Start learning with our library of video tutorials taught by experts. Get started
Viewed by members. in countries. members currently watching.
Take a virtual journey to the bustling streets of New York in Bert Monroy: The Making of Times Square. Digital painter Bert Monroy reveals how he created the minute details that build the impressive 108,000 x 21,600 pixels, 25-feet wide photorealistic portrait of this iconic intersection.
In this installment, The Tools, Bert demonstrates how he uses the brushes, filters, and textures in Photoshop to create everything from the trees in Central Park to the billboards on Broadway, and shares his techniques for keeping his project organized with layers and groups. He also touches on the importance of channels and channel calculations, and how the evolution of the tools in Photoshop from CS3 to CS5 shaped his work.
One thing that's important about masks is their position and how to hold that position in certain situations. Like for instance, right now let's just say we have this red circle which has a mask for these window frames. What if I wanted to move that red circle? So I'll take my Move tool and I move it, and you notice that the shape of the mask is moving with it. What if I wanted to just blur that circle? So I'll go in there and I'll apply a little Gaussian Blur to it, and then I'll make a nice and big, and you can see how I am getting a halo around this edge, because I am blurring the Mask as well.
That's why there is a link right here, which allows me to turn off the link between the mask and the object in the layer. So now I can take the layer itself and move it around and you see that the mask is going to remain intact. And I could also take that file and blur it if I want to, and you see that it is being blurred inside of the mask. See? So the mask is still solid, but the object is being blurred, but the mask will maintain integrity of all that things that are being masked out.
Now I could affect the mask separately. So I can go in there and select the mask and blur the mask, at which time you can see that the mask is being blurred and the image is being left alone. But in most cases what you really want to do is blur the image or adjust the image in some way but leaving the mask intact. So that's what that Link button is there for, to allow you to separate the mask from the layer so that you can affect the layer itself without affecting its affect on all the other layers beneath it.
There are currently no FAQs about Bert Monroy: The Making of Times Square, The Tools.
Access exercise files from a button right under the course name.
Search within course videos and transcripts, and jump right to the results.
Remove icons showing you already watched videos if you want to start over.
Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.
Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.