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Illustrator Insider Training: Type and Text

Specifying an inset for area type objects


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Illustrator Insider Training: Type and Text

with Mordy Golding

Video: Specifying an inset for area type objects

In the previous movie, we saw how we could use the Area Type Options dialog box in order to apply columns to a single text frame. Well, there's another option inside of that dialog box, something called Offset have allows us to actually have text have some kind of a buffer space between the actual edge of the frame and where the text begins. Let me explain. I have this document here called inset.ai. I am actually going to go ahead now and select this text frame. I am going to go to the Type menu.
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  1. 6m 13s
    1. Welcome
      1m 24s
    2. Art, typography, and Illustrator
      4m 23s
    3. Using the exercise files
      26s
  2. 38m 30s
    1. Knowing Illustrator's limitations
      5m 47s
    2. The three type objects in Illustrator
      11m 18s
    3. Area type, point type, and the bounding box
      4m 35s
    4. The difference between type and text
      3m 42s
    5. Unicode: consistent type for all
      4m 23s
    6. Bringing text from Microsoft Word into Illustrator
      8m 45s
  3. 39m 51s
    1. Understanding font types
      6m 28s
    2. Using the Glyphs panel
      8m 30s
    3. OpenType support and automatic glyph replacement
      9m 43s
    4. Previewing fonts as you use them
      5m 0s
    5. Converting text into editable vector paths
      6m 19s
    6. Using the Find Font feature
      3m 51s
  4. 49m 4s
    1. Setting up the document
      12m 26s
    2. Basic character settings and keyboard shortcuts
      7m 28s
    3. Kerning, tracking, and optical kerning
      13m 6s
    4. Using horizontal and vertical scaling
      4m 38s
    5. Using the Baseline Shift and Character Rotation options
      7m 28s
    6. Using underlines and strikethroughs
      2m 5s
    7. Working with small caps, superscript, and subscript
      1m 53s
  5. 46m 36s
    1. Basic paragraph settings and keyboard shortcuts
      6m 47s
    2. Setting tabs and leaders
      11m 51s
    3. Setting indents and spacing
      9m 6s
    4. Understanding hyphenation and justification settings
      10m 28s
    5. Understanding the composers in Illustrator
      8m 24s
  6. 16m 7s
    1. Threading text across multiple objects
      8m 17s
    2. Adding multiple text columns in a single object
      3m 29s
    3. Specifying an inset for area type objects
      4m 21s
  7. 32m 53s
    1. Text styles in Illustrator
      7m 6s
    2. Defining and modifying character styles
      10m 40s
    3. Defining and modifying paragraph styles
      5m 0s
    4. Understanding the style override
      5m 3s
    5. Sharing styles across documents
      2m 10s
    6. Changing default type settings
      2m 54s
  8. 37m 9s
    1. Aligning text margins and indents optically
      3m 53s
    2. Creating non-breaking text
      2m 36s
    3. Changing case
      1m 39s
    4. Using smart punctuation
      5m 12s
    5. Selecting type objects easily
      3m 20s
    6. Understanding hidden text codes
      2m 20s
    7. Checking spelling
      3m 3s
    8. Using language support to your advantage
      3m 41s
    9. Changing text with Find and Replace
      3m 54s
    10. Finding substituted fonts and glyphs
      3m 55s
    11. Wrapping text around objects
      3m 36s
  9. 16m 47s
    1. Setting type along a path
      10m 22s
    2. The difference between open and closed paths
      6m 25s
  10. 10m 57s
    1. Understanding legacy text
      4m 23s
    2. Updating legacy text
      6m 34s
  11. 1m 16s
    1. Next steps
      1m 16s

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Illustrator Insider Training: Type and Text
4h 55m Intermediate Feb 29, 2012

Viewers: in countries Watching now:

In this installment of Illustrator Insider Training, author Mordy Golding shows how to create type that’s both beautiful and communicative, whether it’s destined for logos, brochures, signs, infographics, or simple documents. This course covers core typography concepts, such as working with Unicode and OpenType fonts, applying character and paragraph settings, managing text with styles and text threads, placing text along a path, and wrapping text around graphics.

Topics include:
  • Understanding the three type objects in Illustrator
  • Importing text from Microsoft Word
  • Using the Glyphs panel
  • Converting text into editable vector paths
  • Kerning and scaling characters
  • Setting indents and spacing
  • Threading text across multiple objects
  • Sharing styles across multiple documents
  • Understanding style overrides
  • Changing text with Find and Replace
  • Wrapping text
  • Setting type along a path
  • Updating legacy text
Subjects:
Design Typography
Software:
Illustrator
Author:
Mordy Golding

Specifying an inset for area type objects

In the previous movie, we saw how we could use the Area Type Options dialog box in order to apply columns to a single text frame. Well, there's another option inside of that dialog box, something called Offset have allows us to actually have text have some kind of a buffer space between the actual edge of the frame and where the text begins. Let me explain. I have this document here called inset.ai. I am actually going to go ahead now and select this text frame. I am going to go to the Type menu.

I am going to choose Area Type Options. And in this dialog box here, I'm going to click on the Preview button. Now notice that the text actually starts exactly where the frame begins and ends. The same thing here for the top. Now that's what we expect because again, text always fills up the interior of its frame. However, where it says Offset here, I have a value called Inset Spacing. Right now by default it's set to 0. But I could choose to increase that value, and watch what happens.

When I set it to maybe let's try 12 point, for example, you can almost see like Illustrator creates a margin. So the frame begins right over here, but the text doesn't begin until 12 points in. There is almost some kind of a buffer space that appears around the text. The First Baseline setting here gives me various options for how that first line up here is spaced in regard to the top line right here of the frame. So if for example, I choose Cap Height, it actually treats the top of the capital letters as the space where it starts counting the inset from. Or I could choose the x Height and you could see over here the x Height of the characters.

You can see that the actual capital letters and ascenders now extend beyond that inset line. Or I could choose a Fixed value and then simply set that value right here. And this could be useful when I have maybe one word on a line that's just very large. However, in most cases you are probably just going to choose the Ascent. And I will leave this value here set to 0. So coming back here to the Inset Spacing value, maybe I'll increase this to about 18 point, hit the Tab key, and I'll click OK.

Now, why would this be valuable? Well, let's think about it this way. Right now I have selected my text frame using the Black Arrow, or my Selection tool. And if you look at my Appearance panel, my target is my type. So if I were to change my fill color right now to maybe blue, for example, you can see that all my text turns blue. Let me press Undo for a second here. And I am actually going to switch to my Direct Selection tool. I'm going to deselect the frame. Now I am going to move my cursor here just to the edge where the existing frame is.

You can see here that because I have Smart Guides turned on, Illustrator is letting me know that the path is right here. And if I click to select it, now I have selected just the actual path itself. In fact, if I look at my Appearance panel, I will see that right now my target is the path. Not the entire area type object, but just the path itself. And I have a separate Fill value for it right now, which is set to none. If I would actually change my Fill to that same light-blue color, my text doesn't turn blue; my frame now gets a fill of blue.

So now I have text that is inside of a colored frame. Instead of me having to create two separate elements inside of my document--one box or rectangle that has a fill inside of it and then a separate text frame that sits on top of it-- I now have one object inside of Illustrator that has a fill, but the text that's inside of that has completely separate fill color. And of course I could use my Regular Selection tool here to simply resize my frame so it's about this big right here, and now I get a beautiful box that has some text inside of it.

So by setting an inset value, I've almost created some kind of a margin here where my text now sits inside of this frame. I have used less objects inside of my document so it's more efficient to move these elements around, and more importantly, anytime I resize them, my text reflows, and of course I already have the color background. So this is one great example of how that Inset value can really be helpful here inside of Illustrator.

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