Remixing a Song in Logic Pro
Illustration by Richard Downs
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Lining up vocals over a kick drum


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Remixing a Song in Logic Pro

with Josh Harris

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Video: Lining up vocals over a kick drum

When receiving vocals for a remix, it's extremely important to check and see if the vocals actually line up properly against the grid and when I speak of the grid, I'm simply referring to bars and beats. Measures 1, 2, 3, 4. You see the actual grid on the screen here, these lines and the screen. I know for this remix of the vocals were sent to me properly and that all I needed to do was import them onto the Arrange window when they lined up. But for the purposes of this lesson, I misaligned the vocals. In other words, when I drag the vocal out on to the Arrange window, it will not line up against the grid.
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  1. 16m 15s
    1. Welcome
      1m 8s
    2. Using Logic Pro as a remixing environment
      4m 45s
    3. Optimizing Logic's performance and monitoring system usage
      4m 29s
    4. Working with software synths
      3m 15s
    5. Using the exercise files
      58s
    6. Relinking audio files
      1m 40s
  2. 22m 52s
    1. Setting up your session
      2m 34s
    2. Determining and verifying source BPM
      1m 30s
    3. Lining up vocals over a kick drum
      5m 37s
    4. Choosing destination BPM and time-stretching in Flex mode
      4m 30s
    5. Exporting time-stretched vocals and importing into a session
      4m 23s
    6. Thinking about your direction
      4m 18s
  3. 22m 52s
    1. Using Apple Loops
      6m 8s
    2. Auditioning drum loops
      5m 47s
    3. Layering drum loops
      4m 46s
    4. Drum loops and drum programming
      6m 11s
  4. 19m 57s
    1. Chord changes and harmonic structure
      4m 19s
    2. Getting bass sounds and programming bass lines
      8m 50s
    3. Layering bass sounds and side chaining
      6m 48s
  5. 34m 20s
    1. Choosing foundational synth parts and sounds
      11m 46s
    2. Layering synth parts
      10m 21s
    3. Lead line hooks
      5m 37s
    4. Synth candy
      6m 36s
  6. 12m 20s
    1. The importance of arranging
      2m 27s
    2. Arranging your track
      9m 53s
  7. 23m 3s
    1. Creating vocal samples and transitional sounds
      11m 57s
    2. Advanced vocal editing techniques
      5m 44s
    3. Filling holes in the arrangement
      5m 22s
  8. 47m 30s
    1. Mixing philosophies
      6m 30s
    2. Mixing drums and bass
      5m 40s
    3. Mixing synths and transitional sounds
      12m 14s
    4. Mixing vocals
      10m 36s
    5. Final touches, referencing, and mastering your final mix
      5m 17s
    6. Listening to the final mix
      7m 13s
  9. 47s
    1. Final thoughts
      47s

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Watch the Online Video Course Remixing a Song in Logic Pro
3h 19m Intermediate Dec 01, 2011

Viewers: in countries Watching now:

In this course, author Josh Harris demonstrates constructing a remix using only a pre-existing vocal track as a starting point. The course shows how to time-stretch vocals, offers suggestions for establishing a musical direction, and explains how to audition and layer Apple loops. The course also covers programming beats using synths, generating vocal samples, arranging the remix, and creating master-quality final mixes.

Topics include:
  • Using Logic Pro as a remixing environment
  • Setting up a session
  • Lining up vocals over a kick drum
  • Analyzing chord changes and harmonic structure
  • Programming synth parts
  • Arranging a track
  • Demonstrating advanced vocal editing techniques
  • Mixing the drums, bass, synths, and vocals
  • Mastering the final mix
Subject:
Audio + Music
Software:
Logic Pro
Author:
Josh Harris

Lining up vocals over a kick drum

When receiving vocals for a remix, it's extremely important to check and see if the vocals actually line up properly against the grid and when I speak of the grid, I'm simply referring to bars and beats. Measures 1, 2, 3, 4. You see the actual grid on the screen here, these lines and the screen. I know for this remix of the vocals were sent to me properly and that all I needed to do was import them onto the Arrange window when they lined up. But for the purposes of this lesson, I misaligned the vocals. In other words, when I drag the vocal out on to the Arrange window, it will not line up against the grid.

So, in order to get into the Audio bin, I hit B. Underneath Audio File, I choose Add Audio File, and I choose the misaligned vocal file. Drag that onto the Arrange window, close the Audio bin by hitting B. And I will use Logic's metronome at this point which is not the click track I prefer to listen to, but just to listen to the vocals against a tempo reference point, I'm going to use Logic's metronome.

You simply press the button here and you'll hear its metronome going while the vocal track plays. (Music playing) So it's easy to hear that those vocals are not in time. Let's go back to the original for a moment just so we can double check and here where that vocal phrase actually comes in, what beat it comes in on. I am going to play the original now. (Music playing) Essentially, it enters on the end of Beat 3.

So I mute the original, go back to the vocals and at this point I'm going to add a 909 kick drum with the EXS 24. I've gone ahead and opened up the EXS24, I have chosen a 909 Kit, and I will simply draw in the quarter notes on the Piano Roll here. Most kick drums in the drum kits that are set up in Logic have C1 as the first kick drum of the kit.

I access my pencil, which is a secondary tool, so I hit Command and I just placed my kick drums on each downbeat or quarter note of the measure. I close the Piano Roll, I hit L which creates a loop and now you'll hear a looping kick drum against the vocals. (Music playing) So it's pretty obvious that these are not lined up.

How do we line them up? Well, we simply expand this audio file, the vocal audio file, and we're going to find a section of the file that actually lands on a downbeat. And when I say downbeat, I mean either Beat 1, Beat 2, Beat 3, or 4. Some part of the audio file that I can zoom in on, cut it, and in order to get to the scissors, I choose the Scissors as my secondary tool, I zoom in, I hear that snare drum right here and I cut it.

I delete the left side of the file, but it's non-destructive editing, so we can get that file back. And now I need to take this snare drum and line it up on Beat 2, because I know the snare drum actually lands on Beat 2. Expand the screen to make sure that I'm actually on Beat 2. And I'm using the Command key after I click and hold the audio file to really get in on the fine increments there. So now when we play it against the kick drum-- (Music playing) --we can hear that it's lined up a little bit better, but let's be certain.

So let's go into the song where the actual first verse starts. (Music playing) Now I can hear from this that the downbeat is actually falling on Beat 4 and that's not what I want. So I need to slide this over another beat. So let's zoom out and we click and hold the Audio Region and you can see 2121. Let's try that.

Slid it one quarter note to the right. (Music playing) That's much better. Now, let's bring back the left side of the audio file that we deleted. All I do is drag it to the left and it opens up. So as you can see, this is a bit of a process, and I can't stress enough how important it is to find that downbeat within the vocal file.

Once you have that and you line up against the grid, it's off to the races, and you really can't make any progress on your remix until the vocals are sitting nicely over a kick drum. You'll find as you build your track and add more drums that some slide shifting and massaging a vocal timeing it needs to occur. But if you're able to have the vocals locked in at around 95%, you'll be in great shape to move forward.

There are currently no FAQs about Remixing a Song in Logic Pro.

 
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