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The pixel-based Effect Gallery

From: Illustrator CS6 One-on-One: Advanced

Video: The pixel-based Effect Gallery

In this movie I'll introduce you to the Effect Gallery, which is a collection of pixel-based filters that you can apply to your vector-based art here inside Illustrator. And so notice this dollar sign in the lower left corner of the artwork right there, it has this sort of etching effect flowing through it. Here is how I achieved that effect. I'll go ahead and bring up the Navigator panel and click in the lower-right corner of the artwork in order to scroll to this other dollar sign--same exact path outlines actually.

The pixel-based Effect Gallery

In this movie I'll introduce you to the Effect Gallery, which is a collection of pixel-based filters that you can apply to your vector-based art here inside Illustrator. And so notice this dollar sign in the lower left corner of the artwork right there, it has this sort of etching effect flowing through it. Here is how I achieved that effect. I'll go ahead and bring up the Navigator panel and click in the lower-right corner of the artwork in order to scroll to this other dollar sign--same exact path outlines actually.

The only difference is that I haven't applied the effect. So I'll go ahead and click on the outline of the dollar sign to select it, then switch to the Appearance panel. And notice that in addition to the stroke at the bottom of the path and this drop shadow as well-- that's responsible for that shadow effect-- we've got a couple of fills. So I have this gradient fill, and if I turn it off, there is a solid green fill in back of it. All right, I'll go ahead and turn the gradient fill back on and click on it to select it. Then go up to the Effect menu and notice that your effects are divided into two categories.

There's the Illustrator Effects, which for the most part of vector-based dynamic effects-- the exceptions being a few of the stylized filters, including Drop Shadow, Feather, Inner Glow and Outer Glow, all of which assign blurs to your image, in which case you get pixels. Meanwhile, there's all these Photoshop effects down here, and they all convert your artwork on-the-fly to pixels. So you still have access to the vectors of course, but they will print as pixels. Now most of these filters--not all of them, but most of them--are part of the effect gallery.

And to get to the effect gallery, obviously you just choose this command here or you can choose one of the commands that is part of that gallery--such as I could go down here to Sketch and choose Graphic Pen, which is the filter that I'll ultimately apply. Either way, you're going to bring up the immense filter gallery dialog box here; and you'll also see a preview of your artwork here inside the window. And notice now you can switch to a different filter if you like. I could click on Chrome, for example, in order to achieve this effect, which is fairly entertaining.

Or I could try out our Conte Crayon or any of the other effects here. And notice that for the most part the sketch filters go ahead and convert your artwork to grayscale. You also have other categories of filters that you can choose from, so I can switch to Brush Strokes for example, and try out one of these. Not that I'm necessarily going to get much in the way of an effect, and certainly not anything that I like. Anyway, the one I'm looking for is Graphic Pen, so I'll go ahead and select it. And then you want to crank the Stroke Length value up to 15, if it isn't already there.

The Light/Dark Balance doesn't make much of a difference until you get to the lower values, so 50 is just fine. And then you want the Stroke Direction to be set to Horizontal. And then click OK and you'll end up with this effect here. All right, I wanted to blend in with the background, so I'm going to change the blend mode of this fill by clicking on a word Opacity, and change the mode to Multiply. And then I'll drop out the whites and keep the blacks. And now to complete the money effect, I'm going to scoot this fill inward by going up to the Effect menu, choosing Path and choosing Offset Path-- an effect we've seen many times now.

And I'll change the Offset Value to -2 and turn on the Preview checkbox, and that goes ahead and scoots the fill inward. Now I'll click OK. And we need a stroke, so I'll go ahead and click on the stroke at the bottom of the path, and then Alt+Drag or Option+Drag it to the top so that it appears above the fills. I'll change the Line Weight value to 0.5 and I want to Offset it as well, so I'll click on Offset Path, the one that's been assigned to the Gradient Fill, and I'll Alt+Drag or Option+Drag it and drop it onto that top stroke. And I end up with this effect here.

And that's at least one way to work with the Effect Gallery, here inside Illustrator.

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This video is part of

Image for Illustrator CS6 One-on-One: Advanced
Illustrator CS6 One-on-One: Advanced

118 video lessons · 14376 viewers

Deke McClelland
Author

 
Expand all | Collapse all
  1. 43m 9s
    1. Welcome to One-on-One
      2m 9s
    2. Introducing my custom keyboard shortcuts
      6m 52s
    3. Installing my dekeKeys shortcuts on Windows
      4m 46s
    4. Installing my dekeKeys shortcuts on the Mac
      4m 18s
    5. Remapping your Macintosh OS shortcuts
      3m 10s
    6. Adjusting a few key Preferences settings
      8m 13s
    7. Understanding the color-managed workflow
      6m 51s
    8. Establishing the optimal Color Settings
      6m 50s
  2. 1h 11m
    1. Illustrator's oldest dynamic functions
      1m 28s
    2. Creating a multicolor blend
      7m 12s
    3. Establishing a clipping mask
      5m 40s
    4. Reinstating the colors of a clipping path
      8m 1s
    5. Editing individual blended paths
      4m 44s
    6. Adjusting the number of steps in a blend
      7m 15s
    7. Fixing problems with the Blend tool
      4m 2s
    8. Blending different levels of opacity
      4m 45s
    9. Editing the spine of a blend
      5m 3s
    10. Adding a custom spine to any blend
      5m 5s
    11. Advanced blending and masking techniques
      6m 18s
    12. Blending between entire groups
      3m 2s
    13. Adjusting the speed of a blend
      3m 21s
    14. Rotating objects in 3D space
      5m 36s
  3. 1h 0m
    1. Illustrator's logo-making features
      1m 8s
    2. Customizing a single character of type
      5m 25s
    3. Combining a letterform with a path outline
      7m 48s
    4. Creating logo type along an open path
      5m 3s
    5. Creating logo type around a closed circle
      3m 57s
    6. Vertical alignment, orientation, and spacing
      4m 55s
    7. Warping logo type around a circle
      6m 56s
    8. Creating a classic neon type effect
      5m 39s
    9. Adding random neon brightness fluctuations
      5m 19s
    10. Creating neon "block outs" between letters
      7m 44s
    11. Adding neon blur and bokeh in Photoshop
      6m 16s
  4. 46m 19s
    1. Generating colors using harmony rules
      1m 31s
    2. Introducing the Color Guide panel
      5m 16s
    3. The 23 color harmony rules, diagrammed
      8m 16s
    4. Mixing and matching color harmonies
      5m 59s
    5. Color groups and custom harmony rules
      6m 18s
    6. Working in the Edit Colors dialog box
      7m 4s
    7. Expanding on an existing harmony rule
      6m 51s
    8. Constraining colors to a predefined library
      5m 4s
  5. 32m 44s
    1. Changing lots of colors all at once
      1m 2s
    2. Introducing the Recolor Artwork command
      4m 58s
    3. Recoloring with the help of swatch groups
      4m 35s
    4. Changing the color-assignment order
      6m 44s
    5. Reducing the number of colors in your art
      5m 7s
    6. Applying tints and shades of a single swatch
      5m 37s
    7. Recoloring artwork that contains gradients
      4m 41s
  6. 1h 15m
    1. Painting with path outlines
      1m 24s
    2. Introducing the Brushes panel
      4m 25s
    3. Applying and editing a calligraphic brush
      7m 34s
    4. Applying and scaling an art brush
      6m 12s
    5. Applying and editing a scatter brush
      5m 31s
    6. Formatting and scaling brushed text
      5m 45s
    7. Designing a custom art brush
      7m 35s
    8. Creating (or replacing) an art brush
      6m 42s
    9. Refining a brush to fit ends and corners
      4m 11s
    10. Expanding, filling, and stroking a brush
      7m 4s
    11. Type on a path vs. text as an art brush
      7m 3s
    12. Distorting text with the Width tool
      8m 49s
    13. Infusing your artwork with a tile pattern
      3m 13s
  7. 58m 24s
    1. The many forms of transparency
      1m 38s
    2. Creating translucency with the Opacity value
      4m 21s
    3. Darken, Multiply, and Color Burn
      6m 15s
    4. Lighten, Screen, and Color Dodge
      5m 8s
    5. Overlay, Soft Light, Hard Light, Difference, and Exclusion
      4m 59s
    6. Hue, Saturation, Color, and Luminosity
      5m 12s
    7. Combining the effects of multiple blend modes
      6m 42s
    8. Isolating blending and Knockout Group
      7m 37s
    9. Combining blend modes with dynamic effects
      7m 25s
    10. Exporting transparency from Illustrator
      9m 7s
  8. 1h 39m
    1. The Layers panel for dynamic attributes
      1m 4s
    2. Applying attributes in the Appearance panel
      6m 15s
    3. Creating depth using translucent strokes
      5m 37s
    4. Adding, layering, and offsetting strokes
      6m 12s
    5. Duplicating entire groups of attributes
      7m 55s
    6. Turning stacked strokes into editable paths
      5m 43s
    7. Simplifying a multi-stroke effect
      6m 31s
    8. Applying the Convert to Shape effect
      7m 47s
    9. Adding aligned patterns and shadows
      8m 16s
    10. Drawing with arrowheads and angled strokes
      8m 49s
    11. Employing overlapping gradient strokes
      8m 25s
    12. Drawing circular stroke elements
      10m 13s
    13. Outlining an entire multi-stroke effect
      8m 39s
    14. Creating seamless wood grain in Photoshop
      8m 11s
  9. 1h 12m
    1. The best features in Illustrator
      1m 38s
    2. Repeating a series of transformations
      6m 18s
    3. Adjusting and updating a dynamic effect
      6m 37s
    4. Applying a stroke to an entire layer
      6m 24s
    5. Improving the performance of drop shadows
      5m 40s
    6. Applying a single effect multiple times
      6m 10s
    7. Creating an intricate Spirograph pattern
      7m 10s
    8. Adding scalloped edges with Pucker & Bloat
      4m 40s
    9. Applying a dynamic Pathfinder to a layer
      3m 56s
    10. Creating beveled ornaments
      6m 50s
    11. Creating a sculptural type effect
      5m 59s
    12. Subtracting editable text from a path
      7m 6s
    13. Editing text inside a dynamic effect
      4m 25s
  10. 27m 40s
    1. Never remember anything again, ever
      1m 41s
    2. The pixel-based Effect Gallery
      3m 53s
    3. Copying effects from one layer to another
      4m 44s
    4. Introducing the Graphic Styles panel
      4m 11s
    5. Correcting previews in the Effect Gallery
      4m 36s
    6. Adjusting the resolution of your effects
      4m 0s
    7. Combining and saving graphic styles
      4m 35s
  11. 1h 13m
    1. Two powerful graphics programs combine forces
      1m 5s
    2. Creating a perfectly centered star shape
      6m 52s
    3. Precisely scaling concentric circles
      7m 47s
    4. Adding reflective highlights with the Flare tool
      6m 23s
    5. Two ways to rasterize vector art for Photoshop
      7m 37s
    6. Importing vector art as a Smart Object
      6m 47s
    7. Creating a lens flare effect in Photoshop
      7m 56s
    8. Photographic texture and brushed highlights
      6m 26s
    9. Modifying a vector Smart Object in Illustrator
      6m 33s
    10. Converting Illustrator paths to shape layers
      6m 27s
    11. Assign layer effects to native shape layers
      5m 55s
    12. Completing a work of photorealistic art
      3m 46s
  12. 1m 5s
    1. Until next time
      1m 5s

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