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Selections and stacking order

Selections and stacking order provides you with in-depth training on Design. Taught by Mordy Golding… Show More

Illustrator CS4 Essential Training

with Mordy Golding

Video: Selections and stacking order

Selections and stacking order provides you with in-depth training on Design. Taught by Mordy Golding as part of the Illustrator CS4 Essential Training
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  1. 59s
    1. Welcome
  2. 33m 15s
    1. Why use Illustrator?
      2m 22s
    2. What are vector graphics?
      8m 4s
    3. Understanding paths
      4m 13s
    4. Fill and Stroke attributes
      5m 31s
    5. Selections and stacking order
      8m 31s
    6. Isolation mode
      4m 34s
  3. 23m 41s
    1. The Welcome screen
      1m 11s
    2. New Document Profiles
      4m 35s
    3. Using multiple artboards
      7m 17s
    4. Libraries and content
      3m 51s
    5. Illustrator templates
      2m 56s
    6. Adding XMP metadata
      3m 51s
  4. 43m 49s
    1. Exploring panels
      4m 17s
    2. Using the Control panel
      5m 24s
    3. Navigating within a document
      5m 27s
    4. Using rulers and guides
      5m 23s
    5. Using grids
      2m 12s
    6. Utilizing the bounding box
      3m 2s
    7. Using Smart Guides
      4m 58s
    8. The Hide Edges command
      3m 30s
    9. Preview and Outline modes
      2m 17s
    10. Using workspaces
      7m 19s
  5. 37m 59s
    1. The importance of modifier keys
      1m 8s
    2. Drawing closed-path primitives
      7m 14s
    3. Drawing open-path primitives
      5m 4s
    4. Simple drawing with the Pen tool
      7m 28s
    5. Advanced drawing with the Pen tool
      10m 33s
    6. Drawing with the Pencil tool
      6m 32s
  6. 46m 33s
    1. Editing anchor points
      13m 7s
    2. Creating compound shapes
      5m 55s
    3. Utilizing Pathfinder functions
      5m 11s
    4. Joining and averaging paths
      5m 36s
    5. Outlining strokes
      3m 24s
    6. Simplifying paths
      5m 40s
    7. Using Offset Path
      2m 42s
    8. Dividing an object into a grid
      1m 41s
    9. Cleaning up errant paths
      3m 17s
  7. 35m 22s
    1. Creating point text
      4m 4s
    2. Creating area text
      4m 19s
    3. Applying basic character settings
      6m 27s
    4. Applying basic paragraph settings
      4m 4s
    5. Creating text threads
      5m 28s
    6. Creating text on open paths
      5m 18s
    7. Creating text on closed paths
      3m 57s
    8. Converting text to outlines
      1m 45s
  8. 20m 12s
    1. Using the basic selection tools
      7m 52s
    2. Using the Magic Wand and Lasso tools
      6m 33s
    3. Selecting objects by attribute
      2m 38s
    4. Saving and reusing selections
      3m 9s
  9. 40m 30s
    1. Using the Appearance panel
      6m 47s
    2. Targeting object attributes
      3m 26s
    3. Adding multiple attributes
      7m 5s
    4. Applying Live Effects
      8m 8s
    5. Expanding appearances
      4m 47s
    6. Appearance panel settings
      6m 50s
    7. Copying appearances
      3m 27s
  10. 37m 10s
    1. Defining groups
      7m 2s
    2. Editing groups
      5m 25s
    3. Working with layers
      8m 9s
    4. Layer and object hierarchy
      6m 56s
    5. Creating template layers
      2m 3s
    6. Object, group, and layer attributes
      7m 35s
  11. 44m 0s
    1. Applying colors
      3m 18s
    2. Creating solid color swatches
      4m 47s
    3. Creating global process swatches
      5m 1s
    4. Using spot color swatches
      4m 26s
    5. Creating swatch groups and libraries
      6m 49s
    6. Working with linear gradient fills
      6m 34s
    7. Working with radial gradient fills
      2m 19s
    8. Applying and manipulating pattern fills
      4m 50s
    9. Defining simple patterns
      5m 56s
  12. 22m 40s
    1. Moving and copying objects
      2m 1s
    2. Scaling objects
      4m 49s
    3. Rotating objects
      3m 13s
    4. Reflecting and skewing objects
      2m 27s
    5. Using the Free Transform tool
      2m 8s
    6. Aligning objects
      5m 15s
    7. Distributing objects
      2m 47s
  13. 25m 10s
    1. Using a pressure-sensitive tablet
      1m 37s
    2. Using the Calligraphic brush
      6m 10s
    3. Using the Scatter brush
      3m 59s
    4. Using the Art brush
      2m 26s
    5. Using the Pattern brush
      3m 20s
    6. Using the Paintbrush tool
      1m 41s
    7. Using the Blob Brush tool
      3m 42s
    8. Using the Eraser tool
      2m 15s
  14. 16m 34s
    1. Using symbols
      3m 9s
    2. Defining your own symbols
      2m 1s
    3. Editing symbols
      4m 3s
    4. Using the Symbol Sprayer tool
      2m 32s
    5. Using the Symbolism toolset
      4m 49s
  15. 35m 35s
    1. Minding your resolution settings
      6m 15s
    2. Applying basic 3D extrusions
      6m 43s
    3. Applying basic 3D revolves
      2m 31s
    4. Basic artwork mapping
      5m 8s
    5. Using the Stylize effects
      5m 35s
    6. Using the Scribble effect
      5m 42s
    7. Using the Warp effect
      3m 41s
  16. 21m 34s
    1. Placing images
      4m 50s
    2. Using the Links panel
      2m 47s
    3. The Edit Original workflow
      2m 0s
    4. Converting images to vectors with Live Trace
      5m 28s
    5. Rasterizing artwork
      1m 54s
    6. Cropping images with a mask
      4m 35s
  17. 7m 34s
    1. Saving your Illustrator document
      5m 18s
    2. Printing your Illustrator document
      2m 16s
  18. 6m 24s
    1. Exporting files for use in QuarkXPress
      1m 8s
    2. Exporting files for use in InDesign
    3. Exporting files for use in Word/Excel/PowerPoint
    4. Exporting files for use in Photoshop
      1m 25s
    5. Exporting files for use in Flash
      1m 15s
    6. Exporting files for use in After Effects
    7. Migrating from FreeHand
  19. 2m 23s
    1. Finding additional help
      2m 0s
    2. Goodbye

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Selections and stacking order
Video Duration: 8m 31s 8h 25m Beginner


Selections and stacking order provides you with in-depth training on Design. Taught by Mordy Golding as part of the Illustrator CS4 Essential Training

View Course Description

Illustrator can be used to accomplish many different design tasks. For this reason, Illustrator CS4 Essential Training teaches core concepts and techniques that can be applied to any workflow for print, the web, or assets that will find their way into other applications. Mordy Golding explains the elements that make up vector graphics—paths, strokes, and fills—and shows how to use each of Illustrator's drawing tools. He demonstrates how to combine and clean up paths, and organize them into groups and layers. Mordy also covers text editing, working with color, expressive brush drawing, effects, and much more. Exercise files accompany the course.

Topics include:
  • Making efficient use of the Illustrator interface
  • Creating text on a path
  • Using the Magic Wand and Lasso selection tools
  • Working with a pressure-sensitive tablet
  • Applying 3D extrusions and resolves
  • Converting images to vectors with Live Trace
  • Exporting files for use in Photoshop, Flash, and other applications

Selections and stacking order

A key concept in working with vector graphics is something called selections and stacking order. So let's take a look at both of these. I have a file open right now. It's called selections stacking; you'll find it in Chapter 1 of your exercise files if you have access to those. And I have basically three surfboard designs right here. Now let's say I wanted to change one of those particular colors in the let's say the orange surfboard. But I can't just choose a different color than orange because how does Illustrator know which surfboard I'm referring to? So the act of actually making a selection becomes very important inside of Illustrator, because it's really the only way that you can interface and give instructions to Illustrator with regards to which graphics you want to work with or which shape in your file you want to work with. Now let's, for example, contrast this with maybe a program like Photoshop for example. Photoshop, as we discussed before, relies on the use of pixels and each individual pixel has a color. If you wanted changed the color of a blue sky in a photograph, you couldn't select the sky as a whole because each pixel in that sky is its own entity and in reality in a real continuous tone photographic nature or environment, every pixel may have a little bit of a different shade of blue so you can't even tell Photoshop to necessarily select just all the blue pixels. Remember with Illustrator we're dealing with objects.

So making selections in Illustrator can be a lot easier. For example, I'll use my tool over here, this regular black arrow tool called the Selection tool, and I can simply click on this surfboard. In doing so, I now have selected that and when I do so, I'll see now that the attributes of that particular object are now highlighted so now I could change that for example to yellow. So that's one thing I can do as far as selections. I do want to point out though that these particular surfboards are a little different. For example this one is this one is just one particular shape on its own. This one over here is actually a group of several shapes and this is a group of even more shapes. Now we group things together so we can move them very easily. For example, again I'm using the Selection tool here, the regular black arrow tool inside of Illustrator and I can actually move this entire surfboard with all the elements together. Let's say though, I just wanted to move just this blue shape somewhere off, maybe I want to offset it just a drop. How can I do that? Well Illustrator has another selection tool called the Direct Selection tool. So this tool is what we call the Selection tool. The tool right beneath it or sometimes beside it, depending on what your layout is inside of Illustrator, is going to be the Direct Selection tool or the white arrow. When I click on that, I now have the ability to select individual parts of a group and I can now move that independently of the entire surfboard artwork in general. So again, the regular Selection tool, when I click on say a group, will select the entire group whereas the Direct Selection tool will let me drill down and select parts of that particular group and modify those shapes individually. Now in the next video we're going to talk about something called Isolation mode, which makes this process a little bit easier, but it's important to realize that people who've been using Illustrator for very long time, they are basically in the habit of using keyboard shortcuts to help move between these two different tools because it can get tiring by going back to these particular tools, back and forth. It can be very annoying to work with that. So there is some intelligence built into Illustrator and how that works. Let me show you basically the difference between these two arrows, not on groups, but actually working with a single object. So as I showed your before, if I take my regular black arrow tool I call it the black arrow tool but it's been called a solid arrow and the hollow arrow. You can really call it anything you want to for that matter. But if I click on this particular shape right here, again, I can click on the edge over here and I can drag this out.

Even if I click on say, just the tip of the surfboard right here, with the anchor point there, I can go ahead and I can scale it because I have what we call the bounding box here and I can stretch that if I want to. But if I wanted to let's say click on one point over here, I can't really click on one point. The entire surfboard moves as a whole. But if I switch now to the Direct Selection tool and I click let's the say this point right here-- notice how that highlights when I mouse over that ? Soon as I click and I drag I can move just that one anchor point. You'll see the control handles right here. So the Direct Selection tool not only allows me to edit individual parts of the group, it will also allow me to edit individual anchor points on a path, which is something that the Direct Selection tool can do, but the regular Selection tool cannot do. The regular Selection tool only selects all the anchor points at one time on a particular path that's there. So let's circle this around now one whole concept of how the selections work. Let's say I'm working with the regular Selection tool. I'm working with this shape right here and I realize, you know what I really want to edit that particular point. Well, you don't need to go ahead and switch manually to the other tool because if you're using a keyboard shortcut, hold down the Command key on my keyboard. I'm on a Mac but if you're on a PC, hold down the Ctrl key. And you see how my arrow, which is a black arrow now, turns to the white arrow. So this is a keyboard shortcut that power users know. They work with this all the time inside of Illustrator. The Command key or the Ctrl key is actually one most powerful keyboard shortcuts to know inside Illustrator. It allows you to toggle between the two arrows because those are the things that you use most often. So if I'm working on this particular surfboard and moving it around, mow I realize I want to go ahead and I want to just adjust the corner. I'm going to press and hold the Command key-- again, the Ctrl key if you're on Windows. And I'll click once now to select it.

Now just an anchor point is selected. If we take a closer look see how these are filled like they're hollow, they're white. But this has a color on it. That means that that one is selected. I can now click and drag just to move that one that's there. So I don't have to physically go ahead to the toolbox, keep going back and switching the two tools I can use the keyboard basically to make that happen. Now when it comes to selecting objects there could be times when I want to select more than just one object. So here's how you select multiple objects. If I click on one object right now, I'm using the black arrow, I select an entire object. If I hold down the Shift key and I click on the second shape right over here, this surfboard, that adds to my selection and now both surfboards have been selected. If I move them now you see they both move together. The Shift key is actually a toggle. It allows me to add items to a selection by a Shift-clicking on other objects but at the same time, if I Shift-click on an object that is already selected then that Shift key deselects that object. So for example if I realize, oh! I just want to move this yellow surfboard on its own, I can once again Shift-click on the surfboard and now that is removed from my selection. So let's just kind of review on this one more time. If I click once on this to select this one, I can Shift-click on this surfboard and this surfboard. Now all three are selected. But if I Shift-click now on the yellow surfboard, it is dropped from my selection and now these are the only two that are selected. Now let's finalize this by talking about stacking order. So we understand what selections are. When you think about stacking order inside of Illustrator, stacking order itself is basically a way to determine which objects sit on top of other objects. So here's how it works. Imagine you have a desk in front of you and you have a couple of pieces of paper and each of those pieces of paper are stacked on top each other. Well, some papers cover up parts of some other pieces of paper, right? You have basically papers on top each other or below each other. Well, the way that it works inside of Illustrator is that you can never have two objects that kind of sit on the exact same level. Objects are always bound by a hierarchy or a stacking order and objects are either above or beneath other objects. For example in this case, if I were to take this surfboard right here and drag it on top of this surfboard, I will see now that this covers over that one and in the stacking order, this one is in the front; this one is in the back. And if I click on this one over here I'll see that this one is even behind that one. So this is my stacking order that I have inside of Illustrator. Now at anytime I can adjust the stacking order. For example I can click on this yellow surfboard here, go to the Object menu, choose Arrange and then choose Bring to Front. Bring to Front will actually now bring this in front of all the objects and now if I move it over here, I'll see it covers even this front one that was here before. I'm going to press Undo and I'll do that by pressing Command+Z or Ctrl+Z on Windows. I can now go to the Object menu, choose Arrange and rather than say Bring to Front, I could choose Bring Forward and that brings it forward just one step in the hierarchy. So now it's still behind this one, but it's in front of that one of there. I'll undo that to go back to the original one. I'll be honest with you. When I'm working inside of Illustrators it's very rare that I'll use the Bring Forward command.

Because when you have lots of different objects it's almost impossible to figure out where a single object may fit in that stacking order. So what I'll usually do is always use Bring to Front. There's also a setting here, if I go to the Object menu and choose Arrange, called Sent to Back. Sent to Back will take any object of course and send it to the back of the stacking order. Again likewise you also have the Send Backward, which brings it back one step in the objects hierarchy. So again, when you're working inside of Illustrator, you have the ability to select objects. More importantly, there's always the stacking order, which means objects are either in front of or behind other objects and how you actually manipulate and work with that stacking order will ultimately control how your design looks.

Find answers to the most frequently asked questions about Illustrator CS4 Essential Training .

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Q: I cannot get the new brush dropdown to allow me to create either a New Scatter Brush or a New Art Brush; the only ones I can click on are New Calligraphic Brush and New Pattern Brush. When I go to Windows > Brush Library and choose New Brush, again the only ones I can click on are New Calligraphic Brush and New Pattern Brush. How do I make these work like they should?
A: In order to create a new Scatter or Art brush, you must first have artwork selected on the artboard.





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