From the course: Audio Foundations: Compression and Dynamic Processing
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Building healthy compression/limiting habits
From the course: Audio Foundations: Compression and Dynamic Processing
Building healthy compression/limiting habits
I hope you've seen and heard how powerful dynamics processors can be when used effectively. They have the ability to make tracks come alive, providing power and strength. But the same tools that can make a track stand out can also destroy it. Too much compression can take the life out of otherwise lively, brilliant tracks, making them sound weak and dull. Here are a couple overall concepts to keep in mind when deciding how much is too much compression. Just as a compressor can exaggerate a signal's transient response, making it sharper or snappier, it can just as easily take this away. Remember, loud is only relative to quiet and hard is only relative to soft. If you push too hard, you can actually flatten out a track's transient response, making it sound flat and lacking punch. Dynamic differences are what make sound and music move us. They're what make the speaker cones move and our chest thump to the beat of a loud woofer. You want to control your dynamics, not obliterate them…
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Contents
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Effectively using side-chain inputs2m 6s
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Using side chains creatively5m 4s
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Keying gates and compressors (and/or ducking)4m 12s
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Managing gain staging and headroom and fixing over-compressed tracks3m 20s
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Compression first or EQ first?2m 56s
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Understanding mix bus compression3m 26s
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Get in the Mix: Using mix bus compression2m 47s
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Get in the Mix: Working with parallel compression3m 46s
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Working with "modeled" vintage compressor/limiter plug-ins5m 57s
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Building healthy compression/limiting habits3m 4s
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