Artistic Painting with Illustrator: Object-Creation Brushes
Illustration by John Hersey

Exploring options for problematic stroke overlaps


From:

Artistic Painting with Illustrator: Object-Creation Brushes

with Sharon Steuer

Video: Exploring options for problematic stroke overlaps

I've made you some piece of art, but, I needed to make something for you. So, you could see this particular strange feature. And that is, I'll show you in options. I'm just going to make somthign, and apply the brush. And look at that nasty stuff that happens. It happens when you have a stroked object that overlaps in a strange way and here is the option for it, its here this overlap, and look at that I fixed it, that's pretty cool it doesn't always work. And it seems to work better in Illustrator CC then previous versions.
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  1. 2m 9s
    1. Welcome
      1m 10s
    2. What you need to know
      36s
    3. Using the exercise files
      23s
  2. 1h 7m
    1. Introducing what can be created with pattern brushes
      3m 15s
    2. Galleries of work created with brushes
      5m 16s
    3. Making and experimenting with brushes
      7m 31s
    4. Scaling and distorting brushes by varying line weight
      6m 49s
    5. Understanding what can and can't be part of a brush
      5m 54s
    6. Toggling whether a brushstroke creates new art automatically or not
      2m 46s
    7. Exploring colorization options
      4m 22s
    8. Recovering original colors after colorizing
      2m 50s
    9. Accessing libraries for sets of brushes, list view, and arrow options
      6m 30s
    10. Placing embedded rasters in Illustrator
      6m 5s
    11. Tips for using raster images in brushes
      6m 23s
    12. Prepping raster content in Photoshop first
      3m 56s
    13. Rasterizing images in Illustrator
      1m 50s
    14. Fixing and modifying paths using vector editing tools
      4m 26s
  3. 37m 35s
    1. Identifying what an object-creating brush is
      3m 15s
    2. Making different kinds of object-creating art brushes
      2m 18s
    3. Changing orientation and direction for a brush
      6m 4s
    4. Painting with object-creating art brushes
      2m 53s
    5. Painting with object-creating raster art brushes
      1m 8s
    6. Making new art by changing which brushes are applied to paths
      1m 53s
    7. Setting the scale of a brushstroke
      1m 33s
    8. Setting scale and width of a stroke to react to pressure from a tablet stylus
      6m 13s
    9. Scaling a brushstroke proportionally
      3m 18s
    10. Stretching a stroke between guides
      7m 2s
    11. Exploring options for problematic stroke overlaps
      1m 58s
  4. 1h 7m
    1. Understanding pattern brushes and what they can do
      3m 11s
    2. Understanding tile order differences in brush options
      3m 0s
    3. Making a new pattern brush in the Brushes panel
      6m 40s
    4. Overview of the automatic corner options
      7m 48s
    5. Adding a custom corner
      4m 37s
    6. Customizing a pattern brush with start and end points
      5m 14s
    7. Adjusting pattern options to flip image-pattern orientation
      3m 19s
    8. Looking at the different fit options
      4m 31s
    9. Painting art clusters using pattern brushes
      2m 0s
    10. Comparing art brushes to pattern brushes with the same piece of art
      2m 43s
    11. Overview of scale adjustment options using tablet stylus pressure
      3m 18s
    12. How to modify a pattern and keep the previous autocorner
      3m 59s
    13. Simulating corners for patterns that can't support corners
      4m 58s
    14. Making pattern tiles available from options dialog pop-ups
      6m 22s
    15. Understanding swatch warnings
      6m 15s
  5. 15m 54s
    1. Introducing scatter brushes
      2m 24s
    2. Using scatter brushes
      2m 16s
    3. Understanding random parameters in a scatter brush
      1m 56s
    4. Adjusting brush definition and using pressure on a tablet
      4m 33s
    5. Understanding the Rotation Relative To parameter
      3m 11s
    6. Incorporating rasters in scatter brushes
      1m 34s
  6. 17m 50s
    1. Comparing symbols to scatter brushes
      4m 55s
    2. Making and placing symbol instances
      5m 15s
    3. Editing symbols and going into isolation mode
      5m 41s
    4. Creating symbols from a variety of objects, including rasters
      1m 59s
  7. 16m 35s
    1. Using the Variable Width tool to affect brush scaling and distortion
      2m 59s
    2. Adding stroke effects using the Control or Appearance panel
      3m 27s
    3. Replacing a brush for auto-updating
      3m 16s
    4. Experimenting and happy accidents
      1m 38s
    5. Experimenting with artistic projects between Adobe applications
      5m 15s
  8. 44s
    1. Next steps
      44s

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Watch the Online Video Course Artistic Painting with Illustrator: Object-Creation Brushes
3h 46m Intermediate Sep 19, 2013

Viewers: in countries Watching now:

Discover how to paint and draw with Adobe Illustrator's powerful object-creation brushes. In this course, artist and author Sharon Steuer will show you how to use art brushes, pattern brushes, scatter brushes, and brush-like symbols to warp, bend, repeat, stretch, scatter, and distribute objects along a path, and quickly populate scenes with complex groups of objects. You'll learn how to scale, colorize, and modify your objects; create different versions of brushes; edit the underlying paths; and fix common mistakes. You'll also see how to prepare artwork to make into brushes, resize brushes, and understand which brush or symbol is appropriate for different drawing situations. Plus, learn to paint with raster objects in dynamic new ways, and auto-generate corners for vector and raster pattern brushes.

See the previous course in the series, Artistic Painting with Illustrator: Natural Media Brushes, for Sharon's insights on more traditional tools like the Paintbrush and Blob Brush.

Topics include:
  • Creating and experimenting with object-creation brushes
  • Preparing artwork to make into brushes
  • Scaling and distorting brushes by varying line weight and stroke profiles
  • Stretching versus repeating portions of a brush
  • Colorizing complex brushes
  • Fixing problem brushes with vector editing tools
  • Exploring different ways to make and use pattern brushes
  • Customizing pattern brushes and adding auto-corners
  • Modifying scatter brush parameters
  • Adjusting brush definition and tablet pressure parameters
  • Fixing common mistakes
  • Using scatter brushes versus symbols
  • Warping and bending raster art using brushes
  • Combining stroke effects with brushes
Subject:
Design
Software:
Illustrator
Author:
Sharon Steuer

Exploring options for problematic stroke overlaps

I've made you some piece of art, but, I needed to make something for you. So, you could see this particular strange feature. And that is, I'll show you in options. I'm just going to make somthign, and apply the brush. And look at that nasty stuff that happens. It happens when you have a stroked object that overlaps in a strange way and here is the option for it, its here this overlap, and look at that I fixed it, that's pretty cool it doesn't always work. And it seems to work better in Illustrator CC then previous versions.

There are some bugs, so let's look at this other one. As I said sometimes it works sometimes it doesn't, there, that's fixed, and there, that's not. There you go. And not. Let's try another one, okay so here it is. And there it didn't quite fix it, now sometimes if you reapply it, it works and especially if you've got pre CC it sometimes will work the second time if you don't do it.

But again its only were it has intersect you can try adjusting the overlap. Making sure it says, adjust corners and folds to prevent overlaps, and that's where that feature is. So, most of the time, you're going to want that on, I suspect there are times when you're going to want a special effect where it overlaps corners and folds. I can't think of it right now. If you do, feel free to send me a link to something, so I can see why this is an amazing feature that you should have enabled, but most of time you're going to want to just know that this is where you prevent the overlaps.

You're not going to notice it on most objects, it's stroked objects that are going to make the difference.

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