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Deke's Techniques

with Deke McClelland

Video: 475 Drawing a custom coloring-book place card

A collection of short Photoshop and Illustrator projects and creative effects from computer graphics guru Deke McClelland.
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  1. 48m 41s
    1. 475 Drawing a custom coloring-book place card NEW
      15m 30s
    2. 476 Drawing a generic male place card NEW
      11m 9s
    3. 477 Coloring your cartoon place cards in Illustrator NEW
      9m 34s
  2. 16h 0m
    1. 377 Two ways to create center guides in Photoshop
      4m 28s
    2. 378 A new way to create center guides in Photoshop CC
      4m 21s
    3. 379 Two ways to create center guides in Illustrator
      3m 25s
    4. 380 Clearing the list of recently used fonts in InDesign
      6m 40s
    5. 381 Two ways to search fonts in InDesign CC
      4m 31s
    6. 382 Drawing flowering vectors in Illustrator
      18m 15s
    7. 383 Stroking the petals to create a lattice effect
      16m 45s
    8. 384 Creating a flowering origami effect
      8m 47s
    9. 385 Painting shapes with transitional gradients
      15m 54s
    10. 386 Correcting the brightness and banding of a printed image
      18m 7s
    11. 387 Further reducing banding with a gradient layer
      11m 43s
    12. 388 Smoothing away noise with the Mean stack mode
      8m 8s
    13. 389 Developing a sweetly romantic tropical island
      9m 28s
    14. 390 Creating a Caribbean blue sea with Photo Filter
      5m 10s
    15. 391 Creating letters chiseled into stone
      8m 15s
    16. 392 Adding a chiseled border
      6m 29s
    17. 393 Assembling MRI slices into a 3D volume
      9m 24s
    18. 394 Assigning multiple strokes to gradient type in Illustrator
      10m 30s
    19. 395 Filling in the gaps between stroked letters
      6m 2s
    20. 396 Fragmenting a photo through ribbed glass
      9m 46s
    21. 397 Applying a displacement map with the Glass filter
      8m 40s
    22. 398 Infusing an image with vivid nightclub colors
      6m 59s
    23. 399 Adding MDNA-inspired bands of color
      9m 38s
    24. 400 Patching badly displaced edges
      4m 46s
    25. 401 Styling type with a pattern of vertical lines
      12m 59s
    26. 402 Reshaping letterforms to match the intervals of a pattern
      11m 34s
    27. 403 Swapping one image for another with smart objects
      7m 57s
    28. 404 Forging a million-dollar stamp in Photoshop
      20m 59s
    29. 405 Masking graphic frames and natural edges
      12m 16s
    30. 406 Matching a real-world paper texture
      12m 16s
    31. 407 Casting multiple drop shadows in Photoshop
      6m 55s
    32. 408 Developing an awesome angelfish in Camera Raw
      9m 32s
    33. 409 Tweaking a fish photo to perfection
      5m 32s
    34. 410 Assigning spot colors to a logo in Photoshop
      14m 19s
    35. 411 Blending spot colors inside a logo
      9m 23s
    36. 412 Exporting spot-color separations from Photoshop
      8m 3s
    37. 413 Exporting spot-color separations from Illustrator
      9m 25s
    38. 414 The latest and greatest 2015 Facebook image specifications
      8m 58s
    39. 415 Creating the perfect Facebook cover photo 2015
      13m 38s
    40. 416 Extending your profile picture into your Facebook cover photo
      12m 2s
    41. 417 Preparing images for your Facebook timeline
      9m 42s
    42. 418 Converting all corner points in a drawing to smooth points
      7m 14s
    43. 419 Adding field blurs to a vector-based illustration
      11m 39s
    44. 420 Great uses for Color and Gradient Overlay
      7m 39s
    45. 421 Easter Island
      7m 19s
    46. 422 Creating a string of pearls in Illustrator
      15m 0s
    47. 423 Drawing a letter to match a dingbat font
      12m 14s
    48. 424 Assembling an interior, vertical panorama
      10m 34s
    49. 425 Developing a dark and stormy photo in Photoshop
      10m 26s
    50. 426 Developing a dark and stormy photo in Lightroom
      11m 20s
    51. 427 Sharpening your dark and stormy photo for print
      8m 45s
    52. 428 Auto-blending multiple depths of field
      8m 16s
    53. 429 Assigning multiple strokes in Photoshop CC 2015
      6m 8s
    54. 430 Combining multiple drop shadows to create faux-3D type
      4m 51s
    55. 431 Combining multiple Color and Gradient Overlay effects
      6m 0s
    56. 432 Removing unwanted perspective from a photo
      15m 6s
    57. 433 Correcting the perspective of a single image element
      8m 57s
    58. 434 Extracting an unmodified photo from a Smart Object
      3m 31s
    59. 435 Extracting a raw photo from a Smart Object
      4m 26s
    60. 436 Orthogonal pattern 1: The boxed towers
      17m 28s
    61. 437 Repeating a tile pattern Brick by Row
      6m 51s
    62. 438 Refining the color scheme of your tile pattern
      10m 15s
    63. 439 Orthogonal pattern 2: Which way is up?
      14m 17s
    64. 440 Upping the number of colors in a dynamic pattern
      11m 42s
    65. 441 Achieving real pointillism with the Pointillize filter
      8m 23s
    66. 442 Adding Emboss to give your painting depth
      1m 48s
    67. 443 Blending multiple motion photos
      13m 44s
    68. 444 Creating a wildly colorful High Pass effect
      7m 1s
    69. 445 Correct in Lab and leave a smooth histogram
      9m 21s
    70. 446 Combining the best of Lab and Camera Raw
      9m 20s
    71. 447 Wrapping a gradient around a circle in Illustrator
      9m 50s
    72. 448 Blending gradients with the Saturation blend mode
      4m 35s
    73. 449 Using the Join tool in Illustrator CC
      5m 57s
    74. 450 Using Illustrator’s Shape Builder tool
      7m 52s
    75. 451 Wrapping text around a graphic in Illustrator
      8m 41s
    76. 452 Curly quotes and the Smart Punctuation command
      5m 44s
    77. 453 Creating the perfect smartphone home/lock screen
      14m 12s
    78. 454 Creating a smartphone graphic in Photoshop
      16m 33s
    79. 455 Islamic design 1: Flirting with geometric genius
      17m 2s
    80. 456 Islamic design 2: The eight eight-pointed stars
      12m 5s
    81. 457 Islamic design 3: Connecting the pieces
      15m 32s
    82. 458 Islamic design 4: Completing the corners
      5m 24s
    83. 459 Islamic design 5: Coloring and sculpting
      12m 45s
    84. 460 Islamic design 6: Photoshopping the pattern
      6m 44s
    85. 461 Creating a bat-faced moon in Photoshop
      16m 7s
    86. 462 Cartoon bat 1: Drawing the head
      7m 23s
    87. 463 Cartoon bat 2: Drawing the bodies
      14m 57s
    88. 464 Cartooning the moon!
      10m 22s
    89. 465 Changing a daytime scene to night
      5m 50s
    90. 466 Lighting up the windows of a dark mansion
      7m 16s
    91. 467 Adding a moon to a nighttime sky
      5m 55s
    92. 468 Adding a ghost to your haunted mansion
      6m 26s
    93. 469 Creating a custom Dual Brush in Photoshop
      10m 6s
    94. 470 Adding texture to your custom brush
      6m 6s
    95. 471 Framing a photo with a custom brush
      8m 40s
    96. 472 Creating place cards for your holiday dinner
      11m 25s
    97. 473 Tracing your guests with the new Pencil tool
      19m 47s
    98. 474 Coloring your guests with the Live Paint Bucket
      16m 9s
  3. 18h 48m
    1. 282 Ringing in the New Year with dynamic effects in Illustrator
      12m 59s
    2. 283 Dynamically transforming fills and strokes
      13m 41s
    3. 284 Tracing an avatar from a photograph in Photoshop
      12m 24s
    4. 285 Drawing a vector-based avatar in Illustrator
      19m 44s
    5. 286 Coloring and shading your avatar
      16m 0s
    6. 287 Exporting an illustration as a universally supported PNG file
      10m 54s
    7. 288 Upsampling a layered composition with great results
      13m 43s
    8. 289 Rebuilding a pattern at a higher resolution
      7m 29s
    9. 290 Painting happy little trees
      13m 46s
    10. 291 Shading and lighting the happy forest
      15m 15s
    11. 292 Enlarging a low-res photograph in Photoshop
      12m 20s
    12. 293 Enlarging a photo by tracing it in Illustrator
      13m 10s
    13. 294 Mastering Exposure in Camera Raw
      11m 40s
    14. 295 Super smooth and unflinchingly sharp
      10m 46s
    15. 296 Deleting an inadvertent photo bomber
      8m 13s
    16. 297 Correcting a distorted panorama
      17m 23s
    17. 298 Rebuilding bad stitching in a panorama
      14m 53s
    18. 299 Nondestructive dodge and burn
      8m 54s
    19. 300 Blending a shadow into any background
      8m 37s
    20. 301 Saving a PNG image with a translucent shadow
      8m 45s
    21. 302 Cleaning up a smart phone photo
      11m 17s
    22. 303 Using Photoshop 1.0
      5m 45s
    23. 304 Creating your own Chinese seal (or chop)
      26m 4s
    24. 305 Simulating hand lettering with art brushes
      20m 8s
    25. 306 Adding texture to your hand stamp
      3m 34s
    26. 307 Creating a black chop on red paper
      5m 55s
    27. 308 Auto-hiding iconic panels in Photoshop
      3m 44s
    28. 309 Creating a custom toolbox in Illustrator CC
      4m 21s
    29. 310 Creating the perfect passport photo
      20m 18s
    30. 311 Retouching your passport photo
      13m 38s
    31. 312 Turning a photo into a giant mural
      13m 11s
    32. 313 Enhancing the reality of your mural
      11m 8s
    33. 314 Creating a 3D bump map
      12m 7s
    34. 315 UV overlay and 3D bump paint
      14m 4s
    35. 316 Using Lens Flare for good (not evil)
      10m 48s
    36. 317 Using the Perspective Crop tool
      9m 29s
    37. 318 Reducing real-world camera shake
      10m 4s
    38. 319 Reducing glare in a photograph
      15m 25s
    39. 320 Restoring repeating details
      13m 43s
    40. 321 Integrating a detail captured with a phone
      9m 6s
    41. 322 Blending two exposures of a single scene
      12m 25s
    42. 323 Masking mountains away from sky
      14m 22s
    43. 324 Creating a photographic caricature in Photoshop
      10m 7s
    44. 325 Exaggerating facial features with Liquify
      12m 48s
    45. 326 Masking a caricature against a new background
      11m 20s
    46. 327 Shading and sharpening a caricature
      10m 6s
    47. 328 Drawing a Möbius strip in Illustrator
      12m 21s
    48. 329 Shading the Möbius strip with gradients
      9m 0s
    49. 330 Adding twisting edges to the Möbius strip
      8m 9s
    50. 331 Creating an impossible Penrose triangle
      10m 37s
    51. 332 Shading the cubes in your Penrose triangle
      8m 15s
    52. 333 Selectively converting a photo to black & white
      7m 53s
    53. 334 Straightening and “uncropping” a photo
      16m 17s
    54. 335 Restoring a missing photograph detail
      11m 26s
    55. 336 Drawing a hand (clenched in a fist)
      11m 44s
    56. 337 Cleaning up a sketch captured with a phone
      6m 17s
    57. 338 Four hands united in brotherhood, solidarity, and teamwork
      12m 24s
    58. 339 Swapping out colors in existing gradients in Illustrator
      4m 37s
    59. 340 Select > Focus Area and the pseudo engraving effect
      12m 26s
    60. 341 Integrating 3D art into a 2D scene in Photoshop
      13m 41s
    61. 342 Creating a 3D shark in Photoshop
      11m 16s
    62. 343 Creating a 3D doughnut in Illustrator
      15m 23s
    63. 344 Creating a golden 3D ring in Illustrator
      10m 21s
    64. 345 Mapping Elven runes (or text) onto a 3D ring
      15m 57s
    65. 346 Hand-drawing custom-made letters in Illustrator
      19m 33s
    66. 347 Drawing letters with curves and holes
      15m 56s
    67. 348 Enhancing your hand-drawn text in Photoshop
      7m 20s
    68. 349 Mixing a low-color photo with Camera Raw
      11m 2s
    69. 350 Mixing a low-color photo with adjustment layers
      10m 7s
    70. 351 Saving your effect as a color lookup table
      5m 31s
    71. 352 Extracting a classic painting from its frame
      11m 35s
    72. 353 Extracting that same painting nondestructively
      7m 59s
    73. 354 Archiving and enhancing a child’s art
      10m 47s
    74. 355 Combining a child’s art with a real classic
      11m 5s
    75. 356 Developing the perfect sunset in Camera Raw
      9m 55s
    76. 357 Lush landscapes: The real green is yellow
      9m 7s
    77. 358 Painting away Camera Raw “Clarity halos”
      17m 7s
    78. 359 Selectively sharpening a stressed photograph
      16m 12s
    79. 360 Transforming yourself into a Dark Elf
      16m 27s
    80. 361 Hand-masking the elf against a vivid background
      15m 35s
    81. 362 Making the Dark Elf that much darker
      15m 29s
    82. 363 Developing a photograph of The Joker
      16m 26s
    83. 364 Carving expression lines into The Joker’s face
      14m 1s
    84. 365 Creating a campaign poster in Illustrator
      15m 3s
    85. 366 Creating a Prohibition (or Universal No) symbol
      7m 13s
    86. 367 Using Photoshop CC’s new Flame Generator
      10m 4s
    87. 368 Creating cool Flame Generator art
      9m 35s
    88. 369 Setting type on fire with the Flame Generator
      8m 13s
    89. 370 Blending synthetic flames with type
      6m 12s
    90. 371 Creating secret-message type in Photoshop
      13m 38s
    91. 372 Animating a continuously morphing message
      10m 59s
    92. 373 Creating a piece of Minecraft-inspired art
      16m 10s
    93. 374 Extruding your Minecraft art into 3D space
      8m 39s
    94. 375 Adding a big-pixel, Minecraft background
      12m 2s
    95. 376 Developing the perfect holiday portrait
      15m 22s
  4. 17h 21m
    1. 185 Creating a custom 2013 calendar in Illustrator
      11m 44s
    2. 186 Adding dates to a calendar using tables
      9m 50s
    3. 187 Branding your calendar with a field of logos
      10m 54s
    4. 188 Crafting an Infinity symbol to match a specific font
      12m 6s
    5. 189 Op art experiment 1a: Inflated checkers
      10m 49s
    6. 190 Op art experiment 1b: Rounded windows
      6m 39s
    7. 191 Building a universal ISOTYPE man with strokes
      15m 6s
    8. 192 Building a universal ISOTYPE woman with strokes
      11m 7s
    9. 193 Drawing an ISOTYPE couple in love
      12m 55s
    10. 194 Creating a Warhol-style silkscreen effect
      14m 43s
    11. 195 Creating a series of Warhol-style variations
      10m 43s
    12. 196 Adding Warhol-style background variations
      8m 20s
    13. 197 Creating opaque colored shadows
      5m 20s
    14. 198 Assembling multiple variations into a single comp
      5m 9s
    15. 199 Creating a pattern of unique inset circles
      9m 55s
    16. 200 Changing a static blended color scheme
      7m 16s
    17. 201 Op art experiment 2a: Undulating pattern
      20m 26s
    18. 202 Op art experiment 2b: Concentric rings
      9m 43s
    19. 203 Developing a dramatic castle in Camera Raw
      13m 21s
    20. 204 Artificially coloring a photo in Camera Raw
      9m 38s
    21. 205 Creating an antique photo effect in Camera Raw
      7m 53s
    22. 206 Adding a weathered old-photo frame effect
      12m 0s
    23. 207 Drawing an Angry Birds-like character
      16m 59s
    24. 208 Stroking an entire layer in Illustrator
      9m 21s
    25. 209 Drawing a classic snarling cartoon face
      11m 10s
    26. 210 Drawing a radiant, cheerful cartoon background
      18m 29s
    27. 211 Stroking any kind of type in Illustrator
      5m 0s
    28. 212 Creating synthetic water droplets
      9m 29s
    29. 213 Simulating liquid reflections with effect
      5m 19s
    30. 214 Simulating liquid refractions with a dmap
      5m 30s
    31. 215 Creating an eye-catching splatter effect
      9m 8s
    32. 216 Defringing purples and greens in Camera Raw 7
      10m 4s
    33. 217 Making a danger sign more dangerous
      15m 9s
    34. 218 Using texture and depth to add realism
      10m 22s
    35. 219 Precisely aligning artwork to the bleed
      7m 16s
    36. 220 Creating and importing a tracing template
      6m 50s
    37. 221 Drawing a distinctive 2D video game character
      18m 52s
    38. 222 Adding features to the face of a 2D character
      14m 3s
    39. 223 Creating a vivid aura around an entire character
      7m 19s
    40. 224 Adding variable-width strokes in Illustrator
      11m 23s
    41. 225 Animating bird wings with Puppet Warp
      12m 15s
    42. 226 Animating text by onion skinning in Photoshop
      8m 0s
    43. 227 Creating an animated movie in Photoshop
      9m 15s
    44. 228 Exporting an animation to QuickTime and GIF
      5m 44s
    45. 229 Correcting an underwater photograph
      10m 30s
    46. 230 Making a photo razor-sharp and porcelain-smooth
      7m 17s
    47. 231 Reducing noise in a high-ISO shot with Camera Raw
      8m 33s
    48. 232 Creating highly reflective sunglasses
      10m 43s
    49. 233 Adding drama to an outdoor portrait shot
      6m 35s
    50. 234 Creating volumetric forms with shape layers
      15m 52s
    51. 235 Creating a bloodshot eye effect
      7m 11s
    52. 236 Shading an image with shapes and layer masks
      13m 2s
    53. 237 Creating fabric textures with pattern layers
      7m 27s
    54. 238 Colorize any layer with Color Overlay
      3m 23s
    55. 239 Turning a portrait into a dot drawing
      7m 40s
    56. 240 Creating a full-color dot drawing
      3m 29s
    57. 241 Drawing an orthogonal cube with the line tool
      7m 9s
    58. 242 Creating a cube of differently colored cubes
      9m 27s
    59. 243 Recreating the Creative Cloud Logo in Illustrator
      16m 21s
    60. 244 Creating a psychedelic fabric texture
      9m 7s
    61. 245 Turning psychedelic fabric into rock letters
      5m 23s
    62. 246 Creating a more finely rendered dot drawing
      8m 29s
    63. 247 Converting from RGB to CMYK via Multichannel
      12m 31s
    64. 248 Creating printer-safe CMYK shadows
      6m 48s
    65. 249 Creating bright, golden motion trails
      12m 32s
    66. 250 Creating schematic art with grid
      12m 41s
    67. 251 Drawing precisely aligned arrowhead
      12m 8s
    68. 252 Adding arrowheads around a closed path
      6m 1s
    69. 253 Drawing the Pen tool without touching the Pen tool
      17m 13s
    70. 254 Merging frames for the best possible UAV photo
      16m 40s
    71. 255 Retouching details in an aerial landscape
      12m 13s
    72. 256 Editing a video and adding transitions in Photoshop
      10m 57s
    73. 257 Importing the quadcopter crash sequences
      9m 4s
    74. 258 Color correcting a video and adding a soundtrack
      8m 56s
    75. 259 Adding precisely timed titles to your video
      11m 43s
    76. 260 Hand-painting an image with a Wacom Cintiq
      13m 11s
    77. 261 Blending the final false-color artwork
      8m 41s
    78. 262 Creating a honeycomb pattern in Illustrator
      12m 50s
    79. 263 Building up strokes to create 3D honeycomb
      9m 8s
    80. 264 Turning yourself into a zombie
      14m 0s
    81. 265 Enhancing an ambience environment for the undead
      9m 26s
    82. 266 Creating dripping, gooey ghost letters
      16m 43s
    83. 267 Turning type into gooey green slime
      11m 19s
    84. 268 Creating heavy metal type (updated for Photoshop CS6 and CC)
      12m 27s
    85. 269 Cleaning up a crummy product shot
      11m 3s
    86. 270 Scaling and rotating photographic objects
      10m 10s
    87. 271 Tracing a line drawing with uniform strokes
      11m 18s
    88. 272 Coloring line art using Live Paint Bucket
      18m 22s
    89. 273 Creating a pigture using shapes and letters
      18m 7s
    90. 274 Integrating a cartoon into a photograph
      7m 27s
    91. 275 Converting a photo into a Lichtenstein drawing
      16m 8s
    92. 276 Adding bring Ben-Day dots and a talk balloon
      15m 31s
    93. 277 Painting an eye using a custom brush
      11m 31s
    94. 278 Painting and smoothing straight-sided brushstrokes
      12m 0s
    95. 279 Simulating pressure with path outlines
      6m 3s
    96. 280 Developing a 32-bit HDR image in Camera Raw
      14m 42s
    97. 281 Converting from 32-bit to the more flexible 8-bit mode
      11m 15s
  5. 14h 31m
    1. 091 Removing people from a photo
      10m 44s
    2. 092 Masking people back into a photo
      10m 58s
    3. 093 Hand-painting a mask
      10m 5s
    4. 094 Masking a real-life shadow
      10m 40s
    5. 095 Turning a photo into line art
      7m 44s
    6. 096 Adding a crosshatch shading pattern
      6m 46s
    7. 097 Creating type that inverts anything behind it
      5m 32s
    8. 098 Creating auto-inverting line art
      5m 7s
    9. 099 Creating movie poster credits
      8m 10s
    10. 100 Creating a dual-focus hybrid image
      6m 24s
    11. 101 Adding text to a hybrid composition
      7m 24s
    12. 102 Drawing with the reshape tool
      10m 39s
    13. 103 Hand-drawing a really great letter
      10m 6s
    14. 104 Creating a vanity frame
      5m 28s
    15. 105 Adding a frame to a photograph
      5m 3s
    16. 106 Drawing a highly graphic explosion with Illustrator
      10m 3s
    17. 107 Drawing a Ninja Turtle nose
      10m 22s
    18. 108 Mapping a dog face onto a duck
      8m 20s
    19. 109 Putting a tongue on a duck
      7m 6s
    20. 110 Making synthetic lightning in Photoshop
      11m 3s
    21. 111 Creating a driving rain effect in Photoshop
      4m 57s
    22. 112 Designing a railroad track
      12m 18s
    23. 113 Bending the railroad track around curves
      7m 46s
    24. 114 Creating a Star Wars hologram effect
      9m 23s
    25. 115 Creating leafy letters
      6m 12s
    26. 116 Creating topiary type
      6m 22s
    27. 117 Creating type in grass
      9m 0s
    28. 118 Rendering type in smoke
      7m 30s
    29. 119 Rendering type in brushed metal
      9m 58s
    30. 120 Adding brushed copper effect
      4m 14s
    31. 121 Reflecting type in water
      10m 57s
    32. 122 Reflecting water back into type
      11m 14s
    33. 123 Joining type to a circle
      7m 14s
    34. 124 Making flared type on a circle
      7m 17s
    35. 125 Making a person emerge from water
      5m 32s
    36. 126 Creating progressive water ripples
      10m 17s
    37. 127 Creating an upside-down face effect
      10m 17s
    38. 128 Achieving silky smooth skin with retouching
      6m 33s
    39. 129 Pearly white teeth
      7m 28s
    40. 130 Head-shrinking
      8m 26s
    41. 131 Getting a big head
      5m 11s
    42. 132 Adding a photographic texture to vector type
      4m 28s
    43. 133 Adding strokes in back of photo type
      5m 9s
    44. 134 Adding a border to an image in Illustrator
      4m 17s
    45. 135 Two ways to crop in Illustrator
      7m 29s
    46. 136 Inventing a 3D temple with a depth map
      10m 0s
    47. 137 Drawing a 3D object with Curves
      11m 41s
    48. 138 Creating a superhero shield in Illustrator
      16m 28s
    49. 139 Turning Illustrator paths into Photoshop shapes
      11m 43s
    50. 140 Creating a photorealistic superhero shield
      12m 39s
    51. 141 Pimping your ride in Photoshop
      9m 59s
    52. 142 Masking and blackening a car
      10m 20s
    53. 143 Drawing a multi-part vector mask
      12m 46s
    54. 144 Masking and painting a shadow
      8m 26s
    55. 145 Integrating blades of grass into tires
      5m 34s
    56. 146 Making a (ridiculously) dramatic sky
      6m 2s
    57. 147 Adding flame stripes to a car
      8m 23s
    58. 148 Creating interlocking octagons in Illustrator
      7m 44s
    59. 149 Hand-coloring line art
      13m 9s
    60. 150 Creating a custom wave pattern
      9m 56s
    61. 151 Simulating a screen print
      8m 30s
    62. 152 Drawing a perfect linear spiral in Illustrator
      9m 42s
    63. 153 Drawing a spiraling nautilus shell
      11m 4s
    64. 154 Designing a hex pattern in Illustrator CS6
      11m 10s
    65. 155 Making a hex pattern in Illustrator CS5 and earlier
      7m 4s
    66. 156 Creating a Facebook cover in Photoshop
      9m 25s
    67. 157 Matching a profile picture to your cover
      6m 37s
    68. 158 Cloning yourself in Photoshop
      11m 16s
    69. 159 Lighting the clone party
      8m 29s
    70. 160 Hand-carving letters into wood
      8m 0s
    71. 161 Creating a Spirograph-like pattern
      7m 34s
    72. 162 Tracing scalloped gear teeth around a circle
      4m 55s
    73. 163 Applying custom carve and shadow styles to type
      8m 50s
    74. 164 Turning a pencil sketch into digital ink
      12m 55s
    75. 165 Adding a graph-paper background
      13m 42s
    76. 166 Creating a continuous single-line Spirograph
      13m 2s
    77. 167 Scaling circles into complex patterns
      7m 15s
    78. 168 Creating a money-like design
      8m 43s
    79. 169 Attack of the killer pumpkin
      14m 49s
    80. 170 Simulating a glowing Jack-o-lantern
      12m 24s
    81. 171 The headless stranger in the mist
      12m 25s
    82. 172 Creating 3D punched letters
      13m 29s
    83. 173 Designing a double-wave line pattern
      11m 2s
    84. 174 Assembling a seamless pattern brush
      9m 53s
    85. 175 Creating a hand turkey in Photoshop
      18m 42s
    86. 176 Creating a depth-of-field cast shadow
      7m 29s
    87. 177 Creating a lustrous round jewel
      13m 56s
    88. 178 Cutting and brushing light on a gem
      8m 30s
    89. 179 Creating a shiny button with inset text
      11m 5s
    90. 180 Creating a jaunty six-sided star
      15m 1s
    91. 181 Interweaving star shapes and adding gradients
      8m 28s
    92. 182 Casting shadows between interwoven shapes
      9m 12s
    93. 183 Creating a Hobbit-like text effect
      15m 6s
    94. 184 Enhancing a landscape photo in Camera Raw 7
      9m 16s
  6. 13h 11m
    1. 001 Creating ice type
      8m 39s
    2. 002 Branding type on a texture
      7m 6s
    3. 003 Creating an image-branding machine
      7m 13s
    4. 004 Capturing effects with layer comps
      7m 35s
    5. 005 Rendering type in gold
      8m 9s
    6. 006 Creating a hammered metal background
      5m 48s
    7. 007 Creating heavy metal type
      8m 13s
    8. 008 Creating a molten letter effect
      6m 43s
    9. 009 Setting type on fire
      11m 20s
    10. 010 Using an anti-edge mask
      7m 20s
    11. 011 Blending textures onto a face
      9m 28s
    12. 012 Rendering a face as a cave painting
      7m 34s
    13. 013 Creating a reflection in shattered glass
      8m 32s
    14. 014 Creating a face in a tree
      11m 20s
    15. 015 Building a synthetic star field
      8m 21s
    16. 016 Making 3D type with Repoussé
      10m 14s
    17. 017 Casting 3D shadows and reflections
      9m 35s
    18. 018 Adjusting 3D light sources
      10m 51s
    19. 019 Masking highlights and shadows
      6m 27s
    20. 020 Masking glass
      10m 39s
    21. 021 High key high contrast
      8m 33s
    22. 022 Simulating sub-pixel rendering
      10m 58s
    23. 023 Fixing chromatic aberrations in Photoshop
      9m 41s
    24. 024 Fixing chromatic aberrations in Camera Raw
      8m 51s
    25. 025 Correcting red-eye like a pro
      11m 56s
    26. 026 Turning a photo into an ink drawing
      10m 42s
    27. 027 Turning a photo into a pencil sketch
      8m 43s
    28. 028 Creating a seamlessly repeating pattern
      10m 56s
    29. 029 Repairing seams in a repeating pattern
      10m 47s
    30. 030 Creating a 3D pie chart
      11m 9s
    31. 031 Splitting and modifying 3D meshes
      11m 52s
    32. 032 Using the Ground Plane Shadow Catcher
      6m 58s
    33. 033 Creating a talk show-style curtain
      7m 57s
    34. 034 Assembling a flawless panorama
      10m 5s
    35. 035 Removing people with image stacks
      11m 44s
    36. 036 Creative stacking with Maximum and Range
      11m 44s
    37. 037 Creating synthetic wood grain
      9m 23s
    38. 038 Making slats of uniquely textured wood
      10m 52s
    39. 039 Kerning within a single character
      10m 31s
    40. 040 Creating a raised bevel effect
      11m 49s
    41. 041 Putting wings on a horse
      10m 41s
    42. 042 Creating a classic heart in Illustrator
      7m 15s
    43. 043 Glossing up a heart in Photoshop
      8m 42s
    44. 044 Shooting and assembling a stereoscopic photo
      8m 15s
    45. 045 Extending 3D beyond the screen plane
      6m 13s
    46. 046 Adding stereo 3D text and shapes
      9m 9s
    47. 047 Tilting text and shapes toward the viewer
      8m 13s
    48. 048 Creating a shooting star in Illustrator
      6m 33s
    49. 049 Using blends to draw path outlines
      8m 8s
    50. 050 Inventing custom starbursts
      7m 33s
    51. 051 Making a fictional creature
      12m 5s
    52. 052 Transforming a creature into a monster
      6m 14s
    53. 053 Capturing a monster in motion
      11m 45s
    54. 054 Changing the color of a car
      7m 12s
    55. 055 Painting a colorful car black
      8m 16s
    56. 056 Coloring the stripes on a zebra
      10m 47s
    57. 057 Drawing trendy swirls in Illustrator
      10m 59s
    58. 058 Creating variable-width and brushed swirls
      10m 46s
    59. 059 Drawing trendy ornaments in Illustrator
      8m 49s
    60. 060 Designing a magically updating pattern
      8m 40s
    61. 061 Automatically collapsing a selection
      7m 43s
    62. 062 Adding a magnifying glass into a design
      7m 5s
    63. 063 Healing one eye onto another
      7m 15s
    64. 064 Creating a giant command key
      9m 15s
    65. 065 Drawing common symbols part 1
      6m 29s
    66. 066 Drawing common symbols part 2
      9m 26s
    67. 067 Filtering images with Camera Raw
      7m 52s
    68. 068 Creating a vivid HDR effect
      5m 29s
    69. 069 Creating an ambigram in Illustrator
      10m 45s
    70. 070 Making a two-word ambigram
      7m 47s
    71. 071 Drawing a Halloween scareflake
      10m 45s
    72. 072 Creating true clones in Illustrator
      11m 7s
    73. 073 Taking your scareflakes into Photoshop
      7m 20s
    74. 074 Making a faux HDR image in Lab
      8m 38s
    75. 075 Turning a guy into a zombie
      7m 3s
    76. 076 Miniaturizing the world in Photoshop
      6m 45s
    77. 077 Creating a synthetic rainbow
      8m 53s
    78. 078 Casting an artificial shadow from a layer
      7m 3s
    79. 079 Rendering a portrait in type
      8m 58s
    80. 080 Rendering a portrait in tile patterns
      7m 43s
    81. 081 Rotating a pattern layer in Photoshop
      4m 16s
    82. 082 Tracing an image with path outlines
      7m 50s
    83. 083 Turning path outlines into a vector mask
      6m 0s
    84. 084 Drawing rays of light in Photoshop
      5m 40s
    85. 085 Drawing concentric glow rings
      7m 24s
    86. 086 Designing an Indiana Jones-style logo
      8m 50s
    87. 087 Achieving mitered corners in Photoshop
      5m 43s
    88. 088 Masking with Blunt Instruments in Photoshop
      11m 8s
    89. 089 Creating a stained-glass ornament
      8m 26s
    90. 090 Designing a stained-glass window
      10m 23s

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Deke's Techniques
Video Duration: 0s 81h 8m Intermediate Updated Nov 24, 2015


View Course Description

This course is a collection of short Photoshop and Illustrator projects and creative effects that can be completed in ten minutes or less. The series is taught by computer graphics guru Deke McClelland, and presented in his signature step-by-step style. The intent is to reveal how various Photoshop and Illustrator features can be combined and leveraged in real-world examples so that they can be applied to creative projects right away.

Illustrator Photoshop

475 Drawing a custom coloring-book place card

- Hey gang, this is Deke McClelland. Welcome to Deke's Techniques. Now, last week, you may recall, I showed you how to create these photographic place cards, which were ostensibly for a Thanksgiving dinner, but they could be for any kind of dinner, any occasion, just as long as you have a ton of guests and you want to show them where to sit. And then I showed you, and I thought this was great, how to turn them into these colorful cartoons inside Illustrator. So then I showed these to my partner who had suggested the idea in the first place, and she took one look at them and said, basically, "Oh, my God, Deke, that's way too much "effort, nobody wants to do that! "That's going to take you like a half an hour per card." And I was like, "Well, no, it's more like 15 minutes "per card." And she said, "People have lives, Deke! "They don't want to do that." And I said, "So what do you want?" And she said, "I want a generic man and a generic woman "that the kids can color in to suit the different people "that are coming to our dinner." And I said, "You mean, something along these lines?" And she said, "Yes!" Which is how I came up with the following movie.

Alright here's those coloring book style place cards. Just so you have a chance to see them on screen. I'm going to go ahead and switch over to the photographic version of the place cards and I'm going to convert the photographs into a tracing template by double-clicking on an empty portion of the photos layer, here inside the layers panel, and then I'll turn on the template check box and click OK. At which point Illustrator goes ahead and dims the templates and locks that layer. Now we need to create a new layer to draw on by pressing the alt key, or the option key on a Mac. And clicking on the little page icon at the bottom of the layers panel, and I'll call this layer color us.

And I'll change it's color to, let's say, Violet, and then click OK. Alright, for the moment I don't want to mess with the other layers, so I'm going to lock down both the borders layer and the names layer by clicking in that second column and then I'll go ahead and zoom in on the woman in the lower right quadrant of this document. Alright, now most of these cartoons are made up of ellipses. And so I'm going to go ahead and click and hold on the rectangle tool to bring up the shape tool fly out menu. And I'm going to switch to the ellipse tool. Now, I happen to know what size I want these ellipses to be, so I could either go up to the View menu and turn on my Smart Guides.

If you already see a check mark in front of Smart Guides, don't worry about it, they're already on. And then I'll draw an ellipse like so. And, depending on what version of Illustrator you're using, you'll see a heads up display right next to your cursor. Now, I happen to want this ellipse to be about 105 points wide, so I'll keep moving my cursor over to the left a little bit. And I also want it to be 157 points tall so I'm going to move my cursor up and I happen to have just nailed it right there.

So I'll go ahead and release before I mess things up. Now, I don't want the ellipse to cover up the template, so I'll go up to this first swatch in the control panel, click on it, and change it to none. And now, I'm going to change the line weight to two points and then I'll click on the word Stroke and select both the round cap and the round join. Alright, now I'm going to press the escape key to hide that panel and I'm going to nudge this ellipse just a little bit over to the right, I think. As well as a little bit up. Alright, now I need to rotate this ellipse and so, I'll double-click on the Rotate tool, here inside the toolbox.

And I'll enter and angle value of six degrees. And if you have the Preview check box turned on, then you can see the ellipse rotate on the fly, at which point I'll click OK and I'll just go ahead and nudge this guy a little bit to the left now. Alright, now to create the eye. And to do that, I need to switch back to the ellipse tool. And because I know what all the dimensions need to be, I'm just going to go ahead and alt click or option click right in the center of that woman's eye to bring up the ellipse dialogue box. And I'll change the width to 31 points and the height to 29 points.

And then I'll go ahead and click OK. Okay, and I need to rotate the eye a little bit, as well. So I'll, once again, double-click on the rotate tool, and this time I'll change the rotate value to negative four degrees, which is going to rotate this shape slightly down and to the right, and then I'll click OK. Alright, now, I'm going to zoom in a little bit so I can better see what I'm doing and I'm going to, once again, switch the ellipse tool and alt or option click on that center point in order to, once again, bring up the ellipse dialogue box. And then I'm going to change both the width and height values to eight points and click OK.

And now I'm going to get my line tool from the line tool fly out menu, and I'm going to drag slightly higher than the pupil, right at this point here, so that it can create a line that drifts down and to the left. In order to create this effect. And then I'm going to press the V key to switch to the black arrow tool and I'll click on the pupil to select it, and I'll press shift X in order to swap to fill in the stroke. Now you want to marquee all the shapes associated with the eye, while being careful not to select the outer ellipse, the one that represents the face.

Now, just go ahead and drag this guy by it's center point until it's center on the other eye, and then press the alt key, or the option key on a Mac, in order to duplicate those shapes. Now double-click on the rotate tool, once again, in order to bring up the rotate dialogue box and change this angle value to seven degrees to produce this effect here, and then click OK. Now we want to draw a mouth, once again, using the ellipse tool. So go ahead and select that tool and click any old place in order to bring up the ellipse dialogue box.

Change the width value to 59 and the height value to 41 points and click OK. And we'll end up with this incorrectly colored shape right here. And so, to make it look right, you press the I key to switch to the eyedropper tool and then go ahead and click on one of the path outlines with a two point stroke. Alright, now I want to rotate this shape, and so, double-click on the rotate tool. And I'm going to change the angle value to six degrees, which was the same angle at which I rotated the big elliptical face outline. And so I'll click OK to accept that change.

And then I'll press the A key to switch to my white arrow tool, I'll click on this top anchor point to select it and then I'll press the backspace key. Or the delete key on a Mac, to get rid of it. And then I'll press control J, or command J on a Mac, in order to copy my new end points with a straight segment. Now, I'll just go ahead and nudge this guy up so the bottom edge, actually, is lower than the lip and the top edge, that top straight segment cuts through the top lip in the tracing template. Alright, now we want to draw a petite little nose.

And I'll do that, once again, surprise, surprise, using the ellipse tool. And now I'll alt or option click right about there. Up and to the right of the tip of the nose. And I'll change both the width and the height values to 16 points, click OK. And now I need to rotate this shape, once again, by double-clicking on a rotate tool. And this time I'll want the angle value to be 45 degrees so that we're just moving the anchor points around. And now click okay and then I will press the A key to switch back to my white arrow tool, I'll click on this anchor point right there, the top left one, and I'll press the backspace key, or the delete key on a Mac to get rid of it.

And I might just nudge this path over to the right and up ever so slightly. Alright, now we're going to draw the neck. And you can do that starting with the line tool. So go ahead and grab that line segment tool and drag a line, more or less, like that, and then drag another one, making sure that you're snapping into alignment with the ellipse, down to right about there, let's say. I'm cutting into the hair a little bit, in other words. And now we want to join these two paths together. And so I'm going to first press the V key to switch back to my black arrow tool, and I'll shift click on this line to select it.

So both of the straight lines are now active. And now, the best way to merge them together is to switch to the pencil tool. Now, assuming that you're working inside Illustrator CC, the pencil tool is an awesome tool. If you're working in older versions of the software then you probably want to join these two segments with the pen tool, instead. But, assuming you're working with Illustrator CC, then press the enter key, or the return key on a Mac, to bring up the pencil tool options dialogue box. And then move the slider triangle right here all the way to the right side of the fidelity slider so that you're getting the smoothest results possible.

And then click OK. And now just drag from one end point to the other along her collar line, like so. And, even though I had a pretty rough outline going, I now have a very smooth result. Next, I'm going to zoom out a little bit and I'm going to draw the shoulders using the pencil tool. Starting out here in the paste board and then dragging in like so, and then to the other side. I don't want this left shoulder to be quite this high, and so I'll lower it slightly and then I'll drag down. And, even though I have a pretty rough looking outline at this point, it ends up looking super smooth.

Alright, now, I'm going to draw the hair, which is a little more tricky. And I'm going to end up dragging all the way down to the shoulders, which will upset things. Notice, if I just quickly drag some hair like so, and down to the shoulders, I will end up rerouting the shoulders, which is not what I want at all, and that's because they're selected. And so I'll go ahead and press control Z, or command Z on a Mac, to undo that change, and then I'll press control shift A, or command shift A on a Mac, to deselect my artwork. And now, I'll drag up and over, taking care to try to draw carefully, but it's pretty hard with a mouse.

And, incidentally, I am drawing with a mouse here, not with a tablet. And I'll drag down to there, let's say. And, if you want some additional bounce, in other words, you want the hair to come out a little bit, or maybe even, you want it to come down, let's say, and then out, then you should be able to just drag over the path outline. My problem is, it went ahead and extended the path, which is not what I want. So I need to drag the other direction instead. So I'm going to drag, more or less, like this. And that ends up flattening things out too much. So, I'll drag over the path a little more, like so.

In other words, you can keep manipulating this path outline using the pencil tool to any degree that you want. And, of course, at some point you feel like you're just not getting the results you're looking for, you can start the path outline over again. And let's say I'm just fed up with it, there's no way I'm going to make this work. Then I'll press the backspace key, or the delete key on a Mac to get rid of that path outline. That's not going to be any good. So I'll just stop there, I'll go ahead and re-draw this guy like so. Because I kind of want it to come out, as you're seeing, and then come back in, and then kind of end with a little bit of a flare.

And that time, it ends up coming out nicely. Alright, I do need this endpoint, however, to snap into alignment with our shoulders. So I'm going to press the A key to switch back to my white arrow tool, I'll click on that point to select it, and I'll drag it up until it snaps like so. And then, maybe, I'll drag that control handle downward. Alright, now let's draw the other side of the path by, once again, switching to the pencil tool. Which you can do by pressing the N key. And then I'll drag up and over so you can see, I'm giving her a lot more hair on the left hand side, and I end up with this result here.

Alright, again, I need to check that I've got a snap with the shoulder, so I'll press the A key to switch to the white arrow tool, I'll click on that point to select it, I'll drag it up and over a little bit just to get it out of the way, so it doesn't snap to itself. And then I'll drag it back so it snaps to the path. And we want to create some hair going along her face. And so I'll press the N key to switch back to the pencil tool, and I'm going to start right about here and then drag down, and then up, and then down again and then up, in order to create a curving path outline. And now I'll start right here.

And the reason I'm doing this is because, if you want a corner point, that is to say, a cusp, at this location, then you want to go ahead and drag from it in two separate passes. And now I'll go ahead and drag around like that, and then down here in order to create a path outline that looks more or less like that. However, you know what, I'm going to press the A key to switch to the white arrow tool and I'm going to go ahead and click on this anchor point and shift click on this one. And then, I'll get my scale tool. I'll click right here, in order to set an origin point, and then I'll drag this guy in, but not like that.

I need to press the shift key as I'm dragging in in order to constrain the angle of my drag to exclusively horizontal, as we're seeing here. Alright, now, I'll switch back to my white arrow tool. Which, again, you can get by pressing the A key, and I'll drag this corner point until it snaps into alignment up here. Alright, now I'm going to press the V key to switch to my black arrow tool, and I'll go ahead and marquee these two path outlines in order to select them. And just so that we have a clear sense of what we're accomplishing, I'm going to turn off that template layer so that we can see the cartoon all by itself.

At which point it looks a heck of a lot better. And now I'll select the shape builder tool, which is located three down from the scale tool, as you can see. And I'll just go ahead and click in this region and click in this one as well. And then I'll press the V key to switch back to my black arrow tool, I'll click off the path outlines. I need this path outline, I can't break it up. So, I'll go ahead and select it without moving it, of course, and I'll press control C, or command C on a Mac, and then I'll shift click on the big ellipse, I'll switch back to that shape builder tool, I'll click here, click here, switch back to the black arrow tool by pressing the V key, click off the paths, click on this guy, shift click on this one, shift click on this one, and on this one.

And then press the backspace key, or the delete key on a Mac to get rid of them. And then, just for the best results, so we don't have a lot of overlap, press the A key to switch back to the white arrow tool and marquee these anchor points and select these two guys as well, as well as this one. So, it may require some shift clicking. And then press the backspace key, or the delete key on the Mac to get rid of them and press control F, or command F on the Mac, in order to bring back that hair. Alright, now we need to do the same thing for the neck. So press the V key to switch to the black arrow tool, click on the neck to select it, press control C, or command C on the Mac, in order to copy it, very important.

Shift click on the shoulder to select it, go ahead and, once again, grab your shape builder tool and click in this region right here in order to break it away from everything else. Now press the V key to switch back to the black arrow tool, click off everything, click in this portion of the neck, shift click on this one, and shift click on this one and then press the backspace key, or the delete key on a Mac, to get rid of the entire neck. And now press control F, or command F on the Mac, in order to paste that neck back into place. And now, I'll just go ahead and click off the neck to deselect it.

And so, with just a little bit of work, we now have ourselves a generic female placecard that the kids can color to suite any of the women on our guest list, here inside Illustrator. Alright, so far, we've managed to draw the generic female, which is why, if you're a member of, I have a couple of follow up movies in which I show you, first, how to draw the generic male, and then, just in case your kids are a little more tech savvy and they'd rather color inside of Illustrator, as opposed to using crayons, then I've got another movie in which I show you how to color inside of Illustrator.

Which makes for a lot more flexibility. Because here we're seeing Constantine and Chloe, but then we can turn around and create Xerxes and Xaviera. And notice that they've got some different hair going on. And of course, as always, you want to go ahead and cut those cards out and fold them in order to create your wonderfully colorful place cards. For any dining occasion! Deke's Techniques, each and every week! Keep watching.

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Q: Why can't I earn a Certificate of Completion for this course?
A: We publish a new tutorial or tutorials for this course on a regular basis. We are unable to offer a Certificate of Completion because it is an ever-evolving course that is not designed to be completed. Check back often for new movies.





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