Viewers: in countries Watching now:
Illustrator Insider Training: Rethinking the Essentials is the first installment in a series of courses designed to show experienced Illustrator users to how master core features and build art more efficiently. Adobe Illustrator has evolved dramatically over the years, and many creative professionals may be missing out on features that have been added to the latest versions. This course takes a fresh approach to core concepts, such as paths, attributes, object hierarchy, groups, and layers. Advanced techniques such as combining multiple effects and customizing textures are also included. Exercise files and a free worksheet are included with the course.
Let's take a look at some other ways that we can use the Layers panel to help us get around and work within our documents. Now remember, all these things that we're discussing here really don't require us to have any layers at all inside of our documents; every document that we create inside of Illustrator always has at least one layer already set inside of it. But all the techniques that we're talking about here really apply to almost any document, because we're dealing more with objects than we are with layers at this point. Now, as we've already learned anything, that has a white background inside the Layers panel is an object or group, and only the ones that have gray shaded backgrounds are actual layers themselves.
This is helpful to note, because we have the concept of something called sublayers inside of Illustrator as well, meaning we can have a layer within other layers. For example, I can take the entire Roads and Tracks layers, simply click on that and drag it so that it then appears inside of the Background layer. So, now I have a Background layer with the Roads and Tracks layer that is now inside of the Background layer, kind of within the hierarchy of that layer, so we can call it a sublayer. In fact, at the bottom of the Layers panel, you'll find an option here to create new layers, but there is also an option here to create a new sublayer.
To be honest with you, I almost never use that option, because if I really wanted to create a sublayer, I could take any layer and drag it into another layer like I've just done here. I'm going to press Undo though to go back to the original hierarchy of this document. Now, let's talk about selections for a moment here. I know that in my document, for example, if I wanted to select just the railroad tracks, I can click on it right here to select it. And let's take a look at the actual Layers panel itself. Here is my Train Tracks, and if I go all the way to the far right of that layer, I see a blue box right here.
That blue box indicates that that object is now selected. So we actually see some kind of visual feedback, or some indicator, inside of the Layers panel that identifies what right now is currently selected inside of my document. If I wanted to select, for example, the Main Street object, if I click on it right here notice now that Main Street has a Blue box here. By the way, the box is blue because that's the color of the layer. So just as an example, if I were to select this text here for Directions, not only is it highlighted red here on my artboard, it also shows up as red here in the selection icon that appears on that object itself.
Now you can note, by the way, that the box that appears here is a big red box, but there is a little red box that appears on the layer itself, on the layer named Background. This is just yet another way to have Illustrator help me identify where my objects are inside of the hierarchy. A big box here means that everything on that object, or everything in that group, or everything on that layer, is currently selected. A small box indicates that there are only some elements that are selected on that layer or within that group. So for example, let's look back again at the Main Street and the Train Tracks.
If I select the train tracks, I see now a blue box here. It's a big blue box, but there is a small blue box here in the Roads and Tracks layer because only one of the two elements are selected. If I hold the Shift key down and also select the train tracks, now I see that the Roads and Tracks layers gets a big box because now all the elements on that layer are currently selected. Now I'm selecting artwork here directly on the screen, but I don't need to. In fact, many times when my document is very complex, I may find it difficult to make certain selections. If I've gone to the trouble of actually naming all of my elements here inside the Layers panel, I may find it easier to make selections directly through the Layers panel.
For example, if I want to select just the train tracks, I can move my cursor all the way to this blank area right here on the far right side of the Layers panel. And even though there is nothing here, if I click on that area, that will allow me to select that object. Now I know that there are some people who actually click on these little circles here to try the select objects. That actually is a completely different concept. We'll cover that in the next movie. And those circles refer specifically to targeting. But what we're talking about right now is selecting artwork, which I can do by clicking on the blank area that appears in the far right.
If I hold down the Shift key now and I click on this area, I now have added to my selections, so now both Main Street and the Train Tracks are both selected. If for some reason you want to select everything on a layer at once--for example, if I want to select everything on the Background layer--I can click to the far right of the layer, and now all the elements on that layer become selected. Now of course, making selections in this way inside the Layers panel can certainly make it a lot easier for me to make my selections, but I can also do a little bit more inside the Layers panel when it comes to editing my artwork.
For example, I'm going to deselect all of my objects just by clicking on a blank area here on the artboard. Now as you can see, the train tracks travel beneath the road here. And let's say I get some kind of feedback from my creative director who says they would actually like to see the train tracks up here on top of the road in the stacking order. I don't actually need to select the artwork and then choose Bring to Front or things like that. I can actually go right to my Layers panel. I know where my Main Street and my Train Tracks objects are because I've named them, and I could simply click and drag to change their order right here inside of the Layers panel.
Now remember, this document itself is not too complex, but you can easily imagine that if I had a lot of objects inside of my file, it could be a lot easier to make changes in this way than trying to first select them and then bringing them to the back or to the front and worrying about how they might affect other objects inside of my layout. I'll press Command+Z just to return this to the order that it was before, but I want to leave you with one other thought here on this concept of being able to both select my artwork and also to manage my artwork directly through the Layers panel. You know, 9 times out of 10 we have a lot of objects in our file, so it's really going to be impossible to have all those little triangles opened up and revealing every single object in our file.
In fact, many times, if we are using layers, we probably have them closed, but we can still find the Layers panel really helpful. For example, say I am working inside of this document. I didn't create it, but maybe somebody else worked on it, so I am not really that familiar with the structure of the document. And I click on this object here called Directions. I'm not really sure where that exists inside of my file, or maybe there is something that I'm looking at right now that I'm not fully understanding how that file was created. If I look at my Layers panel, I can see that there is now a dot on the Background layer. This immediately indicates to me that the object that I'm looking at right now is located on that layer.
And if I open up the triangle here, I could right away kind of see where the bigger box is and identify that's that object right here. This could help me find that if maybe that object may be inside of a group, or maybe it's inside some kind of a mask, but in either case the Layers panel helps me quickly find out where all of my artwork is inside of the object hierarchy so that I can quickly get my work done.
There are currently no FAQs about Illustrator Insider Training: Rethinking the Essentials.
Access exercise files from a button right under the course name.
Search within course videos and transcripts, and jump right to the results.
Remove icons showing you already watched videos if you want to start over.
Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.
Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.