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Lightroom 3 Essential Training
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Choosing page options for a single image


From:

Lightroom 3 Essential Training

with Chris Orwig

Video: Choosing page options for a single image

Here let's take a look at some of our different page options for this particular layout. Now the first option we have is Page Background Color. What's interesting about this is this will be dependent upon the type of printer we are printing to and also our paper. For example, I'll go ahead and turn this option on and then select a color say like black. Now when I do that what's happening is it's only extending the black to this edge here. But if I go down to Page Setup and then select my printer, which is the Epson 3800, and then click OK, we are going to see that that's going to appear differently here.
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  1. 2m 56s
    1. Welcome
      1m 52s
    2. Using the exercise files
      1m 4s
  2. 17m 59s
    1. Creative tip: Using Lightroom
      1m 31s
    2. An overview of Lightroom
      3m 53s
    3. Photographic workflow puzzle
      2m 36s
    4. Why use Lightroom?
      6m 25s
    5. Lightroom and Photoshop
      3m 34s
  3. 29m 34s
    1. The Lightroom interface
      3m 19s
    2. Essential interface shortcuts
      4m 50s
    3. Using the interface shortcuts
      5m 4s
    4. Customizing the identity plate and module pickers
      2m 41s
    5. Using a graphic identity plate
      4m 44s
    6. Changing the panel end marks
      2m 12s
    7. Creating a custom panel end mark
      2m 54s
    8. Changing the image background
      1m 46s
    9. Modifying other interface preferences
      2m 4s
  4. 49m 43s
    1. Importing and file formats
      4m 35s
    2. Importing preferences
      2m 36s
    3. Introducing the Import dialog
      6m 27s
    4. Catalog, import, and preview preferences
      6m 40s
    5. Importing photos from a folder
      5m 44s
    6. Creating a metadata preset
      4m 45s
    7. Importing photos from a CF card
      9m 16s
    8. Using Auto Import
      3m 53s
    9. Using multiple hard drives
      4m 14s
    10. Creative tip: Discard
      1m 33s
  5. 11m 17s
    1. Introducing tethered shooting
      3m 46s
    2. Working with tethered shooting
      7m 31s
  6. 40m 30s
    1. Working in Grid view and Loupe view
      3m 0s
    2. Navigating and zooming
      5m 14s
    3. Shortcuts in Loupe view and Grid view
      1m 39s
    4. Customizing Loupe view and Grid view
      2m 46s
    5. Comparing two images
      4m 55s
    6. Surveying multiple images
      5m 20s
    7. Working with the toolbar in Grid view and Loupe view
      3m 58s
    8. Working with folders and files in the Library module
      6m 25s
    9. Using dual monitors
      7m 13s
  7. 27m 28s
    1. Introducing catalogs
      4m 27s
    2. Working with catalogs
      3m 19s
    3. Exporting catalogs
      1m 44s
    4. Updating legacy catalogs
      3m 2s
    5. The relationship between the raw and DNG catalogs
      3m 8s
    6. Working with raw files in Lightroom
      3m 53s
    7. Working with DNG files in Lightroom
      6m 5s
    8. Creative tip: Using the right gear
      1m 50s
  8. 9m 43s
    1. Using Quick Develop in the Library module
      2m 37s
    2. Synchronizing processing settings across multiple images
      3m 32s
    3. Making incremental adjustments
      1m 45s
    4. Applying white balance and auto tone adjustments
      1m 49s
  9. 35m 28s
    1. Introducing flags, stars, and labels
      5m 0s
    2. Working with flags, stars, and labels
      6m 34s
    3. Adding images to a Quick Collection
      2m 11s
    4. Integrating collections with your workflow
      5m 13s
    5. Grouping images with collections
      3m 7s
    6. Using Smart Collections
      4m 39s
    7. Sorting images
      3m 0s
    8. Renaming images
      2m 1s
    9. Stacking images
      3m 43s
  10. 18m 44s
    1. Adding keywords
      4m 51s
    2. Working with the keyword list
      2m 51s
    3. Synchronizing keywords
      2m 26s
    4. Keywording with the spray can
      1m 48s
    5. Working with the Metadata panel
      3m 58s
    6. Adding copyright metadata
      2m 50s
  11. 17m 46s
    1. Filtering overview
      3m 49s
    2. Locking library filter options
      1m 38s
    3. Filtering based on text
      2m 0s
    4. Filtering by metadata
      6m 13s
    5. Filtering your photos using the Metadata panel
      2m 7s
    6. New filtering criteria in Lightroom 3
      1m 59s
  12. 45m 24s
    1. Exporting images
      6m 19s
    2. Export quality and watermark options
      2m 3s
    3. Exporting movies
      5m 13s
    4. External editing preferences and considerations
      2m 56s
    5. Editing preferences
      5m 6s
    6. Editing photos in Photoshop
      5m 4s
    7. Opening an image as a Smart Object in Photoshop
      3m 30s
    8. Including multiple images in Photoshop as layers
      2m 16s
    9. Merging multiple images in Photoshop
      3m 34s
    10. Creating a panorama
      2m 20s
    11. Working with a CMYK photo
      7m 3s
  13. 15m 37s
    1. Setting up Flickr services
      3m 45s
    2. Uploading photos to Flickr
      3m 35s
    3. Working with comments
      1m 49s
    4. Publishing to a folder
      5m 38s
    5. Creative tip: Visual poetry
      50s
  14. 39m 26s
    1. Develop module overview
      5m 45s
    2. Working with legacy Lightroom files
      3m 46s
    3. Comparing the before and after
      2m 33s
    4. Resetting images to their default settings
      2m 24s
    5. Using the Develop module presets
      3m 10s
    6. Using Snapshot and History
      5m 10s
    7. Using the Histogram
      4m 6s
    8. Working with collections
      4m 25s
    9. Introducing virtual copies
      2m 22s
    10. Creating virtual copies
      2m 46s
    11. Introducing the Develop module tool strip
      2m 59s
  15. 50m 0s
    1. Understanding white balance and color temperature
      3m 10s
    2. Correcting white balance with a ColorChecker
      3m 11s
    3. Using the White Balance tool
      2m 36s
    4. Creative uses of white balance
      3m 47s
    5. Demystifying the tone controls
      3m 39s
    6. Using the tone controls
      3m 45s
    7. Recovering detail in highlights
      2m 29s
    8. Working with vibrance and saturation
      4m 11s
    9. Making color adjustments with the Vibrance and Saturation sliders
      4m 28s
    10. Creative uses of vibrance and saturation
      3m 12s
    11. Understanding clarity
      3m 20s
    12. Working with clarity
      3m 51s
    13. The standard Basic panel workflow
      4m 4s
    14. Synchronizing basic settings across multiple images
      4m 17s
  16. 23m 58s
    1. Creative tip: Why crop?
      1m 50s
    2. Cropping an image
      4m 18s
    3. Straightening with the Crop tool
      3m 51s
    4. Working with the Crop Overlay tool
      3m 18s
    5. Changing the aspect ratio of an image
      1m 38s
    6. Auditioning different aspect ratios
      1m 56s
    7. Quickly changing crop orientation
      1m 49s
    8. Using Crop to improve a composition
      5m 18s
  17. 11m 16s
    1. Retouching with the Spot Removal tool
      5m 43s
    2. Retouching away dust on a lens
      3m 22s
    3. Fixing red-eye
      2m 11s
  18. 22m 59s
    1. Introducing the Graduated filter
      4m 37s
    2. Darkening a sky with the Graduated filter
      4m 31s
    3. Enhancing a landscape with the Graduated filter
      3m 33s
    4. Improving a portrait with the Graduated filter
      5m 14s
    5. Increasing color variety and saturation with the Graduated filter
      3m 50s
    6. Creative tip: Tenacity
      1m 14s
  19. 44m 2s
    1. Adjustment Brush overview
      7m 4s
    2. Essential Adjustment Brush shortcuts
      3m 33s
    3. Enhancing makeup color
      4m 14s
    4. Whitening and brightening teeth
      3m 17s
    5. Improving eyes
      5m 57s
    6. Softening and smoothing skin
      7m 10s
    7. Brightening and improving shadows
      3m 5s
    8. Darkening lips and cheeks
      3m 25s
    9. Correcting overall exposure
      3m 48s
    10. Subtly correcting exposure
      2m 29s
  20. 16m 9s
    1. Demystifying the tone curve controls
      5m 15s
    2. Increasing contrast and color with the tone curve controls
      4m 46s
    3. Correcting exposure with the tone curve controls
      4m 34s
    4. Creative tip: Shoot what matters
      1m 34s
  21. 26m 53s
    1. Understanding the HSL controls
      5m 2s
    2. Using the HSL Target Adjustment tool
      3m 44s
    3. Brightening tones with HSL
      1m 36s
    4. Using HSL to increase warm tones
      3m 4s
    5. Using HSL to increase warm and cool tones
      2m 56s
    6. Creative color with HSL
      2m 57s
    7. Desaturating color with HSL
      3m 27s
    8. Using the Color panel
      4m 7s
  22. 23m 34s
    1. Introducing black-and-white conversion
      2m 15s
    2. Understanding Black & White Mix
      2m 21s
    3. Converting to black and white
      4m 10s
    4. Black-and-white workflow with virtual copies
      3m 35s
    5. Enhancing black-and-white images with the Adjustment Brush
      3m 7s
    6. Using presets to convert to black and white
      3m 12s
    7. Creating a black-and-white collection
      4m 54s
  23. 10m 54s
    1. Understanding split toning
      3m 37s
    2. Advanced split-toning tips
      4m 10s
    3. Split-toning a color image
      3m 7s
  24. 21m 27s
    1. Introducing noise reduction
      3m 26s
    2. Introducing sharpening
      3m 42s
    3. Sharpening in Lightroom
      5m 44s
    4. Advanced sharpening in Lightroom and Photoshop
      5m 4s
    5. Removing chromatic aberration
      3m 31s
  25. 24m 54s
    1. Using the Lens Correction controls
      5m 53s
    2. Enhancing images with lens correction
      3m 6s
    3. Synchronizing vignette settings across multiple images
      2m 32s
    4. Combining lens correction, Lightroom, and Photoshop
      3m 36s
    5. Adding a post-crop vignette
      3m 57s
    6. Adding film grain with the Effects panel
      5m 50s
  26. 7m 37s
    1. Understanding Camera Calibration in Lightroom
      4m 46s
    2. Creative color with Camera Calibration
      2m 51s
  27. 38m 28s
    1. Basic Develop module workflow
      7m 28s
    2. Workflow for converting to black and white
      10m 11s
    3. Workflow project: Surfing
      6m 8s
    4. Workflow project: Portrait
      4m 58s
    5. Workflow project: Portrait details
      8m 39s
    6. Creative tip: Go outside
      1m 4s
  28. 36m 31s
    1. Creating a collection to make a slideshow
      3m 56s
    2. Selecting the best images for the slideshow
      3m 17s
    3. Customizing the layout of the slideshow
      3m 34s
    4. Customizing the background of the slideshow
      4m 14s
    5. Customizing overlay elements for the slideshow
      6m 39s
    6. Creating titles for the slideshow
      2m 27s
    7. Playing back the slideshow
      4m 24s
    8. Previewing the slideshow
      4m 0s
    9. Exporting the slideshow to different formats
      4m 0s
  29. 48m 34s
    1. Creating a collection of images to print
      3m 20s
    2. Laying out images into preset templates
      4m 34s
    3. Customizing the layout of a single image
      4m 26s
    4. Choosing page options for a single image
      6m 8s
    5. Specifying the print job options for a single image
      6m 19s
    6. Creating a custom package
      4m 36s
    7. Creating a picture package
      4m 16s
    8. Printing one image quickly
      1m 42s
    9. Creating a custom print template
      4m 34s
    10. Effective print workflow
      8m 39s
  30. 32m 3s
    1. Creating a collection of images for a web gallery
      5m 18s
    2. Using web gallery templates
      3m 27s
    3. Customizing a web gallery
      6m 49s
    4. Uploading a web gallery
      4m 19s
    5. Creating color and black-and-white galleries
      3m 48s
    6. Uploading color and black-and-white galleries
      3m 32s
    7. Online web gallery resources
      2m 53s
    8. Domain name and hosting overview
      1m 57s
  31. 3m 26s
    1. Online resources and the Lightroom Newsletter
      2m 55s
    2. Goodbye
      31s

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Lightroom 3 Essential Training
13h 24m Appropriate for all Jun 28, 2010

Viewers: in countries Watching now:

In Photoshop Lightroom 3 Essential Training, author Chris Orwig provides a comprehensive look at Adobe Photoshop Lightroom 3, the popular photo-asset management, enhancement, and publishing program. The course covers indispensable techniques such as importing, processing, and organizing images in the Library, correcting and adjusting images in the Develop module, and creating slideshows, web galleries, and print picture packages. In addition to exploring all of Lightroom 3's capabilities, this course is rich with creative tips and expert advice on photographic workflow. Exercise files accompany the course.

Topics include:
  • Understanding the difference between Lightroom and Photoshop
  • Using interface shortcuts to navigate the workspace quickly
  • Working with catalogs
  • Making incremental adjustments
  • Grouping images with collections and smart collections
  • Creating virtual copies of adjusted images
  • Correcting white balances
  • Adjusting color with Vibrance and Saturation
  • Cropping images and changing aspect ratios
  • Using the Adjustment Brush
  • Toning with the HSL controls
  • Outputting images to slideshows and web galleries
  • Printing photos
Subject:
Photography
Software:
Lightroom
Author:
Chris Orwig

Choosing page options for a single image

Here let's take a look at some of our different page options for this particular layout. Now the first option we have is Page Background Color. What's interesting about this is this will be dependent upon the type of printer we are printing to and also our paper. For example, I'll go ahead and turn this option on and then select a color say like black. Now when I do that what's happening is it's only extending the black to this edge here. But if I go down to Page Setup and then select my printer, which is the Epson 3800, and then click OK, we are going to see that that's going to appear differently here.

The black is going to cover a different portion of the image. Now why would you want to print black on the background? Well, printing this on your own printer would be a bit of overkill. But perhaps let's say you're sending it to the local lab to be printed. You may want to include a background color in certain situations. With that being said, this is something in my own workflow that I've rarely found use, yet I know others that do use this quite often. All right, well let's turn off that option and go down to Identity Plate. What we can do with Identity Plate is we can add one of our identity plates.

If we have others saved here, we can go ahead and choose those from this pulldown menu. Now in this case we have a graphic, and the graphic is sitting on top of the image. Well, if I want to reposition this, I could bring this down here onto the background. Well, now the background is white and this graphic is black. So this doesn't really make sense. I'll increase the size here. I like the typography, but it just doesn't line up well. Well in situations like that it might be helpful to turn on that Background Color so that you have this nice logo sitting at this particular type of a layout.

And as you could imagine, you could come up with some pretty interesting combinations. All right, well let's turn off that background color. And let's also deselect our identity plate graphic and just go back to something really simple like this word here. In this case just the name. Here we have the name, Chris Orwig Photography. And we have a couple of different colors that we created. To change this, we can override the color, if we want to have this one uniform color, say like a light grey, or we can of course simply deselect that. The great thing about this is we can scale this by hovering over one of these corner points and clicking and dragging.

We can also use the Scale slider. And then we can control the overall Opacity. And the fun thing with the Opacity is that if you override the color, what you can do is have a really nice muted color here. You can see how I can even tone down that color, so it a little bit more faint, so it kind of falls into the background there. Well in this case, let's decrease that size and make this nice and small and then increasing the overall Opacity. When it comes to typography, typically you want to go for smaller type, because many times that works better.

Now next we have a few options. We can render this behind the image or on top of every image, and we can choose those options accordingly. All right, well what about watermarking? Well watermarking is going to be really helpful. Say, for example, when you're using a contact sheet. And let's go ahead and choose one of those options briefly here. I'll go to 4x5 Contact Sheet, and then I'll turn on my Watermarking options. I'll click on this contextual menu, and I am going to choose one of these watermarks that I have already created. Well in this case, you can see that it's overlapping that watermark on top of all of my images.

And in certain situations this can be incredibly helpful. It can be a great way to protect your photographs. And you have to remember that with watermarking we can always customize this. To do so, click on this menu and then select Edit Watermarks. Now here what I am going to do is go ahead and scroll down. And I am going to size this down to be something a little bit smaller. And I am going to anchor it to the bottom of the photograph there. Right around there it looks good and then click Save. I'll go ahead and name this one chris orwig - small.

Now here you can see all these images have this little copyright in them. And it's located at the bottom of the image. Now if you want to reposition the copyright for some reason in order to protect a more central area of the photograph, just go back to Edit Watermarks. And there you can then make another selection. And I'll just choose right there in the middle, and then click Save. And I'll save this one out as chris orwig - middle. And then that now includes that copyright information in the middle, on top of all of those photographs.

We have the ability to add pagination. And as we do that we can include Page Numbers if we want, and currently you can see I am on Page 1. And then when I go to the next page, it reads Page 2. We can also have some information there. What the sharpening was, the profile and the printer. And then finally if we know that we are going to crop images out, we can include those crop marks. That's a little bit tricky to see here, so let me go back to my guides and turn off Margins and Gutters and also Show Guides. And there you'll see we have those crop marks.

And let's go to better option to preview this. I am going to go into my Fine Art Mat and then Page. And now I'll turn on my Page Options and Crop Marks. And there you can see those little crop marks on the edges there, showing me where I would need to trim this. And this could be especially helpful, for example, if we went to Zoom to Fill. And there you can see those crop marks aligning up exactly on the photograph. So as you are discovering, there are a number of different uses for these different templates and for different options. Sometimes things are a bit more functional, while other times perhaps you want to create a more beautiful or interesting or classic layouts.

Well, let's navigate back to the Page panel and then scroll down. Just a couple of other things here. One is we can include photo information. In this case we can select Filename or Exposure, Equipment, Date, Caption so on and so forth. In this case with the layout like this I don't need this information, nor do I need the Page Options and the Crop Marks. All right, well that wraps up our look at some of those different options inside of the Page panel. And also some of the different scenarios where a few of those options might come in handy.

Next, let's explore the Print Job panel. And let's dig into this panel here in the next movie.

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