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Illustrator CS4 Beyond the Basics
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Hiding geometry with 3D artwork mapping


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Illustrator CS4 Beyond the Basics

with Mordy Golding

Video: Hiding geometry with 3D artwork mapping

The 3D feature inside of Illustrator is incredibly deep. Lots of different settings and sometimes just a little checkbox or one setting in one place can really change the overall look of your 3D object. I would like to show you one such setting, because it really also allows you to be totally creative about using the 3D feature in general. I am going to work with this bottle that I have created using filled shapes. I'm going to move it over just to this side here so we can see what we are doing. I'll go ahead and I'll click on the 3D Revolve effect here inside of the Appearance panel, click on the Preview button, and let's go to the Map Art dialog box, so we can work with the Artwork Mapping here.
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  1. 2m 4s
    1. Welcome
      1m 41s
    2. Using the exercise files
      23s
  2. 33m 20s
    1. Introducing Live Paint
      38s
    2. Drawing in Illustrator
      4m 21s
    3. Creating a Live Paint group
      2m 54s
    4. Using the Live Paint Bucket tool
      3m 17s
    5. Using Live Paint with open paths
      2m 29s
    6. Detecting gaps in Live Paint groups
      4m 17s
    7. Adding paths to a Live Paint group
      3m 41s
    8. Using the Live Paint Selection tool
      5m 44s
    9. Releasing and expanding Live Paint groups
      2m 55s
    10. Understanding how Live Paint groups work
      3m 4s
  3. 49m 36s
    1. Introducing the trace options
      39s
    2. Setting expectations: Live Trace
      2m 26s
    3. Using the Live Trace feature
      1m 51s
    4. Understanding how Live Trace works
      5m 41s
    5. Making raster-based adjustments
      5m 52s
    6. Tracing with fills, strokes, or both
      2m 55s
    7. Making vector-based adjustments
      6m 12s
    8. Adjusting colors in Live Trace
      4m 39s
    9. Using Photoshop with Live Trace
      5m 22s
    10. Releasing and expanding Live Trace artwork
      2m 58s
    11. Saving and exporting Live Trace presets
      2m 36s
    12. Tracing in Batch mode with Adobe Bridge
      1m 35s
    13. Turning an image into mosaic tiles
      2m 28s
    14. Tracing an image manually
      4m 22s
  4. 1h 24m
    1. Introducing 3D
      33s
    2. Setting expectations: 3D in Illustrator
      2m 53s
    3. How fills and strokes affect 3D artwork
      4m 43s
    4. Applying the 3D Extrude & Bevel effect
      6m 25s
    5. Applying a bevel
      5m 40s
    6. Showing the hidden faces of a 3D object
      4m 49s
    7. Applying the 3D Revolve effect
      5m 22s
    8. Visualizing the revolve axis
      3m 5s
    9. Applying the 3D Rotate effect
      1m 35s
    10. Adjusting surface settings
      9m 33s
    11. Understanding the importance of 3D and groups
      3m 24s
    12. Preparing art for mapping
      10m 19s
    13. Mapping artwork to a 3D surface
      14m 21s
    14. Hiding geometry with 3D artwork mapping
      4m 0s
    15. Extending the use of 3D in Illustrator
      8m 7s
  5. 44m 37s
    1. Introducing transformations and effects
      32s
    2. Using the Transform panel
      12m 37s
    3. Repeating transformations
      5m 23s
    4. Using the Transform Each function
      3m 48s
    5. Using the Convert to Shape effects
      5m 49s
    6. Using the Distort & Transform effects
      5m 12s
    7. Using the Path effects
      6m 58s
    8. Using the Pathfinder effects
      4m 18s
  6. 28m 23s
    1. Introducing graphic styles
      33s
    2. Applying graphic styles
      10m 8s
    3. Defining graphic styles
      8m 46s
    4. Previewing graphic styles
      2m 10s
    5. Modifying graphic styles
      3m 30s
    6. Understanding graphic styles for text
      3m 16s
  7. 22m 49s
    1. Introducing advanced masking techniques
      32s
    2. Understanding clipping masks
      7m 15s
    3. Using layer clipping masks
      6m 30s
    4. Creating opacity masks
      8m 32s
  8. 1h 6m
    1. Introducing color
      40s
    2. Considering three types of color swatches
      7m 7s
    3. Managing color groups
      2m 58s
    4. Understanding the HSB color wheel
      3m 57s
    5. Understanding color harmonies
      2m 57s
    6. Using the color guide
      3m 54s
    7. Limiting the color guide
      3m 17s
    8. Modifying color with the Recolor Artwork feature
      6m 25s
    9. Using the Edit tab to adjust color
      5m 44s
    10. Using the Assign tab to replace colors
      8m 37s
    11. Making global color adjustments
      2m 17s
    12. Using Recolor options
      7m 3s
    13. Converting artwork to grayscale
      3m 23s
    14. Simulating artwork on different devices
      3m 18s
    15. Accessing Kuler directly from Illustrator
      2m 7s
    16. Ensuring high contrast for color-blind people
      2m 42s
  9. 53m 19s
    1. Introducing transparency
      40s
    2. Understanding transparency flattening
      2m 31s
    3. Exercising the two rules of transparency flattening
      10m 53s
    4. Understanding complex regions in transparency flattening
      4m 50s
    5. Exploring the transparency flattener settings
      8m 37s
    6. Using transparency flattening and object stacking order
      6m 39s
    7. Using the Flattener Preview panel
      6m 31s
    8. Creating and sharing Transparency Flattener presets
      2m 25s
    9. Working within an EPS workflow
      5m 3s
    10. Understanding the Illustrator and InDesign workflow
      5m 10s
  10. 50m 1s
    1. Introducing prepress and output
      23s
    2. Understanding resolutions
      8m 27s
    3. Discovering RGB and CMYK "gotchas"
      5m 42s
    4. Using Overprints and Overprint Preview
      7m 43s
    5. Understanding "book color" and proofing spot colors
      8m 1s
    6. Collecting vital information with Document Info
      2m 28s
    7. Previewing color separations onscreen
      1m 12s
    8. Making 3D artwork look good
      2m 16s
    9. Seeing white lines and knowing what to do about them
      2m 41s
    10. Creating "bulletproof" press-ready PDF files
      3m 45s
    11. Protecting content with secure PDFs
      2m 48s
    12. Using PDF presets
      2m 47s
    13. Moving forward: The Adobe PDF Print Engine
      1m 48s
  11. 35m 43s
    1. Introducing distortions
      27s
    2. Using the Warp effect
      4m 20s
    3. The Warp effect vs. envelope distortion
      3m 48s
    4. Applying the Make with Warp envelope distortion
      2m 45s
    5. Applying the Make with Mesh envelope distortion
      2m 41s
    6. Applying the Make with Top Object envelope distortion
      3m 45s
    7. Editing envelopes
      5m 0s
    8. Adjusting envelope settings
      4m 2s
    9. Releasing and expanding envelope distortions
      1m 44s
    10. Applying envelope distortions to text
      1m 27s
    11. Using the liquify distortion tools
      3m 5s
    12. Customizing the liquify tools
      2m 39s
  12. 28m 56s
    1. Introducing blends
      32s
    2. Blending two objects
      6m 18s
    3. Adjusting blend options
      5m 47s
    4. Blending anchor points
      5m 36s
    5. Blending three or more objects
      2m 9s
    6. Replacing the spine of a blend
      4m 32s
    7. Reversing the direction of a blend
      2m 15s
    8. Releasing and expanding a blend
      1m 47s
  13. 46m 54s
    1. Introducing charts and graphs
      35s
    2. Setting expectations: Graphs in Illustrator
      3m 19s
    3. Creating a chart
      8m 2s
    4. Importing data
      3m 34s
    5. Formatting data
      5m 1s
    6. Customizing a chart
      10m 21s
    7. Combining chart types
      2m 40s
    8. Creating graph designs
      6m 0s
    9. Styling and updating graphs
      5m 33s
    10. Ungrouping graphs
      1m 49s
  14. 26m 36s
    1. Introducing Gradient Mesh
      23s
    2. Understanding the Gradient Mesh feature
      9m 34s
    3. Using Gradient Mesh to add contoured shading
      6m 14s
    4. Using Gradient Mesh to create photorealistic effects
      10m 25s
  15. 8m 18s
    1. Introducing flare effects
      25s
    2. Drawing a lens flare
      3m 28s
    3. Modifying a lens flare
      1m 27s
    4. Using a mask with lens flares
      2m 58s
  16. 29s
    1. Goodbye
      29s

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Illustrator CS4 Beyond the Basics
9h 42m Intermediate Apr 03, 2009

Viewers: in countries Watching now:

Covering a wide range of topics, from advanced masking to chart creation, Illustrator CS4 Beyond the Basics reveals a whole new level of power, creativity, and efficiency with Illustrator. Instructor Mordy Golding explores how to work with Live Paint groups, get the most out of the Live Trace feature, and take advantage of Illustrator’s wide range of effects. He also discusses advanced transformation techniques, powerful 3D functionality, and important color concepts. Exercise files accompany the course.

Topics include:
  • Tracing artwork both automatically and manually
  • Mapping artwork to complex 3D surfaces
  • Using pressure-sensitive distortion tools
  • Recoloring artwork across a document
  • Using Excel data to create charts and graphs
  • Understanding how transparency really works
  • Creating high-quality, press-ready PDFs
  • Building efficient files with graphic styles
Subject:
Design
Software:
Illustrator
Author:
Mordy Golding

Hiding geometry with 3D artwork mapping

The 3D feature inside of Illustrator is incredibly deep. Lots of different settings and sometimes just a little checkbox or one setting in one place can really change the overall look of your 3D object. I would like to show you one such setting, because it really also allows you to be totally creative about using the 3D feature in general. I am going to work with this bottle that I have created using filled shapes. I'm going to move it over just to this side here so we can see what we are doing. I'll go ahead and I'll click on the 3D Revolve effect here inside of the Appearance panel, click on the Preview button, and let's go to the Map Art dialog box, so we can work with the Artwork Mapping here.

Now, we know right away that the surface here is selected. I can now map a symbol onto that surface; and I'll choose this one here called Label. I have created that label to actual size, it now appears correctly in place. I'll also choose the Shade Artwork setting over here, because I want the shading to also apply to the artwork that I have just mapped. Before we click OK, I want you to focus your attention on this checkbox right here, its called Invisible Geometry. It's a really cool and funky name, but it actually does something very interesting to your 3D shape. We know that my artwork right now is made up of two elements. I have my 3D shape, which is really working with three dimensions here. Then I have my two dimensional piece of artwork, which is my label, that's now been wrapped around that surface. So again, I have two distinct elements here; I have 3D artwork and then 2D artwork.

What I could do is I could tell Illustrator to turn this 3D object and make it invisible, and that would basically leave me with just the mapped artwork around this invisible 3D shape. Basically, it would allow me to take a 2D piece of artwork and distort it in 3D space without having an object. So let's take a look at how that works. I am going to click on the Invisible Geometry button, and Illustrator will now go ahead and hide the bottle. So now all I have is the label itself, and in fact, if I go ahead now and I click OK, I can now choose to rotate this bottle and I can actually see that label itself that kind of lives in this 3D world, but is not really wrapped around anything.

The creative things that I could do with this are really unlimited. If I have some piece of artwork that looks like its wrapped around the ring or that's a ring itself, I could simply just create any kind of oval or any kind of shape for that matter; cylinder, wrap some artwork around it, and then simply go ahead and choose to hide the geometry. In doing so, I'm just left with the label itself. I can do this with many, many different types of things, and I want to show you another creative way, one example of possibly using this. I am going to click Cancel over here. I'm simply going to go ahead to my artboard itself and I'm just going to create a brand new shape. I'm just going to take a rectangle over here. I'm going to do this along the side over here.

So I'm going to create just a rectangle. I want to just create a cylinder, and I'll give this any color, it doesn't make much of a difference here, because I'm going to end up hiding it anyway. So I just want to be able to see it as I'm working with it. Now, I'll simply go ahead and select that object. I'm going to apply the Revolve 3D effect; I'll choose Effect > 3D > Revolve. This will give me a cylinder. Click on the Preview button here. And again, I can kind of rotate this, kind of see however I want to work with it. But I'll click on the Map Art button over here, and I'll go ahead and I'll choose the surface that I want to work with. Notice over here I have three surfaces; I have the bottom face, the top face, and then I have the whole side that exists over here; that's what I want to work with.

I will now choose to, let's say, do this thread over here that I have applied to it. Notice how it kind of wraps around that area. What I'm going to do is I'm going to actually rotate it on an angle. In this case here, basically it kind of starts over here and it kind of wraps its way down. If I go ahead now and I turn the Invisible Geometry setting on, and I click OK, I have created some very, very cool artwork over here. We really can't see the cylinder, but this is a regular plain straight line that's been wrapped around invisible cylinder and I get a very, very cool looking result. I urge you to kind of think about the 3D effect in a more creative way. Think about how you can actually use 3D, not to actually create bottles and packages and so on and so forth, but create some kind of a shape that you can actually now wrap two dimensional artwork around, but then hide the shape, now you are left with some pretty cool effects. Think of like birthday streamers, so on and so forth, you could do. You could actually wrap around this object. Create backgrounds, create really cool abstract art. The options are limitless.

So have fun with this particular feature. The geometry is incredibly cool with 3D inside of Illustrator and who knows what you will find.

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