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Spanning columns


From:

InDesign Typography

with Nigel French

Video: Spanning columns

Here's an issue that relates to text flow, and it's the way we construct our text frames. What's the difference between this spread, and this spread? Trick question; there is none. Visually, they are exactly the same, but they're constructed in different ways. This first spread is made up of one text frame that is divided into three columns. The first paragraph and the intro paragraph both have span attributes, so that they span, in the case of the first paragraph, the headline, all three columns; in the case of the intro paragraph, two columns, and then the text flows in single columns.
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  1. 4m 4s
    1. Welcome
      55s
    2. Using the exercise files
      51s
    3. Customizing the workspace for type
      2m 18s
  2. 9m 25s
    1. What is Typekit? (CC 2014.1)
      1m 56s
    2. Choosing and syncing fonts (CC 2014.1)
      3m 6s
    3. Syncing problems (CC 2014.1)
      1m 43s
    4. Typekit resources (CC 2014.1)
      1m 5s
    5. Using the Font menu (CC 2014.1)
      1m 35s
  3. 55m 41s
    1. Working with text frames
      8m 26s
    2. Using a primary text frame (CS6 and later)
      3m 59s
    3. Understanding text flow methods
      6m 25s
    4. Understanding text threads
      3m 40s
    5. Understanding Smart Text Reflow
      2m 27s
    6. Mocking up pages with placeholder text
      5m 47s
    7. Placing multiple text files
      3m 50s
    8. Using Auto-Size text frames (CS6 and later)
      4m 1s
    9. Copying and pasting vs. placing
      2m 25s
    10. Cleaning up text with Find/Change
      5m 46s
    11. Using the Story Editor
      3m 41s
    12. Spanning columns
      5m 14s
  4. 48m 34s
    1. Choosing your type
      6m 46s
    2. Understanding text essentials
      6m 37s
    3. Scaling type
      2m 27s
    4. Using italic and oblique type
      4m 33s
    5. Working with condensed and extended type
      4m 26s
    6. Setting type in all caps
      3m 46s
    7. Setting type in small caps
      4m 21s
    8. Underlining type
      4m 11s
    9. Using superscript and subscript
      4m 35s
    10. Applying baseline shift
      4m 8s
    11. Combining typefaces (CC 2014.1)
      2m 44s
  5. 16m 6s
    1. Understanding type anatomy
      3m 25s
    2. Exploring serif and sans serif
      2m 48s
    3. Comparing points, picas, and ems
      8m 34s
    4. What's in a name?
      1m 19s
  6. 16m 27s
    1. Setting leading
      4m 56s
    2. Avoiding auto-leading
      4m 12s
    3. Leading shortcuts and preferences
      4m 7s
    4. Using autoleading with inline graphics
      3m 12s
  7. 21m 25s
    1. Defining kerning and tracking
      2m 5s
    2. Understanding kerning methods
      5m 10s
    3. When and how to kern
      5m 53s
    4. When and how to track
      8m 17s
  8. 48m 42s
    1. Working with quotes, primes, and apostrophes
      8m 16s
    2. Using dashes
      5m 24s
    3. Using ellipses
      2m 56s
    4. Working with accents and special characters
      4m 1s
    5. Using space characters
      4m 15s
    6. Working with ligatures
      4m 29s
    7. Setting fractions
      3m 56s
    8. Using lining and proportional numerals
      2m 49s
    9. Using alternates, swashes, and ornaments
      5m 2s
    10. Working with optical sizes
      4m 40s
    11. Stylistic sets (CC 2014.1)
      2m 54s
  9. 57m 20s
    1. Understanding alignment
      3m 47s
    2. Working with left-aligned type
      3m 24s
    3. Working with justified type
      7m 5s
    4. Using Optical Margin Alignment
      3m 39s
    5. Determining column width
      4m 53s
    6. Working with center alignment
      5m 36s
    7. Working with right alignment
      1m 22s
    8. Aligning to or away from the spine
      1m 50s
    9. Understanding the Paragraph Composer and Single-line Composer
      3m 44s
    10. Combining alignments
      9m 20s
    11. Using hanging punctuation
      2m 13s
    12. Working with vertical alignment
      10m 27s
  10. 14m 9s
    1. Using first-line indents
      2m 26s
    2. Using indent alternatives
      2m 3s
    3. Working with left and right indents
      4m 0s
    4. Using last-line indents and outdents
      1m 26s
    5. Using paragraph spacing
      4m 14s
  11. 23m 19s
    1. Setting hyphenation
      6m 14s
    2. Working with line breaks and discretionary hyphens
      4m 48s
    3. Balancing ragged lines
      1m 36s
    4. Using the No Break feature and non-breaking characters
      2m 52s
    5. Using frame, column, and page breaks
      3m 42s
    6. Defining Keep Options
      4m 7s
  12. 37m 53s
    1. Understanding tabs
      8m 58s
    2. Considerations for table text
      3m 55s
    3. Table tips and tricks
      11m 55s
    4. Creating a bulleted list
      6m 50s
    5. Creating a numbered list
      3m 46s
    6. Creating a multi-level numbered list
      2m 29s
  13. 23m 12s
    1. Understanding drop caps
      11m 3s
    2. Navigating tricky drop caps
      5m 14s
    3. Using a nested character style with a drop cap
      3m 59s
    4. Other uses of drop caps
      2m 56s
  14. 1h 11m
    1. Understanding paragraph and character styles
      7m 13s
    2. Creating, applying, and editing styles
      7m 3s
    3. Removing overrides
      4m 58s
    4. Creating and applying character styles
      5m 4s
    5. Creating and applying nested styles
      12m 30s
    6. Using GREP styles (regular expressions)
      4m 8s
    7. Creating and applying sequential styles
      6m 19s
    8. Using paragraph rules creatively
      11m 48s
    9. Mapping Word styles
      6m 12s
    10. Working with anchored objects and object styles
      6m 24s
  15. 25m 30s
    1. Applying a text wrap
      6m 7s
    2. Making items ignore a text wrap
      1m 46s
    3. Using text wraps for flexible layouts
      3m 2s
    4. Working with difficult text wraps
      8m 39s
    5. Inverting text wraps
      2m 7s
    6. Setting text wrap preferences
      3m 49s
  16. 29m 33s
    1. Choosing a page size and setting margins
      6m 33s
    2. Setting up columns
      2m 53s
    3. Dividing a page into rows
      3m 27s
    4. Setting up a baseline grid
      5m 40s
    5. Handling baseline grid problems
      3m 37s
    6. Baseline grid tricks
      7m 23s
  17. 44m 26s
    1. Working with type outlines (CC 2014.1)
      6m 50s
    2. Creating an interlocking effect (CC 2014.1)
      3m 31s
    3. Fusing letterforms (CC 2014.1)
      7m 15s
    4. Type and gradients (CC 2014.1)
      4m 57s
    5. Type and transparency (CC 2014.1)
      1m 50s
    6. Type on a path: Circles (CC 2014.1)
      4m 48s
    7. Type on a path: Calligram (CC 2014.1)
      6m 16s
    8. Vertical type (CC 2014.1)
      2m 58s
    9. Type and image: Gradient (CC 2014.1)
      1m 38s
    10. Type and image: "See-through" type (CC 2014.1)
      1m 8s
    11. Type and image: "Disappearing" type (CC 2014.1)
      3m 15s
  18. 12m 19s
    1. Looking at screen documents
      4m 2s
    2. Setting size, leading, and line length onscreen
      3m 13s
    3. Exploring typefaces designed for the screen
      3m 36s
    4. Accessibility: Contrast and color
      1m 28s
  19. 28s
    1. Goodbye
      28s

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Watch the Online Video Course InDesign Typography
9h 20m Intermediate Aug 03, 2012 Updated Nov 12, 2014

Viewers: in countries Watching now:

Explore the numerous type options, type-related features, and type-specific preferences of Adobe InDesign. Using practical, real-world examples, instructor and designer Nigel French dissects the anatomy of a typeface and defines the vocabulary of typography. The course moves from the micro to the macro level, addressing issues such as choosing page size, determining the size of margins, adjusting number columns, and achieving a clean look with baseline grids. This course takes you from laying out a page to delving into the hows and whys of typography.

Topics include:
  • Understanding text threads and text flow methods in InDesign
  • Using Copy and Paste vs. Place
  • Choosing and combining typefaces
  • Understanding leading and how it relates to type size and column width
  • Comparing points, picas, and ems
  • Learning the proper use of white space and break characters
  • Understanding the finer points of kerning and tracking
  • Working with punctuation, special characters, ornaments, and ligatures
  • Aligning text
  • Applying global formatting with paragraph, character, and object styles
  • Refining spacing with indents
  • Creating drop caps
  • Avoiding common problems associated with justified type and text wraps
  • Setting up margins and columns
Subject:
Design
Software:
InDesign
Author:
Nigel French

Spanning columns

Here's an issue that relates to text flow, and it's the way we construct our text frames. What's the difference between this spread, and this spread? Trick question; there is none. Visually, they are exactly the same, but they're constructed in different ways. This first spread is made up of one text frame that is divided into three columns. The first paragraph and the intro paragraph both have span attributes, so that they span, in the case of the first paragraph, the headline, all three columns; in the case of the intro paragraph, two columns, and then the text flows in single columns.

The second text frame, the text is divided into three columns, and the text is flowing into those three columns. We divide our columns either using this option on the control panel, the option the beneath sets the gutter width, or space between those columns, or we can come to Text Frame Options, and split the columns there. An alternative approach to this is to have each of the text frames be a single column, but be threaded; one frame, two frames, three, four, five, et cetera.

Is there any advantage to this? Generally speaking, no. It does arguably give you a little bit more flexibility, because I could, if I wanted to, select the second of these three columns, and adjust that column independently of the other two. That something I can't do here. If I pull up the bottom of the text frame, that's going to affect all three columns, although we could achieve the same look in a different way. So for the most part, I'd recommend this approach. If you do want to have your headlines span columns, then span command is this one right here on the control panel. You can also find it here on the panel menu, and you can also, and this is the best option of all, incorporate it into a paragraph style definition.

Right there I am saying Span All columns, and I'm also adding two picas of space beneath the span. In the case of this paragraph, we can see that this spans two columns. Just a word of warning about the span; they can sometimes cause problems. They're great, and this is a CS5 and above feature, by the way. If you're working with CS4 you do not have the option to use the span command.

If you try and apply the span within a text flow, as I'm about to do now to a subhead, things can get a bit weird. So if I come up to here, and as I Span All, that's the problem that we are going to get. And you can see, I've just typed in there, this is the text that precedes the subhead, but visually it no longer looks like that. It looks like this is the text preceding the subhead, and this is the text that follows the subhead. So be careful about where you use them.

You want to restrict their usage to the beginning of articles. So when would there ever be an occasion to use this method? Well if, for example, you are working with InDesign CS4, and you need a headline to span, that would be one example. But also, whenever you're working with an irregular number of columns, as I am here, then dividing your frame into what I would like to be three columns, but it's actually skipping a half column measure, that's not going to work.

What I've had to do here is divide this one into two, and then thread that with this one, which is a single column. Here we have two, we skip a half column, and then the text threads continue in this last column. So how will we do this? Well, I'm going to sort deconstruct this by deleting that text frame, and that causes all sorts of problems. We now have massively overset text caused by the fact that this paragraph, our headline, is constrained within a column that is far too narrow.

To manually span this headline across all of my columns, I can come and click on the Import to load the story from the beginning of my cursor, and then come above where my story currently starts, and click and drag to drag out a text frame, and then my headline will flow into the text frame. And if it's not big enough, then enlarge it, and I also want to move up a bit.

So that's how we can manually span columns, and if you are going to use this approach, this is a seven column layouts, with each of my text frames occupying two column widths, and this single column being used for pictures, whitespace, and although it's not being used for that here, it would also be used for captions. So if you like this sort of layout, then you do have to work a bit harder with threading you text frames, and spanning your headlines manually.

Find answers to the most frequently asked questions about InDesign Typography .


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The exercise files provided aren't working in my version of InDesign (CS4, CS5, or CS5.5). What should I use?
This course was recorded using InDesign CS6. For InDesign users working with CS4, CS5, or CS5.5, IDML files are provided.
Q: Where can I learn more about graphic design?
A: Discover more about this topic by visiting graphic design on lynda.com.
Q: This course was updated on 11/12/2014. What changed?
A: We added 18 new movies, primarily in the "Using Typekit" and "Type Treatments and Effects" chapters. These movies describe new and enhanced typography features in the latest release of InDesign CC, and are indicated by the "(CC 2014.1)" tag in their names.
 
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