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Our next task is to combine the image and masthead. You'll remember that we did this in InDesign, but we had some problems because there are some trapped areas of negative space inside the curls of the hair, and we couldn't really mask those out using the Pen tool in InDesign. But we are able to do that in Photoshop using a layer mask. And you can see that I have two layers here that together achieve this effect. So let's re-create it. I am going to turn those two off and then come to my bottom layer, switch to my Rectangular Marquee tool by pressing the M key, make a selection of that portion of the head, and then press Command+J or Ctrl+J to copy that to a new layer.
That then needs to go above the masthead layer, and we now need to try and drop out the white space around the hair. I am going to turn off the other two layers so we are looking just at this portion in isolation, and then I am going to come to the Select menu and to Color Range, select the white background. I have Invert checked. I have the Fuzziness way up. You can see that if turn the fuzziness down we get that sort of effect, but as I move it up, it becomes a finer selection.
So I am going to go with about 140 for the Fuzziness. And now we can turn the two layers on again. And I'm going to use that selection as a layer mask on layer 2, and it's going look like that. So now I am going to come and paint back in these areas. I am going to do that on the layer mask, and it needs to be in my Brush tool with white as my foreground color, Normal as my mode, and 100% Opacity.
Now I will say that if you are doing this, try and avoid too much of an overlap. The way you position the model in the first place is either going to make your life very hard-- you might want to try to achieve this--or relatively easy. So I would personally opt for the Easy option. And we do have one secret weapon up our sleeve, and that is that although we are currently looking at the masthead in magenta--which is very contrasting against the hair color-- I am actually going to change it to a gold color which will blend with the color of the hair much more sympathetically.
But for the moment, I just want to see where the problems lie. So I am painting these areas back in. This area here is going to be very problematic, and that's because as soon as I try them paint back in, the hair, we also reintroduce the white of the background. So what I am going to do for that portion is I'm going to put that on a whole separate layer, I am going to duplicate layer 2, and on layer 2 I am now going to fill the mask with black.
Black is currently my background color, so I will press Command or Ctrl and the Backspace or Delete key. And now painting in white, I am just going to paint over that area, aware of the fact that I am bringing back some of that white surround that we don't want. And then here I'm going to adjust the mask edge. I double-clicked on the layer mask and then clicked on the Mask Edge button, and I am now going to adjust these settings.
I want to shift the edge towards the left, and you can see that should be contracting that white space around the hair. Very modest amount of Feathering, maybe increase the Radius to 1, and then I am going to use this tool, the Refine Radius tool, just paint over that edge, maybe with a smaller brush than that. Now if you went too far, as I just did, hold down the Alt key and paint over it to restore it, and then I am going to go painting over again.
All right, that could be better, but I'm going to live with that as it is, and I'm just going to output this to the layer mask rather than create a whole new layer. So then I'm going to blend these two layers together, Command+E or Ctrl+E, and those two layers will become one. Now I will choose my Eyedropper tool, come and sample the color that we want to use for the masthead, and let's go with that.
Then I'll come to the masthead, Option or Alt and the Backspace or Delete key, and there we have our finished result, a relatively subtle masking of the model's hair against the type of masthead, so right here, here, and here.
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