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066 Customizing the story editor preferences

From: InDesign Secrets

Video: 066 Customizing the story editor preferences

Often after you float in a really long story into an InDesign document and you've applied a lot of formatting to it, I am zooming in here so we can see this, you need to do some editing to it. And sometimes it's just too much of a pain to edit wallets in place right here in the layout. You've short lines and the layout is constantly shifting left and right, and you're constantly having to drag over and find where the new places where you need to edit. In those cases, you want to use the Story Editor. A lot of people don't even know that the Story Editor exists, and briefly it is another window, another alternative view of the contents of a story, and a story is the contents of a single text frame.

066 Customizing the story editor preferences

Often after you float in a really long story into an InDesign document and you've applied a lot of formatting to it, I am zooming in here so we can see this, you need to do some editing to it. And sometimes it's just too much of a pain to edit wallets in place right here in the layout. You've short lines and the layout is constantly shifting left and right, and you're constantly having to drag over and find where the new places where you need to edit. In those cases, you want to use the Story Editor. A lot of people don't even know that the Story Editor exists, and briefly it is another window, another alternative view of the contents of a story, and a story is the contents of a single text frame.

So here if I select all with Command+A or Ctrl+A, that's single-story. If I select here Command+A or Ctrl+A, select all, that's a single story. But in a story like this that's threaded from frame to frame, you can see I've turned on Show Text Threads so you can see the story continues from frame to frame. If I click in here with my Type tool and choose Select All, it selects all the contents of that story, that's a single story. The story editor lets you edit a single story at a time in a different window.

And why would you ever want to do that? Because it's a lot easier to do it in a single scrolling window, especially for a long story. So if we go to the Edit menu and go down to Edit in Story Editor, it opens up a window reflecting the active story, and the active story is the one that was selected when you chose this command. Anything you do in the Story Editor immediately affects the layout; basically it's just two different views of the same file. But if you use the Story Editor as is, like how it comes out of the box, then you're crazy.

Because I think that this is very difficult to edit. Look at the typeface, it's monospaced. The lowercase Ls like here in the word platform, they look like the number 1. You can't see when something is bold or italic or bold italic. You know it's kind of one of the points of the Story Editor is that it just shows you the pure text without a lot of formatting. But you are supposed to be able to see when something is bold or not, and because of the typeface that Adobe chose as the default typeface for the Story Editor, it's really hard to tell.

So I want to show you how you can edit your Story Editor Display Preferences to make this feature in InDesign much more useful. I am going to close this up. We're going to go to Preferences for the Story Editor. So on a Mac that would be under the InDesign menu, choose Preferences. On Windows it's the last item under the Edit menu, go to Preferences, find Story Editor Display right there. And we can see that they choose a letter Gothic Standard 12 point as a default. And I say don't use letter Gothic Standard, choose something else like Minion Pro is a great one or Myriad Pro; two free open type fonts that come by default installed with InDesign.

I'll choose Minion Pro. Now as soon as you choose a different font you'll get a Preview here in this little window that says Sphinx of black quarts judge my vow. And it's not telling your future or anything, this is a pangram. It's a sentence with every character of the English language in it, so if you're looking for a typeface where the Gs are very legible then you can always just keep your eyeballs right here and choose different typefaces. You can also increase the size of the typeface. Now this is only text display in the Story Editor, I am not really changing the formatting of the layout at all.

And I often will change this larger, too bad this doesn't give you preview of the larger size. You can change the line spacing. I leave mine at single space but you can choose one of these. I kind of think it's interesting how this is written out, kind of like you know word processor Es. Instead of leading, they are calling it line spacing. This is interesting. You can change the color of the text and the background. That's black and white by default and it's actually a theme called Ink on Paper. But you could choose a different theme, how about Amber Monochrome or Terminal.

I actually know somebody who wrote an entire book in Story Editor using this theme. And he insists that it was much easier than the default Ink on Paper theme because he wasn't staring at this bright white monitor all day. It was much easier on his eyes and I could see his point. But I think I would just change the background to something that wasn't white, like may be Canary. That's kind of nice right? It's kind of like cream colored paper. Now you can't save your own themes but at least you can go head and change the text color and the background to whatever you'd like.

So the text color we could make it lime. That's much easier isn't it? Okay, I am going to go back to black. Anti-aliasing is on by default and you can choose what kind of anti-aliasing, so this is would be for laptop monitors or you could choose Soft Anti-aliasing and you get a little preview here. I'll just leave it at the default. But here's something I really love too and I wish we could do this layout is that you can change the cursor. So it's a lot easier to find a cursor if it's barbell for example than standard.

And you can choose whether or not the cursor should be blinking. This level of control I love this. Like I said, I wish we have this in layout. So I a going to leave my Story Editor displays as is, and I am going to make sure my cursor is blinking in this long story. Go back to Edit in Story Editor which is Command+Y or Ctrl+Y, and there you go. You can make this window large. You can even put it right inside the document well up here, and now I can actually see the type a lot easier and it's not so hard on my eyes with the white background.

So I'll close the Story Editor window and I'm back to my layout. The next time that you want to edit a long story, that's highly formatted in the Layout view, why you don't you think about switching to the Story Editor view, where you can see the entire story in one long scrolling window. And if you're going to be spending any time in there more than a minute, be sure to go to Story Editor Preferences and choose a better typeface at least.

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This video is part of

Image for InDesign Secrets
InDesign Secrets

156 video lessons · 73037 viewers

Anne-Marie Concepción and David Blatner
Author

 
Expand all | Collapse all
  1. 6m 2s
    1. 156 Uncommon uses for Quick Apply
      6m 2s
  2. 14h 15m
    1. 001 Intro to InDesign Secrets
      51s
    2. 002 The hidden "auto-expand text" feature
      5m 51s
    3. 003 Letting InDesign do the math for you
      3m 15s
    4. 004 The indispensible Quick Apply feature
      5m 29s
    5. 005 Customizing the Links panel
      6m 53s
    6. 006 Magically building graphs with the Chartwell font
      7m 43s
    7. 007 Using the Eyedropper tool to pick up character or paragraph attributes
      3m 21s
    8. 008 Selecting through and into objects using cmd-click and Select Above/Below
      5m 46s
    9. 009 Some great tips and tricks for the Swatches panel
      9m 40s
    10. 010 Saving down for backward compatibility with INX and IDML
      5m 55s
    11. 011 Using the INX and IDML formats to fix problems
      4m 46s
    12. 012 InDesign's Easter eggs
      5m 0s
    13. 013 Three cool GREP styles everyone can use
      7m 35s
    14. 014 A field guide to special characters
      8m 2s
    15. 015 Trashing the application preferences to solve weird behaviors
      4m 42s
    16. 016 Aligning numbered lists by decimal points
      3m 10s
    17. 017 Running a script
      9m 33s
    18. 018 When text disappears from a text frame
      6m 18s
    19. 019 Preview and Presentation modes (changing color, etc.)
      4m 8s
    20. 020 Using multiple windows for comparisons
      3m 35s
    21. 021 Putting images on a stroke
      5m 23s
    22. 022 Making your own motion path
      5m 43s
    23. 023 Copying objects between Illustrator and InDesign
      6m 53s
    24. 024 Using layer comps in Photoshop files to show alternates in InDesign
      4m 19s
    25. 025 Adding custom HTML tags to EPUB/HTML exports
      5m 32s
    26. 026 Tracking down type issues with the composition highlighter
      8m 13s
    27. 027 Managing your InDesign panels
      5m 46s
    28. 028 Creating running heads using variables
      5m 1s
    29. 029 Live Caption tips and tricks
      8m 3s
    30. 030 Making professional drop caps
      10m 37s
    31. 031 Making two-state buttons in interactive documents
      5m 5s
    32. 032 Moving pages from one document to another
      3m 15s
    33. 033 Wrapping bulleted text around a curve
      5m 58s
    34. 034 Importing a custom dictionary
      7m 8s
    35. 035 Changing document orientation and page size
      6m 45s
    36. 036 Numbering instead of using auto page numbers
      6m 23s
    37. 037 Setting story order with the Articles panel
      8m 3s
    38. 038 Updating a linked table without losing formatting
      5m 38s
    39. 039 Creating electronic sticky notes
      4m 49s
    40. 040 Moving master page items to the top layer for visibility
      2m 48s
    41. 041 Five guide tricks that will impress your coworkers
      6m 18s
    42. 042 Letting InDesign add the diacritics
      4m 21s
    43. 043 Using single-cell table cells for custom paragraph formatting
      6m 2s
    44. 044 Formatting fractions correctly
      8m 11s
    45. 045 Fixing unwanted hyperlinks in an imported Word file
      5m 57s
    46. 046 Inline graphic tricks with invisible paragraphs
      4m 21s
    47. 047 Ensuring the first line of every chapter starts in the same spot
      3m 1s
    48. 048 Specifying an exact amount of space between objects
      5m 17s
    49. 049 Fixing last lines that are too short
      8m 16s
    50. 050 Creating web graphics from your InDesign artwork
      7m 20s
    51. 051 Using “No Language” to suppress unwanted hyphenation, spell-checking, and smart quotes
      2m 48s
    52. 052 Five things that should be in every new file
      5m 19s
    53. 053 Forcing EPUB page breaks with invisible objects
      6m 21s
    54. 054 Understanding component information
      6m 39s
    55. 055 Creating running heads using section markers
      4m 16s
    56. 056 Making a font with InDesign using the IndyFont script
      5m 20s
    57. 057 Finding where that color is used
      7m 17s
    58. 058 Text wrapping
      6m 54s
    59. 059 Inserting pages: Understanding the Pages panel
      4m 20s
    60. 060 Copying paths between Illustrator and InDesign
      5m 14s
    61. 061 Automating Find/Change with the Find/ChangeByList script
      12m 48s
    62. 062 Embedding images
      7m 43s
    63. 063 Adjusting leading inside a paragraph
      4m 31s
    64. 064 Placing one InDesign file inside another
      3m 58s
    65. 065 Creating bookmarks for PDFs
      7m 25s
    66. 066 Customizing the story editor preferences
      6m 4s
    67. 067 Setting the size of text exactly with this free script
      3m 28s
    68. 068 Using Gravity to simulate perspective
      3m 15s
    69. 069 Fixing the overflowing text frame problem in EPUBs
      5m 0s
    70. 070 Ten uses of the Story Editor
      11m 39s
    71. 071 Moving an object: Ten ways!
      7m 18s
    72. 072 Understanding optical margin alignment (and the quote trick)
      4m 23s
    73. 073 Changing the shape of any frame with the pen tool
      6m 12s
    74. 074 Working with sets in the content conveyor tool
      10m 40s
    75. 075 Running text along the top and the bottom of a circle
      3m 51s
    76. 076 Creating a list using the Table of Contents feature
      3m 25s
    77. 077 Quickly threading frames together and unthreading frames
      13m 22s
    78. 078 The secrets of formatting objects with Find/Change
      6m 34s
    79. 079 Using ruler guides: 10 great tricks
      5m 3s
    80. 080 Converting a clipping path to a frame
      4m 24s
    81. 081 Adding a drop shadow to a single word inside a frame
      3m 14s
    82. 082 Creating a custom cross-reference format
      13m 53s
    83. 083 Putting different-sized pages on a single spread
      3m 7s
    84. 084 Formatting prices with nested and grep styles
      6m 21s
    85. 085 Checking out the Gridify tricks
      5m 17s
    86. 086 Using Illustrator to create InDesign gradient swatches
      4m 49s
    87. 087 Building a simple grep style to change character size
      3m 45s
    88. 088 Exporting a grayscale PDF
      3m 16s
    89. 089 Three ways to cheat text outside of its frame
      6m 8s
    90. 090 Three great Object Styles for any designer
      8m 1s
    91. 091 Choosing alpha channel image transparency
      2m 25s
    92. 092 Adding and reading metadata for InDesign files
      3m 25s
    93. 093 Adding ALT tags to your images
      6m 59s
    94. 094 How to Place & Link a text frame's text but not its formatting
      7m 4s
    95. 095 Setting the baseline position of a caption
      2m 39s
    96. 096 Managing changing pages with primary text frames
      5m 23s
    97. 097 Secrets of the Info panel
      7m 31s
    98. 098 Surprising ways to do a word count
      5m 29s
    99. 099 Placing an object where you want it with an object style
      6m 18s
    100. 100 Aligning Objects tips and tricks
      5m 10s
    101. 101 Applying corner options to any shape
      2m 17s
    102. 102 Converting footnotes to endnotes with a free script
      4m 49s
    103. 103 Making tab leaders pretty
      4m 18s
    104. 104 Converting text to outlines the right way
      4m 30s
    105. 105 Turning InDesign into a speed demon
      8m 31s
    106. 106 Working with MiniBridge
      5m 45s
    107. 107 Customize your QR codes
      6m 17s
    108. 108 Using the same keyboard shortcut for two different commands with the Context feature
      5m 22s
    109. 109 Making a text highlighter
      3m 33s
    110. 110 Updating an interactive PDF without losing work done in Acrobat
      5m 31s
    111. 111 Adding custom text at the beginning of each line automatically
      4m 0s
    112. 112 Packaging images on the pasteboard
      3m 32s
    113. 113 Automatically updating figure references for books
      6m 9s
    114. 114 Adding Tool Tips to your form fields in InDesign
      3m 21s
    115. 115 Setting poetry, flush left, center on longest line
      3m 54s
    116. 116 Use bookmarks to navigate long documents in production
      4m 57s
    117. 117 Selecting text with the InDesign keyboard dance
      2m 0s
    118. 118 Including a total page count in your page numbers
      6m 19s
    119. 119 Making a custom arrowhead
      5m 37s
    120. 120 Making alternative body text styles for fast typesetting
      5m 4s
    121. 121 Making InDesign patterns with the free PatternMaker
      3m 45s
    122. 122 Creating pull quotes the easy way
      5m 1s
    123. 123 Allow text frame to resize with text
      2m 43s
    124. 124 Mapping Word styles to InDesign styles
      5m 48s
    125. 125 Make two automatically threaded text flows
      3m 37s
    126. 126 Saving for Web in InDesign
      6m 7s
    127. 127 Numbering rows in a table
      5m 10s
    128. 128 Making automatic jump lines
      6m 52s
    129. 129 Turning off allow pages to shuffle in order to separate facing pages
      3m 40s
    130. 130 Dealing with parentheses around text size
      4m 19s
    131. 131 Make a fill in the blank label for contracts and forms
      7m 53s
    132. 132 Changing the shape of polygons and starburst as you draw or afterward
      4m 17s
    133. 133 Contextual text and images that you only want sometimes visible
      4m 55s
    134. 134 Creating nav points in a movie
      4m 31s
    135. 135 Adding effects to your rule above and rule below
      3m 38s
    136. 136 Fitting text to a specific size
      4m 45s
    137. 137 Quick tips for making a small PDF file size
      6m 9s
    138. 138 Sharing presets, workspaces, and custom shortcuts sets
      5m 17s
    139. 139 Making a multi-level numbered list
      5m 17s
    140. 140 Faking bold and italic when the font family doesn’t have one
      5m 2s
    141. 141 Keeping the same scale size when updating or relinking to images
      3m 9s
    142. 142 Inserting glyphs
      6m 42s
    143. 143 Building richer, bolder color gradients
      3m 7s
    144. 144 Finding the right font with InDesign’s font menus
      4m 35s
    145. 145 Lay out a front, back and spine for a book jacket
      6m 12s
    146. 146 Ghosting area of image behind text
      2m 53s
    147. 147 Make a transparency mask in InDesign
      3m 45s
    148. 148 Using preflight to find common document errors
      6m 11s
    149. 149 Cropping with paste into
      5m 18s
    150. 150 Using vertical justification to spread out text in a frame automatically
      5m 16s
    151. 151 Rotate text inside a frame, or the frame around the text
      2m 30s
    152. 152 Looking at snippets vs. libraries
      6m 49s
    153. 153 Import a folder full of pictures, one per page
      8m 54s
    154. 154 When InDesign ignores your leading values
      4m 5s
    155. 155 Extracting images from a Word document
      3m 42s

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