Pixel Playground with Bert Monroy
Illustration by John Hersey

Creating net fabric for a veil


Pixel Playground with Bert Monroy

with Bert Monroy

Video: Creating net fabric for a veil

What were going to do today is to create a netted fabric. And right here, right there we see the beginnings And we'll call it veil.
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  1. 9m 33s
    1. Easter basket: Creating the basket NEW
      9m 33s
  2. 25m 4s
    1. St. Patrick's Day card: Creating a shamrock and a pot of gold
      9m 13s
    2. St. Patrick's Day card: Adding the details
      8m 13s
    3. Creating a 3D Easter egg
      7m 38s
  3. 36m 43s
    1. Making a piece of candy: Adding the jelly filling
      10m 51s
    2. Creating a Valentine's Day card
      10m 10s
    3. Turning a daytime scene into night
      8m 24s
    4. Using Photoshop's Displace filter to create a waving flag
      7m 18s
  4. 45m 43s
    1. Using the Photoshop Flame Generator
      6m 53s
    2. Creating a mountain scene
      8m 24s
    3. Creating reflections in water
      6m 8s
    4. Making a diamond-encrusted type
      12m 11s
    5. Making a piece of candy: Creating the chocolate base
      12m 7s
  5. 27m 47s
    1. Mapping video onto a 3D object in Photoshop
      5m 50s
    2. Creating a wintery scene
      7m 36s
    3. Making a New Year's 2015 card
      14m 21s
  6. 33m 21s
    1. Three Dimensional type with extruded neon: Making the letter forms
      12m 29s
    2. 3D type with extruded neon: Adding the neon
      11m 48s
    3. Creating a Thanksgiving card
      9m 4s
  7. 47m 25s
    1. Creating a galaxy with Photoshop: Building the star field
      9m 23s
    2. Creating a galaxy with Photoshop: Adding color and effects
      10m 19s
    3. Creating a campfire scene: Adding the campfire
      12m 34s
    4. Creating a campfire scene: Adding trees and lighting
      8m 3s
    5. Creating a superhero type treatment
      7m 6s
  8. 46m 32s
    1. Making a desk nameplate
      12m 6s
    2. Illustrating a campfire from scratch
      9m 35s
    3. Creating realistic stains on bathroom tile
      9m 9s
    4. Creating a distressed windowsill from scratch
      15m 42s
  9. 45m 16s
    1. Increasing precipitation: How to make a rainy-day photo look rainier
      9m 34s
    2. Retouching techniques: Improving a picnic scene
      9m 28s
    3. Retouching techniques: Moving an object in a scene
      9m 29s
    4. Retouching techniques: Improving a real estate photo
      8m 53s
    5. Adding a billboard to a photo
      7m 52s
  10. 28m 56s
    1. Making a book: Perspective
      9m 53s
    2. Making a book: Adding pages
      9m 27s
    3. Using paths and layer styles to create logo text
      9m 36s
  11. 42m 42s
    1. Theater curtain: Animating a rising curtain
      7m 23s
    2. Creating a chalkboard
      12m 48s
    3. Creating a manila envelope
      12m 50s
    4. Turning a regular donut into a jelly donut
      9m 41s
  12. 48m 47s
    1. Creating net fabric for a veil
      15m 39s
    2. Animating a spotlight against a brick wall
      7m 1s
    3. Damen Station: Using Blend in Illustrator to create intricate details
      4m 34s
    4. Theater curtain: Making a braid and tassels
      9m 53s
    5. Theater curtain: Creating the curtain
      11m 40s
  13. 34m 22s
    1. Oyster Bar: Creating a canvas texture
      7m 53s
    2. Creating realistic reflections and shadows
      11m 0s
    3. Creating water droplets on a surface
      7m 42s
    4. Wrapping a pattern around a 3D wine goblet
      7m 47s
  14. 29m 7s
    1. Damen Station: Creating realistic rust
      6m 56s
    2. Oyster Bar: Creating puddles
      6m 15s
    3. Oyster Bar: Creating asphalt and concrete textures
      5m 3s
    4. Oyster Bar: Creating a manhole cover
      10m 53s
  15. 38m 48s
    1. Magazine cover: Creating a lamp
      13m 57s
    2. Magazine cover: Creating a wood floor
      13m 29s
    3. Damen Station: Adding multiple train cars
      5m 26s
    4. Damen Station: Creating bolts
      5m 56s
  16. 36m 9s
    1. Red truck: Creating a headlight
      7m 17s
    2. Red truck: Creating chrome headlight trim
      7m 37s
    3. Red truck: Creating realistic metal perforations
      7m 5s
    4. Red truck: Creating wear on metal
      6m 18s
    5. Magazine cover: Using perspective to draw a room
      7m 52s
  17. 31m 44s
    1. Oakland Theater: Creating lightbulbs
      15m 33s
    2. Changing photo contents with Auto-Align Layers
      6m 36s
    3. Creating a metal grill
      9m 35s
  18. 47m 14s
    1. Charms and medallions in Photoshop: Adding details
      10m 49s
    2. Charms and medallions in Photoshop: Adding a third dimension
      10m 10s
    3. Oakland Theater: Creating stone walls
      14m 11s
    4. Oakland Theater: Creating neon
      12m 4s
  19. 40m 9s
    1. Animating a 3D starfield
      7m 6s
    2. Creating an antique pub sign using Photoshop
      13m 1s
    3. Creating a custom brush to draw hair
      7m 57s
    4. Charms and medallions in Photoshop: First steps
      12m 5s
  20. 21m 8s
    1. Using a Fibonacci spiral to create a tattoo
      4m 19s
    2. Body shaping with Puppet Warp
      4m 1s
    3. Type effects in Photoshop: Pillow
      6m 46s
    4. Type effects in Photoshop: Clouds
      6m 2s
  21. 42m 37s
    1. Recreating magazine clippings
      7m 31s
    2. Creating realistic scales for a dragon tattoo
      6m 27s
    3. Creating spikes for a dragon tattoo
      10m 35s
    4. Creating the belly for a dragon tattoo
      10m 55s
    5. Creating a flower tattoo
      7m 9s
  22. 29m 24s
    1. Creating a custom brush
      7m 28s
    2. Using displacement maps to create shadows
      7m 27s
    3. Enhancing a landscape by adding a lake
      6m 37s
    4. Creating a dog tag
      7m 52s
  23. 23m 36s
    1. Creating animated snowfall with Photoshop
      6m 39s
    2. Filling an empty glass with liquid
      2m 51s
    3. Using an alpha channel to create a 3D object
      6m 53s
    4. Creating a 3D coin
      7m 13s

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Watch the Online Video Course Pixel Playground with Bert Monroy
13h 32m Intermediate Jun 07, 2013 Updated Mar 27, 2015

Viewers: in countries Watching now:

Take a 10-minute recess every week and join Bert Monroy in Adobe Photoshop or Illustrator, the playgrounds of digital artists. Every Friday Bert walks through a fun, self-contained project that tests your skills and challenges the imagination. These programs aren't just image editors; they are sandboxes for creativity and experimentation. Take a spin through a carousel of tools and get reinspired, each and every week.

Design Photography
Illustrator Photoshop
Bert Monroy

Creating net fabric for a veil

What were going to do today is to create a netted fabric. The kind of thing you would find like, say, like in a wedding veil. Now, there's going to be quite a few steps involved here. And always remember that any one of these steps, taken individually with a site modification, can be the solution to some problem you might be currently faced with. So, let's go in here and start to create this material. Now, the first thing we're going to need is a pattern. That's going to be the actual net. So, let's get in real close. I'm going to get in real close here, and I'm going to create a layer.

I'm going to create a layer, turn off the background. And get real close. I want to get so close, that I'm going to start to see that little cross hatch of the little actual pixels. So, what I'm going to do is, I'm going to select, right through here, a single pixel row. And I'm going to go ahead and fill that with a white, right there. Fill that with white. And I'm going to create a single pixel right across and fill that with white. And right here, right there we see the beginnings of the material for the netting of our, our material. So, what I'm going to do, is I'm going to select this.

And I want the, the little spaces to be say, four of those little pixels across. So, getting two on each side are going to give me the four there, right there. There, we can see this getting real close. We can see this. There, we can see how I've set, selected this. So, I have two on the top and bottom, which get carried over and step and repeat it to create the overall pattern. So, I'm gotta go here and say, Define Pattern. And we'll call it veil. There we go. All right? Let's pull back and now what I'm going to do is turn on my background again.

And what I'm going to do is then I'll create a brush. Now the purpose of this brush is, is going to be the embroidered pattern on top of our little veil. So, with black, I'm going to take a paintbrush. It's a little large right now. I'm going to make it a hard-edge. And make it much smaller. Let's make it really tiny, like this. And I'm going to go in here, and just draw a little shape, like this. Maybe not so pronounced. Let's, make it a little thinner. And, about like that. That looks good. So, I'm going to select that. And turn that into a brush preset.

And we'll call it, stitch. Okay, so now, I can select all and hit Delete to get rid of all those little things I did in that particular layer. So now, let's pull back and let's go here so we see the whole screen and I'm going to deselect. Now I'm going to start to create the actual shapes that are going to be the veil. So, just pull back just a little. And I got a path, I'm going to create my path, so right here, with my Pen tool. I'm going to create this little shape down here, I'm going to start outside of my canvas area.

I'm going to create this little shape that kind of goes like this and then it goes up here like this and then it goes down and up. See, I'm just kind of clicking and dragging. Right in the same areas. And then it ends outside again. Right there, like that. And I bring it all the way out. And surround the entire image like that. That's good. And I'm going to give it a name, so we'll just call this Fabric. Alright, it's going to have this nice little curvature towards the bottom. That's going to look good. All right. So now, right in here in the middle I'm going to want something else.

I'm going to want, say a flower. So, I have a rose here, photograph of a rose that I took. So, using the Pen tool what I'm going to do is I'm going to take certain petals and just very loosely surround those petals, just so I can start to get a shape that I want of those particular petals. Just like that. Right. I'm going to hit the Cmd key, just to give me the pointer so I can get off of that path and start another one right in here. So, I can just go in here and start to follow this particular shape. Now, when I'm done, you can see that I have one already where I've gone through all those steps and surrounded certain ones that I want.

So, what I'm going to do is I'm doing to go in here and with my Path Selection tool I'm going to select all those. And I'm going to go ahead and copy them, and go back to my embroidered veil. And right here, right in here, I'm going to say Paste. Now, it's a little large, so what I'm going to do is I'm going to shrink it down. Hit Cmd+T, to bring me to my Transform tools, and I'm just going to shrink it down. About like that, that looks good. Click OK. Apply it. And bring it up, let's bring it up just a little bit. Let's take those, and bring them up just a little bit like that.

And what I'm going to do is take this guy, and holding down my Option key to copy, I'm going to make a duplicate of it straight up like that. There we go, so now we're starting to get this nice little shape happening here. So, now we got all the basics, there we go. We have the beginnings of our nice little embroidered fabric. So now, we can turn off the paths for now. And let's go to our layers. And here's that layer where we're going to create this. In the background, I'm going to go ahead and invert the background. Cmd+I. And make it black. Or, perhaps we want something a little softer, so let's do that.

Let's get a nice soft blue. We'll get a, a deep blue like this for the foreground, for the background, we'll get a lighter version of that same blue, like that. And we'll throw a little gradient in there, a little sort of a circular gradient from here, from up here, down to about there, so we get this nice little tone like that. That's going to be the background. And then here, let's go ahead and call this veil, or call it the veil. And I'm going to go ahead and fill that, so we'll say Fill, and we're going to use the pattern we created.

Pattern, and it will appear right here at the end. There it is, right there. Click OK and there it filled it with that pattern. Get in real close and we can see that we have all this nice little netting in there. So, there's our pattern. Alright, so now, let's start giving this the look that we want. So. I'm going to go in here. And let's go see our paths. Here's our paths. I'm going to select this, I'm going to select this outer path right here. Select that outer path right there and turn it into a selection. Go back to my layers and in that veil I'm going to say, give it a mask.

So, there you can see now it's taking on the shape that we want. There we go. So now, on top of this, what we're going to do is we're going to create the new embroidery. So, we're going to go up here and say, let's say embroidery. Alright, I get my paint brush and I choose that last brush. There it is. I selected that brush, here's the brush I created. So, now we can go in there and play with it a little bit. Bring it down in size. Smaller like that and we're going to our Brushes panel here and I'll do a few things to it.

First thing I'm going to do is give it a little more spacing and increase the spacing a little bit. There we go, about like that, gives me a nice little bit of spacing in there. And in shape dynamics you can see we have some settings already. I have a little bit of a size jitter, just a little bit. Here's left size jitter, in fact, let's bring everything down to zero, okay. There's the default. So, what I'm going to do is, I'm going to just give it a little size jitter. Just so I have a little variation in size. Just a little bit more. A little bit of an angle. Just a touch, I don't want to go all over the place. I just want to, just a little touch so it starts to have a little bit of a movement to it.

And then I set the control here to direction so it's going to follow my strokes. Now that I have that, that's all I need. I click OK. Make it, it, just go away and there. This is going to be a nice size. It's going to give me that kind of an effect that you see right there. So, what I am going to do now, is I am going to back to my paths and here is my paths, I got all the paths, there's the paths I created. So, I am going to take that brush. I have the size. I have the color. I am going to say, stroke it. It's going to go in there and stroke all those little paths, just like that, giving me this nice little embroidered effect.

There, that's starting to get there. Okay, so now, what I'm going to do next, is I'm going to go in here and start to give this a little more life. So, what I'm going to do is, I'm going to come and, let's look at our layers again,. And at this point, I'm going to go in and we'll just take away this mask. Take away the mask, we don't' need it anymore. And we'll say Yes Apply it. Okay, and I'm going to merge this guy down, merge it down to the one below. Merge down, there we go. So, now, the next thing I'm going to do is I'm going to start to bend this a little bit.

So, what I want to do is I want to go in here and give this a nice flow to it. So, it starts to look like it's not just laying flat on the surface, it's got a nice little flow to it. So, in a new layer, right on top here, I'm going to call this layer the map, or tones, how's that? That'll work. And I'm going to fill that layer with a 50% gray. That's a neutral density which will have no effect on what I'm going to do next. And then, with my paintbrush, and I'll choose a nice soft edge brush, right here.

Okay? And we'll make it really large. I'm going to throw some white right across here like this. Maybe make it a little bigger towards the bottom, and a bigger one right through here. And another one right through there, and then with black we'll throw a little black in here and a little black right in here. Now, I'm going to blur this, I want these guys to be really soft so I'm going to give a little Gaussian blur just to soften them a little more. Like that. There we go. Now, this has to be a totally separate file. So, what I'm going to do, is I'm going to do a Select All, and I'm going to Copy it.

And I'm going to go to New, which is going to reflect what's in the clipboard, and Paste. Then, I'm going to Save. I'm going to save it, and we just call it map. I'm going to put it right on my desktop. Okay. Back with, this one we could throw away. We don't need to see it. We don't have to have it open, and back to where we are. We're going to deselect, take this tone. I see that tone. And what we're going to do to this tone is give it that same mask. So, I'm going to go in here. Select this guy right there. Say, make it a selection.

Alright, and, go back. I got my layer. There it is. Make sure I'm in right layer. Say, give it a mask. So there, now it's masked inside of there. Okay, that's looking really good. So now, I can throw in a mask and I say apply it. What I'm going to do with that little tone right there is I'm going to go in and I'm going to mess around with it in a few minutes. But not quiet yet. So, let's turn it off for now. Let's grab our veil. And I'm going to go in and say, and go right in here and go in and say, Distort>Displace.

Now, it's got the default of 10 and 10, might raise it up a little bit, make it about 12 and 12. Click OK, and there's my map. I say Open. And there you can see how it's twisted everything. It's given everything a nice little twist to it, right? So now, I turn this on. I put this in Multiply mode. And Multiply's going to give me these nice little shadows. You see? Just like those. I gotta bring them down just a little bit. There we go. And then I'm going to duplicate it, make a second one. And this one I'm going to put in screen mode.

Screen mode and bring down it's opacity just a little, since I have some highlights here and there where I want them. Now, for the dark one, I'm going to go ahead and erase down here. I don't want some of this stuff to show down here. So, I'm just going to go ahead and erase in some of these areas, right here, where I don't want any. There we go. Alright. In fact, we can kind of, erase a lot of these tones, right up into this area as well, there we go, just to get all this nice white tones to show through. There we go.

And maybe we could just bring this down just a little. And I'm going to bring down the opacity just a little bit. Just a, and I'm getting a little twist here. Let's turn that off. Okay, there we go. So, we were just going to go in there and just kind of erase in certain areas where we don't want it to be complete. Bring this down to about 10% just to lighten up certain areas. You don't want the embroidery to get completely hidden in there. So, I'm just lightning up just certain parts so the embroidery doesn't get affected. There we go. Alright, so now that we have that, we can go ahead and turn off our background and say Merge Physical.

In fact, before we do that, backtrack. Alright, so what we're going to do now is we're going to take that veil. There's the veil itself. And we're going to give it a drop shadow. Double-click on it and say, give it a drop shadow. There's my drop shadow. We'll click Okay. Alright, there it is. So, now, now what I am going to do is I am going to take all three of these layers, all three of them, and I am going to go in and in my transforms, what I am going to do is, I'm going to start to hold down my Cmd key so I can kind of distort things separately, and I am going to start to twist this around a little bit.

Just to give it a little more of a movement to it. About like this. There we go. Now, we start to get this nice, kind of a, an effect like that. Click OK. So, it is my drop shadow. So, what I am going to do is I am going to take that drop shadow out of there. So, I'll come over here and say, Layer> Layer Style>Create layer. So, I have my little drop shadow. There's my drop shadow, so I'm going to effect my drop shadow a little differently. I'm going to take that drop shadow and I'm going to kind of start to bend it a little but.

So, what I'm going to do is, I'm going to select this little area right here. This little area. Now, you notice I'm selecting a block like that. This is what I want to man, manipulate, the middle part, so I select it so that that middle part is exposed. And that area is kind of raised from the surface, or maybe this area is raised from the surface. But we're going to make that one raised, so I'm going to go in there and say Distort>Warp. And I grab just that corner and we'll drag that out, see, that way it stays nice and clean along the top.

Make that happen and then we're going to take this little area right here, and maybe this, this, yeah, I'll take this whole area right here. And we'll say the same thing. We'll go in there and say Warp. And we'll drag the corner out just like that. And there we can see that now we have these nice little shadows underneath there that are kind of conforming to the thing. Now, if I want to, I might want to go in there and just do a little warp right here in the middle. Bring it in. So, it's a little behind there, just like so.

And there you can see that we have this nice, veiled, netting kind of a thing, with an embroidery of a rose and a couple of little trims along the bottom. And it's just a question of going in there and playing around with different parts of Photoshop. To give you the sense of movement in the fabric, to give you the sense of the fabric and what it's made of. It's all easy once you understand what Photoshop can do.

Find answers to the most frequently asked questions about Pixel Playground with Bert Monroy .

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Q: Why can't I earn a Certificate of Completion for this course?
A: We publish a new tutorial or tutorials for this course on a regular basis. We are unable to offer a Certificate of Completion because it is an ever-evolving course that is not designed to be completed. Check back often for new movies.
Q: Why are some of the 3D menu items grayed out when I try to follow along?
A: The 3D features in Photoshop CC require a computer with at least 512MB VRAM. If your computer doesn't meet this criterion, the 3D menu features will be greyed out.
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