Easy-to-follow video tutorials help you learn software, creative, and business skills.Become a member

Applying tints and shades of a single swatch

From: Illustrator CS6 One-on-One: Advanced

Video: Applying tints and shades of a single swatch

In this movie, I will show you how to reverse the colors of the T-shirt on right, so it's a dark T-shirt with light trim. And I will also show you how to switch out the background so that it's all tints and shades of a single swatch, as in the case of this final version of the artwork here. All right, so I will switch back to the art that I created in the previous movie, and then I will bring up my right side panels by pressing Shift+Tab, and I'll lock down the backdrop layer in order to protect it. And then I will press Shift+Tab again in order to hide the panels and I will marquee the shirt like so, in order to select all of its objects.

Applying tints and shades of a single swatch

In this movie, I will show you how to reverse the colors of the T-shirt on right, so it's a dark T-shirt with light trim. And I will also show you how to switch out the background so that it's all tints and shades of a single swatch, as in the case of this final version of the artwork here. All right, so I will switch back to the art that I created in the previous movie, and then I will bring up my right side panels by pressing Shift+Tab, and I'll lock down the backdrop layer in order to protect it. And then I will press Shift+Tab again in order to hide the panels and I will marquee the shirt like so, in order to select all of its objects.

Doesn't look like it's selected because I had hidden my selection edges, so I will press Ctrl+H or Command+H on the Mac to bring them back. Now I will click on Recolor Artwork icon in order to bring up the Recolor Art dialog box. I am going to make some very quick modifications here. I am going to drag this color up to this bar right there, so that's going to switch out those two, and then I will grab that same color swatch and I will switch it out with a top one in order to create this effect here. So in each case, Illustrator is swapping those colors with each other.

Now the only remaining problem is that the text here should be dark instead of light. And I want it to be darker than the T-shift surface itself, which is this top color right here, so you can see that I have gone ahead and switched my CMYK values, which are 45, 60, 80, 40, just need to remember that. Now I will click on this lighter brown in order to select it and I will dial in those same first three color values: 45 for Cyan, 60 for Magenta, and 80 for Yellow, and then I will crank the Black value up to 70% in order to produce this effect here. And now I will click OK.

So as you can see, Re-coloring Artwork becomes a pretty simple operation after a while. All right, now I want to recolor the background behind the left hand shirt. So I will press Shift+Tab in order to bring back my right side panels, and this time I am going to lock the brown Ts layer, and then I am going to unlock the backdrop layer. And now I will press Shift+Tab again in order to hide that panel and I will marquee across the artboard like so in order to select the background paths on the first artboard only. And then I will once again click in the Recolor Artwork icon and I will move the dialog box over to the right, so I can see what I am doing.

Now this time I want to work with a specific shade of green and it happens to be this second swatch inside of the Bird of Paradise group. So I will go ahead and select that group to make it active. This is an example of a case in which I have selected a Color group that has far more colors in it than does the selected artwork. However, I want fewer colors still. I just want this Shade of green and that's it, so I am going to drag it up and swap it with that Shade of red right there, and then I am going to change Colors from Auto to 1.

Now you need to decide how Illustrator is calculating the different tints and shades. Now by default it's creating tints of this base color only; that is to say, lighter versions of the color, but not darker. And the only reason we are retaining the darkness around the border is because Black is protected. However, you can change that. So if you hover next to this little collection of colors, you will see a down-pointing arrowhead; go ahead and click on it and you'll see these various options that you can choose from. Now by default Scale Tints is selected, but let me show you what's going on with all of these.

I will select Exact, which means that you are going to boil all of the colors down to a single color and that's it, the one color swatch. But you are not going to see it happen on the fly, which is a little bit frustrating in my opinion. What you have to do is click off the menu in order to apply the settings. So you can now see everything but black is turning to that one shade of green. If you want to preserve the tints inside of the existing colors--that is preserve the relative brightness differences--then you'd select the second option and click off of it in order to apply it. But notice now that we have very little distinction between these shapes right here--you may not even be able to see them--and the background green.

Whereas, if you go ahead and scale the tints, then you are going to create more distance between those tint values, so I will go ahead and select that third option and then click off of it and you can see that these guys right here show up a lot better. Now the other two remaining options here are dimmed unless you turn off Preserve Spot Colors. Now this may seem weird, because this document doesn't contain any spot colors. But the idea is that were I using Spot colors, then I would not be able to change the shades of those spot colors-- in other words, make them darker--nor would I be able to shift the Hues.

But if you are working inside of a document that's strictly CMYK, then feel free to turn that checkbox off and then you have those two more options available. So if I select Tints and Shades and once again click off the menu, then I am going to get some darker colors, as you can see here, darker variations on that green. And then if I select Hue+Shift and click off, then I am going to get a little bit of Hue variations going on as well. I am not looking for the Hue variations for this one, so I will just go ahead and choose Tints and Shades, click off in order to see the Preview. Looks great, and then click OK to apply your change.

Now at this point Illustrator is going to ask me if I want to update the group Bird of Paradise; that would be a terrible idea. So I will go ahead and click on the No button. However that still goes ahead and re-colors my artwork, as I can see, if I deselect it by pressing Ctrl+Shift+A or Command+Shift+A on the Mac. And that's how you distill selected artwork down to tints and shades of a single color swatch, here inside Illustrator.

Show transcript

This video is part of

Image for Illustrator CS6 One-on-One: Advanced
Illustrator CS6 One-on-One: Advanced

118 video lessons · 14797 viewers

Deke McClelland
Author

 
Expand all | Collapse all
  1. 43m 9s
    1. Welcome to One-on-One
      2m 9s
    2. Introducing my custom keyboard shortcuts
      6m 52s
    3. Installing my dekeKeys shortcuts on Windows
      4m 46s
    4. Installing my dekeKeys shortcuts on the Mac
      4m 18s
    5. Remapping your Macintosh OS shortcuts
      3m 10s
    6. Adjusting a few key Preferences settings
      8m 13s
    7. Understanding the color-managed workflow
      6m 51s
    8. Establishing the optimal Color Settings
      6m 50s
  2. 1h 11m
    1. Illustrator's oldest dynamic functions
      1m 28s
    2. Creating a multicolor blend
      7m 12s
    3. Establishing a clipping mask
      5m 40s
    4. Reinstating the colors of a clipping path
      8m 1s
    5. Editing individual blended paths
      4m 44s
    6. Adjusting the number of steps in a blend
      7m 15s
    7. Fixing problems with the Blend tool
      4m 2s
    8. Blending different levels of opacity
      4m 45s
    9. Editing the spine of a blend
      5m 3s
    10. Adding a custom spine to any blend
      5m 5s
    11. Advanced blending and masking techniques
      6m 18s
    12. Blending between entire groups
      3m 2s
    13. Adjusting the speed of a blend
      3m 21s
    14. Rotating objects in 3D space
      5m 36s
  3. 1h 0m
    1. Illustrator's logo-making features
      1m 8s
    2. Customizing a single character of type
      5m 25s
    3. Combining a letterform with a path outline
      7m 48s
    4. Creating logo type along an open path
      5m 3s
    5. Creating logo type around a closed circle
      3m 57s
    6. Vertical alignment, orientation, and spacing
      4m 55s
    7. Warping logo type around a circle
      6m 56s
    8. Creating a classic neon type effect
      5m 39s
    9. Adding random neon brightness fluctuations
      5m 19s
    10. Creating neon "block outs" between letters
      7m 44s
    11. Adding neon blur and bokeh in Photoshop
      6m 16s
  4. 46m 19s
    1. Generating colors using harmony rules
      1m 31s
    2. Introducing the Color Guide panel
      5m 16s
    3. The 23 color harmony rules, diagrammed
      8m 16s
    4. Mixing and matching color harmonies
      5m 59s
    5. Color groups and custom harmony rules
      6m 18s
    6. Working in the Edit Colors dialog box
      7m 4s
    7. Expanding on an existing harmony rule
      6m 51s
    8. Constraining colors to a predefined library
      5m 4s
  5. 32m 44s
    1. Changing lots of colors all at once
      1m 2s
    2. Introducing the Recolor Artwork command
      4m 58s
    3. Recoloring with the help of swatch groups
      4m 35s
    4. Changing the color-assignment order
      6m 44s
    5. Reducing the number of colors in your art
      5m 7s
    6. Applying tints and shades of a single swatch
      5m 37s
    7. Recoloring artwork that contains gradients
      4m 41s
  6. 1h 15m
    1. Painting with path outlines
      1m 24s
    2. Introducing the Brushes panel
      4m 25s
    3. Applying and editing a calligraphic brush
      7m 34s
    4. Applying and scaling an art brush
      6m 12s
    5. Applying and editing a scatter brush
      5m 31s
    6. Formatting and scaling brushed text
      5m 45s
    7. Designing a custom art brush
      7m 35s
    8. Creating (or replacing) an art brush
      6m 42s
    9. Refining a brush to fit ends and corners
      4m 11s
    10. Expanding, filling, and stroking a brush
      7m 4s
    11. Type on a path vs. text as an art brush
      7m 3s
    12. Distorting text with the Width tool
      8m 49s
    13. Infusing your artwork with a tile pattern
      3m 13s
  7. 58m 24s
    1. The many forms of transparency
      1m 38s
    2. Creating translucency with the Opacity value
      4m 21s
    3. Darken, Multiply, and Color Burn
      6m 15s
    4. Lighten, Screen, and Color Dodge
      5m 8s
    5. Overlay, Soft Light, Hard Light, Difference, and Exclusion
      4m 59s
    6. Hue, Saturation, Color, and Luminosity
      5m 12s
    7. Combining the effects of multiple blend modes
      6m 42s
    8. Isolating blending and Knockout Group
      7m 37s
    9. Combining blend modes with dynamic effects
      7m 25s
    10. Exporting transparency from Illustrator
      9m 7s
  8. 1h 39m
    1. The Layers panel for dynamic attributes
      1m 4s
    2. Applying attributes in the Appearance panel
      6m 15s
    3. Creating depth using translucent strokes
      5m 37s
    4. Adding, layering, and offsetting strokes
      6m 12s
    5. Duplicating entire groups of attributes
      7m 55s
    6. Turning stacked strokes into editable paths
      5m 43s
    7. Simplifying a multi-stroke effect
      6m 31s
    8. Applying the Convert to Shape effect
      7m 47s
    9. Adding aligned patterns and shadows
      8m 16s
    10. Drawing with arrowheads and angled strokes
      8m 49s
    11. Employing overlapping gradient strokes
      8m 25s
    12. Drawing circular stroke elements
      10m 13s
    13. Outlining an entire multi-stroke effect
      8m 39s
    14. Creating seamless wood grain in Photoshop
      8m 11s
  9. 1h 12m
    1. The best features in Illustrator
      1m 38s
    2. Repeating a series of transformations
      6m 18s
    3. Adjusting and updating a dynamic effect
      6m 37s
    4. Applying a stroke to an entire layer
      6m 24s
    5. Improving the performance of drop shadows
      5m 40s
    6. Applying a single effect multiple times
      6m 10s
    7. Creating an intricate Spirograph pattern
      7m 10s
    8. Adding scalloped edges with Pucker & Bloat
      4m 40s
    9. Applying a dynamic Pathfinder to a layer
      3m 56s
    10. Creating beveled ornaments
      6m 50s
    11. Creating a sculptural type effect
      5m 59s
    12. Subtracting editable text from a path
      7m 6s
    13. Editing text inside a dynamic effect
      4m 25s
  10. 27m 40s
    1. Never remember anything again, ever
      1m 41s
    2. The pixel-based Effect Gallery
      3m 53s
    3. Copying effects from one layer to another
      4m 44s
    4. Introducing the Graphic Styles panel
      4m 11s
    5. Correcting previews in the Effect Gallery
      4m 36s
    6. Adjusting the resolution of your effects
      4m 0s
    7. Combining and saving graphic styles
      4m 35s
  11. 1h 13m
    1. Two powerful graphics programs combine forces
      1m 5s
    2. Creating a perfectly centered star shape
      6m 52s
    3. Precisely scaling concentric circles
      7m 47s
    4. Adding reflective highlights with the Flare tool
      6m 23s
    5. Two ways to rasterize vector art for Photoshop
      7m 37s
    6. Importing vector art as a Smart Object
      6m 47s
    7. Creating a lens flare effect in Photoshop
      7m 56s
    8. Photographic texture and brushed highlights
      6m 26s
    9. Modifying a vector Smart Object in Illustrator
      6m 33s
    10. Converting Illustrator paths to shape layers
      6m 27s
    11. Assign layer effects to native shape layers
      5m 55s
    12. Completing a work of photorealistic art
      3m 46s
  12. 1m 5s
    1. Until next time
      1m 5s

Start learning today

Get unlimited access to all courses for just $25/month.

Become a member
Sometimes @lynda teaches me how to use a program and sometimes Lynda.com changes my life forever. @JosefShutter
@lynda lynda.com is an absolute life saver when it comes to learning todays software. Definitely recommend it! #higherlearning @Michael_Caraway
@lynda The best thing online! Your database of courses is great! To the mark and very helpful. Thanks! @ru22more
Got to create something yesterday I never thought I could do. #thanks @lynda @Ngventurella
I really do love @lynda as a learning platform. Never stop learning and developing, it’s probably our greatest gift as a species! @soundslikedavid
@lynda just subscribed to lynda.com all I can say its brilliant join now trust me @ButchSamurai
@lynda is an awesome resource. The membership is priceless if you take advantage of it. @diabetic_techie
One of the best decision I made this year. Buy a 1yr subscription to @lynda @cybercaptive
guys lynda.com (@lynda) is the best. So far I’ve learned Java, principles of OO programming, and now learning about MS project @lucasmitchell
Signed back up to @lynda dot com. I’ve missed it!! Proper geeking out right now! #timetolearn #geek @JayGodbold
Share a link to this course

What are exercise files?

Exercise files are the same files the author uses in the course. Save time by downloading the author's files instead of setting up your own files, and learn by following along with the instructor.

Can I take this course without the exercise files?

Yes! If you decide you would like the exercise files later, you can upgrade to a premium account any time.

Become a member Download sample files See plans and pricing

Please wait... please wait ...
Upgrade to get access to exercise files.

Exercise files video

How to use exercise files.

Learn by watching, listening, and doing, Exercise files are the same files the author uses in the course, so you can download them and follow along Premium memberships include access to all exercise files in the library.


Exercise files

Exercise files video

How to use exercise files.

For additional information on downloading and using exercise files, watch our instructional video or read the instructions in the FAQ .

This course includes free exercise files, so you can practice while you watch the course. To access all the exercise files in our library, become a Premium Member.

Join now Already a member? Log in

Are you sure you want to mark all the videos in this course as unwatched?

This will not affect your course history, your reports, or your certificates of completion for this course.


Mark all as unwatched Cancel

Congratulations

You have completed Illustrator CS6 One-on-One: Advanced.

Return to your organization's learning portal to continue training, or close this page.


OK
Become a member to add this course to a playlist

Join today and get unlimited access to the entire library of video courses—and create as many playlists as you like.

Get started

Already a member ?

Become a member to like this course.

Join today and get unlimited access to the entire library of video courses.

Get started

Already a member?

Exercise files

Learn by watching, listening, and doing! Exercise files are the same files the author uses in the course, so you can download them and follow along. Exercise files are available with all Premium memberships. Learn more

Get started

Already a Premium member?

Exercise files video

How to use exercise files.

Ask a question

Thanks for contacting us.
You’ll hear from our Customer Service team within 24 hours.

Please enter the text shown below:

The classic layout automatically defaults to the latest Flash Player.

To choose a different player, hold the cursor over your name at the top right of any lynda.com page and choose Site preferences from the dropdown menu.

Continue to classic layout Stay on new layout
Exercise files

Access exercise files from a button right under the course name.

Mark videos as unwatched

Remove icons showing you already watched videos if you want to start over.

Control your viewing experience

Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.

Interactive transcripts

Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.

Learn more, save more. Upgrade today!

Get our Annual Premium Membership at our best savings yet.

Upgrade to our Annual Premium Membership today and get even more value from your lynda.com subscription:

“In a way, I feel like you are rooting for me. Like you are really invested in my experience, and want me to get as much out of these courses as possible this is the best place to start on your journey to learning new material.”— Nadine H.

Thanks for signing up.

We’ll send you a confirmation email shortly.


Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

Keep up with news, tips, and latest courses with emails from lynda.com.

Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

   
submit Lightbox submit clicked
Terms and conditions of use

We've updated our terms and conditions (now called terms of service).Go
Review and accept our updated terms of service.