya standard shaders
  • Introducing the mia_material
  • Developing shader networks
  • Using subsurface scattering shaders
  • Mapping polygon UV coordinates
  • Incorporating texture nodes into networks
  • Improving skin detail with ambient occlusion
  • Painting bump maps
  • Creating normal and displacement maps
  • Troubleshooting maps
Subjects:
3D + Animation Textures Materials
Software:
Maya
Author:
Eric Keller

Welcome

Hi! I'm Eric Keller. Welcome to Maya 2011: Creating Textures and Shaders. For professional Maya users, rendering and mental ray has become the de facto standard. Over time, the capabilities of mental ray have evolved, making rendering easier and more powerful. I'll be showing you how to get the best results using the latest features. Now I'm assuming that you have a good understanding of modeling concepts and that you know your way around the Maya interface, how to work in the Hypershade editor, and how to do preview renders. I'll begin this course with the brief discussion of how light interacts with surfaces.

We'll look at reflection, refraction, and absorption, and how to simulate these properties. Then I'll get right down to brass tacks and show you how to get your work done. We'll take a look at how to design translucent materials such as plastic, create subsurface scattering to simulate human skin, adapt presets to design your own shaders, and add texture maps to create surface detail. I've been working with mental ray shaders in Maya for a number of years. I'm looking forward to sharing what I've learned with you. So, let's start shading.

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