Viewers: in countries Watching now:
Classical painters who spent their lives investigating light, color, and form can teach us a great deal about composition, color, and light in video. This course enables editors to replicate the techniques of the masters in their own films, simulating visual techniques like chiaroscuro, sfumato, and the Impressionist style of capturing light, color, and specular highlights. Author Simon Walker covers painterly treatments that are easily applied to a wide range of footage, including landscapes, portraits, interiors, and close-ups. He uses Colorista II and Magic Bullet Looks to achieve these effects, but the principles can be applied to almost any color correction toolset.
(music playing) Hi there, I'm Simon Walker and welcome to the art of color correction, artistic color grading on the timeline. In this course, we are going to approach the subject of color grading using observations of the color techniques of the most famous artists in history. We're going to look at the methods these painters used, reference their signature styles. And apply their color techniques to modern video footage using off the shelf editing software. We'll start with inspiration from frescoes of the early renaissance to treat our video with vibrant yet muted colors.
Next, we'll use the color blending techniques in careful shading of renaissance paintings like Di Vinci and Reubens, to create three dimensional forms. We'll use the light and shading technique also known as chiaroscuro, made famous by Rembrandt and Vermeer, for creating dramatic scenes and focusing attention on areas in the image. I'll look at the way that impressionists accented the effects of sunlight with color and were able to use light to identify different times of day. Finally, we'll look at the work of the colorists, Picasso, Gauguin and Hopper to experiment with the relationship between colors to create mood, drama and intensity.
During this course, I'll be using Adobe Premiere Pro with Red Giant's popular grading plugins, Magic Bullet and Colorista to demonstrate these techniques. But many of these color corrections can be achieved using a wide range of different software applications. So, it doesn't matter if you haven't got these programs. You can still watch the course, learn from the techniques I'm going to show you and then apply them to your own work. So, let's get started with artistic color grading on the timeline.
There are currently no FAQs about The Art of Color Correction: Artistic Color Grading on the Timeline.
Access exercise files from a button right under the course name.
Search within course videos and transcripts, and jump right to the results.
Remove icons showing you already watched videos if you want to start over.
Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.
Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.